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Manor, Wolverhampton; The
Florida International University, Miami Beach; National Gallery of Victoria, Melbourne; and the Powerhouse Museum, Sydney. One was gifted to the Art Institute of Chicago. Two other examples remain in private collections. One was auctioned by Phillips in 2012 for a price of $ 482,500.
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Ten extant examples of the sideboard are known. As of 2012 seven of these examples are in the permanent collections of the
Bristol Museums and Art Gallery, Bristol; Die Neue Sammlung, Staatlisches Museum für Angewandte Kunst, Munich; Victoria and Albert Museum, London; The National Trust, Wightwick
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is stylish and dramatic, but it is also quite appropriate for use in a dining room. It is functional with drawers, adjustable shelves, and a rack fitted to take a large dish between the cupboards. The construction and finish are practical and hygienic, with hard surfaces and simple decoration, and
110:, as he found deal to be unstable. At least ten versions of the original were made between 1867 and 1888, with differences in design, in decoration or in the number of legs. There are several surviving examples of this sideboard, made of ebonised deal, mahogany, or
88:, but he did not seek to imitate Japanese designs. Instead his Anglo-Japanese furniture aimed to combine the more general principles of simplicity and elegance he admired in the art of Japan with domestic needs of the Victorian home.
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Susan Weber Soros, ed., E.W. Godwin: Aesthetic
Movement Architect and Designer, exh. cat., The Bard Graduate Center for Studies in the Decoratives Arts, New York, 1999, pp. 239, 241
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Paul Reeves, ‘The Anglo-Japanese Buffet by E W Godwin, Variations on and
Developments of a Design’, The Decorative Arts Society 1850 to the Present, London, no. 18, 1994, 36-40
174:'The Best Of British, Design From The 19th And 20th Centuries, The Selling Exhibition', Sotheby’s and Paul Reeves, London, 2008, illustrated pp. 46–49
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and textiles were very fashionable in
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Susan Weber Soros, The
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Hayes, Richard W. (2017). 'The
Aesthetic Interior as Incubator of Health and Well-Being'.
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Japan began trading with the West in the 1850s, and by the next decade imported
Japanese
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196:"Sideboard | Godwin, Edward William | V&A Explore the Collections"
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William Watt, Art
Furniture from Designs by E.W. Godwin, London, 1877, pl. 6
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the raised bottom shelf gives access for cleaning the floor.
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Godwin designed the first version of this sideboard in
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Sideboard, 1867–1870, by Edward
William Godwin (
275:"Sideboard by E W Godwin, 1867 - (TLF R5726 v2.0.0)"
255:. Museum of Applied Arts & Sciences, Australia
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253:"Sideboard designed by Edward William Godwin"
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344:Collection of the Victoria and Albert Museum
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224:"E.W.Godwin sideboard 1288370"
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145:V&A: A Hundred Highlights
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137:doi:10.1017/arh.2017.9
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331:at Wikimedia Commons
133:Architectural History
86:Japanese architecture
56:Edward William Godwin
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69:Anglo-Japanese style
364:Individual cabinets
359:19th century in art
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338:Categories
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179:References
93:sideboard
64:Japonisme
60:Victorian
52:sideboard
108:mahogany
101:ebonised
80:prints,
149:V&A
77:ukiyo-e
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