432:. In 2011, Basar started an annual "live magazine" called FORMAT, which looks, "at the shapes that discourse takes." Each issue takes a cultural or historical format (such as Magic, Philosophy, Lecture, Library, Anniversary, Chat Show, Spam, Cover Version, Protest, Reality, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites guests (such as The Otolith Group, CĂ©cile B. Evans, Jonathan Allen, Sam Jacob, Brian Dillon, Peter Webber, Oscar Guardiola-Rivera,
463:. For example, Rosenkranz's intervention, entitled "Infection," presented, "A huge, almost sublime mountain of sand... its scale pressuring against the historic architecture. The sand is impregnated with fragrance of synthetic cat pheromones that activates a specific, biologically determined attraction or repulsion and subconsciously influence the public’s movement." It takes place in the Cisterna building, at the Fondazione Prada Milano.
330:, with Basar acting as Director-as-Large. 2016's edition marked the tenth anniversary of the Global Art Forum. It was called "The Future Was" (9/14 January & 16–18 March 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, with Basar as Commissioner, focusing on how visions of the future have been formulated in the past. Guests included
451:(curated as part of the Fondazione Prada Thought Council (Shumon Basar, CĂ©dric Libert, Elvira Dyangani Ose, Dieter Roelstraete)) between 2015 and 2017, presents site specific commissions, arranged successively as four "chapters", "agitating the mind and body, senses and space," by artists Tobias Putrih,
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magazine, "Among the invited guests, the 'artist' was barely present. He was chiefly superseded by those outside the art-industry consciousness: the political scientist, the translator, the novelist, the archaeologist, and so on—those who have as much or even more impact on the world and its artists
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which was barely a year old at that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned by Basar, directed by H.G.Masters, and entitled "It Means This." The theme of language has been an ongoing concern for Basar, who has said, "Contemporary reality is often ahead of our
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In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends
Dominik Kremerskothen and Stephanie Talbot. After Talbot's departure, the collective grew to include Patrick Lacey, Dagmar Radmacher, Benjamin Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery
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was co-edited by Shumon Basar, Antonia Carver and Markus
Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007. Containing 30 essays and articles on an array of Middle Eastern cities such as Damascus, Tehran, Cairo, Istanbul and Mecca, Kaelen Wilson-Goldie wrote that, "the
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ability to describe it, because we are still left behind in the terminology of the previous era or moment. Such a schism leads to blindness about what is actually happening to us, around us." Global Art Forum 8 (15/16 & 19–21 March 2014) was commissioned by Basar, directed by Omar
Berrada and
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Talks. Global Art Forum 6, under the directorship of Basar, was entitled "The Medium of Media" and took place in Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary remit to include novelists, historians, filmmakers and journalists; as well as introducing the
207:
was edited by Shumon Basar, designed by Kasia
Korczak/Boy Vereeken and published by AA Publications in 2007. "The contributors in this book... focus on both the Gulf emirate of Dubai and the rapid urbanisation of China. Are cities from zero universal blueprints of a better world for all of us, or
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was edited by
Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta in 2010. "This is the second volume of interviews from curator Hans Ulrich Obrist's ongoing infinite conversation. It contains dialogues with some of the most significant architects, artists, filmmakers,
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historians, musicians, philosophers and writers from the twentieth and twenty-first centuries." "The three editors decided to do it according to birthdays so highlighting the five generations occupied by the interviewees," said Obrist, about the system of organising the 70 interviews.
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Thought
Council) between 2015 and 2016, “a dynamic display strategy devised by the Thought Council. Three carefully selected works from the Collezione Prada are installed at a time, periodically rotating.” It took place in the Cisterna building, at the Fondazione Prada
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released a number of innovative printed issues that eschewed the tendency to move content online, hosted a number of events which they considered "live issues," collaborated with brands such as Adidas and
Mandarina Duck, and art directed the dance-pop band
469:(curated as part of the Fondazione Prada Thought Council) focused on “artworks that consciously foreground the hidden, concealed or forgotten phenomenon of 'the back.'" It took place in the Stecca Nord building, at the Fondazione Prada Milano.
