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212:, the capital of the country at the time. He worked for Joaquim Gonçalves de Araújo, a Brazilian film producer, for the remainder of his life. Santos married Anna Maria Schermuly and had two children. His last feature-length documentary was created in 1957, but Santos continued to make short films until the end of his life in 1970.
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feathers for fashion. In a memoir he wrote in the 1960s, Santos recounted how before the film was shown in Brazil, Propércio de Mello
Saraiva, who had been tasked with negotiating a European distribution, took the only copy and passed it off as his own work; it was shown in England and elsewhere as
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inventions. Upon returning to Brazil with cinema film supplies, Santos created a film documenting Arana's rubber plantations along the
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in 1914. Santos settled in Manaus and around 1918 became involved in Amazônia Cine Film, a production company in the region.
204:. Santos continued to create documentary films about life and culture in Brazil. These included a film about the 1922–1923
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Born in
Portugal, Santos left for Brazil early in his life. He practiced photography and was supported by the entrepreneur
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134:. Arana sponsored Santos' trip to Paris in the early 1910s, where he experimented with cinematography through the
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Souza, Márcio. "Silvino Santos: o cineasta do ciclo da borracha." Rio de
Janeiro: Ministerio da Cultura, 1999.
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In addition to directing various other films about Brazil, Santos documented an expedition with the explorers
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Araujo, Gabriel. "Um século após registrar Amazônia, cineasta
Silvino Santos volta a ser tema na Academia".
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The Devil and Mr. Casement: One Man's Battle for Human Rights in South
America's Heart of Darkness
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367:"Um século após registrar Amazônia, cineasta Silvino Santos volta a ser tema na Academia"
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142:. In 1912 more than 200 photographs taken by Santos in the Putumayo were published in
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people as well as wildlife and the exploitation of the river for timber, rubber,
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and then lost. A negative copy of a print was rediscovered in an archive in the
144:Álbum de Fotografías: Viaje de la Comisión Consular al Río Putumayo y Afluentes
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394:"Lost 'holy grail' film of life in Brazil's Amazon 100 years ago resurfaces"
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Alencar, Miriam (8 August 1970). "Silvino Santos no Rastro das
Amazonas".
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Stevens, Albert W. "Exploring the Valley of the Amazon in a
Hydroplane."
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166:, filmed in Peru and Brazil. It included coverage of rituals of the
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In 1918, Santos completed a documentary film on the Amazon,
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Alencar, Miriam. "Silvino Santos no Rastro das
Amazonas".
84:. He is known for his role as director of the 1922 film
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206:Independence Centenary International Exposition
351:. Farrar, Straus and Giroux. pp. 251–252.
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301:AUN - Agência Universitária de Notícias,
262:Parada Militar de 11 de Novembro de 1927
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392:Malleret, Constance (7 October 2023).
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371:Agência Universitária de Notícias
311:The National Geographic Magazine
365:Araujo, Gabriel (10 May 2019).
16:Portuguese-born cinematographer
448:Portuguese emigrants to Brazil
91:which was one of the earliest
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280:Santa Maria da Villa Amazónia
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200:at the Palais Cinema and in
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334:(in Brazilian Portuguese).
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274:Terra Portuguesa, o Minho
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345:Goodman, Jordan (2009).
256:Sernache de Bonjardim
250:No Rastro do Eldorado
181:Wonders of the Amazon
112:No Rastro do Eldorado
108:Alexander H. Rice Jr.
104:Theodor Koch-Grunberg
74:Cernache do Bonjardim
237:No País das Amazonas
193:No País das Amazonas
87:No País das Amazonas
268:Amendoeiras em Flor
95:that depicted the
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438:1970 deaths
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216:Filmography
172:Brazil nuts
63:14 May 1970
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318:References
72:(1886, in
59:1970-05-14
187:in 2023.
118:Biography
377:15 March
150:from a
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270:, 1929
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168:Witoto
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82:Brazil
78:Manaus
303:2019.
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379:2020
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