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345:(1907). Chomón's work was also more expansive in terms of genre than that of Méliès; he started in actuality films and continued working in this field after the transition to documentary and was also employed on standard dramatic features as well. Méliès began making actualities also, in 1896, but after discovering and developing the trick film and fantasy genres, he stayed put. Nevertheless, it is for his trick films that Chomón will be best remembered; Spain honored him with a postage stamp in 1994. Chomón's film
337:" in the movies, utilizing a device built by Chomón. Finally, recognition came to Chomón in his home country, as the Filmoteca de Catalunya established a special division with the purpose of collecting and cataloguing what was left of his output; a DVD collection in PAL format with 31 films, Segundo Chomón: Le Cine de la Fantasia, was released by the Filmoteca in 2010. Many of de Chomon's Parisian Pathé Frères films have been recovered, but his Spanish and Italian productions have proven more elusive.
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269:. Shortly afterward, Zecca moved into an executive position at Pathé and did little direction from that time; Chomón's most productive years as a filmmaker lasted from 1907 to 1912, a period during which Méliès' production went into a steep decline. Chomón often worked with other directors; in addition to Zecca he collaborated with
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eye-popping production designs, Chomon was a slightly more modern filmmaker than Méliès. Chomón relied extensively on animation, a field in which he was a pioneer and a technique
Georges Méliès seldom, if ever, used. Moreover, Chomón offered slight improvements on some techniques that Méliès already had tried, such as in
306:(1927). Towards the end of his life, Chomón collaborated with Swiss inventor Ernest Zollinger (ex-Pathé, ex-Itala Films) to develop a photographic, two-color film process. Chomón was planning to get back into full-time film production on his own when he died, suddenly, of a heart attack at age 57.
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Comparisons of Chomón's work with that of
Georges Méliès is inevitable, with those in Chomón's court insisting that he was a better filmmaker, whereas those on Méliès' side insist that Chomón was a mere imitator. While it is hard to top Méliès' achievements in discovering basic editing and in his
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Chomón was expert enough at making trick films and had proven himself so valuable to Pathé that in 1905 he and
Mathieu moved from Barcelona to Paris, and Chomón was placed in charge of a color stencilling shop in addition to his periodic duties as a director. Through 1907, Chomón worked in close
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The very year that Chomón died, the
Surrealists organized a soirée that would rehabilitate the artistic reputation of Georges Méliès and to begin the long process of recovering his films. Chomón was effectively forgotten in the wake of his death, though over time silent film collectors began to
294:; Chomón's own films had become less frequent after his move to Italy, and he had primarily worked in visual effects and cinematography in these years. After 1917, Chomón principally worked on creating visual effects for the films of others, including Guido Brignone's
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231:. Around 1900 he became an agent for Pathé Frères in Spain, publicizing and distributing their films out of Barcelona. In 1901, Chomón began producing actuality films in Spain on an independent basis and distributing them through Pathé; his first
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325:(1908), persistently circulated in the collector's market and were also circulated by the Museum of Modern Art film library; the first as an example of stencilled color and the second as a
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In 1912, Chómon accepted an invitation to make films in Italy. In addition to his own films, he worked on special effects on the films of others, notably
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191:; 17 October 1871 – 2 May 1929) was a pioneering Spanish film director, cinematographer and screenwriter. He produced many short films in
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recognize some of his shorts and he was dubbed "The
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290:(1914). Pastrone returned the favor in 1917 through collaborating on Chomón's last directorial effort,
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and, from 1903, began to support these efforts with the desire of competing with
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Eleanor McKeown, "The
Spanish Weirdness of Segundo de Chomón" Electric Sheep
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Eleanor McKeown, "The
Spanish Weirdness of Segundo de Chomón" Electric Sheep
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Gartenberg Media DVD "Segundo De Chomón (1903–1912): El Cine de la
Fantasia"
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Gartenberg Media DVD "Segundo De Chomón (1903–1912): El Cine de la
Fantasia"
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Paghat the
Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Paghat the Ratgirl, Wild Realm Review: Films of Segundo de Chomón
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Spanish film director, cinematographer, screenwriter and animator
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Segundo de Chomón : un pionnier méconnu du cinéma européen,
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1477:, Zaragoza, Caja de Ahorros de la Inmaculada-Edelvives, 1999.
1465:À la recherche de Segundo de Chomón : pionnier du cinéma,
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Europa Film Treasures, "Les Kirikis, acrobates japonaises
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Anthology Film Archives, "The Singular Segundo de Chomón"
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Anthology Film Archives, "The Singular Segundo de Chomón"
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Anthology Film Archives, "The Singular Segundo de Chomón"
1504:, Universidad de Zaragoza, Prensas Universitarias, 1988.