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Globe Books imprint; long-term research projects and curated art and media exhibitions. "The Medium of Media" investigated the meaning of the word "media" in an art context as well as the role that media played in the unfolding of the
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was edited by
Charles Arsene-Henry and Shumon Basar, designed by Zak Kyes and published by Bedford Press in 2011. It accompanied a touring exhibition and featured text contributions from writers Douglas Coupland,
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newspaper, "That GAF took place on an island felt somehow important, and illustrated the oft repeated—and manifestly true—claim that it acted as Art Dubai's brain." And then in 2013, Einar Engström wrote in
486:(co-curated with Charles Arsene-Henry) in 2011/12, “the show is a kind of audio mix-tape of fictional and real places written by international authors.” It toured from London to Kitakyushu and Istanbul.
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was edited by Shumon Basar and
Stephan Trueby, designed by Kasia Koczak and published by AA Publications in 2008. It accompanied the first career retrospective of the London-based, Dutch artist
304:
In 2012, the director of Art Dubai, Antonia Carver, invited Basar to reinvent its associated cultural program, the Global Art Forum, which had been running since 2007 in a form derived from
110:
was a 2012 book written by Basar and published by the Dubai gallery
Traffic. It consisted only of rhetorical questions, one per page, and mimicked a classic leather-bound pocket diary.
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magazine, described it as, "an atlas of sorts, but one that maps an extended academic circle and its response to a built world being radically reshaped by conflict and globalization."
318:, and entitled "Meanwhile... History." It assembled an imaginary timeline of histories lost, forgotten and erased. Topics included Soviet Orientalism, Pan Kaffirism, Ibn Khaldun's
346:. "Trading Places" was the title of the 2017 iteration of the Global Art Forum, co-directed by Antonia Carver and Oscar Guardiola-Rivera, with Basar, again, as Commissioner.
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Since 2006, Basar has contributed to the Public Program at the AA School, London, drawing in notable figures from contemporary culture. His guests have included
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editors set themselves the task not of celebrating or bashing Dubai but rather of offering a third way between neoliberal and neoleft readings of the place."
38:, in 1974. His mother Dilruba Basar emigrated with him to the United Kingdom, to join his father, Abul Basar, who had already settled to work as a medical
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said "The forum has come to be recognised as a hub of ideas that has helped to fuel the development of the contemporary art scene in the Gulf."
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The intellectual ambitions and playful format of the Global Art Forum have been positively received by audiences and critics alike. In 2012,
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were two volumes edited by Shumon Basar and H.G. Masters, and published by Globe Books in 2013 as part of the Global Art Forum, Dubai.
492:(co-curated with Stephan TrĂĽby) in 2008/09, a 40-year retrospective of the artist. It toured from London to Berlin, Venice and Basel.
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322:, and Trajectories of the Sudanese Gulf. The 2015 edition of Global Art Forum 9, entitled "Download Update?" was co-directed by
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as undergraduate between 1993 and 1996. Between 1998 and 2000 he studied at the AA School, London. In 2005 Basar was invited by
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http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
730:"Hans Ulrich Obrist Interviews: Volume 2 Charles ARSENE-HENRY, Shumon BASAR, Karen MARTA | Asia Art Archive"
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Exhibition Guide from Storefront for Art and Architecture, New York, 13 September – 29 October 2005
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than do the pedestaled curator and critic." In a preview for the 2016 edition, Rachel Spence in the
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http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
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http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
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Having joined in 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly
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http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
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498:(co-curated with Joshua Bolchover and Parag Sharma) in 2005/06, featuring work by
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582:"Nothing Is More Fantastic Ultimately than Precision: John Hejduk’s Berlin Tower"
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Discussion between Jocylene Dakhlia, Justin Stearns and Shuddhabrata Sengupta
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He is also contributing editor at the Middle East arts and culture magazine
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to join a new doctoral program within the Department of Visual Cultures,
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648:"Travels in Pseudoreality: From TV to Wikileaks, the Only Way is Fake"
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http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
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and others. It toured from London to Bristol, New York and Lausanne.
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http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
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22:(born 15 October 1974) is a British writer, editor and curator.
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in the UK, Blue Rider Press in the US and Eichborn in Germany.
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http://4art.com/profiles/blogs/misconceptual-art-the-world-of
533:, an archive of published and unpublished writings since 2011
1127:"SLIGHT AGITATION 2/4: PAMELA ROSENKRANZ – Fondazione Prada"
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doomed, out-dated models of already extinct ideologies?"
