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Sensation (art exhibition)

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240:. The Mothers Against Murder and Aggression protest group picketed the show, accompanied by Winnie Johnson, the mother of one of Hindley's victims. They asked for the portrait, which is made up of hundreds of copies of a child's handprint, to be excluded to protect Johnson's feelings. Along with supporters she picketed the show's first day. Myra Hindley sent a letter from jail suggesting that her portrait be removed from the exhibition, reasoning that such action was necessary because the work was "a sole disregard not only for the emotional pain and trauma that would inevitably be experienced by the families of the Moors victims but also the families of any child victim." Despite all the protest the painting remained hanging. Windows at Burlington House, the academy's home, were smashed and two demonstrators hurled ink and eggs at the picture as a result, requiring it to be removed and restored. It was put back on display behind 753: 33: 807: 744: 843: 834: 825: 816: 798: 789: 780: 771: 762: 735: 726: 717: 708: 699: 280: 192: 1410: 100: 391:
ordered the City not only to restore the funding that was denied to the museum, but also to refrain from continuing its ejectment action. On 16 December 1999, a 72-year-old man was arrested for criminal mischief after smearing the Ofili painting with white paint, which was soon removed. The museum
131:, the Royal Academy of Arts exhibitions secretary, helped to stage the 116 works by 42 different artists on view. (110 are in the catalogue, with differences between that and the exhibition checklist.) Many of the pieces had already become famous, or notorious, with the British public (for example, 247:
In a press conference on 16 September 1997, David Gordon, Secretary of the Royal Academy commented on the controversial portrait: "The majority view inside the Academy was that millions and millions of images of Myra Hindley have been reproduced in newspapers and magazines. Books have been written
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journalists falling over themselves to comment on the show's controversial images, and unprecedented crowds queuing up to see for themselves what all the fuss was about. Around a quarter of the RA's 80 academicians gave a warning that the exhibition was inflammatory. They and some members of the
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produced a yellow stamp, saying the artworks on show "may cause shock, vomiting, confusion, panic, euphoria and anxiety." and Ofili's painting was shown behind a Plexiglass screen, guarded by a museum attendant and an armed police officer. Jeffrey Hogrefe, art critic for the
423:, but was cancelled with the director, Brian Kennedy, saying that, although it was due to be funded by the Australian government, it was "too close to the market" since finance for the Brooklyn exhibition included $ 160,000 from Saatchi, who owned the work; $ 50,000 from 251:
The show was extremely popular with the general public, attracting over 300,000 visitors during its run, helped by the media attention which the strong subject matter had received. The BBC said it featured "gory images of dismembered limbs and explicit pornography".
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There will be works of art on display in the Sensation exhibition which some people may find distasteful. Parents should exercise their judgment in bringing their children to the exhibition. One gallery will not be open to those under the age of
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about the murders. Television programmes have been made. Hindley's image is in the public domain; part of our consciousness; an awful part of our recent social history; a legitimate subject for journalism – and for art."
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decorated with a resin-covered lump of elephant dung. The figure is also surrounded by small collaged images of female genitalia from pornographic magazines; these seemed from a distance to be the traditional
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said, Giuliani's stance "promises to begin a new Ice Age in New York's cultural affairs." The paper also carried a full-page advertisement in support signed by over 100 actors, writers and artists, including
303:, which had not provoked this reaction in London. While the press reported that the piece was "smeared", "splattered", or "stained" with elephant dung, Ofili's work in fact showed a carefully rendered black 1947: 1350: 145: 339:, said the work "induces revulsion". Giuliani started a lawsuit to evict the museum, and Arnold Lehman, the museum director, filed a federal lawsuit against Giuliani for a breach of the 387:
passed a nonbinding resolution to end federal funding for the museum on 3 October 1999, and New York City did stop funding to the Brooklyn Museum. On 1 November, federal judge
431:, until it appeared in court documents. Similarly, when the show opened in London at the Royal Academy, there had been criticisms that it would raise the value of the work. 331:, said, "one must ask if it is an attack on religion itself," and the president of America's biggest group of Orthodox Jews, Mandell Ganchrow, called it "deeply offensive". 267:
museum (30 September 1998 – 30 January 1999) and proved so popular that it was extended past its original closing date of 28 December 1998. For art critic Nicola Kuhn from
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Collings, Matthew. (1997). Blimey! : from Bohemia to Britpop : the London Artworld from Francis Bacon to Damien Hirst. 2nd ed. Cambridge, England: 21 Publishing Ltd.
