Knowledge (XXG)

Lithic reduction

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degree of control to it. Bipolar percussion is not popular with hobbyists, but there is evidence that bipolar percussion was the preferred way of dealing with certain problems. Bipolar percussion has the benefit of producing many sharp flakes, and triangular pieces of stone which can be useful as drills. Bipolar percussion also does not require the manufacturer to locate a platform before setting to work, and bipolar percussion can produce sharp flakes almost the size of the original piece of tool stone. The lack of control makes bipolar percussion undesirable in many situations, but the benefits mean that it often has a use, especially if workable material is rare. Bipolar percussion is often used to break open small cobbles, or to have a second chance with spent lithic cores, broken bifaces, and tools that have been reworked so much that it is impossible to make further useful tools using traditional lithic reduction. The end result of bipolar percussion is often a big mess, with only a few pieces that can be useful as cores or flakes for further working, but if other methods would result in a total dead-end, bipolar percussion may be desirable.
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The 'T' is the 'height' of maximum blank thickness and the 't' is the height of retouched scar from the ventral surface. The ratio between t and T is the geometric index of reduction. In theory this ratio shall range between 0 and 1. The bigger the number is the larger amount of lost weight from lithic flake. By using a logarithmic scale, a linear relationship between the geometric index and the percentage of original flake weight lost through retouch is confirmed. In choosing a reduction index, it is important to understand the strengths and weaknesses of each method, and how they fit to the intended research question, as different indices provide different levels of information. For example, Kuhn's geometric index of unifacial reduction (GIUR), which describes the ratio of scar height relative to the flake thickness, is highly influenced by the morphology of the flake blank which limits the applicability of this reduction index.
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shattering through them, making it desirable for working tool stone that already has been worked to some degree before. Soft hammers of course also do not have as much force behind them as hard hammers do. Flakes produced by soft hammers are generally smaller and thinner than those produced by hard-hammer flaking; thus, soft-hammer flaking is often used after hard-hammer flaking in a lithic reduction sequence to do finer work. As well as this, soft-hammers can produce longer flakes which aid in the conservation of materials because they produce a longer cutting edge per unit of mass lost.
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modern hobbyists must use a third object in order to hold the targeted piece of tool stone while they strike it. Often, some sort of clamp or vise is used. No evidence for such devices has yet been found in the archaeological record, but this is partly because they would normally be made of perishable materials, and partly because they can have great variation in design.
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Since indirect percussion can be so precisely placed, the platform is often much smaller on flakes produced in this way than in other methods of flake removal. Of course, indirect percussion requires two hands to hold the percussing tool set. One holds the hammer, and one holds the punch. Therefore,
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Projectile percussion is so basic as to not be considered a technique. It involves throwing the toolstone at a stationary anvil stone. This method provides virtually no control over how the toolstone will fragment, and therefore produces a great deal of shatter, and few flakes. It is difficult to be
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In bipolar percussion the objective piece of toolstone is placed on an anvil stone, and then the percussion force is applied to the tool stone. Like projectile percussion, the tool stone is likely to shatter, rather than producing a single flake. Unlike projectile percussion, the technique has some
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By understanding the complex processes of lithic reduction, archaeologists recognize that the pattern and amount of reduction contribute tremendous effect to lithic assemblage compositions. One of the measurements is the geometric index of reduction. There are two elements in this index: 't' and 'T'.
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Usually, the objective piece is held clasped in the flintknapper's hand, with a durable piece of fabric or leather protecting the flintknapper's palm from the sharpness of the flakes removed. The tip of the flaking tool is placed against the edge of the stone tool and pressed hard, removing a small
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Soft-hammer percussion involves the use of a billet, usually made of wood, bone or antler as the percussor. These softer materials are easier to shape than stone hammers, and therefore can be made into more precise tools. Soft hammers also deform around the sharp edges of worked stone, rather than
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Indirect percussion involves the use of a punch and hammer. The punch and hammer make it possible to apply large force to very small areas of a stone tool. Indirect percussion is therefore often used to achieve detail work on smaller tools. Some modern hobbyists make use of indirect percussion
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In most cases, the amount of pressure applied to the objective piece in soft-hammer percussion is not enough for the formation of a typical conchoidal fracture. Rather, soft-hammer flakes are most often produced by what is referred to as a bending fracture, so-called because the flake is quite
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It has been shown that stages in the lithic reduction sequence may be misleading and that a better way to assess the data is by looking at it as a continuum. The assumptions that archaeologists sometimes make regarding the reduction sequence based on the placement of a flake into a stage can be
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by pressing on the stone with a sharp instrument rather than striking it with a percussor. This method, which often uses punches made from bone or antler tines (or, among modern hobbyists, copper punches or even nails), provides a greater means of controlling the direction and quantity of the
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An alternative view of the bipolar reduction technique is offered by Jan Willem Van der Drift which contradicts the suggestion that there is little control over fracturing. The characteristics of bipolar reduction are different from that occurring in conchoidal fracture and are therefore often