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He has written journalism, criticism and reviews for
74:, and travelled extensively through the Middle East.
1093:"Format - AA School Summer Public Programme - Home"
1081:
http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
560:"Couple Format: The Identity Between Love and Work"
16:Bangladesh born British writer, editor and curator
1167:Interview with the curators by Beatrice Galilee,
626:"She Turns On: Fantasy, fear and female automata"
1079:In conversation with Ken Adam, 13 October 2009
750:Hans Ulrich Obrist interview, 6 December 2011
108:Do You Often Love with Success and with Fame?
8:
1183:Review by James Westcott for artreview.com
950:https://www.youtube.com/watch?v=hPPpoA66284
938:https://www.youtube.com/watch?v=2CJ3jMvSGUg
926:https://www.youtube.com/watch?v=HS86cdMzUkY
914:https://www.youtube.com/watch?v=F8uXWmtOvqc
696:Shumon Basar interviewed by Sophie Chamas
686:Shumon Basar interviewed by D’Arcy Doran
338:, Adrienne Maree Brown, Noura Al Noman,
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706:Shumon Basar interviewed by Thomas Yang
279:, 032c, Contemporary, Blueprint, Icon,
172:Hans Ulrich Obrist Interviews: Volume 2
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185:and included essays and interviews by
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676:Shumon Basar interviewed by Eva Munz
300:Commissioner & Director-at-Large
1041:"A Friendly Affair," 23 July 2013
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637:"Soft Readers Prefer Hard Covers"
62:. Since 2009, Basar has lived in
1141:"Recto Verso – Fondazione Prada"
763:Basar, Shumon (September 2007).
490:The World of Madelon Vriesendorp
179:The World of Madelon Vriesendorp
92:, co-authored with the novelist
60:Goldsmiths, University of London
221:was edited by Shumon Basar and
201:, Charlie Koolhaas and others.
1055:"Art Dubai's Global Art Forum"
229:and published by Revolver and
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1155:"Trittico – Fondazione Prada"
1115:http://format.aaschool.ac.uk/
538:"Some Thoughts on Desertness"
233:in 2006. Dominic Eichler, in
1254:21st-century English writers
912:Lecture by Masha Kirasirova
219:Did Someone Say Participate?
1171:magazine, 10 February 2011
948:Lecture by Michael Vazquez
100:, was published in 2015 by
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1259:People from Pabna District
924:Presentation by The State
869:"BROWNBOOK is coming soon"
809:, Issue 102, October 2006
712:(Issue 16, September 2012)
48:Gonville and Caius College
510:, Neal Rock, Dee Ferris,
571:"Before and After Taste"
475:(curated as part of the
46:in 1985. Basar attended
1095:. Format.aaschool.ac.uk
1009:"GLOBAL ART FORUM 2017"
986:"GLOBAL ART FORUM 2016"
963:"GLOBAL ART FORUM 2015"
892:"GLOBAL ART FORUM 2014"
847:"GLOBAL ART FORUM 2013"
824:"GLOBAL ART FORUM 2012"
702:(Issue 39, Summer 2013)
604:"Shumon Basar is Alone"
531:Yourheadisthewholeworld
324:Sultan Sooud Al-Qassemi
89:The Age of Earthquakes
1113:Format Issue 4, 2014
444:Exhibitions include:
434:Tamara Barnett-Herrin
148:, Guy Mannes Abbott,
66:, Vancouver, Berlin,
740:on 27 December 2014.
564:e-flux Superhumanity
544:(Spring Summer 2019)
496:Can Buildings Curate
289:The Sunday Telegraph
193:, Douglas Coupland,
52:Cambridge University
1210:on 17 February 2012
659:"The Magic Kingdom"
183:Madelon Vriesendorp
615:"Happy Expiry Day"
586:e-flux journal #66
422:Nicolai Ouroussoff
414:Julia Peyton-Jones
98:Hans Ulrich Obrist
30:Basar was born in
26:Life and education
793:, 10 August 2007
593:"Losing Interest"
504:Friedrich Kiesler
453:Pamela Rosenkranz
402:Keller Easterling
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