88:(Teacher Certificate Examination) in art education and English studies. Since that time, she has pursued her career as an international artist. In 1985, she was awarded a prize by the Robert Bosch Stiftung. Several trips led her to Oceania and South-East Asia in order to study, exhibit her work, or do art projects. Kallnbach held teaching positions at the Musashino Art University Tokyo, at the WAKO University Tokyo, at the Fachhochschule Bochum and the Kunstakademie Bad Reichenhall. In 2002, she finished training for multi-media design. Siglinde Kallnbach lives and works in
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on New Year's Eve 2000 and 2001. Siglinde
Kallnbach's artistic work is closely related to life and the everyday. Since she was diagnosed with cancer for the first time in 2000, she started to address the disease and its impact also in her art, while she places the individual suffering into a wider
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is of central relevance. Until today, Siglinde
Kallnbach realizes the impact of social conditions and predicaments through her own body. In her early work, this often implied carrying herself to physical extremes. Kallnbach comprehensively includes photography, various objects and materials in her
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and conveys complex cultural meanings by her highly symbolic acts. These do not only refer to an individually defined myth, but transfer her very own existential experience into a wider social context. Moreover, an important aspect of her artistic work is the active involvement of others. For
135:(since 2001) that serves to express empathy with cancer patients, Kallnbach creates options to release creative energy so as to convey its transformative power for the benefit of patients, their relatives, and the medical staff. For her social commitment, she was called
126:(1999–2001), she collected more than 4000 wishes for the future from all over the world and transformed them into a 460 m abstract track, which she presented in a maintenance tunnel underneath the
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Since the end of the 1970s, Siglinde
Kallnbach deals with socially and politically relevant subjects in her performances and interventions such as discrimination, racism, war, and
104:. Through her frequent travels, she is concerned with transcultural aspects, e.g. basic human needs and rituals, which she cross-culturally compares to facilitate
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Siglinde
Kallnbach: "Performance – der perforierte Begriff – ein Plädoyer gegen die Lehrbarkeit von Performance", in: Marie-Luise Lange (Hrsg.):
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Kallnbach: "Judicium Ignis: 500 Jahre Hexenhammer – Frauenprozession durch die Kasseler Innenstadt", in:
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122:(1985), she was able to unite 360 participations from 39 countries in her exhibition. For her project
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beyond cultural borders. In doing so, using her own body as an instrument of physical
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26:) is an internationally active German artist. Her work includes performance art,
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592:"a performancelife internationales Kunstprojekt von Siglinde Kallnbach ab 2001"
380:– FestiwalSztukj Zywej/Live Art Festival – Private Impact, Szczecin/Polen, 2004
169:, performance, installation and documentation, Heineken Village Gallery, Tokyo
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a performancelife internationales
Kunstprojekt von Siglinde Kallnbach ab 2001
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InterAzioni- Laboratorio
Internationale delle Performances et Installazioni
386:, Salon Verlag Köln 2001, Museum Ratingen 2001 und andere Orte, 2002/2003,
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162:, Exhibition at the Hochschulgalerie Kausch and women's procession, Kassel
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Thomas
Illmaier: "Siglinde Kallnbach: Schamanistische Performance", in:
405:, Frauen Museum Bonn/Kunsthalle Dominikanerkirche Osnabrück/Galerie am *
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Performativität erfahren. Aktionskunst lehren – Aktionskunst lernen
78:. In 1983, she graduated in fine arts, partly with the performance
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197:, art intervention, GEW Tunnel underneath the Rhine, exhibition
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Performance Ritual Prozeß – Handbuch der
Aktionskunst in Europa
228:, exhibition, Kita Gallery, Yamatokooriyama-City / Nara-Ken
221:, performance, Aomori Contemporary Art Center, Aomori/Japan
516:, no. 4, Verlag für Wissenschaft und Bildung Berlin 1995,
509:, Verlag Bergmoser und Höller, ISSN 0936-5141, Aachen 1996
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183:, performance and installation, Schaufenstergalerie Kassel
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Yearbook for Ethnomedicine and the Study of Consciousness
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Siglinde Kallnbach: Todesmasken für van Gogh/Japan 1990
176:, three performances, Theater im Fridericianum, Kassel
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Feministische Kulturpädagogik: Projekte und Konzepte,
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1978 first performances in New Zealand and Australia
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238:2008/09 Ludwig Forum for International Art, Aachen
143:Solo performances and solo exhibitions (selection)
448:. Schibri Verlag, Berlin/Milow/Strasburg, 2006,
426:Multimedialistinnen: Performerinnen-Woche Erfurt
268:Staatliche Kunstsammlungen – Neue Galerie Kassel
74:. In 1977, Kallnbach spent an academic year in
131:social context. With her interactive project
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399:, Japanisches Kulturinstitut Köln, Köln 2000
235:, exhibition and performance, KunstWerk Köln
46:From 1976 to 1983, Kallnbach studied at the
118:example, in the second part of her Trilogy
633:"Siglinde Kallnbach: Nebuta Matsuri/Japan"
611:e.V., a performancelife (25 March 2021).
