356:, who was to play the part speaking French. "This one is for art, not money," said Burton, "For a classical actor, the key thing is variation - unusual kinds of things in different media. It's all a matter of expanding one's acting range." However, Burton was forced to withdraw shortly before filming was to begin. He later claimed that this was because "French unions objected at the last minute to a British actor appearing in an all-French production, even though England's Peter Brook was the director."
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It was very boring. Like
Antonioni's films, Marguerite Duras' script was full of sous-entendus (hidden meanings). Everyone was looking something significant in every expression. You didn't just drink a glass of wine. You asked yourself, 'Why does she want me to drink
244:. After indirectly witnessing a murder in a café, she returns to the scene of the crime the next day and meets Chauvin, who informs her in more detail about the events that took place. Mentally unbalanced, Anne begins to believe that Chauvin intends to kill her.
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Brook says that Levy did not understand the script but "was convinced that if Brook, Moreau and Duras saw something in it, something must be there." Levy did not show the script to potential financiers; instead, he told them: "Look here, you turned down
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to play the female lead, but Brook wanted Moreau, and by contract Brook, Moreau and Duras enjoyed complete artistic control. Brook admitted that this was "very unusual" but insisted that the film needed "assured and delicate" handling to succeed.
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Levy described the film as "a romantic suspense story that only uses two principals. I guess that you could say that, through the basis of a passive love story, we learn how a crime of passion was committed."
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Duras later said that she felt that Brook had "made the film beautifully." However, Belmondo, who preferred making adventure films, disliked the picture. In a 1964 interview, he said:
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Archer, Eugene (10 February 1961). "FITZGERALD STORY PLANNED FOR FILM: Burton and Lumet
Schedule Production of 'The Rich Boy' -- Four Movies Opening".
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Hawkins, Robert F (29 May 1960). "FOCUS ON AN UNIMPRESSIVE CANNES FILM FETE: Disappointing
Entries, Some Bizarre Awards Mar Annual Riviera Show".
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Anne Desbarèdes is a young woman who is married to a wealthy businessman and lives a monotonous existence in the small commune town of
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replaced Burton, selecting the film role instead of a competing theatre role. He would not appear on stage for over 25 years.
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During filming, Belmondo was involved in an automobile accident while driving that injured Moreau's son.
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Weiler, A.H. (29 November 1959). "BY WAY OF REPORT: Notes From a 'Moderato
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was published in 1958. Peter Brook secured the film rights and wanted to offer the lead role to
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De la Mare, Richard; Hatton, Maurice (29 November 1962). "Peter Brook film director".
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Barry, Joseph (21 June 1964). "THAT MAN' BELMONDO ON A MOVIE MERRY-GO-ROUND".
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The film performed well at the box office in Paris but struggled elsewhere.
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Hobson, Harold (7 March 1963). "Marguerite Duras: An
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who attended the festival called the film "dull and empty."
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549:. 20 January 1960. p. 25.
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780:Meetings with Remarkable Men
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710:Films directed by
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413:won the award for
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319:The Beggar's Opera
301:Moderato cantabile
266:Pascale de Boysson
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82:Produced by
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35:Film poster
811:1960 films
805:Categories
756:Marat/Sade
427:References
403:Palme d'Or
291:Production
262:as Chauvin
204:drama film
178:Box office
149:95 minutes
130:1960-05-25
86:Raoul LĂ©vy
72:1958 novel
51:Written by
772:King Lear
487:24 August
367:Reception
277:as Pierre
110:Edited by
16:1960 film
656:AllMovie
298:novella
214:, where
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137:(France)
92:Starring
63:Based on
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791:(1989)
783:(1979)
775:(1971)
767:(1968)
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743:(1963)
735:(1960)
727:(1953)
397:Awards
194:French
170:Budget
165:French
157:France
242:Blaye
645:IMDb
514:2009
489:2016
379:it?'
248:Cast
236:Plot
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