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The tone here is one of arrogance; the quip "inferiority of his peers" shows
Charlie's belief in his own prowess. The words "surveyed" and "congratulating himself" show Charlie as seeing himself better than the rest of his class. The diction, including the word "snatching", gives the reader a mental
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While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended
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of the writer and the effect that said individual aims to create, the work released by the writer can be formal or informal, sober or whimsical, assertive or pleading, and straightforward or sly, with the person's specific intents varying. In determining the attitude, mood, or tone of an author, one
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often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom but it was really his mother congratulating himself for snatching the higher test grade, the smug smirk on his face growing brighter and brighter as he confirmed
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Authors set a tone in literature by conveying emotions/feelings through words. The way a person feels about an idea/concept, event, or another person can be quickly determined through facial expressions, gestures and in the tone of voice used. In literature an author sets the tone through words.
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are not the same, although they are frequently confused. The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while
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When one writes, images and descriptive phrases can transmit emotions across—guarded optimism, unqualified enthusiasm, objective indifference, resignation, or dissatisfaction. Some other examples of literary tone are: airy, comic, condescending, facetious, funny, heavy, intimate, ironic, light,
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In many cases, the tone of a work may change and even clearly shift in a fundamental way as the speaker being described in a detached fashion (or the narrator being listened to) has his or her perspective on a particular subject evolve throughout the piece. For example, novels with a
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audience. The speaker or narrator should not be confused with the author, and attitudes and feelings of the speaker or narrator should not be confused with those of the author. In general, the tone of a piece only refers to attitude of the author if writing is non-literary in nature.
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All pieces of literature, which includes even official documents and media of a technical nature, have some sort of tone. Authors create tone through the use of various other literary elements, such as
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of such a filmmaker "treats intimacy, and its opposite, distance, in a unique way" that "focuses on the dialectic between" those contrasts as "they conjugate each other", and so the directors'
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of such a filmmaker "treats intimacy, and its opposite, distance, in a unique way" that "focuses on the dialectic between" those contrasts as "they conjugate each other", and so the directors'
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508:. The journal noted "the passionate concern for the status of... emotional life" that "pervades the films" they'd made. Highlighting those creative figures,
410:. The journal noted "the passionate concern for the status of... emotional life" that "pervades the films" they'd made. Highlighting those creative figures,
463:: the creator or creators of an artistic piece deliberately push one to rethink the emotional dimensions of one's own life due to the creator or creator's
369:: the creator or creators of an artistic piece deliberately push one to rethink the emotional dimensions of one's own life due to the creator or creator's
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picture of someone quickly and effortlessly grabbing something, which proves once again
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theme can have previously calm, uninvolved individuals coming upon an extreme situation, such as violence involving the
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The Book of
Literary Terms: The Genres of Fiction, Drama, Nonfiction, Literary Criticism, and Scholarship
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of a literary work expresses the writer's attitude toward or feelings about the subject matter and
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Official and technical documentation tends to employ a formal tone throughout the piece.
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giving audiences a heightened sense of intimacy during their movies' scenes, with this
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media and other such artistic expressions have evolved over time, the concept of
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In addition, using imagery in a poem is helpful to develop a poem's tone.
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modest, playful, sad, serious, sinister, solemn, somber, and threatening.
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A creative figure's attitude toward both a subject and also an audience
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Roadmap To The
California High School Exit Exam: English Language Arts
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tone requiring analysis has been applied to other actions such as
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The possible tones are bounded only by the number of possible
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Booth, Alison, and Kelly J. Mays, eds. "Theme and Tone."
987:, Portable 10th ed. New York: Norton, 2010. 475-6. Print.
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965:. Oregon State School of Writing, Literature and Film
490:" occurred during the spring of 1974 in the pages of
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The concept of a work's tone has been argued in the
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163:. Unsourced material may be challenged and removed.
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680:" provides a facial imagery of Charlie's pride.