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from the lithic core. As flakes are detached in sequence, the original mass of stone is reduced; hence the term for this process. Lithic reduction may be performed in order to obtain sharp flakes, of which a variety of tools can be made, or to rough out a blank for later refinement into a
356:. This technique can be used by flintknappers to remove broad flakes that can be made into smaller tools. This method of manufacture is believed to have been used to make some of the earliest stone tools ever found, some of which date from over 2 million years ago. 542:. Blanks are the starting point of a lithic reduction process, and during prehistoric times were often transported or traded for later refinement at another location. Blanks might be stones or cobbles, just as natural processes have left them, or might be 84:
that has been detached by natural geological processes, and is an appropriate size and shape. In some cases solid rock or larger boulders may be quarried and broken into suitable smaller pieces, and in others the starting point may be a piece of the
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The use of pressure flaking facilitated the early production of sharper and more finely detailed tools. Pressure flaking also gave toolmakers the ability to create notches where the objective piece could be bound more securely to the shaft of the
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flake from the opposite side. The process also involves frequent preparation of the edge to form better platforms for pressing off flakes. This is usually accomplished with abraiders made from a coarse-grained stone such as
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unfounded. For example, a significant amount of cortex can be present on a flake taken off near the very end of the reduction sequence. Removed flakes exhibit features characteristic of conchoidal fracturing, including
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sure whether or not this method of lithic reduction was ever a commonplace practice, although noting sharp edges on a broken rock might have led early humans to first recognize the value of lithic reduction.
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or other objective piece, such as a partially formed tool, is held in one hand, and struck with a hammer or percussor. Percussors are traditionally either a stone cobble or pebble, often referred to as a
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has demonstrated that heated stones are sometimes much easier to flake, with larger flakes being produced in flint, for example. In some cases the heating changes the colour of the stone.
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pieces, or flakes that are debitage from making another piece. Whatever their origin, on most definitions no further steps have yet been taken to shape them, or they become a preform.
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Hard hammer techniques are generally used to remove large flakes of stone. Early flintknappers and hobbyists replicating their methods often use cobbles of very hard stone, such as
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that originates from the point of impact and results in the separation of material from the objective piece, usually in the form of a partial cone, commonly known as a
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Pelcin, A. (1997). "The Formation of Flakes: The Role of Platform Thickness and Exterior Platform Angle in the Production of Flake Initiations and Terminations".
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applied force than when using even the most careful percussive flaking. Copper retoucheurs to facilitate this process were widely employed in the
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literally bent or "peeled" from the objective piece. A bending fracture can be produced with a hard hammer. Flakes removed in this manner lack a
3083: 1216: 766:"Their lips are sealed: identifying hard stone, soft stone, and antler hammer direct percussion in Palaeolithic prismatic blade production" 416:, in which case the percussor never actually makes contact with the objective piece. This technique is referred to as indirect percussion. 392:, and are distinguished instead by the presence of a small lip where the flake's striking platform has separated from the objective piece. 249:
Alongside the various percussion and manipulation techniques described below, there is evidence that heat was at least sometimes used.
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Hiscock, Peter; Clarkson, Chris (2005). "Experimental evaluation of Kuhn's geometric index of reduction and the flat-flake problem".
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Percussion can also be done by throwing the objective piece at an anvil stone. This is sometimes called projectile percussion.
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breaks occur when the force propagates across and through the tool in such a way that the entire opposite margin is removed.
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Macgregor, O.J. (2005). "Abrupt Terminations and stone artefact reduction potential". In Clarkson, C.; Lamb, L. (eds.).
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Shott, M.J. (1996). "Stage versus continuum models in the debris assemblage from production of a fluted biface".
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Hiscock, Peter; Tabrett, Amy (2010). "Generalization, inference and the quantification of lithic reduction".
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It is the use of hard-hammer percussion that most often results in the formation of the typical features of
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objects made by grinding. Flaked stone reduction involves the use of a hard hammer percussor, such as a
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occur when they are struck with sufficient force; for these stones this process is called
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Lithics ‘Down Under’: Australian Approaches to Lithic Reduction, Use and Classification
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An example of an obsidian core that has had flakes removed using bipolar percussion.
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Percussion reduction, or percussion flaking, refers to removal of flakes by impact.
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Kuhn, Steve (1990). "A Geometric Index of Reduction for Unifacial Stone Tools".
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almost exclusively, with little or no pressure flaking to finish their work.
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is the process of fashioning stones or rocks from their natural state into
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Philosophical Transactions of the Royal Society B: Biological Sciences
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Roda Gilabert, Xavier; Mora, Rafael; MartĂ­nez-Moreno, Jorge (2015).
