68:
130:
27:
375:
Capet is a cofounder of the orchestral ensemble euphonia, a group of dynamic musicians who share the objective of creating new audiences for live performances of classical music. In April 2013 euphonia became the new house band at Lula Lounge, a famous nightclub in
Toronto and performs there on the
371:
In 2012 Capet created
Classical Social, a weekly jam session for classical musicians to get together, play, socialize and have a beer at Fionn MacCool's, a local pub in downtown Toronto. Highly successful, the Sunday night socials are drawing musicians from all over who revel in the joy of just
311:(RAM) on an exhibition scholarship. After graduating from the RAM in 1990, Capet served as music director of multiple ensembles over the next several years, including the Pegasus Ensemble, Battersea Arts Centre Opera, The Middlesex Philharmonic, and the
367:
Capet has worked as a freelance conductor for over 20 years, guest conducting orchestras in North
America and Europe. In 2009 he made his Carnegie Hall debut conducting concerts with The New York Pops.
323:
in
Vancouver for three years, winning a Brian McMaster Award for Outstanding Achievement in Opera and a Rio Tinto Alcan Performing Arts Award for his work with the company.
461:
436:
431:
466:
376:
second Monday of every month. Under Capet's direction euphonia is changing perceptions of classical music and growing a new extremely enthusiastic audience.
158:
138:
426:
456:
441:
293:
89:
451:
421:
249:
231:
111:
54:
212:
162:
154:
184:
40:
327:
277:
143:
82:
76:
191:
147:
93:
312:
281:
198:
335:
296:
and the award for Best Short
Screenplay at the New York International Independent Film and Video Festival.
446:
340:
320:
308:
304:
285:
180:
372:
playing for the fun of it, and audiences who get a live, lively and well played concert for free.
169:
331:
397:
46:
316:
205:
415:
292:
won him the
Telefilm Canada Award for Best Emerging Director of a Short Film at the
361:
315:. In 1995 he was appointed the Music Coordinator and Assistant Conductor for the
353:
349:
269:
334:
succeeded him. With the choir he notably organized a re-imagined version of
273:
345:
266:
300:
357:
299:
Born into a family of professional musicians, Capet grew up in
168:
from the article and its talk page, especially if potentially
123:
61:
20:
330:(VPC), serving as its principal conductor until 2008 when
8:
319:. He later became the Music Director of the
55:Learn how and when to remove these messages
161:about living persons that is unsourced or
250:Learn how and when to remove this message
232:Learn how and when to remove this message
112:Learn how and when to remove this message
75:This article includes a list of general
462:21st-century British conductors (music)
385:
391:
389:
294:Vancouver International Film Festival
7:
437:Alumni of the Royal Academy of Music
432:Alumni of the Royal College of Music
344:which used a new modernized English
467:21st-century English male musicians
348:by Mollie Kaye, shadow puppets by
303:. At the age of 15 he entered the
81:it lacks sufficient corresponding
14:
36:This article has multiple issues.
396:Amanda Farrell (6 August 2008).
128:
66:
25:
427:English male conductors (music)
44:or discuss these issues on the
16:English conductor and filmmaker
288:, his 2000 musical drama film
1:
457:Film directors from Vancouver
442:Vancouver Film School alumni
139:biography of a living person
328:Victoria Philharmonic Choir
284:in 2006. A graduate of the
278:Victoria Philharmonic Choir
166:must be removed immediately
483:
452:Film directors from London
422:English conductors (music)
326:In 2005 Capet founded the
313:Harrow Symphony Orchestra
276:. He notably founded the
307:and later attended the
282:Euphonia Music Festival
96:more precise citations.
309:Royal Academy of Music
305:Royal College of Music
153:Please help by adding
356:, and set designs by
286:Vancouver Film School
398:"Q&A with Capet"
321:Modern Baroque Opera
159:Contentious material
341:The Spectre's Bride
352:winning puppeteer
332:Peter Butterfield
260:
259:
252:
242:
241:
234:
216:
142:needs additional
122:
121:
114:
59:
474:
406:
405:
393:
280:in 2005 and the
255:
248:
237:
230:
226:
223:
217:
215:
174:
155:reliable sources
132:
131:
124:
117:
110:
106:
103:
97:
92:this article by
83:inline citations
70:
69:
62:
51:
29:
28:
21:
482:
481:
477:
476:
475:
473:
472:
471:
412:
411:
410:
409:
395:
394:
387:
382:
317:Vancouver Opera
256:
245:
244:
243:
238:
227:
221:
218:
175:
173:
152:
133:
129:
118:
107:
101:
98:
88:Please help to
87:
71:
67:
30:
26:
17:
12:
11:
5:
480:
478:
470:
469:
464:
459:
454:
449:
444:
439:
434:
429:
424:
414:
413:
408:
407:
384:
383:
381:
378:
336:Antonín Dvořák
258:
257:
240:
239:
163:poorly sourced
136:
134:
127:
120:
119:
74:
72:
65:
60:
34:
33:
31:
24:
15:
13:
10:
9:
6:
4:
3:
2:
479:
468:
465:
463:
460:
458:
455:
453:
450:
448:
447:Living people
445:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
419:
417:
403:
402:mondaymag.com
399:
392:
390:
386:
379:
377:
373:
369:
365:
363:
359:
355:
351:
347:
343:
342:
337:
333:
329:
324:
322:
318:
314:
310:
306:
302:
297:
295:
291:
287:
283:
279:
275:
271:
268:
264:
254:
251:
236:
233:
225:
214:
211:
207:
204:
200:
197:
193:
190:
186:
183: –
182:
181:"Simon Capet"
178:
177:Find sources:
171:
167:
164:
160:
156:
150:
149:
145:
140:
135:
126:
125:
116:
113:
105:
95:
91:
85:
84:
78:
73:
64:
63:
58:
56:
49:
48:
43:
42:
37:
32:
23:
22:
19:
401:
374:
370:
366:
362:Michel Gagne
339:
325:
298:
289:
262:
261:
246:
228:
219:
209:
202:
195:
188:
176:
165:
148:verification
141:
108:
99:
80:
52:
45:
39:
38:Please help
35:
18:
263:Simon Capet
94:introducing
416:Categories
380:References
354:Tim Gosley
350:Emmy Award
222:March 2010
192:newspapers
102:March 2010
77:references
41:improve it
274:filmmaker
270:conductor
144:citations
47:talk page
346:libretto
170:libelous
290:Evirati
267:English
206:scholar
90:improve
301:London
265:is an
208:
201:
194:
187:
179:
79:, but
358:Pixar
213:JSTOR
199:books
137:This
272:and
185:news
146:for
360:'s
338:'s
418::
400:.
388:^
364:.
157:.
50:.
404:.
253:)
247:(
235:)
229:(
224:)
220:(
210:·
203:·
196:·
189:·
172:.
151:.
115:)
109:(
104:)
100:(
86:.
57:)
53:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.