1003:The Concise Oxford Dictionary of Literary Terms
959:"What is the Difference between Mood and Tone?"
859:
537:tone is how the author feels about something.
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787:"The Dialectic of Emotion in New Wave Cinema"
248:The examples and perspective in this article
8:
1070:A Multicultural Dictionary of Literary Terms
963:Oregon State Guide to English Literary Terms
799:(3). University of California Press: 10–19.
1067:Carey, Gary; Snodgrass, Mary Ellen (1999),
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627:. Unsourced material may be challenged and
338:tone being there throughout a multitude of
64:Learn how and when to remove these messages
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1195:
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562:, facts that are included or omitted; and
1145:, Indianapolis: Odyssey Press (a div. of
647:Learn how and when to remove this message
304:Learn how and when to remove this message
286:Learn how and when to remove this message
223:Learn how and when to remove this message
121:Learn how and when to remove this message
84:This article includes a list of general
1046:How to Prepare for the GRE General Test
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768:
1880:Types of fiction with multiple endings
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496:, which had commented upon particular
398:, which had commented upon particular
985:The Norton Introduction to Literature
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524:of its films" (emphasis added) thus.
486:. For example, an evaluation of the "
478:tone requiring analysis has involved
426:of its films" (emphasis added) thus.
388:. For example, an evaluation of the "
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1023:Beckson, Karl; Ganz, Arthur (1989),
900:. The Princeton Review. p. 56.
625:adding citations to reliable sources
161:adding citations to reliable sources
558:, or vivid appeals to the senses;
90:it lacks sufficient corresponding
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2283:Third-person omniscient narrative
957:Stone, Lucia (14 November 2022).
785:Oxenhandler, Neal (Spring 1974).
459:as involving a critique of one's
365:as involving a critique of one's
45:This article has multiple issues.
1117:The Bedford Handbook for Writers
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1171:University Press of New England
672:the inferiority of his peers."
451:Tone as an intellectual concept
330:(far right) have been cited as
148:needs additional citations for
53:or discuss these issues on the
1671:Conflict between good and evil
1:
1025:Literary Terms: A Dictionary
961:. Definitions and Examples.
860:Carey & Snodgrass (1999)
1051:Barron's Educational Series
1049:(10th ed.), New York:
439:could examine the specific
262:, discuss the issue on the
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1097:(2nd ed.), New York:
1027:(3rd ed.), New York:
747:Point of view (literature)
2310:Stream of unconsciousness
1841:Falling action/Catastasis
1094:The Random House Handbook
1091:Crews, Frederick (1977),
837:Beckson & Ganz (1989)
430:Overview of related ideas
1678:Self-fulfilling prophecy
1141:A Handbook of Literature
1137:Holman, C. Hugh (1975),
1119:(3rd ed.), Boston:
664:a human being can have.
2305:Stream of consciousness
1768:Suspension of disbelief
1075:McFarland & Company
1007:Oxford University Press
1001:Baldick, Chris (2004),
945:Brownstein et al. (1992
848:Brownstein et al. (1992
105:more precise citations.
1846:Denouement/Catastrophe
1827:Rising action/Epitasis
1115:Hacker, Diana (1991),
520:"uses intimacy as the
422:"uses intimacy as the
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172:"Tone" literature
2192:Utopian and dystopian
1163:Turco, Lewis (1999),
1147:Bobbs-Merrill Company
894:Wendy Scheir (2004).
