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Sie werden aus Saba alle kommen, BWV 65

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56: 1088: 1009: 933: 895: 853: 681:. He wrote the title as "J. J. Festo Epiphan: Concerto. à 2 Core du Chasse. 2 Hautb: da Caccia. / due Fiauti 2 Violini è Viola con 4 Voci", which means: "Jesus help (Jesu Juva – a pre-fixed prayer to most of Bach's compositions). Feast of the Epiphany: concerto for 2 hunting horns. 2 oboes da caccia / two recorders 2 violins and viola with 4 voices." 555:. The second recitative equates the gifts of the contemporary Christian to those of the kings: Faith to the gold, Prayer to the incense, and Patience to the myrrh. The last aria expresses that the devoted Christian offers his heart as a present. The cantata ends with a chorale. The text is not extant, but it is assumed to be stanza 10 of 1026:
Bach uses scoring and especially instrumentation to illustrate the contrast between poverty and abundance. While all recitatives are secco, and the strings are silent for the first aria which is supported only by the oboes da caccia in low register, a festive orchestra with three kinds of wind
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instruments and strings accompanies not only, as usual, the opening chorus and the closing chorale, but also the penultimate movement, a tenor aria expressing how the believer gives his heart as a present. Hofmann notes that Bach "combines high art with the folk style".
494:). The unknown poet of the cantata text may be the same as for BWV 40 and BWV 64 for the Second and Third Day of Christmas, a person "theologically competent and poetically skilfull (sic)", as the Bach scholar 2626: 1156:" (Gold from Ophir is too meager), is accompanied by the oboes da caccia, whose low register together with the bass voice conveys the humility expressed in the words. The instruments keep repeating the first 349:
ensemble of two horns, two recorders, two oboes da caccia, strings and basso continuo. All recitatives are secco, but the full orchestra plays for the opening chorus, the last aria and the closing chorale.
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that the instrumentation resembles Near Eastern music, the recorders representing "the high pitches often associated with oriental music and the oboes da caccia (in tenor register) to evoke the
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by repeating the text of the second idea on new musical material. A long ritornello of 32 measures "contains an almost unprecedented variety of instrumental colouring", as Mincham writes.
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proclaims that the gospel is the fulfillment of the prophecy and concludes that it is the Christian's duty to bring his heart as a gift to Jesus. This idea is the theme of the following
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ending. The musicologist Julian Mincham notes unexpected harmonies when the stable of Bethlehem is mentioned, as if to illustrate the "lowliness of that birthplace".
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The entries are taken from the selection on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in
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that the prophecy was fulfilled in Bethlehem, concluding that the Christian should bring his heart as a gift. The cantata ends with a
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Bach Cantatas Vol. 18: Weimar/Leipzig/Hamburg / For Christmas Day & for Epiphany / For the 1st Sunday after Epiphany
