101:(Jordà, 2005) at UPF-MTG set the foundations for new kinds of musical computers for performance and improvisation, based on visual feedback and spatial multiplexion. Between 2003 and 2006, together with Günter Geiger, Martin Kaltenbrunner and Marcos Alonso, Sergi Jordà developed the
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in 1987 while also completing music studies. He was an early adopter of computer programming devoted to live computer music, and one of the pioneers of this field in Spain. During the 1990s he conducted doctorate studies in
Artificial Intelligence with the
372:. In Proceedings of the 2006 Conference on New interfaces For Musical Expression (Paris, France, June 4–08, 2006). New Interfaces For Musical Expression. IRCAM — Centre Pompidou, Paris, France, 208-211.
428:. In Proceedings of the Fourth international Conference on Tangible, Embedded, and Embodied interaction (Cambridge, Massachusetts, USA, January 24–27, 2010). TEI '10. ACM, New York, NY, 199-202.
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22:(born November 15, 1961) is a Catalan innovator, installation artist, digital musician and Associate Professor at the Music Technology Group,
260:. In Proceedings of the 1991 International Computer Music Conference. San Francisco, CA: International Computer Music Association, 463-466.
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Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments
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Tour. It has since been performed extensively and is on display in numerous science and art centres worldwide, including the
295:. In Proceedings of the 2002 International Conference on New Interfaces for Musical Expression (NIME-02), Dublin, 132-137.
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Jordà, S., Hunter, S., Pla, P., Gallardo, D., Leithinger, D., Kaufman, H., Julià, C.F. & Kaltenbrunner, M. (2010b).
400:. In 3rd IEEE International Workshop on Horizontal Interactive Human Computer Systems, 2008. TABLETOP 2008, pages 89–92.
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launched for the iPhone and the iPad and within 2 weeks became top music application download in 20 countries.
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407:. Proceedings of the International Society for Music Information Retrieval Conference (ISMIR’09), Kobe, Japan.
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386:. TEI '07: Proceedings of the 1st international conference on Tangible and embedded interaction, 139-146.19
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281:. In Proceedings of the 12th International Workshop on Database and Expert Systems Applications, 537-542.
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105:: an electronic music instrument combining a tangible tabletop interface with principles derived from
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The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces
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Faust Music On Line (FMOL): An approach to Real-time
Collective Composition on the Internet
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267:. In Proceedings of 5CYBERCONF, 5th International Conference on Cyberspace, Madrid, Spain.
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The reacTable: a tangible tabletop musical instrument and collaborative workbench
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A Real-Time MIDI Composer and
Interactive Improviser by Means of Feedback Systems
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82:, 2002), and applications for collaborative music creation over the Internet (
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Songexplorer: a tabletop application for exploring large collections of songs
365:. Proceedings of the IEEE International Workshop on Projector-Camera Systems.
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46:(1961). His father was the award-winning Catalan film director and writer
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Digital
Instruments and Players Part II - Diversity, Freedom and Control
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Sergi Jordà was born in Madrid, where his father was directing the film
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in
Barcelona. He is best known for directing the team that invented the
344:. Proceedings of the New Interfaces for Musical Expression, NIME 2005."
330:. Proceedings of the New Interfaces for Musical Expression, NIME 2004."
323:. Proceedings of the New Interfaces for Musical Expression, NIME 2003."
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Development strategies for tangible interaction on horizontal surfaces
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Digital
Instruments and Players Part I - Efficiency and Apprenticeship
288:. Proceedings of the New Interfaces for Musical Expression, NIME 2001.
358:. Proceedings of the International Computer Music Conference (ICM05).
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Jordà, S., Kaltenbrunner, M., Geiger, G. & Bencina, R. (2005c)
393:. Int. J. Arts and Technology, Vol. 1, Nos. 3/4, pp. 268–287.
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Jordà, S., Geiger, G., Alonso, M. & Kaltenbrunner, M. (2007).
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Jordà, S., Kaltenbrunner, M., Geiger, G. and Alonso, M. (2006b).
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Improved
Topological Fiducial Tracking in the reacTIVision System
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FMOL: Toward User-Friendly, Sophisticated New
Musical Instruments
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Sergi Jordà graduated with a BSc in
Fundamental Physics from the
421:. Tangible Embedded and Embodied Interaction Conference, TEI’10.
