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Seperewa

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perpendicular in the same direction. Strumming and plucking are the two basic techniques applied and these are done by the thumbs and forefingers with some occasional assistance from the middle fingers. The seperewa player can even dance while he is playing or make some dramatic movements.
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Seperewa can be played in different positions. The player can play while sitting down with the instrument resting on his lap, with the neck of the instrument standing upright. He may also play while standing, the instrument held firmly in the groin to gain enough support, the neck facing
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Modern seperewa typically have anywhere between 10 and 14 strings, set onto a standing bridge, and are connected to the neck of the instrument by winding them around it directly. They are recognisable by their square wooden box resonator, which differ from the calabash resonators of
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and molo calabash-lute types instead. The harp-lute tradition since then was preserved predominantly among Akan groups in what became southern Ghana, with the only exception being the koriduo 6 string harp of the Dagari and Sisaala groups of northwestern Ghana.
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caused a replica of it to be made in his memory. The instrument was wrapped in gold leaf, and placed among the paraphernalia of the Golden Stool, which Osei Tutu established as "the soul" of the Asante nation with the help of his counsellor, the great priest
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British colonization in the later 19th century saw the instrument decline in use as the guitar was introduced, and new chords and musical patterns from Europe entered Akan areas.
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tradition followed by northern Ghanaian tribes, and was also played at palm wine bars, and at funerals. The instrument was said to speak
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was introduced by British missionaries, the seperewa found its way into churches, Christian weddings and conferences.
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into its musical repertoire. Various harp-lutes similar to the sanku were once exclusively played in
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By the early 20th century, as the Akan kingdoms became incorporated into the
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and today is still inhabited by several Manden groups; the
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and was used either used by itself or along with song.
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The seperewa was used to entertain kings, similar to a
196: 174: 156: 142: 135: 49:. Unsourced material may be challenged and removed. 274:The seperewa belongs to a class of harp-lute 8: 121: 109:Learn how and when to remove this message 455:Musical Instrument Museums Online (MIMO) 345: 442: 310:-influenced northern predecessor state 120: 306:incorporated elements of its heavily 7: 47:adding citations to reliable sources 14: 533:West African musical instruments 127: 23: 158:Hornbostel–Sachs classification 34:needs additional citations for 230:, is a Ghanaian (specifically 1: 528:Culture of the Ashanti Empire 538:Ghanaian musical instruments 234:) harp-lute, similar to the 559: 508:Osei Korankye and Koo Nimo 16:Traditional Akan harp-lute 338:) eventually gave way to 201: 181: 126: 487:the Spear: Seprewa Kasa 351: 349: 290:harp-lutes like the 43:improve this article 207:Baffour Kyeremateng 176:Related instruments 150:stringed instrument 123: 473:2014-10-06 at the 352: 216: 215: 152:with 6-14 strings 137:String instrument 119: 118: 111: 93: 550: 490: 484: 478: 468:Exploring Africa 465: 459: 458: 447: 350:Ashante Seperewa 222:, also known as 131: 124: 114: 107: 103: 100: 94: 92: 51: 27: 19: 558: 557: 553: 552: 551: 549: 548: 547: 513: 512: 499: 494: 493: 485: 481: 475:Wayback Machine 466: 462: 449: 448: 444: 439: 407: 398: 272: 165: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 556: 554: 546: 545: 543:Music of Ghana 540: 535: 530: 525: 515: 514: 511: 510: 505: 498: 497:External links 495: 492: 491: 479: 460: 441: 440: 438: 435: 434: 433: 428: 426:Music of Ghana 423: 418: 413: 406: 403: 397: 396:Playing method 394: 316:northern Ghana 304:Ashanti Empire 271: 268: 214: 213: 199: 198: 194: 193: 179: 178: 172: 171: 160: 154: 153: 146: 144:Classification 140: 139: 133: 132: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 555: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 520: 518: 509: 506: 504: 501: 500: 496: 488: 483: 480: 476: 472: 469: 464: 461: 456: 452: 446: 443: 436: 432: 431:African music 429: 427: 424: 422: 419: 417: 414: 412: 409: 408: 404: 402: 395: 393: 391: 387: 382: 379: 377: 373: 368: 366: 365:Okomfo Anokye 361: 357: 348: 344: 341: 337: 333: 329: 325: 321: 317: 313: 309: 305: 301: 297: 293: 289: 283: 281: 277: 269: 267: 265: 262: 258: 255: 251: 248: 244: 241: 237: 233: 229: 225: 221: 212: 208: 204: 203:Osei Korankye 200: 195: 192: 188: 184: 180: 177: 173: 169: 164: 161: 159: 155: 151: 147: 145: 141: 138: 134: 130: 125: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 503:Seprewa Kasa 482: 463: 454: 445: 399: 390:Christianity 388:colony, and 383: 380: 375: 369: 353: 299: 284: 276:chordophones 273: 242: 227: 223: 219: 217: 211:Kay Benyarko 168:bare fingers 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 320:Mali Empire 296:kamalengoni 280:West Africa 278:typical in 270:Description 185:, koriduo, 523:Harp lutes 517:Categories 437:References 386:Gold Coast 360:Opoku Ware 69:newspapers 58:"Seperewa" 451:"Simbing" 356:Osei Tutu 197:Musicians 189:, aloko, 148:Ghanaian 471:Archived 405:See also 220:seperewa 122:Seperewa 99:May 2014 336:Wangara 312:Bonoman 288:Manding 243:koriduo 240:Sisaala 236:Dagaare 224:seprewa 191:simbing 83:scholar 416:Simbin 340:kologo 261:Baoule 259:, and 252:, the 245:, the 85:  78:  71:  64:  56:  372:griot 354:King 332:Dyula 328:Bissa 324:Ligbi 308:Mande 300:sanku 264:aloko 247:MandĂ© 228:sanku 183:Bolon 163:323-5 90:JSTOR 76:books 421:Harp 411:Kora 376:kasa 334:and 292:kora 254:Gere 250:kora 232:Akan 218:The 187:kora 62:news 294:or 257:duu 226:or 45:by 519:: 453:. 367:. 330:, 326:, 266:. 209:, 205:, 457:. 238:/ 170:) 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Seperewa"
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String instrument
Classification
stringed instrument
Hornbostel–Sachs classification
323-5
bare fingers
Related instruments
Bolon
kora
simbing
Osei Korankye
Baffour Kyeremateng
Kay Benyarko
Akan
Dagaare
Sisaala
Mandé
kora

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