1236: 521: 1047:" (all), not just the wise men, gather and move to adore. Horn signals call first and prevail throughout the movement. 3939: 1370: 1536: 1174:" (Do not scorn, o You the light of my soul, my heart), begins with a plea, expressed in a line descending through a 4889: 3040: 1774: 5438: 4697: 4291: 3471: 1894: 5036: 3754: 526: 491: 467: 5096: 2598: 1834: 1661: 1527: 92: 60: 5378: 2658: 1492: 2186: 5443: 3909: 2494: 2155: 1959: 1842: 1782: 1478: 536: 2550: 2220: 1725: 5373: 4431: 3965: 3932: 3913: 3604: 3081: 1597: 1533: 1429: 1229: 34: 5393: 5383: 5369: 5365: 3960: 3899: 3076: 2702: 2640: 2635: 2571: 2562: 2324: 1087: 240: 70: 65: 47: 43: 1658: 1611: 2473:"Chorale Melodies used in Bach's Vocal Works / Ein Kind geborn zu Bethlehem (Puer natus in Bethlehem)" 1951: 1594: 1588: 1324: 2472: 2436: 2032: 1847: 1825: 1682: 1472: 1311: 1104: 1060: 626: 346: 3924: 1487: 3711: 1915: 1891: 1885: 1241: 674: 579: 248: 82: 2021: 1674: 1319: 1059:, framed by two sections with the voices embedded in a repeat of the instrumental introduction. 2296: 2290: 2159: 2149: 2016: 2002: 1902: 1795: 1559: 1052: 685: 654: 618: 471: 338: 273: 3905: 2450: 2411: 1831: 1738: 1302: 1064: 602: 330: 264:
in Leipzig which had been celebrated with five cantatas, four of them new compositions, the
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begins with a quotation from the prophecy, comments it by a stanza of the early anonymous
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shall come: they shall bring gold and incense". The poet juxtaposes the prediction by a
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each, and work closes with a chorale. Bach scored the cantata for two vocal soloists (
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as well, combines the prescribed readings for the feast day, the prophecy from the
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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Sie werden aus Saba alle kommen BWV 65; BC A 27 / Sacred cantata (The Epiphany)
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Johann Sebastian Bach (1685-1750) / Cantatas Nos 32, 63, 65, 123, 124 & 154
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J. S. Bach: Cantatas Vol. 21 – Cantatas from Leipzig 1724 – BWV 65, 81, 83, 190
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J. S. Bach: Das Kantatenwerk • Complete Cantatas • Les Cantates, Folge / Vol. 4
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developments depict the growing of a crowd. The central section is an extended
2355: 1964: 606: 548: 299: 227: 2581: 2577: 541:", "A babe is born in Bethlehem", 1543), which describes the arrival of the " 272:. The text by an anonymous author, who possibly supplied texts of two of the 2221:"Sie werden aus Saba alle kommen, BWV 65 / (All they from Sheba shall come)" 2026: 1551: 2187:"On the first cycle of Bach's cantatas for the Leipzig Liturgy (1723–1724)" 1184:" (the abundance of the greatest wealth must some day be mine in Heaven). 588:, to the topic and the occasion and first performed it on 6 January 1735. 2517: 2382: 1203: 499: 285: 574:
Bach first performed the cantata for Epiphany on 6 January 1724. In his
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are taken from the book on all the Bach cantatas by the Bach scholar
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The following table of movements gives the scoring according to the