319:, who had seen the work in the catalogue but not in the show, called it "sick stuff" and threatened to withdraw the annual $ 7 million City Hall grant from the 1539: 336: 1884: 271:, there was "no sensation about Sensation". She claimed that the Berlin audience found the yBa's work "more sad and serious than irreverent, funny and dazzling" 155: 2381: 167:'s explicitly sexual images and sculptures. Others had already achieved prominence in other ways, such as a successful advertising campaign using an idea from 398:, commented about the museum, "They wanted to get some publicity and they got it. I think it was pretty calculated." The editor-in-chief of the New York City 1248:
Legge, Elizbeth. (2000). "Reinventing Derivation: Roles, Stereotypes, and ‘Young British Art.’” Representations (Berkeley, Calif.) 71, no. 71 (2000): 1–23.
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was the first time that a wide audience had had the chance to see these works en masse. The Royal Academy posted this disclaimer to visitors on entry:
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magazine, Bruce Wolmer, said: "When the row eventually fades the only smile will be on the face of Charles Saatchi, a master self-promoter."
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Sensation at the Royal Academy of Arts, London (1997); D. Sensation: Exhibition checklist / list of artworks in the show
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hosting the show, because "ou don't have a right to government subsidy for desecrating somebody else's religion."
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and others for attempting to boost the value of the work by showing it in institutions and public museums.
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from 2 October 1999 to 9 January 2000. The New York City show was met with instant protest, centering on
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Hirst, Damien. (2001). Damien Hirst pictures from the Saatchi Gallery. Booth-Clibborn Editions: London.
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Rapp, Christopher. (25 October 1999). Dung Deal – Brooklyn Museum of Art's 'Sensation' exhibition".
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was cancelled when the gallery's director decided the exhibition was "too close to the market."
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The show generated controversy in London and New York City due to the inclusion of images of
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spoke up for the museum, as did the New York Civil Liberties Union. The editorial board of
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Berlin Hamburger Bahnhof Museum – website and page on the Sensation exhibition in German:
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Davies, Hugh & Fenton, Ben. (2 October 1999). Whiff of sensation hits New York.
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In 2021, Lehman published a memoir about his experience of the episode entitled,
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Unsettling 'Sensation': Arts-Policy from the Brooklyn Museum of Art Controversy
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public complained about several other exhibits, notably the installations by
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David Bowie makes a virtual exhibition of Sensation available on his website
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SENSATION: the Madonna, the Mayor, the Media, and the First Amendment.
