Knowledge (XXG)

Siegfried Idyll

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222: 1378: 22: 1388: 1398: 1424: 732: 720: 708: 688: 676: 664: 652: 637: 609: 597: 585: 142:, where he and Cosima consummated their union. He is contradicted, however, by his own obsessive record keeping: the melody was composed that 14 November, when he was alone in Munich. The work also uses a theme based on the German 162:. This and other musical references, whose meaning remained unknown to the outside world for many years, reveal the idyll's levels of personal significance for both Wagner and Cosima. 318: 113:. "Fidi" was the family's nickname for their son Siegfried. It is thought that the birdsong and the sunrise refer to incidents of personal significance to the couple. 1297: 217:. The piece is commonly played today by orchestras with more than one player on each string part. Modern performances are much slower than those of earlier years. 293: 1391: 1287: 514: 719: 1449: 443: 963: 1343: 494: 1444: 1401: 584: 519: 422: 437: 333: 636: 111:
Triebschen Idyll with Fidi's birdsong and the orange sunrise, as symphonic birthday greeting. Presented to his Cosima by her Richard
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to 35 players to make the piece more marketable. The original piece is scored for a small chamber orchestra of 13 players:
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to remain a private piece. However, due to financial pressures, he decided to sell the score to publisher
384: 1320: 914: 675: 608: 178: 1033: 682: 591: 138:. This theme, Wagner claimed, came to him during the summer of 1864 at the Villa Pellet, overlooking 1214: 1206: 731: 413:. O'Connor, A.C.T.: Parrot Press, pp. 769–770 (a list of timings from Hans Richter, 14 min 30 s, to 1252: 1147: 875: 868: 458: 414: 78:
in 1869. It was first performed on Christmas morning, 25 December 1870, by a small ensemble of the
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Cosima's actual birthday was 24 December, but she always celebrated it on Christmas Day
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in the opera's final scene, the "Ewig war ich" love duet between BrĂĽnnhilde and
99: 1302: 983: 448: 102:, in that private performance, reportedly having sailed out to the centre of 1363: 1292: 921: 55: 726: 543: 186: 1387: 126:. Wagner adapted the material from an unfinished chamber piece into the 861: 466: 198: 190: 143: 95: 87: 557: 202: 135: 210: 206: 20: 472: 182: 151: 476: 90:), Switzerland. Cosima awoke to its opening melody. Conductor 98:
in order to play the brief trumpet part, which lasts only 13
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discovered it was linked to the Wagners' older daughter
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Good-Music-Guide 385:"Richard Wagner – 317:Huscher, Phillip. 84:villa at Tribschen 27: 1455:1870 compositions 1410: 1409: 1226: 1225: 1050:Bayreuth Festival 1026:Bayreuth Festival 1021: 1020: 996: 995: 989: 988:(1858; text only) 979: 978:(1850; text only) 969: 959: 949: 936:Unfinished operas 931: 930: 807: 797: 792:Wesendonck Lieder 787: 786:(1844, rev. 1855) 777: 767: 756: 741: 740: 697: 696: 618: 617: 567: 566: 423:978-0-9871556-0-3 290:: About the Work" 288:A Siegfried Idyll 1477: 1427: 1426: 1425: 1418: 1400: 1399: 1390: 1380: 1379: 1231:Named for Wagner 1200:Film adaptations 1197: 1128:Siegfried Wagner 1113:Katharina Wagner 998: 987: 977: 967: 957: 947: 933: 897: 805: 795: 785: 775: 765: 754: 734: 722: 710: 690: 678: 666: 654: 639: 627: 620: 611: 599: 587: 569: 551:Das Liebesverbot 533: 497: 490: 483: 474: 451: 442:: Scores at the 425: 407: 401: 400: 398: 396: 381: 375: 374: 372: 370: 355: 349: 348: 346: 344: 338: 332:. 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Schott 136:Siegfried 119:Siegfried 76:Siegfried 56:orchestra 1382:Category 1216:Parsifal 1208:Parsifal 819:Writings 763:Overture 727:Parsifal 544:Die Feen 469:, Munich 100:measures 43:103, by 1267:Related 1168:(opera) 862:Leubald 761:Polonia 467:Gasteig 455:YouTube 203:violins 199:trumpet 191:bassoon 144:lullaby 96:trumpet 88:Lucerne 53:chamber 1415:Portal 1173:Wagner 968:(1838) 958:(1832) 948:(1830) 806:(1870) 796:(1858) 776:(1843) 766:(1836) 755:(1832) 558:Rienzi 421:  343:16 May 201:, two 193:, two 185:, two 72:Cosima 1392:Audio 337:(PDF) 326:(PDF) 211:cello 207:viola 195:horns 179:flute 128:Idyll 124:Idyll 47:is a 419:ISBN 397:2014 371:2013 345:2020 301:2013 213:and 183:oboe 152:oboe 51:for 29:The 453:on 160:Eva 146:, " 41:WWV 1441:: 461:, 457:, 362:. 328:. 309:^ 292:. 284:. 271:^ 257:. 209:, 205:, 197:, 189:, 181:, 154:. 58:. 39:, 1417:: 924:" 920:" 917:" 913:" 910:" 906:" 878:" 874:" 857:" 853:" 850:" 846:" 843:" 839:" 836:" 832:" 829:" 825:" 496:e 489:t 482:v 399:. 389:" 373:. 347:. 323:" 303:. 286:" 251:"

Index


WWV
Richard Wagner
symphonic poem
chamber
orchestra
Cosima
Siegfried
Tonhalle-Orchester ZĂĽrich
villa at Tribschen
Lucerne
Hans Richter
trumpet
measures
Lake Lucerne
Siegfried
BrĂĽnnhilde
Siegfried
Lake Starnberg
lullaby
Schlaf, Kindlein, schlaf
oboe
Ernest Newman
Eva
B. Schott
orchestration
flute
oboe
clarinets
bassoon

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