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The same idea is rendered in a stanza from the Christmas carol, "
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Bach wrote the cantata to conclude his first Christmas season as
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des größten Reichtums Überfluß mir dermaleinst im Himmel werden
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The prescribed readings for the feast day were taken from the
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Was dort Jesaias vorhergesehn, das ist zu Bethlehem geschehn.
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J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 4
2412:"Chapter 35 Bwv 65 – The Cantatas of Johann Sebastian Bach" 2379:"Cantata No. 65, "Sie werden aus Saba alle kommen," BWV 65" 1160:, recalling the initial idea that gold is not good enough. 1217:
Ei nun, mein Gott, so fall ich dir getrost in deine Hände.
1041:" (They will all come forth out of Sheba), depicts, that " 1228:", which Bach used frequently later, as the base for his 547:" (Kings from Sheba), related to the epistle. The first 251:
and first performed it on 6 January 1724 as part of his
704:(4/4). The continuo, playing throughout, is not shown. 662:, BWV 40, and later in his cantata for Christmas 1724, 358:
Bach wrote the cantata in 1724, in his first year as
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begins with the final verse of the epistle reading,
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Johann Sebastian Bach, Christmas Oratorio (BWV 248)
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Verschmähe nicht, du, meiner Seele Licht, mein Herz
187: 165: 157: 134: 98: 88: 78: 23: 428:Sehet, welch eine Liebe hat uns der Vater erzeiget 2518:"Cantata BWV 65 Sie werden aus Saba alle kommen" 653:. Bach employed a pair of horns before in his 3940: 3360:Later additions to the chorale cantata cycle: 2620: 1192:To show the abundance, the dance-like aria, " 8: 3094:Chorale cantatas between Trinity and Easter: 1642: 1412: 1351: 1221: 1215: 1193: 1179: 1169: 1151: 1133: 1119: 1098: 1042: 1036: 981: 946: 908: 866: 828: 792: 751: 663: 657: 583: 564: 542: 519: 448: 436: 424: 412: 388: 319: 293: 219: 115: 106: 24: 2431: 2429: 2148:Dürr, Alfred; Jones, Richard D. P. (2006). 1520:Bach Cantatas Vol. 1 – Advent and Christmas 1287: 1092: 534: 3947: 3933: 3925: 2627: 2613: 2605: 2405: 2403: 2401: 2399: 2101:"BWV 65 – Sie werden aus Saba alle kommen" 1259: 706: 54: 20: 2546:International Music Score Library Project 2321:"BWV 165 Sie werden aus Saba alle kommen" 2314: 2312: 2211: 2209: 2207: 1353:Les Grandes Cantates de J. S. Bach Vol. 5 225:(They will all come forth out of Sheba), 5434:Church cantatas by Johann Sebastian Bach 2295:. Leuven University Press. p. 156. 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 1993: 1936: 1876: 1816: 1759: 1702: 1641: 1579: 1518: 1465:J. S. Bach: Cantatas BWV 46 & BWV 65 1463: 1411: 1350: 1295:Bach Made in Germany Vol. 1 – Cantatas I 1293: 910:Verschmähe nicht, du, meiner Seele Licht 2595:Sie werden aus Saba alle kommen, BWV 65 2542:Sie werden aus Saba alle kommen, BWV 65 2177: 2175: 2143: 2141: 2073: 1878:Bach Edition Vol. 19 – Cantatas Vol. 10 1718:Amsterdam Baroque Orchestra & Choir 1224:Was mein Gott will, das g'scheh allzeit 585:Herr, wenn die stolzen Feinde schnauben 16:Church cantata by Johann Sebastian Bach 2568:BWV 65 Sie werden aus Saba alle kommen 2559:BWV 65 Sie werden aus Saba alle kommen 2139: 2137: 2135: 2133: 