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A blank is a stone of suitable size and shape to be worked into a
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by removing some parts. It has been intensely studied and many
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Cotterell, B.; Kamminga, J. (1987). "The Formation of Flakes".
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Process of fashioning stones or rocks into tools and weapons
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Normally the starting point is the selection of a piece of
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that break the entire tool do not occur. Occasionally,
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Pressure flaking is a method of trimming the edge of a
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misinterpreted by archaeologists and lithic experts.
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Lithic tools produced this way may be 77:of the reduction techniques they used. 1197:. C.R.E.P., Meudon, France. p. 193. 815: 813: 1061: 738: 699: 697: 591: 499:An archaeological discovery in 2010 in 453:– and may therefore be associated with 138:(exhibiting flaking on one side only). 759: 757: 755: 753: 751: 749: 747: 134:(exhibiting flaking on both sides) or 69:are identified almost entirely by the 496:and increasing the object's utility. 348:An example of hard hammer percussion. 7: 379:An example of soft hammer percussion 278:, using anvil and striking implement 101:, a soft hammer fabricator (made of 1191:Inizan, M. L.; et al. (1999). 363:on the detached flake, such as the 211:, bulbs of force, and occasionally 25: 2348:Megalithic architectural elements 956:Journal of Archaeological Science 927:Journal of Archaeological Science 773:Journal of Archaeological Science 666:Journal of Archaeological Science 639:Journal of Archaeological Science 1021:Bower, Bruce (29 October 2010). 534:Upper Neolithic axe-head preform 2967:Evolutionary origin of religion 1134:Kooyman, Brian Patrick (2000). 1009:Cotterell & Kamminga (1987) 985:Cotterell & Kamminga (1987) 909:Cotterell & Kamminga (1987) 897:Cotterell & Kamminga (1987) 1040:Tamar Kahn (29 October 2010). 624:10.1080/01977261.1996.11754381 436:An example of pressure flaking 146:Mount William stone axe quarry 1: 3084:Archaeological artefact types 2580:Art of the Middle Paleolithic 2110:British megalith architecture 575:Eccentric flint (archaeology) 2575:Art of the Upper Paleolithic 2115:Nordic megalith architecture 718:10.1080/00438243.2010.517669 651:10.1016/0305-4403(90)90038-7 155:or amorphous stone such as 3105: 2723:British Isles and Brittany 2644:Gwion Gwion rock paintings 2408: 2391: 2043: 2030: 1492: 1309: 1296: 1239: 1171:The Art of Flint Knapping 826:. 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(2005). 968:10.1006/jasc.1996.0190 940:10.1006/jasc.1996.0145 854:10.1098/rstb.2014.0354 535: 437: 380: 371:Soft-hammer percussion 349: 340:Hard-hammer percussion 332: 264:The methods used are: 149: 42: 2592:List of Stone Age art 1794:Microblade technology 1742:Langdale axe industry 1340:Ard / plough 533: 435: 396:Projectile percussion 378: 347: 330: 282:Projectile percussion 144: 33: 3089:Primitive technology 2999:Prehistoric medicine 2994:Prehistoric counting 2977:Prehistoric religion 2972:Paleolithic religion 2950:Behavioral modernity 2307:Causewayed enclosure 2199:Abri de la Madeleine 1323:Neolithic Revolution 257:Percussion reduction 189:conchoidal fractures 185:planes of separation 18:Shaping (archeology) 3038:Prehistoric warfare 1784:Magdalenian culture 1747:Levallois technique 1678:Earliest toolmaking 921:Pelcin, A. (1997). 