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SENSATION: the Madonna, the Mayor, the Media, and the First Amendment
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SENSATION: the Madonna, the Mayor, the Media and the First Amendment
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The Physical Impossibility of Death in the Mind of Someone Living
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The Physical Impossibility of Death in the Mind of Someone Living
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The Physical Impossibility of Death in the Mind of Someone Living
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was an exhibition of the collection of contemporary art owned by
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Sensation: Young British Artists from the Saatchi Collection
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caused a public furore and a media frenzy, with both
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Installation photos from the Brooklyn Museum Archive
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Feminine look: Sexuation, spectatorship, subversion
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Brooklyn Museum accused of trying to lift art value
419:The show was scheduled to open in June 1999 at the 1280:Links to the various artists involved in Sensation 1022:"Entertainment: Sensational hit for Royal Academy" 289:The exhibition was shown in New York City at the 1212:Australian Museum cancels controversial art show 226:However, the biggest media controversy was over 1176:(via Wayback Machine). Retrieved 10 April 2020. 177: 1137:First Lady assails mayor over threat to museum 865:Sensation at the Royal Academy of Arts, London 337:Catholic League for Religious and Civil Rights 64:in London. The exhibition later toured to the 1533: 1320: 1039:Supercollector: A critique of Charles Saatchi 901:. artdesigncafe. Retrieved 24 September 2021. 8: 915:Trash, violence, and Versace: But is it art? 72:in New York City. A proposed showing at the 1290:Brooklyn Museum Archive Record of Sensation 880:Herszenhorn, David M. (30 September 1999). 87:. It was criticised by New York City mayor 1540: 1526: 1518: 1327: 1313: 1305: 1206: 1204: 1202: 931:Attacks force Hindley portrait to be moved 1885:Everyone I Have Ever Slept With 1963–1995 1078:, (p. 88). SUNY Press: Albany, New York. 567:Other artists from the Saatchi collection 156:Everyone I Have Ever Slept With 1963–1995 1242:. April 1998. Thames and Hudson: London. 1118: 1116: 1114: 1112: 1110: 1108: 278: 190: 31: 1267:High Art Lite: British Art in the 1990s 1037:Hatton, Rita and Walker, John. (2010). 988: 986: 984: 982: 980: 909: 907: 856: 694: 1151: 1149: 1135:Nagourney, Adam. (28 September 1999). 385:United States House of Representatives 929:Alberge, Dalya. (19 September 1997). 108:: 1995 depiction of the child killer 7: 2382:Art exhibitions in the United States 1056:, (pp. 38-41). Routledge: New York. 913:Dalrymple, Theodore. (Winter 1998). 946:Lyall, Sarah. (20 September 1997). 1258:Rothfield, Lawrence (Ed). (2001). 1053:Judging the image: Art, value, law 965:Judging the Image: Art, Value, Law 897:Preece, R. J. (14 November 2010). 25: 1210:Vogel, Carol. (1 December 1999). 994:"Sensation sparks New York storm" 948:Art that tweaks British propriety 1452:Beautiful Inside My Head Forever 1408: 967:, (p. 34). Routledge: New York. 841: 832: 823: 814: 805: 796: 787: 778: 769: 760: 751: 742: 733: 724: 715: 706: 697: 1255:. Merrell: London and New York. 1072:Friedlander, Jennifer. (2008). 1189:London and New York: Merrell. 43:(October 1999 – January 2000) 1: 1391:Beautiful Portrait, The Queen 1269:. Verso: London and New York. 1265:Stallabrass, Julian. (2006). 