2131: 2129: 2127: 2125: 2123: 2121: 2343: 2341: 601:Bach structured the cantata in seven 7: 1704:J. S. Bach: Complete Cantatas Vol. 8 659:Darzu ist erschienen der Sohn Gottes 416:Darzu ist erschienen der Sohn Gottes 406:Magnificat in E-flat major, BWV 243a 280:and the gospel of Matthew about the 2601:(video and background information) 1255:historically informed performances 983:Ei nun, mein Gott, so fall ich dir 14: 3297:Continuation of the second cycle: 2817:Köthen: BWV Anh. 5 333:cantata, for two vocal soloists ( 1063:remarked in connection with his 1007: 931: 893: 851: 514:, stanza 4 of the old anonymous 452:Mein liebster Jesus ist verloren 329:Bach festively scored the seven- 2192:. Bach-Cantatas. pp. 12–13 1263:Sie werden aus Saba alle kommen 1071:-like double-reed instruments ( 1038:Sie werden aus Saba alle kommen 753:Sie werden aus Saba alle kommen 710:Sie werden aus Saba alle kommen 567:Ich hab in Gottes Herz und Sinn 440:Singet dem Herrn ein neues Lied 322:Ich hab in Gottes Herz und Sinn 221:Sie werden aus Saba alle kommen 118:Ich hab in Gottes Herz und Sinn 26:Sie werden aus Saba alle kommen 1775:Gabrieli Consort & Players 1368:Heinrich-Schütz-Chor Heilbronn 1272:Conductor / Choir / Orchestra 1153:Gold aus Ophir ist zu schlecht 868:Gold aus Ophir ist zu schlecht 364:(director of church music) in 1: 1121:Die Kön'ge aus Saba kamen dar 830:Was dort Jesaias vorhergesehn 794:Die Kön'ge aus Saba kamen dar 667:Gelobet seist du, Jesu Christ 3408:Other late chorale cantatas: 1100:Ein Kind geborn zu Bethlehem 522:Ein Kind geborn zu Bethlehem 466:, the heathen will convert ( 295:Ein Kind geborn zu Bethlehem 243:. He composed it in 1724 in 108:Ein Kind geborn zu Bethlehem 3747:Council election (Leipzig): 2839:Between Trinity and Advent: 1371:Pforzheim Chamber Orchestra 506:'s prophecy "all they from 402:Sanctus in D major, BWV 238 5460: 2226:. Bach-Cantatas. p. 6 1895:Netherlands Bach Collegium 1414:J. S. Bach: Cantata BWV 65 1195:Nimm mich dir zu eigen hin 948:Nimm mich dir zu eigen hin 392:Christen, ätzet diesen Tag 5355: 3973: 3890: 1481:Barmen Chamber Orchestra 1286: 1283: 1280: 1277: 1274: 1271: 1268: 1222: 1216: 1194: 1178:. It ends on the notion " 1170: 1152: 1134: 1120: 1099: 1093: 1037: 982: 947: 909: 867: 829: 793: 752: 740: 737: 734: 731: 728: 725: 722: 719: 716: 664: 565: 543: 535: 520: 449: 437: 425: 413: 389: 320: 298:", says in a sequence of 294: 116: 107: 53: 42: 32: 3464:Liturgical year 1725–26: 2599:Netherlands Bach Society 2410:Mincham, Julian (2010). 2289:Bossuyt, Ignace (2004). 1835:English Baroque Soloists 1662:Bach-Collegium Stuttgart 1644:Die Bach Kantate Vol. 21 1537:Münchener Bach-Orchester 578:of 1734, Bach dedicated 368:, to conclude his first 139:6 January 1724 61:Michael Angelo Immenraet 2561:: English translation, 2156:Oxford University Press 1479:Kantorei Barmen-Gemarke 1257:are highlighted green. 1168:The tenor recitative, " 1132:The first recitative, " 1094:Puer natus in Bethlehem 1065:Bach Cantata Pilgrimage 700:, using the symbol for 537:Puer natus in Bethlehem 2952:From Advent to Trinity 2377:Robins, Brian (2010). 1643: 1598:Concentus Musicus Wien 1430:Badische Staatskapelle 1413: 1352: 1214:The closing chorale, " 1180: 1115: 1043: 976: 941: 903: 861: 823: 787: 746: 658: 584: 492:Matthew 2:1–12 490:to the newborn Jesus ( 476:Wise Men from the East 282:Wise Men from the East 220: 25: 3961:Johann Sebastian Bach 3900:List of Bach cantatas 2641:Johann Sebastian Bach 2597:: performance by the 2572:University of Alberta 2563:University of Vermont 2497:. Bach-Cantatas. 