522:dominant feeling-tone
424:dominant feeling-tone
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1746:Narrative techniques
1526:Story within a story
1338:Supporting character
752:Valence (psychology)
621:improve this section
528:Difference from mood
465:psychological intent
371:psychological intent
268:create a new article
260:improve this article
250:may not represent a
157:improve this article
2451:Political narrative
2293:Unreliable narrator
2150:Speculative fiction
1858:Nonlinear narrative
1806:Three-act structure
1666:Deal with the Devil
564:figurative language
434:Depending upon the
2429:Narrative paradigm
2424:Narrative identity
2354:Dominant narrative
2300:Multiple narrators
1584:Fictional location
1427:Dramatic structure
512:reported that the
414:reported that the
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2504:Literary concepts
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2434:Narrative therapy
1868:television series
1813:Freytag's Pyramid
1656:Moral development
1559:Alternate history
1269:False protagonist
1016:978-0-19-860883-7
907:978-0-375-76471-4
742:Grammatical voice
715:Literature portal
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1957:Narrative poetry
1853:Linear narrative
1763:Stylistic device
1758:Show, don't tell
1721:Figure of speech
1511:Shaggy dog story
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2013:Autobiography
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1465:KishĹŤtenketsu
1462:
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1458:In medias res
1455:
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1437:Foreshadowing
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1432:Eucatastrophe
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1284:Gothic double
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1264:Deuteragonist
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1244:Character arc
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1180:0-87451-954-3
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1156:0-672-63048-6
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1084:0-7864-0552-X
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1060:0-8120-4957-8
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1029:Noonday Press
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947:, p. 98)
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923:, p. 11)
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883:Holman (1975)
879:
876:
873:, p. 51)
872:
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864:
861:
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850:, p. 66)
849:
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737:Argumentation
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606:This section
604:
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368:
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359:
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353:
349:
341:
337:
336:psychological
333:
329:
325:
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318:
308:
305:
290:
287:
279:
276:February 2024
269:
265:
261:
255:
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237:
236:
227:
224:
216:
213:February 2024
205:
202:
198:
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191:
188:
184:
181:
177:
174: –
173:
169:
168:Find sources:
162:
158:
152:
151:
146:This article
144:
140:
135:
134:
125:
122:
114:
111:February 2024
104:
100:
94:
93:
87:
82:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
19:
2473:Storytelling
2288:Subjectivity
2278:Third-person
2268:First-person
1902:
1777:
1711:Comic relief
1463:
1456:
1447:Flashforward
1414:
1388:Origin story
1370:
1333:Straight man
1288:
1165:
1140:
1116:
1099:Random House
1093:
1069:
1045:
1024:
1002:
984:
979:
967:. Retrieved
962:
952:
940:
935:, p. 6)
928:
916:
896:
889:
878:
871:Hacker (1991
866:
855:
843:
832:
821:
796:
790:
729:Music portal