544:, Prestel-Verlag, München/New York 1993,
660:"Siglinde Kallnbach – www.kunstforum.de"
481:Art and Artifact. – The Museum As Medium
537:, Tokio, März 1992 (mit Audio-Kassette)
533:"EL Interview Siglinde Kallnbach", in:
167:When will Mr. Saito buy van Gogh's ear?
160:Judicium Ignis – 500 Jahre Hexenhammer
507:Religion betrifft uns: Friedrich Spee
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526:"Tempelopfer und Feuerrituale", in:
483:, Thames & Hudson, London 2001,
397:Shozo Shimamoto – Siglinde Kallnbach
70:. She received a scholarship by the
208:, exhibition, Vonderau Museum Fulda
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190:, performance festival, Oldenburg
72:Evangelische Studienwerk Villigst
327:Siglinde Kallnbach – Performance
139:in Japan as early as the 1980s.
354:, Kunststation Kleinsassen 1984
348:, Kunststation Kleinsassen 1985
342:, Kunststation Kleinsassen 1991
199:Rheinspur/performance taubenrot
48:Hochschule für bildende Künste
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617:Verein a.performancelife e.V.
359:Group exhibitions (selection)
151:1984–86 process art trilogy (
700:People from Fulda (district)
329:, dalebo Verlag, Köln 1995,
282:Solo exhibitions (selection)
262:Stadt Kölnischer Kunstbesitz
248:Art Collection Deutsche Bank
54:and attended the classes of
705:German installation artists
613:"Home – Siglinde Kallnbach"
367:, Frauenmuseum Bonn, 2006,
303:, Salon Verlag Köln, 2002,
290:, Salon Verlag Köln, 2007,
243:Works in public collections
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715:German performance artists
494:20 Jahre Frauenmuseum Bonn
403:Gabriele Münter Preis 1997
316:, Salon Verlag Köln 1999,
80:Examensperformance L(e)ine
667:(in German). 24 June 2018
462:Akademie Remscheid 1989,
434:, Cagliari/Sardinien 1990
301:Wunschspur – Wishingtrack
201:, Antoniterkirche Cologne
155:etc.), Kleinsassen/Hessen
710:Photographers from Hesse
528:KUNSTFORUM International
439:Publications (selection)
422:, Frauenmuseum Bonn 1995
277:Stadtsparkasse Wuppertal
274:Kunststation Kleinsassen
637:Cologne Canival/Germany
428:, Kunsthaus Erfurt 1992
271:documenta Archiv Kassel
211:since 2001 art project
124:Wunschspur-Wishingtrack
288:Rheingold – Shinkansen
252:Kölnisches Stadtmuseum
226:Rheingold – Shinkansen
256:Vonderau Museum Fulda
259:Stadtmuseum Siegburg
188:Die Rose von Jericho
535:The English Journal
34:, photography, and
365:Alles Prophetinnen
137:she who loves fire
20:Siglinde Kallnbach
665:www.kunstforum.de
540:Elisabeth Jappe:
407:Fischmarkt Erfurt
296:978-3-89770-255-4
213:a performancelife
133:a performancelife
113:performances and
82:, and passed her
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671:17 November
642:17 November
623:17 November
619:(in German)
602:17 November
598:(in German)
582:17 November
578:(in German)
378:Performa 04
120:Kleinsassen
24:Tann, Hesse
684:Categories
652:References
206:Wunschspur
110:perception
314:Rheinspur
195:Rheinspur
102:injustice
42:Biography
352:Feuertor
153:Feuertor
106:dialogue
76:Auckland
233:HC – BC
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128:Rhine
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546:ISBN
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