2009 2475:. Bach-Cantatas. 2006 2325:University of Alberta 2270:. Bach-Cantatas. 2006 2248:. Bach-Cantatas. 2006 1428:Stuttgarter Bach-Chor 1090: 1079:) of the Near East". 1035:The opening chorus, " 597:Structure and scoring 468:Isaiah 60:1–6 241:Johann Sebastian Bach 71:Unionskirche, Idstein 66:Adoration of the Magi 2437:Gardiner, John Eliot 2414:. jsbachcantatas.com 2158:. pp. 172–176. 1952:Bach Collegium Japan 1761:Bach – Epiphany Mass 1589:Nikolaus Harnoncourt 627:Baroque instrumental 347:Baroque instrumental 3446:After Trinity 1725: 2319:Bischof, Walter F. 2033:Jan van der Crabben 1826:John Eliot Gardiner 1534:Münchener Bach-Chor 1312:Gewandhausorchester 1265: 1114:in Nürnberg in 1553 1061:John Eliot Gardiner 713: 253:first cantata cycle 180:tenor and bass solo 1916:Brilliant Classics 1892:Holland Boys Choir 1886:Pieter Jan Leusink 1659:Gächinger Kantorei 1260: 1242:St Matthew Passion 1116: 707: 679:Christmas Oratorio 576:Christmas Oratorio 478:bringing gifts of 274:Christmas cantatas 93:1 John 3:8 5439:1724 compositions 5421: 5420: 3922: 3921: 3776:1139.1, 1140–1141 2584:bach-chorales.com 2570:: text, scoring, 2066: 2065: 2017:Elisabeth Hermans 2003:Sigiswald Kuijken 1903:Nico van der Meel 1796:Archiv Produktion 1612:Ruud van der Meer 1595:Tölzer Knabenchor 1560:Archiv Produktion 1202:, Bach creates a 1150:The first aria, " 1019: 1018: 686:Neue Bach-Ausgabe 655:Christmas cantata 472:Gospel of Matthew 374:Feast of Epiphany 354:History and words 216: 215: 200:2 oboes da caccia 5451: 5413:Secular cantatas 5374:Chorale cantatas 5348: 3963: 3949: 3942: 3935: 3926: 3906:Monteverdi Choir 3748: 3690: 3643: 3603: 3465: 3447: 3409: 3361: 3298: 3095: 2953: 2840: 2643: 2629: 2622: 2615: 2606: 2544:: Scores at the 2530: 2529: 2527: 2525: 2513: 2507: 2506: 2504: 2502: 2491: 2485: 2484: 2482: 2480: 2469: 2463: 2462: 2460: 2458: 2451:Hyperion Records 2433: 2424: 2423: 2421: 2419: 2407: 2394: 2393: 2391: 2389: 2374: 2368: 2367: 2365: 2363: 2353: 2345: 2336: 2335: 2333: 2331: 2316: 2307: 2306: 2286: 2280: 2279: 2277: 2275: 2264: 2258: 2257: 2255: 2253: 2242: 2236: 2235: 2233: 2231: 2225: 2213: 2202: 2201: 2199: 2197: 2191: 2183:Wolff, Christoph 2179: 2170: 2169: 2145: 2116: 2115: 2113: 2111: 2105:pameladellal.com 2093: 2053: 2051: 2035: 2007: 2006: 2005: 1984: 1982: 1950: 1949: 1948: 1927: 1925: 1890: 1889: 1888: 1867: 1865: 1832:Monteverdi Choir 1830: 1829: 1828: 1807: 1805: 1773: 1772: 1771: 1750: 1748: 1739:Antoine Marchand 1716: 1715: 1714: 1694: 1692: 1657: 1656: 1655: 1646: 1632: 1630: 1614: 1593: 1592: 1591: 1571: 1569: 1548: 1532: 1531: 1530: 1510: 1508: 1477: 1476: 1475: 1473:Helmut Kahlhöfer 1427: 1426: 1425: 1416: 1403: 1401: 1366: 1365: 1364: 1355: 1342: 1340: 1307: 1306: 1305: 1289: 1266: 1227: 1226: 1219: 1218: 1197: 1196: 1183: 1173: 1172: 1155: 1154: 1137: 1136: 1123: 1122: 1113: 1103:", published by 1102: 1101: 1096: 1095: 1091:First print of " 1046: 1040: 1039: 1012: 1011: 985: 984: 950: 949: 936: 935: 912: 911: 898: 897: 870: 869: 856: 855: 832: 831: 796: 795: 779: 769: 755: 754: 714: 672: 671: 661: 629:ensemble of two 587: 570: 569: 546: 545: 540: 539: 532: 531: 530: 470:), and from the 457: 456: 445: 444: 433: 432: 421: 420: 397: 396: 370:Christmas season 325: 324: 297: 296: 232: 229: 223: 175: 153: 152: 146: 144: 121: 120: 110: 109: 73:, from the 1670s 68: 58: 28: 21: 5459: 5458: 5454: 5453: 5452: 5450: 5449: 5448: 5424: 5423: 5422: 5417: 5370:Church cantatas 5351: 5337: 5336:— discography; 3969: 3959: 3953: 3923: 3918: 3886: 3885: 3746: 3685: 3639: 3631: 3625: 3624: 3601: 3463: 3445: 3431: 3430: 3407: 3359: 3296: 3093: 3083: 3079: 3071: 3070: 2951: 2838: 2829: 2822: 2821: 2678:1138.1 & .2 2650: 2644: 2639: 2636:Church cantatas 2633: 2591: 2538: 2533: 2523: 2521: 2520:. Bach-Cantatas 2515: 2514: 2510: 2500: 2498: 2493: 2492: 2488: 2478: 2476: 2471: 2470: 2466: 2456: 2454: 2447:Soli Deo Gloria 2445:(Media notes). 