214:, graphic designer Wayne Daly took familiar visual cues from contemporary apps and other screen based matter, and translated them onto the printed page, in stark black and white. The text — written and collated by Basar/Coupland/Obrist — appears as aphoristic phrases and quotes. Some pages are left blank, while others require the reader to rotate the book 90 degrees, reminiscent of the portrait/horizontal modes on mobile phones. The reading experience emulates what Fiore achieved with
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updates McLuhan's prophetic 20th century pronouncements to the
Internet addled, 21st century. "The unpredictable side effects of technology are what dictate the future – there is always an excess to what we invent," say Basar/Coupland/Obrist, "we would argue that it's those excess effects... that
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produce the most radical – and also sometimes most unsettling – moral, philosophical, social and cultural transformations." The book's abiding premise, therefore, is that, "We haven't just changed our brains these past few years. We've changed the structure of the planet".
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Most of the images in the book were generated from a process entitled "mindsourcing." The manuscript was sent to 35 artists, from all over the world, some born after 1989, several born before 1945, who were asked to respond with relevant visual work.
238:, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Pattison, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl,
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They are Farah Al Qasimi, Ed Atkins, Gabriele
Basilico, Alessandro Bava, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cécile B. Evans, Rami Farook,
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accused it of being, "a project that looks backward, rather than ahead,"; and Kirkus
Reviews said, "its hipper-than-thou self-satisfaction runs close to the surface of a superficial book."
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said it was a "guidebook, map for today and mediation on the madness of our media, it's an awesome, dizzying read." However,
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https://www.bbc.co.uk/programmes/articles/38R7rkBN0jfHX9kcsvJkypp/massage-received-from-mcluhan-to-the-digital-age
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called it "absolutely amazing"; Vice.com characterised it as "a new philosophy-cum-modern-self-help book"; and
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is directly inspired by
Quentin Fiore's experimental style he made famous in
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310:"A Conversation with Hans Ulrich Obrist, Douglas Coupland, and Shumon Basar"
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and Jerome Agel — which was first published by
Penguin Books in the UK —
386:"Present Addiction: Our Need to Feel Connected, Right Now, All the Time"
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http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
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Paperback OS, Lecture at the
Architectural Association, 13.03.2015
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2015 book by Shumon Basar, Douglas
Coupland and Hans Ulrich Obrist
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in the UK, Blue Rider Press in the U.S. and
Eichborn in Germany.
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436:"'The Age of Earthquakes' looks back instead of forward"
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257:magazine described it as "a kind of philosophical
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454:"THE AGE OF EARTHQUAKES | Kirkus Reviews"
246:, Amalia Ulman, David Weir and Trevor Yeung.
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366:https://www.youtube.com/watch?v=KEnWQVNlAJE
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263:for the online era"; Jon Snow on
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285:Sunday Service programs to
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352:February 12, 2021, at the
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216:The Medium is the Massage
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468:"The Age of Earthquakes"
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212:The Age of Earthquakes
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192:The Age of Earthquakes
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232:Hans-Peter Feldmann
222:Visual contributors
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260:Anarchist Cookbook
161:Hans Ulrich Obrist
104:March 3, 2015 (US)
102:March 5, 2015 (UK)
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33:First edition (US)
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478:April 21,
345:BBC Arts
250:Reception
81:Publisher
369:Archived
350:Archived
331:Archived
73:Language
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171:Summary
76:English
39:Authors
199:Design
128:256 pp
422:Dazed
293:Notes
269:Dazed
125:Pages
480:2021
210:For
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