820:"bipolar technique" 526:Blanks and preforms 408:Indirect percussion 361:conchoidal fracture 288:Indirect percussion 36:Levallois technique 2989:Origin of language 2982:Spiritual drug use 2892:Rectangular dolmen 2794:Dartmoor kistvaens 2607:Carved stone balls 2319:Circular enclosure 2278:Other architecture 2221:Alp pile dwellings 1809:Solutrean industry 1720:Gravettian culture 1370:Secondary products 1099:American Antiquity 1011:, pp. 700–745 983:, pp. 18–20; 848:(1682): 20140354. 536: 476:perverse fractures 444:by removing small 438: 390:bulb of percussion 381: 365:bulb of percussion 350: 333: 312:Bipolar percussion 272:Bipolar percussion 209:striking platforms 150: 43: 3066: 3065: 3062: 3061: 3058: 3057: 3011:Prehistoric music 2960:music archaeology 2617:Cup and ring mark 2442:Clothing/textiles 2387: 2386: 2383: 2382: 2026: 2025: 2022: 2021: 1829:Yubetsu technique 1814:Striking platform 1779:Lithic technology 1664: 1663: 1649:Game drive system 1568:Projectile points 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reduction 21: 3104: 3103: 3099: 3098: 3097: 3095: 3094: 3093: 3069: 3068: 3067: 3054: 2921: 2907:Stone box grave 2877:Megalithic tomb 2782:Cotswold-Severn 2734: 2639:Guardian stones 2567:Prehistoric art 2561: 2404: 2379: 2368:Timber trackway 2273: 2237: 2233:Wattle and daub 2086: 2065:Standing stones 2039: 2018: 1833: 1660: 1637: 1562: 1479: 1389:Food processing 1384: 1333:New World crops 1305: 1292: 1235: 1230: 1190: 1185: 1181: 1168: 1165: 1163:Further reading 1152: 1146: 1133: 1096: 1090: 1077: 1074: 1069: 1068: 1060: 1053: 1039: 1038: 1034: 1020: 1019: 1015: 1007: 1003: 995: 991: 979: 975: 953: 952: 948: 920: 919: 915: 907: 903: 895: 891: 883: 879: 835: 834: 830: 818: 811: 803: 799: 789: 787: 768: 763: 762: 745: 737: 733: 703: 702: 695: 679:10.1.1.482.4543 663: 662: 658: 636: 635: 631: 609: 608: 604: 597: 593: 588: 571: 528: 430: 410: 398: 373: 342: 314: 297: 259: 247: 242: 233: 231:Reduction index 71:lithic analysis 28: 23: 22: 15: 12: 11: 5: 3102: 3100: 3092: 3091: 3086: 3081: 3071: 3070: 3064: 3063: 3060: 3059: 3056: 3055: 3053: 3052: 3051: 3050: 3040: 3035: 3034: 3033: 3028: 3023: 3018: 3016:Alligator drum 3008: 3007: 3006: 2996: 2991: 2986: 2985: 2984: 2979: 2974: 2964: 2963: 2962: 2952: 2947: 2946: 2945: 2943:lunar calendar 2940: 2929: 2927: 2926:Other cultural 2923: 2922: 2920: 2919: 2914: 2909: 2904: 2899: 2894: 2889: 2884: 2879: 2874: 2873: 2872: 2867: 2857: 2852: 2847: 2846: 2845: 2840: 2830: 2825: 2824: 2823: 2813: 2808: 2803: 2798: 2797: 2796: 2786: 2785: 2784: 2774: 2773: 2772: 2762: 2761: 2760: 2755: 2744: 2742: 2736: 2735: 2733: 2732: 2730:Venus figurine 2727: 2726: 2725: 2720: 2710: 2705: 2700: 2699: 2698: 2693: 2683: 2678: 2673: 2668: 2663: 2661:Megalithic art 2658: 2657: 2656: 2651: 2641: 2636: 2631: 2630: 2629: 2619: 2614: 2612:Cave paintings 2609: 2604: 2599: 2594: 2589: 2588: 2587: 2577: 2571: 2569: 2563: 2562: 2560: 2559: 2558: 2557: 2552: 2542: 2537: 2532: 2531: 2530: 2525: 2520: 2515: 2510: 2505: 2495: 2490: 2489: 2488: 2478: 2477: 2476: 2471: 2461: 2456: 2451: 2450: 2449: 2439: 2434: 2429: 2424: 2418: 2416: 2414:Material goods 2406: 2405: 2396: 2389: 2388: 2385: 2384: 2381: 2380: 2378: 2377: 2376: 2375: 2365: 2360: 2355: 2350: 2345: 2344: 2343: 2333: 2328: 2327: 2326: 2316: 2315: 2314: 2304: 2303: 2302: 2292: 2287: 2281: 