2435: 2434: 2427: 2417: 2415: 2409: 2408: 2397: 2387: 2385: 2376: 2375: 2371: 2361: 2359: 2351: 2347: 2346: 2339: 2329: 2327: 2318: 2317: 2310: 2303: 2288: 2287: 2283: 2273: 2271: 2266: 2265: 2261: 2251: 2249: 2244: 2243: 2239: 2229: 2227: 2223: 2215: 2214: 2205: 2195: 2193: 2189: 2181: 2180: 2173: 2166: 2147: 2146: 2119: 2109: 2107: 2095: 2094: 2075: 2071: 2061: 2049: 2047: 2038: 2031: 2022:Petra Noskaiová 2009:La Petite Bande 2001: 2000: 1999: 1980: 1978: 1969: 1960:James Gilchrist 1944: 1943: 1942: 1923: 1921: 1912: 1884: 1883: 1882: 1863: 1861: 1856:Soli Deo Gloria 1852: 1843:James Gilchrist 1824: 1823: 1822: 1803: 1801: 1792: 1783:Charles Daniels 1767: 1766: 1765: 1746: 1744: 1735: 1710: 1709: 1708: 1690: 1688: 1679: 1675:Wolfgang Schöne 1653:Helmuth Rilling 1651: 1650: 1649: 1628: 1626: 1617: 1610: 1587: 1586: 1585: 1567: 1565: 1556: 1546:Ernst Haefliger 1544: 1526: 1525: 1524: 1506: 1504: 1497: 1471: 1470: 1469: 1447: 1421: 1420: 1419: 1399: 1397: 1388: 1360: 1359: 1358: 1338: 1336: 1329: 1325:Johannes Oettel 1301: 1300: 1299: 1251: 1230:chorale cantata 1212: 1190: 1166: 1148: 1130: 1107: 1085: 1033: 1024: 1014: 1006: 930: 892: 850: 775: 767: 694:time signatures 673:, and later in 639:oboes da caccia 623:four-part choir 599: 594: 544:Kön'ge aus Saba 524: 516:Christmas carol 356: 343:four-part choir 310:, stanza 10 of 290:Christmas carol 230: 212: 183: 148: 142: 140: 138: 130: 123: 74: 64: 38: 17: 12: 11: 5: 5457: 5455: 5447: 5446: 5444:Epiphany music 5441: 5436: 5426: 5425: 5419: 5418: 5416: 5415: 5406: 5404:Picander cycle 5401: 5396: 5391: 5386: 5381: 5376: 5363: 5356: 5353: 5352: 5350: 5349: 5331: 5326: 5321: 5316: 5311: 5306: 5301: 5296: 5291: 5286: 5281: 5276: 5271: 5266: 5261: 5256: 5251: 5246: 5241: 5236: 5231: 5224: 5217: 5210: 5203: 5196: 5189: 5184: 5179: 5174: 5169: 5164: 5159: 5154: 5149: 5144: 5139: 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2609: 2603: 2602: 2590: 2589:External links 2587: 2586: 2585: 2574: 2565: 2556: 2548: 2537: 2534: 2532: 2531: 2508: 2486: 2464: 2425: 2395: 2369: 2337: 2308: 2301: 2281: 2259: 2237: 2217:Hofmann, Klaus 2203: 2171: 2164: 2117: 2097:Dellal, Pamela 2072: 2070: 2067: 2064: 2063: 2057: 2054: 2044: 2039: 2037: 2036: 2029: 2024: 2019: 2013: 2011: 1997: 1991: 1990: 1987: 1985: 1975: 1970: 1968: 1967: 1962: 1956: 1954: 1946:Masaaki Suzuki 1940: 1934: 1933: 1930: 1928: 1918: 1913: 1911: 1910: 1905: 1899: 1897: 1880: 1874: 1873: 1870: 1868: 1858: 1853: 1851: 1850: 1845: 1839: 1837: 1820: 1814: 1813: 1810: 1808: 1798: 1793: 1791: 1790: 1785: 1779: 1777: 1763: 1757: 1756: 1753: 1751: 1741: 1736: 1734: 1733: 1728: 1726:Jörg Dürmüller 1722: 1720: 1706: 1700: 1699: 1697: 1695: 1685: 1680: 1678: 1677: 1672: 1670:Adalbert Kraus 1666: 1664: 1647: 1639: 1638: 1635: 1633: 1623: 1618: 1616: 1615: 1608: 1602: 1600: 1583: 1577: 1576: 1574: 1572: 1562: 1557: 1555: 1554: 1549: 1541: 1539: 1522: 1516: 1515: 1513: 1511: 1501: 1498: 1496: 1495: 1493:Jakob Stämpfli 1490: 1484: 1482: 1467: 1461: 1460: 1458: 1456: 1453: 1448: 1446: 1445: 1440: 1434: 1432: 1423:Marcel Couraud 1417: 1409: 1408: 1406: 1404: 1394: 1389: 1387: 1386: 