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TurTan: A tangible programming language for creative exploration
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Mary had a little scoreTable* or the reacTable* goes melodic
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On stage: the reactable and other musical tangibles go real
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Instruments and Players: Some thoughts on digital lutherie
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Improvising with Computers: A personal Survey (1989-2001)
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Bencina, R., Kaltenbrunner, M. & Jordà , S. (2005d)
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Music Technology Group at the Universitat Pompeu Fabra
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Being Human: HCI in the Year 2020, Microsoft Research
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Sonigraphical Instruments From FMOL to the reacTable*
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New Musical Interfaces and New Music-making Paradigms
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EPIZOO: Cruelty and Gratuitousness in Real Virtuality
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Multi-user Instruments Models, Examples and Promises
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Afasia: the Ultimate Homeric One-man-multimedia-band
410:Jordà, S., Julià, C.F. & Gallardo, D. (2010a).
396:Gallardo, D., Julia, C.F. & Jordà, S. (2008b).
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Product Design/Public Space, D&AD Design Awards
97:in Barcelona. Sergi Jordà's doctorate dissertation
414:. The ACM Magazine for Students, Vol 16(4), 21-28.
62:and collaborated with renowned Catalan artists
412:Interactive Surfaces an Tangibles, Crossroads
351:. Journal of New Music Research, 33(3), 1-21.
309:. Journal of New Music Research, 31(1), 1-10.
231:Digital Installations, D&AD Design Awards
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70:on award-winning interactive installations (
337:. International Computer Music Conference."
489:Academic staff of Pompeu Fabra University
246:, Barcelona, 2008 (for Reactable Systems)
426:Tangible jukebox: back to palpable music
302:. Computer Music Journal, 26(3), 23-39.
424:Gallardo, D. & Jordà, S. (2010c).
217:MIDEM Hottest Music Biz Start-Up Award
403:Julià, C. F. & Jordà, S. (2009).
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464:Soundtoys interview with Sergi Jordà
454:Reactable performances and workshops
368:Jordà, S. & Alonso, M. (2006a).
120:, who incorporated it into her 2007
274:. Leonardo Music Journal, 9, 5-12.
160:centre in the UK. In October 2010
78:, 1996), multimedia performances (
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277:Jordà, S. & Wüst, O. (2001).
116:The Reactable was popularised by
469:IOP interview with Sergi Jordà
233:, London, 2008 (for Reactable)
226:, London, 2008 (for Reactable)
219:, 2008 (for Reactable Systems)
126:Museum of Science and Industry
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209:Hot Instrument of the Year,
439:Music Technology Group, UPF
109:such as those developed by
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93:who was establishing the
142:Science Centre Singapore
55:Universitat de Barcelona
24:Universitat Pompeu Fabra
146:Museo Papalote del Niño
138:Montréal Science Centre
30:. He is also a trained
240:, 2008 (for Reactable)
213:, 2007 (for Reactable)
211:Rolling Stone Magazine
64:Marcel.lí Antúnez Roca
251:Selected publications
44:El Día de los Muertos
238:Prix Ars Electronica
192:Möbius International
113:in the early 1960s.
107:modular synthesizers
389:Jordà, S. (2008a).
347:Jordà, S. (2005b).
340:Jordà, S. (2005a).
333:Jordà, S. (2004b).
326:Jordà, S. (2004a).
319:Jordà, S. (2003b).
312:Jordà, S. (2003a).
305:Jordà, S. (2002c).
298:Jordà, S. (2002b).
291:Jordà, S. (2002a).
180:Ciutat de Barcelona
284:Jordà, S. (2001).
270:Jordà, S. (1999).
263:Jordà, S. (1996).
256:Jordà, S. (1991).
156:in Germany or the
89:In 1999 he joined
72:Joan the Meat Man
68:La Fura dels Baus
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198:Arco Electrónico
162:Reactable mobile
99:Digital Lutherie
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379:. ACM SIGGRAPH.
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229:Yellow pencil,
222:Yellow Pencil,
200:, 1999 and 2001
182:, 1999 and 2008
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152:in Turkey, the
150:Santralistanbul
134:Discovery Place
130:Discovery World
91:Dr Xavier Serra
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128:in Chicago,
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494:1961 births
148:in Mexico,
20:Sergi Jordà
478:Categories
444:Reactable
103:Reactable
32:Physicist
28:Reactable
204:Europrix
111:Bob Moog
174:Bourges
244:Innova
206:, 2002
176:, 1998
168:Awards
158:INTECH
80:Afasia
76:Epizoo
122:Volta
118:Björk
188:2000
186:SGAE
84:FMOL
74:and
60:UNED
154:ZKM
66:or
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