280:, and the Barjeel Art Foundation (UAE). In her critique of Waked's painting "Melancholia," Naomi Aviv writes: "Waked juxtaposes slivers of sayings and fragments of images drawn from the reservoirs of memory. The sentence and the image are stitched together with computer processing, which is photographed from the screen, printed and scanned, and the process is then repeated. The act of photographing captures also the flash of light that is reflected as a darkish beam on the computer screen and becomes an integral part of the picture, endowing it with a dramatic effect. The invasive beam of light has an aesthetic value, but also the troubling and subversive presence of a foreign element: as though someone is trying to illuminate the art work with a flashlight in order to ferret in its innards; as though the art work itself is suspected of subversion."
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Anderson Prize and Mark of
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Naomi Aviv, "It Hurts Only When I Laugh," in Sharif Waked, Melancholia, Andalus
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from the article and its talk page, especially if potentially
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Waked’s work is part of the permanent collections of the
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