2279: 2275: 2274: 2272: 2271: 2266: 2261: 2256: 2251: 2245: 2243: 2239: 2238: 2236: 2235: 2230: 2225: 2224: 2223: 2213: 2208: 2207: 2206: 2201: 2196: 2186: 2181: 2176: 2171: 2170: 2169: 2159: 2154: 2149: 2148: 2147: 2137: 2132: 2130:Cliff dwelling 2127: 2122: 2117: 2112: 2107: 2106: 2105: 2094: 2092: 2088: 2087: 2085: 2084: 2083: 2082: 2077: 2072: 2062: 2057: 2051: 2049: 2041: 2040: 2035: 2028: 2027: 2024: 2023: 2020: 2019: 2017: 2016: 2015: 2014: 2004: 1999: 1994: 1989: 1988: 1987: 1977: 1972: 1967: 1962: 1957: 1952: 1947: 1942: 1937: 1932: 1927: 1926: 1925: 1915: 1914: 1913: 1908: 1898: 1893: 1888: 1883: 1882: 1881: 1871: 1866: 1861: 1860: 1859: 1849: 1843: 1841: 1835: 1834: 1832: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1781: 1776: 1775: 1774: 1769: 1764: 1754: 1749: 1744: 1739: 1738: 1737: 1727: 1722: 1717: 1715:Fire hardening 1712: 1707: 1705:Clovis culture 1702: 1697: 1696: 1695: 1690: 1685: 1674: 1672: 1666: 1665: 1662: 1661: 1659: 1658: 1657: 1656: 1645: 1643: 1639: 1638: 1636: 1635: 1630: 1628:Manis Mastodon 1625: 1620: 1615: 1610: 1605: 1600: 1595: 1590: 1585: 1584: 1583: 1572: 1570: 1564: 1563: 1561: 1560: 1559: 1558: 1553: 1548: 1543: 1538: 1528: 1523: 1522: 1521: 1511: 1510: 1509: 1507:throwing stick 1499: 1493: 1487: 1481: 1480: 1478: 1477: 1472: 1467: 1462: 1457: 1452: 1447: 1446: 1445: 1440: 1430: 1425: 1420: 1415: 1414: 1413: 1403: 1398: 1392: 1390: 1386: 1385: 1383: 1382: 1377: 1372: 1367: 1362: 1357: 1352: 1347: 1342: 1337: 1336: 1335: 1330: 1319: 1317: 1307: 1306: 1301: 1294: 1293: 1291: 1290: 1285: 1284: 1283: 1273: 1272: 1271: 1266: 1261: 1256: 1251: 1240: 1237: 1236: 1231: 1229: 1228: 1221: 1214: 1206: 1200: 1199: 1188: 1179: 1164: 1161: 1160: 1159: 1150: 1144: 1131: 1111:10.2307/281378 1094: 1088: 1073: 1070: 1067: 1066: 1062:Kooyman (2000) 1051: 1032: 1013: 1001: 989: 973: 946: 933:(7): 613–621. 913: 901: 889: 877: 828: 809: 797: 743: 739:Kooyman (2000) 731: 712:(4): 545–561. 693: 656: 645:(5): 583–593. 629: 602: 590: 589: 587: 584: 583: 582: 577: 570: 567: 527: 524: 455:Beaker Culture 429: 426: 409: 406: 397: 394: 372: 369: 341: 338: 313: 310: 296: 295:Hand-held core 293: 292: 291: 285: 279: 269: 258: 255: 246: 243: 241: 238: 232: 229: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3101: 3090: 3087: 3085: 3082: 3080: 3077: 3076: 3074: 3049: 3046: 3045: 3044: 3041: 3039: 3036: 3032: 3029: 3027: 3024: 3022: 3019: 3017: 3014: 3013: 3012: 3009: 3005: 3002: 3001: 3000: 2997: 2995: 2992: 2990: 2987: 2983: 2980: 2978: 2975: 2973: 2970: 2969: 2968: 2965: 2961: 2958: 2957: 2956: 2953: 2951: 2948: 2944: 2941: 2939: 2936: 2935: 2934: 2931: 2930: 2928: 2924: 2918: 2915: 2913: 2910: 2908: 2905: 2903: 2902:Simple dolmen 2900: 2898: 2895: 2893: 2890: 2888: 2887:Passage grave 2885: 2883: 2880: 2878: 2875: 2871: 2868: 2866: 2863: 2862: 2861: 2858: 2856: 2853: 2851: 2848: 2844: 2841: 2839: 2836: 2835: 2834: 2833:Gallery grave 2831: 2829: 2826: 2822: 2819: 2818: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2799: 2795: 2792: 2791: 2790: 2787: 2783: 2780: 2779: 2778: 2775: 2771: 2768: 2767: 2766: 2763: 2759: 2756: 2754: 2751: 2750: 2749: 2748:Burial mounds 2746: 2745: 2743: 2741: 2737: 2731: 2728: 2724: 2721: 2719: 2716: 2715: 2714: 2711: 2709: 2708:Statue menhir 2706: 2704: 2701: 2697: 2696:Stone carving 2694: 2692: 2689: 2688: 2687: 2684: 2682: 2679: 2677: 2674: 2672: 2669: 2667: 2664: 2662: 2659: 2655: 2652: 2650: 2647: 2646: 2645: 2642: 2640: 2637: 2635: 2632: 2628: 2625: 2624: 2623: 2620: 2618: 2615: 2613: 