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Europa Film Treasures Les Kirikis, acrobates japoniases
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Europa Film Treasures: Les Kiriki, acrobates japonaises
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173:Segundo Víctor Aurelio Chomón y Ruiz
53:Segundo Víctor Aurelio Chomón y Ruiz
1757:Pickpock ne craint pas les entraves
1701:Gulliver en el país de los Gigantes
1540:Works by or about Segundo de Chomón
1502:Los 500 filmes de Segundo de Chomón
1086:Pickpock ne craint pas les entraves
435:Gulliver en el país de los Gigantes
237:Gulliver en el país de los gigantes
1830:20th-century Spanish screenwriters
953:Les tribulations du roi Tétaclaque
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1835:20th-century Spanish male writers
1467:Annecy, Les Éditions du lac, 1985
1709:Barcelone, Le parc au crépuscule
1693:Los héroes del sitio de Zaragoza
1549:The Segundo de Chomón Collection
595:Ali Baba et les quarante voleurs
457:Barcelone, Le parc au crépuscule
443:Los héroes del sitio de Zaragoza
541:Le mariage du roi Alphonse XIII
223:productions and worked in some
1588:Easter Eggs (1907) – full film
767:Chiffonniers et caricaturistes
717:Les Kiriki, acrobates japonais
343:Les Kiriki, acrobates japonais
247:noted the quality of Chomón's
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1507:(fr) Tharrats, Juan Gabriel,
1111:Voyage sur la planète Jupiter
1294:La guerra e il sogno di Momi
1105:Voyage au centre de la Terre
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501:L'homme aux trente-six têtes
372:were familiar with Chomón's
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1511:Paris, L'Harmattan, 2009 (
839:L'insaisissable pickpocket
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1191:La gratitud de las flores
1099:Une excursion incohérente
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773:Création de la serpentine
465:El heredero de Casa Pruna
199:and has been compared to
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1473:Sánchez Vidal, Agustín,
1264:Venganza de un carbonero
1204:La hija del guardacostas
911:Les flammes mystérieuses
893:Le secret de la sorcière
711:Les glaces merveilleuses
667:Le parapluie fantastique
655:Le baiser de la sorcière
637:La fée des roches noires
227:Parisian workshops like
219:, who appeared in early
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1500:Tharrats, Juan Gabriel,
1475:Realizadores aragoneses
995:Cauchemar et doux rêves
785:Déménagement magnétique
705:Les flammes diaboliques
476:(The Enchanted Glasses)
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1815:Fantasy film directors
1790:Spanish film directors
1749:Excursion dans la lune
1463:(fr) Beaudet, Louise,
1135:El puente de la muerte
1073:Les têtes fantastiques
1061:Les cocottes en papier
947:Les papillons japonais
507:L'obsession du billard
495:L'antre de la sorcière
489:Hallucination musicale
374:Superstition andalouse
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875:Le chevalier mystère
833:L'auberge tranquille
813:L'abeille et la rose
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513:La dernière sorcière
411:Danse des Ouléd-Naïd
395:Bajada de Montserrat
359:Academy Film Archive
351:The Mysterious Armor
347:Armures Mystérieuses
145:La maison ensorcelée
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1049:Le voleur invisible
1019:La leçon de musique
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607:En avant la musique
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1013:La forge du diable
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735:Les œufs de Pâques
631:La forge infernale
625:La boîte à cigares
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229:Thuillier's studio
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1558:Segundo de Chomón
1517:978-2-296-09970-8
1492:El cine de Chomón
1298:Giovanni Pastrone
1185:La fecha de Pepín
1142:El puñao de rosas
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977:Sculpteur moderne
699:Les chrysanthèmes
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282:Giovanni Pastrone
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965:Magie moderne
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851:La grenouille
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1717:Ah! La barbe
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1526:
1523:(in Spanish)
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1471:(in Spanish)
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1179:La fatalidad
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1173:La expiación
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826:L'aspirateur
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271:Gaston Velle
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197:Pathé Frères
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143:
130:
117:
80:(1929-05-02)
1785:1929 deaths
1780:1871 births
1661:Loie Fuller
1117:Amor Gitano
723:Les tulipes
661:Le charmeur
649:Le bailleur
419:Loie Fuller
386:Filmography
366:Luis Buñuel
319:(1907) and
298:(1925) and
249:trick films
241:Pathéchrome
164:dancing at
162:Loie Fuller
1774:Categories
1685:Montserrat
1458:References
1270:Pulgarcito
1234:Los guapos
1123:El ejemplo
971:Mes fleurs
450:Pulgarcito
427:Montserrat
335:dolly shot
300:Abel Gance
275:Émile Cohl
233:trick film
78:2 May 1929
59:1871-10-17
382:in 1929.
361:in 2010.
207:Biography
97:1900–1927
1445:Archived
1387:Archived
304:Napoléon
284:'s epic
211:Born in
181:Chaumont
88:, France
1604:YouTube
1593:YouTube
1542:at the
368:and/or
331:Cabiria
287:Cabiria
184:French:
177:Chomont
69:, Spain
1760:(1909)
1752:(1908)
1744:(1908)
1736:(1908)
1728:(1907)
1720:(1905)
1712:(1904)
1704:(1903)
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1274:1912:
1268:1911:
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408:1902:
400:1902:
392:1901:
310:Legacy
213:Aragon
193:France
175:(also
148:(1908)
135:(1908)
122:(1907)
102:Spouse
67:Teruel
1305:Notes
168:1902.
86:Paris
1562:IMDb
1513:ISBN
1479:ISBN
1079:Mars
235:was
75:Died
49:Born
1602:on
1591:on
1560:at
353:or
302:'s
179:or
1776::
1416:.
255:.
1632:e
1625:t
1618:v
1519:)
1420:.
1199:.
349:(
61:)
57:(
20:)
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