1381: 1375: 1373: 1356: 1348: 1347: 1345: 1343: 1333: 1330: 1328: 1327: 1322: 1316: 1314: 1297: 1291: 1290: 1285: 1282: 1279: 1276: 1273: 1270: 1261:Recordings of 1250: 1247: 1211: 1208: 1189: 1186: 1165: 1162: 1147: 1144: 1129: 1126: 1084: 1081: 1032: 1029: 1023: 1020: 1017: 1016: 1004: 1001: 998: 995: 992: 989: 986: 979: 973: 972: 969: 966: 963: 960: 957: 954: 951: 944: 938: 937: 928: 926: 924: 922: 919: 916: 913: 906: 900: 899: 890: 885: 883: 880: 877: 874: 871: 864: 858: 857: 848: 846: 844: 842: 839: 836: 833: 826: 820: 819: 816: 811: 809: 806: 803: 800: 797: 790: 784: 783: 780: 773: 770: 765: 762: 759: 756: 749: 743: 742: 739: 736: 733: 730: 727: 724: 721: 718: 651:basso continuo 625:and a festive 598: 595: 593: 590: 464:Book of Isaiah 460: 459: 446: 434: 422: 409: 408: 403: 399: 398: 355: 352: 278:Book of Isaiah 237:church cantata 214: 213: 211: 210: 207: 204: 201: 198: 195: 191: 189: 185: 184: 182: 181: 178: 169: 167: 163: 162: 159: 155: 154: 136: 132: 131: 129: 128: 112: 102: 100: 96: 95: 90: 86: 85: 80: 76: 75: 59: 51: 50: 44:Church cantata 40: 39: 33: 30: 29: 15: 13: 10: 9: 6: 4: 3: 2: 5456: 5445: 5442: 5440: 5437: 5435: 5432: 5431: 5429: 5414: 5410: 5407: 5405: 5402: 5400: 5397: 5395: 5392: 5390: 5387: 5385: 5382: 5380: 5377: 5375: 5371: 5367: 5364: 5362: 5358: 5357: 5354: 5347: 5346: 5341: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5310: 5309:1138.1–1139.1 5307: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5285: 5282: 5280: 5277: 5275: 5272: 5270: 5267: 5265: 5262: 5260: 5257: 5255: 5252: 5250: 5247: 5245: 5242: 5240: 5237: 5235: 5232: 5230: 5229: 5225: 5222: 5218: 5215: 5211: 5209: 5208: 5204: 5202: 5201: 5197: 5194: 5190: 5188: 5185: 5183: 5180: 5178: 5175: 5173: 5170: 5168: 5165: 5163: 5160: 5158: 5155: 5153: 5150: 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2972: 2969: 2967: 2964: 2962: 2959: 2957: 2950: 2948: 2945: 2943: 2940: 2938: 2935: 2933: 2930: 2928: 2925: 2923: 2920: 2918: 2915: 2913: 2910: 2908: 2905: 2903: 2900: 2898: 2895: 2893: 2890: 2888: 2885: 2883: 2880: 2878: 2875: 2873: 2870: 2868: 2865: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2845: 2843: 2837: 2836: 2833: 2831: 2825: 2818: 2815: 2813: 2810: 2808: 2805: 2803: 2800: 2798: 2795: 2793: 2790: 2788: 2785: 2783: 2780: 2778: 2775: 2773: 2770: 2768: 2765: 2763: 2760: 2758: 2755: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2704: 2701: 2699: 2696: 2694: 2691: 2689: 2686: 2684: 2681: 2679: 2676: 2674: 2671: 2669: 2666: 2664: 2660: 2657: 2656: 2653: 2647: 2642: 2637: 2630: 2625: 2623: 2618: 2616: 2611: 2610: 2607: 2600: 2596: 2593: 2592: 2588: 2583: 2579: 2575: 2573: 2569: 2566: 2564: 2560: 2557: 2555: 2552: 2549: 2547: 2543: 2540: 2539: 2535: 2519: 2516:Oron, Aryeh. 2512: 2509: 2496: 2490: 2487: 2474: 2468: 2465: 2452: 2448: 2444: 2443: 2438: 2432: 2430: 2426: 2413: 2406: 2404: 2402: 2400: 2396: 2384: 2380: 2373: 2370: 2357: 2350: 2344: 2342: 2338: 2326: 2322: 2315: 2313: 2309: 2304: 2302:9789058674210 2298: 2294: 2293: 2285: 2282: 2269: 2263: 2260: 2247: 2241: 2238: 2222: 2218: 2212: 2210: 2208: 2204: 2188: 2184: 2178: 2176: 2172: 2167: 2165:0-19-929776-2 2161: 2157: 2153: 2152: 2144: 2142: 2140: 2138: 2136: 2134: 2132: 2130: 2128: 2126: 2124: 2122: 2118: 2106: 2102: 2098: 2092: 2090: 2088: 2086: 2084: 2082: 2080: 2078: 2074: 2068: 2062: 2058: 2055: 2045: 2043: 2040: 2034: 2030: 2028: 2025: 2023: 2020: 2018: 2015: 2014: 2012: 2010: 2004: 1998: 1996: 1992: 1988: 1986: 1976: 1974: 1971: 1966: 1963: 1961: 1958: 1957: 1955: 1953: 1947: 1941: 1939: 