2610: 2608: 2605: 2603: 2600: 2598: 2595: 2593: 2590: 2586: 2583: 2582: 2581: 2578: 2576: 2573: 2572: 2570: 2568: 2564: 2556: 2553: 2551: 2548: 2547: 2546: 2543: 2541: 2538: 2536: 2535:Sewing needle 2533: 2529: 2526: 2524: 2521: 2519: 2516: 2514: 2511: 2509: 2506: 2504: 2501: 2500: 2499: 2496: 2494: 2491: 2487: 2484: 2483: 2482: 2479: 2475: 2472: 2470: 2467: 2466: 2465: 2462: 2460: 2457: 2455: 2452: 2448: 2445: 2444: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2419: 2417: 2415: 2411: 2407: 2403: 2399: 2394: 2390: 2374: 2371: 2370: 2369: 2366: 2364: 2363:Timber circle 2361: 2359: 2356: 2354: 2351: 2349: 2346: 2342: 2339: 2338: 2337: 2334: 2332: 2329: 2325: 2322: 2321: 2320: 2317: 2313: 2312:Tor enclosure 2310: 2309: 2308: 2305: 2301: 2300:fulacht fiadh 2298: 2297: 2296: 2293: 2291: 2288: 2286: 2283: 2282: 2280: 2276: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2246: 2244: 2240: 2234: 2231: 2229: 2226: 2222: 2219: 2218: 2217: 2214: 2212: 2209: 2205: 2202: 2200: 2197: 2195: 2192: 2191: 2190: 2187: 2185: 2182: 2180: 2177: 2175: 2172: 2168: 2165: 2164: 2163: 2160: 2158: 2155: 2153: 2150: 2146: 2143: 2142: 2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2108: 2104: 2101: 2100: 2099: 2096: 2095: 2093: 2089: 2081: 2078: 2076: 2073: 2071: 2068: 2067: 2066: 2063: 2061: 2058: 2056: 2053: 2052: 2050: 2046: 2042: 2038: 2033: 2029: 2013: 2010: 2009: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1986: 1983: 1982: 1981: 1978: 1976: 1973: 1971: 1968: 1966: 1963: 1961: 1958: 1956: 1953: 1951: 1948: 1946: 1943: 1941: 1938: 1936: 1933: 1931: 1928: 1924: 1921: 1920: 1919: 1916: 1912: 1909: 1907: 1904: 1903: 1902: 1899: 1897: 1894: 1892: 1889: 1887: 1884: 1880: 1877: 1876: 1875: 1872: 1870: 1867: 1865: 1862: 1858: 1855: 1854: 1853: 1850: 1848: 1845: 1844: 1842: 1840: 1836: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1780: 1777: 1773: 1770: 1768: 1765: 1763: 1760: 1759: 1758: 1755: 1753: 1750: 1748: 1745: 1743: 1740: 1736: 1733: 1732: 1731: 1728: 1726: 1723: 1721: 1718: 1716: 1713: 1711: 1708: 1706: 1703: 1701: 1698: 1694: 1691: 1689: 1686: 1684: 1681: 1680: 1679: 1676: 1675: 1673: 1671: 1667: 1655: 1652: 1651: 1650: 1647: 1646: 1644: 1640: 1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1604: 1601: 1599: 1596: 1594: 1591: 1589: 1586: 1582: 1579: 1578: 1577: 1574: 1573: 1571: 1569: 1565: 1557: 1554: 1552: 1549: 1547: 1544: 1542: 1539: 1537: 1536:spear-thrower 1534: 1533: 1532: 1529: 1527: 1524: 1520: 1517: 1516: 1515: 1514:Bow and arrow 1512: 1508: 1505: 1504: 1503: 1500: 1498: 1495: 1494: 1491: 1488: 1486: 1482: 1476: 1473: 1471: 1468: 1466: 1463: 1461: 1458: 1456: 1453: 1451: 1448: 1444: 1441: 1439: 1436: 1435: 1434: 1431: 1429: 1426: 1424: 1423:Grinding slab 1421: 1419: 1416: 1412: 1409: 1408: 1407: 1404: 1402: 1399: 1397: 1394: 1393: 1391: 1387: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1363: 1361: 1358: 1356: 1355:Domestication 1353: 1351: 1350:Digging stick 1348: 1346: 1343: 1341: 1338: 1334: 1331: 1329: 1328:Founder crops 1326: 1325: 1324: 1321: 1320: 1318: 1316: 1312: 1308: 1304: 1299: 1295: 1289: 1286: 1282: 1279: 1278: 1277: 1274: 1270: 1269:New Stone Age 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1250: 1247: 1246: 1245: 1242: 1241: 1238: 1234: 1227: 1222: 1220: 1215: 1213: 1208: 1207: 1204: 1196: 1195: 1189: 1182: 1180:9780943917016 1176: 1172: 1167: 1166: 1162: 1156: 1151: 1147: 1145:9780826323330 1141: 1138:. UNM Press. 