421:National Gallery of Australia 244:and guarded by security men. 74:National Gallery of Australia 2362:Contemporary art exhibitions 1170:Vandal Attacks Ofili Madonna 123:were from the collection of 1262:. Rutgers University Press. 232:, an image of the murderer 2403: 2183:Poju and Anita Zabludowicz 1143:. Retrieved 10 April 2020. 954:. Retrieved 10 April 2020. 871:. Retrieved 10 April 2020. 263:was shown at the Berlin's 56:, including many works by 2377:Art exhibitions in London 1406: 1218:. Retrieved 8 April 2020. 1028:. Retrieved 7 April 2020. 937:. Retrieved 8 April 2020. 920:. Retrieved 8 April 2020. 888:. Retrieved 8 April 2020. 2067:Karsten Schubert Gallery 1251:Lehman, Arnold. (2021). 1185:Lehman, Arnold. (2021). 450:Jake & Dinos Chapman 27:1997–2000 art exhibition 2123:Janet Wolfson de Botton 2047:Anthony d'Offay Gallery 963:Young, Alison. (2005). 1973:East Country Yard Show 1743:Jane and Louise Wilson 1588:Jake and Dinos Chapman 1359:The Miraculous Journey 1102:, no. 307, March 2016. 329:Archbishop of New York 325:Cardinal John O'Connor 286: 221:Jake and Dinos Chapman 199: 184: 116: 44: 18:Sensation (exhibition) 2372:Young British Artists 2097:Victoria Miro Gallery 1549:Young British Artists 1507:Young British Artists 1399:Butterfly Trek Madone 863:(12 September 1997). 435:Artists exhibited in 282: 208:Royal Academy of Arts 196:Royal Academy of Arts 194: 102: 62:Royal Academy of Arts 58:Young British Artists 35: 2092:South London Gallery 1820:Gilbert & George 1769:Michael Craig-Martin 1020:(30 December 1997). 629:Langlands & Bell 315:New York City Mayor 296:The Holy Virgin Mary 2234:Sir Nicholas Serota 2214:Andrew Graham-Dixon 1892:For the Love of God 1367:For the Love of God 1124:The Daily Telegraph 1094:Robecchi, Michele. 1002:. 23 September 1999 335:, President of the 2285:Julian Stallabrass 1805:Art & Language 1723:Sam Taylor-Johnson 1298:2006-02-22 at the 1234:Rosenthal, Norman 1216:The New York Times 584:Richard Billingham 352:The New York Times 333:William A. Donohue 287: 200: 117: 68:in Berlin and the 45: 2339: 2338: 2052:Curtain Road Arts 1789:Richard Wentworth 1683:Richard Patterson 1573:Christine Borland 1515: 1514: 1168:(February 2000). 867:(press release). 510:Richard Patterson 401:Art & Auction 395:New York Observer 265:Hamburger Bahnhof 66:Hamburger Bahnhof 16:(Redirected from 2394: 2357:Installation art 2295:Charles Thomson 2265:James Heartfield 2239:Matthew Slotover 2229:Norman Rosenthal 2204:Matthew Collings 2163:François Pinault 2148:Pauline Karpidas 2062:Gagosian Gallery 2026:Norman Rosenthal 1878:Documents Series 1738:Rachel Whiteread 1542: 1535: 1528: 1519: 1412: 1329: 1322: 1315: 1306: 1219: 1208: 1197: 1183: 1177: 1166: 1160: 1153: 1144: 1133: 1127: 1120: 1103: 1092: 1086: 1070: 1064: 1048: 1042: 1035: 1029: 1018: 1012: 1011: 1009: 1007: 990: 975: 961: 955: 944: 938: 927: 921: 911: 902: 895: 889: 878: 872: 861: 845: 836: 827: 818: 809: 800: 791: 782: 773: 764: 755: 746: 737: 728: 719: 710: 701: 684:Cerith Wyn Evans 654:Jonathan Parsons 550:Rachel Whiteread 317:Rudolph Giuliani 269:Der Tagesspiegel 171:'s photographs. 129:Norman Rosenthal 119:The artworks in 89:Rudolph Giuliani 21: 2402: 2401: 2397: 2396: 2395: 2393: 2392: 2391: 2342: 2341: 2340: 2335: 2316:Frieze Art Fair 2299: 2243: 2187: 2173:Charles Saatchi 2138:Steven A. 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Index

Sensation (exhibition)

Brooklyn Museum
Charles Saatchi
Young British Artists
Royal Academy of Arts
Hamburger Bahnhof
Brooklyn Museum
National Gallery of Australia
Myra Hindley
Virgin Mary
Rudolph Giuliani

Myra
Myra Hindley
Marcus Harvey
Charles Saatchi
Norman Rosenthal
Damien Hirst
shark
formaldehyde
The Physical Impossibility of Death in the Mind of Someone Living
Tracey Emin
Everyone I Have Ever Slept With 1963–1995
Marc Quinn
Sarah Lucas
Gillian Wearing

Royal Academy of Arts
Royal Academy of Arts

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