682:
674:
667:Diction and
666:
658:
643:
634:
619:Please help
607:
589:Setting tone
584:
580:supernatural
572:
568:
563:
559:
555:
551:
547:
544:
531:
521:
509:
491:
476:an artwork's
469:
454:
445:
433:
423:
411:
393:
382:an artwork's
375:
360:
351:
345:
300:
282:
273:
249:
219:
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200:
193:
186:
179:
167:
155:Please help
150:verification
147:
117:
108:
89:
61:
54:
48:
47:Please help
44:
18:Setting tone
2478:Tellability
2444:Metafiction
2439:Narratology
2211:Theological
2103:Pop culture
1984:Short story
1962:Epic poetry
1683:Time travel
1496:Red herring
1481:Plot device
1452:Frame story
1405:Cliffhanger
1348:Tritagonist
1323:Protagonist
1169:, Hanover:
969:22 December
933:Crews (1977
921:Turco (1999
701:Film portal
514:career path
436:personality
416:career path
332:emotionally
103:introducing
2498:Categories
2364:Continuity
2233:Nonfiction
2197:Underwater
2093:Picaresque
2068:Historical
2053:Epistolary
1925:Fairy tale
1836:Peripeteia
1818:Exposition
1574:Dreamworld
1516:Stereotype
1486:Plot twist
1234:Antagonist
1005:, Oxford:
995:References
637:March 2023
472:commercial
378:commercial
348:literature
324:filmmakers
183:newspapers
86:references
50:improve it
2255:Narration
2204:Superhero
2128:Chivalric
2113:Religious
2098:Political
2033:Adventure
2018:Biography
1940:Tall tale
1788:Structure
1773:Symbolism
1741:Narration
1641:Leitmotif
1569:Crossover
1564:Backstory
1521:Story arc
1471:MacGuffin
1442:Flashback
1383:Backstory
1259:Confidant
1239:Archenemy
1226:Character
1218:Narrative
608:does not
532:Tone and
498:directors
400:directors
264:talk page
56:talk page
2461:Glossary
2456:Rhetoric
2263:Diegesis
2243:Creative
2216:Thriller
2165:Southern
2083:Paranoid
2078:Nautical
1989:Vignette
1947:Gamebook
1915:Folklore
1822:Protasis
1701:Allegory
1646:Metaphor
1604:parallel
1599:universe
1579:Dystopia
1536:Suspense
1422:Dialogue
1410:Conflict
1318:Narrator
1290:Hamartia
1037:88-34368
687:See also
662:emotions
500:such as
482:such as
402:such as
356:audience
340:artworks
326:such as
258:You may
2509:Fiction
2391:Prequel
2347:Related
2333:Present
2226:Western
2182:Science
2155:Fantasy
2123:Romance
2073:Mystery
2058:Ergodic
2023:Fiction
1979:Parable
1974:Novella
1904:Fabliau
1875:Premise
1726:Imagery
1716:Diction
1594:country
1551:Setting
1531:Subplot
1353:Villain
1306:Byronic
1121:Bedford
813:1211354
629:removed
614:sources
560:details
556:imagery
548:diction
441:diction
197:scholar
99:improve
2395:Sequel
2379:Retcon
2374:Reboot
2338:Future
2172:Horror
2160:Gothic
2145:Satire
2063:Erotic
1930:Legend
1832:Climax
1706:Bathos
1613:Utopia
1501:Reveal
1400:Cliché
1378:Action
1372:Ab ovo
1311:Tragic
1177:
1153:
1127:
1105:
1081:
1057:
1035:
1013:
904:
811:
669:syntax
576:horror
552:syntax
443:used.
350:, the
321:French
199:
192:
185:
178:
170:
88:, but
2402:Genre
2369:Canon
2320:Tense
2238:Novel
2221:Urban
2133:Prose
2118:Rogue
2043:Crime
2038:Comic
1999:Genre
1969:Novel
1920:Fable
1898:Drama
1863:films
1693:Style
1661:Motif
1651:Moral
1636:Irony
1628:Theme
1541:Trope
809:JSTOR
763:Notes
678:smirk
541:Usage
266:, or
204:JSTOR
190:books
2407:List
2328:Past
2187:Hard
2140:Saga
2048:Docu
2004:List
1935:Myth
1890:Form
1778:Tone
1751:Hook
1736:Mood
1731:Mode
1589:city
1476:Pace
1363:Plot
1301:Anti
1296:Hero
1279:Foil
1175:ISBN
1151:ISBN
1125:ISBN
1103:ISBN
1079:ISBN
1055:ISBN
1033:LCCN
1011:ISBN
971:2022
902:ISBN
612:any
610:cite
534:mood
504:and
406:and
352:tone
176:news
1796:Act
1149:),
801:doi
623:by
346:In
159:by
2500::
2393:/
1173:,
1123:,
1101:,
1077:,
1053:,
1031:,
1009:,
807:.
797:27
795:.
789:.
771:^
358:.
59:.
2006:)
2002:(
1834:/
1820:/
1210:e
1203:t
1196:v
973:.
910:.
815:.
803::
650:)
644:(
639:)
635:(
631:.
617:.
342:.
307:)
301:(
289:)
283:(
278:)
274:(
256:.
226:)
220:(
215:)
211:(
201:·
194:·
187:·
180:·
153:.
124:)
118:(
113:)
109:(
95:.
66:)
62:(
20:)
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