1137: 1132: 1128: 1124: 1120: 1116: 1112: 1108: 1104: 1100: 1095: 1091: 1089:0-521-61500-3 1085: 1081: 1076: 1075: 1071: 1064:, p. 47 1063: 1058: 1056: 1052: 1047: 1043: 1036: 1033: 1028: 1024: 1017: 1014: 1010: 1005: 1002: 998: 993: 990: 987:, p. 690 986: 982: 977: 974: 969: 965: 961: 957: 950: 947: 941: 936: 932: 928: 924: 917: 914: 911:, p. 867 910: 905: 902: 899:, p. 986 898: 893: 890: 886: 881: 878: 873: 869: 864: 859: 855: 851: 847: 843: 839: 832: 829: 825: 821: 816: 814: 810: 806: 801: 798: 786: 782: 778: 774: 767: 760: 758: 756: 754: 752: 750: 748: 744: 740: 735: 732: 727: 723: 719: 715: 711: 707: 700: 698: 694: 689: 685: 680: 675: 671: 667: 660: 657: 652: 648: 644: 640: 633: 630: 625: 621: 617: 613: 606: 603: 600: 595: 592: 585: 581: 578: 576: 573: 572: 568: 566: 564: 560: 556: 552: 547: 545: 541: 532: 525: 523: 521: 517: 513: 510: 506: 502: 497: 495: 491: 485: 483: 482: 477: 473: 469: 464: 458: 456: 452: 447: 446:lithic flakes 443: 434: 427: 425: 421: 417: 415: 407: 405: 401: 395: 393: 391: 385: 377: 370: 368: 366: 362: 357: 355: 346: 339: 337: 329: 325: 321: 319: 311: 309: 307: 302: 299:Generally, a 294: 289: 286: 283: 280: 277: 273: 270: 267: 266: 265: 262: 256: 254: 252: 244: 239: 237: 230: 228: 226: 222: 218: 217:bulb of force 214: 210: 204: 202: 198: 197:Hertzian cone 194: 190: 186: 182: 178: 174: 170: 166: 162: 158: 154: 147: 143: 139: 137: 133: 129: 125: 120: 119:lithic flakes 116: 112: 108: 104: 100: 96: 92: 88: 83: 78: 76: 72: 68: 64: 60: 56: 52: 48: 41: 37: 32: 19: 2843:wedge-shaped 2828:Funeral pyre 2821:Great dolmen 2777:Chamber tomb 2758:Round barrow 2713:Stone circle 2585:Blombos Cave 2513:Grooved ware 2437:Chalcolithic 2341:Thornborough 2259:Flush toilet 2194:Blombos Cave 2189:Rock shelter 2145:Quiggly hole 2037:Architecture 2012:illustration 1756: 1654:Buffalo jump 1475:Storage pits 1438:AĆŸÄ±klı HöyĂŒk 1428:Ground stone 1264:Subdivisions 1193: 1170: 1154: 1135: 1102: 1098: 1079: 1035: 1026: 1016: 1004: 999:, p. 12 992: 976: 959: 955: 949: 930: 926: 916: 904: 892: 887:, p. 31 880: 845: 841: 831: 823: 807:, p. 12 800: 788:. Retrieved 776: 772: 734: 709: 705: 669: 665: 659: 642: 638: 632: 615: 611: 605: 594: 550: 548: 537: 505:South Africa 501:Blombos Cave 498: 486: 479: 459: 439: 422: 418: 411: 402: 399: 386: 382: 358: 351: 334: 322: 315: 298: 287: 281: 275: 271: 263: 260: 248: 234: 205: 201:lithic flake 151: 148:in Australia 95:ground stone 79: 54: 44: 2865:unchambered 2860:Long barrow 2850:Grave goods 2806:Court cairn 2801:Clava cairn 2753:Bowl barrow 2691:Rock cupule 2634:Golden hats 2627:Hill figure 2528:Unstan ware 2508:Cord-marked 2373:Sweet Track 2295:Burnt mound 2216:Stilt house 2204:Sibudu Cave 1997:Tally stick 1965:Quern-stone 1950:Hammerstone 1940:Fire plough 1911:Pesse canoe 1869:Bannerstone 1839:Other tools 1752:Lithic core 1700:Aurignacian 1588:Bare Island 1470:Quern-stone 1105:: 675–708. 779:: 134–141. 618:(1): 6–22. 555:lithic core 514:culture in 306:hammerstone 221:spokeshaves 99:hammerstone 91:lithic core 47:archaeology 3073:Categories 3004:trepanning 2897:Ring cairn 2855:Jar burial 2838:transepted 2770:U.S. sites 2671:Petroglyph 2597:Bird stone 2555:wine press 2228:Stone roof 2211:Roundhouse 2103:long house 2080:Stonehenge 2048:Ceremonial 1992:Stone tool 1819:Tool stone 1789:Metallurgy 1693:Mousterian 1670:Toolmaking 1608:Cumberland 1581:Transverse 1551:Schöningen 1443:Qesem cave 1411:Earth oven 1365:Irrigation 1276:Technology 1244:Prehistory 1072:References 540:stone tool 481:outrepasse 461:linear or 442:stone tool 240:Techniques 213:eraillures 169:chalcedony 117:to detach 