1935: 1931: 1929: 1919: 1917: 1914: 1909: 1908:Bas Ramselaar 1906: 1904: 1901: 1900: 1898: 1896: 1893: 1887: 1881: 1879: 1875: 1871: 1869: 1859: 1857: 1854: 1849: 1846: 1844: 1841: 1840: 1838: 1836: 1833: 1827: 1821: 1819: 1815: 1811: 1809: 1799: 1797: 1794: 1789: 1786: 1784: 1781: 1780: 1778: 1776: 1770: 1769:Paul McCreesh 1764: 1762: 1758: 1754: 1752: 1742: 1740: 1737: 1732: 1731:Klaus Mertens 1729: 1727: 1724: 1723: 1721: 1719: 1713: 1707: 1705: 1701: 1698: 1696: 1686: 1684: 1681: 1676: 1673: 1671: 1668: 1667: 1665: 1663: 1660: 1654: 1648: 1645: 1640: 1636: 1634: 1624: 1622: 1619: 1613: 1609: 1607: 1604: 1603: 1601: 1599: 1596: 1590: 1584: 1582: 1578: 1575: 1573: 1563: 1561: 1558: 1553: 1550: 1547: 1543: 1542: 1540: 1538: 1535: 1529: 1523: 1521: 1517: 1514: 1512: 1502: 1499: 1494: 1491: 1489: 1486: 1485: 1483: 1480: 1474: 1468: 1466: 1462: 1459: 1457: 1454: 1452: 1449: 1444: 1441: 1439: 1438:Theo Altmeyer 1436: 1435: 1433: 1431: 1424: 1418: 1415: 1410: 1407: 1405: 1395: 1393: 1390: 1385: 1382: 1380: 1377: 1376: 1374: 1372: 1369: 1363: 1357: 1354: 1349: 1346: 1344: 1334: 1331: 1326: 1323: 1321: 1318: 1317: 1315: 1313: 1310: 1304: 1303:Günther Ramin 1298: 1296: 1292: 1267: 1264: 1258: 1256: 1248: 1246: 1244: 1243: 1238: 1234: 1231: 1225: 1209: 1207: 1205: 1201: 1187: 1185: 1182: 1177: 1163: 1161: 1159: 1145: 1143: 1141: 1127: 1125: 1111: 1106: 1105:Lucas Lossius 1089: 1082: 1080: 1078: 1074: 1070: 1066: 1062: 1058: 1054: 1050: 1045: 1030: 1028: 1021: 1015: 1010: 1005: 1002: 999: 996: 993: 990: 987: 980: 978: 975: 974: 970: 967: 964: 961: 958: 955: 952: 945: 943: 940: 939: 934: 929: 927: 925: 923: 920: 917: 914: 907: 905: 902: 901: 896: 891: 889: 886: 884: 881: 878: 875: 872: 865: 863: 860: 859: 854: 849: 847: 845: 843: 840: 837: 834: 827: 825: 822: 821: 817: 815: 812: 810: 807: 804: 801: 798: 791: 789: 786: 785: 781: 778: 774: 771: 766: 763: 760: 757: 750: 748: 745: 744: 715: 711: 708:Movements of 705: 703: 699: 695: 691: 687: 682: 680: 676: 670: 668: 660: 656: 652: 648: 644: 640: 636: 632: 628: 624: 620: 616: 612: 608: 604: 596: 591: 589: 586: 581: 577: 572: 568: 562: 558: 557:Paul Gerhardt 554: 550: 538: 528: 523: 517: 513: 509: 505: 501: 497: 496:Klaus Hofmann 493: 489: 485: 481: 477: 473: 469: 465: 455: 453: 447: 443: 441: 435: 431: 429: 423: 419: 417: 411: 410: 407: 404: 401: 400: 395: 393: 387: 386: 385: 383: 379: 375: 371: 367: 363: 362: 353: 351: 348: 344: 340: 336: 332: 327: 323: 317: 313: 312:Paul Gerhardt 309: 305: 301: 291: 287: 283: 279: 275: 271: 267: 263: 262: 256: 254: 250: 246: 242: 238: 234: 224: 222: 208: 205: 202: 199: 196: 193: 192: 190: 186: 179: 176: 171: 170: 168: 164: 160: 156: 151: 137: 133: 127: 126:Paul Gerhardt 119: 113: 104: 103: 101: 97: 94: 91: 87: 84: 81: 77: 72: 67: 62: 57: 52: 49: 45: 41: 36: 31: 27: 22: 19: 5361:Compositions 5343: 5226: 5205: 5198: 4857: 4753: 4331: 4052: 3895:Bach cantata 3783:BWV 34a 3750:BWV 119 3646:BWV 149 3467:BWV 110 3449:BWV 168 3411:BWV 117 3077:Second cycle 2975: 2554:Bach Digital 2522:. 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Index

BWV
Church cantata
J. S. Bach

Michael Angelo Immenraet
Adoration of the Magi
Unionskirche, Idstein
Epiphany
1 John 3:8
Ich hab in Gottes Herz und Sinn
Paul Gerhardt
Leipzig
SATB
church cantata
Johann Sebastian Bach
Leipzig
Epiphany
first cantata cycle
Thomaskantor
Magnificat
Sanctus
Christmas cantatas
Book of Isaiah
Wise Men from the East
librettist
Christmas carol
recitatives
arias
chorale
Paul Gerhardt

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