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96:, holding group exhibitions that had no existence outside of the catalogue, and was an active "independent curator", organizing 21 art exhibitions, books, catalogues and projects, throughout the USA, Canada and Europe between February 1968 and July 1971 in a wide range of new and original formats, including several important group shows, such as "The Xeroxbook" in December 1968, and "January 5–31, 1969" exhibition, which contained no objects, no paintings and no sculptures.
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At his gallery, Seth
Siegelaub Contemporary Art, operating between the fall of 1964 and April 1966, for one exhibition Siegelaub encouraged visitors to lounge on couches and chairs to appreciate the show as an overall environment and hosted a four-day
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At the turn of the 21st century, he founded the
Stichting Egress Foundation in Amsterdam to bring together his varied range of projects: contemporary art, textile history, time & causality research, and left communications study.
354:"The Real World: Artist Matthieu Laurette and the prolific curator, collector and dealer Seth Siegelaub discuss the legacy of Conceptual art, the origins of curating and how art history is made. FRIEZE #154, April 2013 (London)"
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featuring the artist Arni Hendin. He was an aggressive promoter and paid as much attention to press and publicity as to the content of exhibitions, showing that even unconventional artwork could be sold.
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The Artist’s
Reserved Rights Transfer and Sale Agreement was conceptualized by Seth Siegelaub with the help of lawyer, Robert Projansky, and made available to the public in 1971.
343:"Nothing Personal... An Interview with Seth Siegelaub, Interview conducted by Alice Motard and Alex Sainsbury, London, 28 November 2011, catalogue Raven Row (London)"
134:"Nothing Personal... An Interview with Seth Siegelaub", Interview conducted by Alice Motard and Alex Sainsbury, London, 28 November 2011, catalogue Raven Row (London)
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145:, the origins of curating and how art history is made." FRIEZE #154, April 2013 (London)
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in New York in the 1960s and '70s, but was also a political researcher and publisher,
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and the prolific curator, collector and dealer Seth
Siegelaub discuss the legacy of
332:"A conversation: between Seth Siegelaub and Hans Ulrich Obrist, TRANS> #6, 1999"
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bibliographer and collector, and a researcher working on a project on time and
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165:"Seth Siegelaub, Pioneering Dealer and Curator of Conceptual Art, Dies at 71"
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He was also the originator and author, with lawyer Robert
Projansky, of "
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309:"Seth Siegelaub Papersin The Museum of Modern Art Archives Siegelaub"
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The Artist's
Reserved Rights Transfer and Sale Agreement
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After the close of the gallery he gradually became, in
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268:"21 art exhibitions, books, catalogues and projects"
59:. He is best known for his innovative promotion of
286:"The Artist's Rights Transfer and Sale Agreement"
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225:Conceptual Art and the Politics of Publicity
127:"A conversation: between Seth Siegelaub and
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189:Alexander Alberro and Blake Stimson,
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249:Conceptual Art: A Critical Anthology
191:Conceptual Art: A Critical Anthology
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297:"The Stichting Egress Foundation"
167:. GalleristNY.com (website of
163:Russeth, Andrew (2013-06-17).
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110:Siegelaub was born in the
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210:"Who Is Seth Siegelaub?"
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137:"The Real World: Artist
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389:American art curators
169:The New York Observer
131:", TRANS> #6, 1999
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394:American art dealers
245:Art After Philosophy
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122:Selected interviews
359:2013-06-22 at the
273:2011-07-23 at the
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71:in physics.
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384:2013 deaths
379:1941 births
41:Switzerland
373:Categories
318:2022-09-11
150:References
57:researcher
49:art dealer
116:Amsterdam
82:happening
69:causality
43:) was an
357:Archived
271:Archived
45:American
33:New York
175:9 March
53:curator
27:(1941,
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47:-born
112:Bronx
37:Basel
29:Bronx
253:ISBN
229:ISBN
195:ISBN
177:2014
75:Life
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