82:tool stone 3048:symbolism 2912:Tor cairn 2870:GrĂžnsalen 2811:Cremation 2703:Sculpture 2681:Pictogram 2666:Petroform 2486:amber use 2454:Cosmetics 2264:Reservoir 2249:Check dam 2179:Pueblitos 2174:Pit-house 2157:Longhouse 2091:Dwellings 1960:Microlith 1891:Bow drill 1886:Bone tool 1879:prismatic 1688:Acheulean 1603:Cresswell 1576:Arrowhead 1502:Boomerang 1418:Granaries 1380:Terracing 1259:Stone Age 1127:163565502 1046:AllAfrica 726:162434327 674:CiteSeerX 512:Solutrean 472:quartzite 354:quartzite 181:quartzite 136:unifacial 51:Stone Age 38:of flint- 2686:Rock art 2649:painting 2622:Geoglyph 2447:timeline 2427:Beadwork 2167:Mehrgarh 2162:Mudbrick 2070:megalith 1945:Fire-saw 1767:debitage 1762:analysis 1730:Hand axe 1710:Cupstone 1288:Glossary 1249:Timeline 872:26483532 569:See also 559:artifact 544:quarried 225:scrapers 193:knapping 173:rhyolite 165:obsidian 132:bifacial 87:debitage 40:knapping 3079:Lithics 3043:Symbols 2654:pigment 2540:Weaving 2503:Cardium 2498:Pottery 2493:Mirrors 2481:Jewelry 2422:Baskets 2402:culture 2254:Cistern 2060:Pyramid 2002:Weapons 1980:Scraper 1970:Racloir 1930:Cleaver 1918:Chopper 1824:Uniface 1735:Grooves 1725:Hafting 1683:Oldowan 1642:Systems 1593:Cascade 1556:woomera 1546:harpoon 1519:history 1485:Hunting 1465:Pottery 1406:Cooking 1315:Farming 1281:history 1254:Outline 863:4614717 790:19 July 551:preform 245:Heating 177:felsite 63:weapons 3021:flutes 2816:Dolmen 2740:Burial 2550:winery 2523:Linear 2353:Midden 2331:Cursus 2324:Goseck 2184:Pueblo 2135:Dugout 2120:Burdei 1799:Mining 1623:Lamoka 1618:Folsom 1598:Clovis 1455:Metate 1433:Hearth 1401:Basket 1375:Sickle 1177:  1142:  1125:  1119:281378 1117:  1086:  870:  860:  724:  676:  516:France 490:weapon 468:basalt 463:lunate 179:, and 167:, and 128:blades 111:antler 2938:sites 2882:Mummy 2602:Cairn 2518:Jƍmon 2469:shoes 2464:Hides 2336:Henge 2290:Broch 2152:Jacal 2007:Wheel 1955:Knife 1901:Canoe 1896:Burin 1874:Blade 1772:flake 1633:Plano 1541:baton 1531:Spear 1497:Arrow 1450:Manos 1303:Tools 1123:S2CID 1115:JSTOR 1027:Wired 769:(PDF) 722:S2CID 586:Notes 520:Spain 414:punch 318:anvil 161:flint 157:chert 115:punch 59:tools 3031:gudi 2789:Cist 2718:list 2545:Wine 2474:Ötzi 2459:Glue 2432:Beds 2400:and 2398:Arts 2269:Well 2125:Cave 2055:Kiva 1985:side 1975:Rope 1923:tool 1857:bone 1847:Adze 1613:Eden 1526:Nets 1396:Fire 1360:Goad 1345:Celt 1175:ISBN 1140:ISBN 1084:ISBN 868:PMID 792:2017 518:and 494:tool 301:core 223:and 107:bone 103:wood 34:The 2140:Hut 2075:row 1906:Oar 1864:Axe 1852:Awl 1107:doi 964:doi 935:doi 858:PMC 850:doi 846:370 822:in 781:doi 714:doi 684:doi 647:doi 620:doi 492:or 470:or 274:or 109:or 61:or 45:In 3075:: 1121:. 1113:. 1103:52 1101:. 1054:^ 1044:. 1025:. 960:24 958:. 931:24 929:. 925:. 866:. 856:. 844:. 840:. 812:^ 777:47 775:. 771:. 746:^ 720:. 710:42 708:. 696:^ 682:. 670:32 668:. 643:17 641:. 616:21 614:. 565:. 522:. 503:, 227:. 187:, 175:, 163:, 159:, 105:, 53:, 1225:e 1218:t 1211:v 1183:. 1148:. 1129:. 1109:: 1092:. 1048:. 1029:. 970:. 966:: 943:. 937:: 874:. 852:: 794:. 783:: 728:. 716:: 690:. 686:: 653:. 649:: 626:. 622:: 20:)

Index

Shaping (archeology)

Levallois technique
knapping
archaeology
Stone Age
tools
weapons
archaeological industries
lithic analysis
chaßne opératoire
tool stone
debitage
lithic core
ground stone
hammerstone
wood
bone
antler
punch
lithic flakes
projectile point
blades
bifacial
unifacial

Mount William stone axe quarry
Cryptocrystalline
chert
flint

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