214:(IFF). Her research has won recognition through numerous national and international scholarships, honours, and prizes including the 2014 CEW, New York award for chemistry & innovation; 2009 Rouse Foundation Award from Harvard University Graduate School of Design; an honorary mention at the 2010 ArsElectronica in Linz, Austria; and the 2010-2011-2012-2014 Synthetic Biology / Synthetic Aesthetics Award from Stanford and Edinburgh Universities including a residency at Harvard Medical School. Tolaas founded the Institute of Functional Smells in 2010, which focuses on health, education, and well-being. In 2016 Tolaas became a founding member of Future of Education, a collaboration with the Nanyang Technical University Singapore and The Future Education Platform, Berlin.
253:"In the modern West, we tend to think of smell in purely aesthetic terms, pleasant or unpleasant. In many other cultures however, smells have provided and still provide a basic means of defining the and interacting with the world. This is particularly the case in so far as odours are closely associated with personal and group identity. The study of the history, anthropology, and sociology of smells is, in a very real sense, an investigation into the ‘essence’ of human culture itself."
25:
209:
Tolaas researches diverse aspects relating to scents. She first started researching its importance in 1990 through art and design among other fields. At that time, she developed a "smell archive" in over 7,000 airtight jars. In
January 2004 Tolaas established the Smell Research Lab Berlin for smell
225:
Since 2018 Tolaas is working on an archive of the world's oceans and a project on the morbidity and decay of
Detroit. Since 2014 Tolaas has been active in several start-ups in the field of the senses. In 2016 Tolaas launched the world's first Smell Memory Kit; several other devices and sense tools
268:
on custom scents and set designs for runway presentations. As part of
Balenciaga's first couture presentation, the artist created a candle using scent molecules extracted from Balenciaga's headquarters and garments in their archive. The Metropolitan Museum Costume Institute worked with Tolaas to
97:
261:, Minsheng Art Museum in Shanghai, Time Museum Guangzhou, Edinburgh International Fashion Festival 2012, and Louisiana Museum in Denmark. She has had engagements with many universities and institutions around the world, including MIT and Harvard University.
237:
from 2005 examines the body odors of twenty men, all of whom have a severe phobia of other bodies. Their smells were collected and chemically reproduced. The simulated sweat molecules were painted onto the gallery walls using a
229:
The Re_Search Lab continues to support interdisciplinary projects and research involving smell, odor, and fragrance. It establishes communication among experts in different fields dealing with olfaction.
751:
741:
581:
222:
Tolaas has completed 52 City SmellScape research projects since 1998, of, for and with major cities including Paris, Kansas City, Berlin, and Amman.
258:
632:
746:
736:
726:
377:
682:
359:
211:
285:
721:
402:
497:
311:
72:
181:
and is now based in Berlin. Tolaas has a background in chemistry, mathematics, linguistics, languages and art; she studied at the
559:
54:
35:
618:"Lecture: SMELL = information | a tool for communication – navigation – education – decision making – Chronus Art Center"
731:
257:
Tolaas works with numerous companies and institutions, and her projects have been presented, among others, in TED Global,
657:
546:"Shanghai 21st Century Minsheng Art Museum | space | ARTLINKART | Chinese contemporary art database"
589:
460:
513:
50:
442:
182:
756:
716:
381:
711:
239:
96:
493:
198:
683:""Sleeping Beauties: Reawakening Fashion" Is The Costume Institute's Spring 2024 Exhibition"
617:
194:
545:
427:
406:
527:
46:
567:
705:
335:
603:
269:
develop custom scents for the 2024 show "Sleeping
Beauties: Reawakening Fashion."
265:
151:
174:
117:
633:"Meet the fragrance scientist behind Balenciaga's blood-and-money perfume"
158:
190:
186:
178:
154:
128:
474:
490:
Sensorium; Embodied experience, technology, and contemporary art
162:
139:
18:
658:"A behind-the-scenes look at the Balenciaga Couture candle"
360:"CEW honors cosmetics entrepreneurs with Achiever Awards"
514:"How smell shapes our perception of the world around us"
264:
Beginning in 2019, Tolaas has worked with fashion brand
42:
378:"2010 Prix Winners: Hybrid Art – Prix Ars Electronica"
53:, and by adding encyclopedic content written from a
134:
124:
106:
87:
245:In her artist's statement about the installation
242:process, where they became activated by touch.
249:at the 2005 Tirana Biennale, Tolaas explains:
586:www.edinburghinternationalfashionfestival.com
8:
210:and communication / language, supported by
16:Norwegian artist and researcher (born 1961)
403:"Agapakis + Tolaas - Synthetic Aesthetics"
95:
84:
336:"Sissel Tolaas; An alphabet for the nose"
73:Learn how and when to remove this message
532:Cooper Hewitt, Smithsonian Design Museum
492:. Cambridge, Massachusetts: MIT Press.
286:"Sagen Sie jetzt nichts, Sissel Tolaas"
277:
461:"Design for the Senses: Sissel Tolaas"
101:Sissel Tolaas in her Berlin laboratory
34:contains content that is written like
247:the Fear of smell — the smell of Fear
212:International Flavours and Fragrances
7:
752:21st-century Norwegian women artists
742:20th-century Norwegian women artists
329:
327:
325:
441:Siepmann, Julia (24 January 2004).
334:Tolaas, Sissel (20 November 2011).
475:"Mono.kultur | Sissel Tolaas"
310:Rushton, Susie (August 27, 2006).
173:Sissel Tolaas was born in 1961 in
14:
23:
656:Cleary, Mary (6 October 2022).
747:21st-century Norwegian artists
737:20th-century Norwegian artists
727:Norwegian contemporary artists
1:
340:Journal for Artistic Research
681:Leitch, Luke (2023-11-08).
560:"Chain_ of Smell Molecules"
290:Süddeutsche Zeitung Magazin
773:
631:Binlot, Ann (2019-10-01).
722:Synthetic biology artists
443:"Der Duft der Hauptstadt"
94:
604:"Tidligere udstillinger"
488:Jones, Caroline (2006).
292:. No. 5. 2010-02-04
161:known for her work with
235:Sweat Fear | Fear Sweat
226:are under development.
528:"Smell Lab, Smell Lab"
255:
732:People from Stavanger
251:
55:neutral point of view
259:Cooper-Hewitt Museum
183:universities of Oslo
364:cosmeticsdesign.com
240:micro-encapsulation
47:promotional content
564:en.timesmuseum.org
516:. 14 October 2015.
366:. 21 October 2014.
316:The New York Times
49:and inappropriate
205:Research on smell
145:
144:
83:
82:
75:
764:
697:
696:
694:
693:
678:
672:
671:
669:
668:
653:
647:
646:
644:
643:
637:Document Journal
628:
622:
621:
614:
608:
607:
600:
594:
593:
588:. Archived from
578:
572:
571:
566:. Archived from
556:
550:
549:
542:
536:
535:
524:
518:
517:
510:
504:
503:
485:
479:
478:
471:
465:
464:
457:
451:
450:
438:
432:
431:
424:
418:
417:
415:
414:
405:. Archived from
399:
393:
392:
390:
389:
380:. Archived from
374:
368:
367:
356:
350:
349:
347:
346:
331:
320:
319:
307:
301:
300:
298:
297:
282:
99:
85:
78:
71:
67:
64:
58:
36:an advertisement
27:
26:
19:
772:
771:
767:
766:
765:
763:
762:
761:
702:
701:
700:
691:
689:
680:
679:
675:
666:
664:
655:
654:
650:
641:
639:
630:
629:
625:
616:
615:
611:
602:
601:
597:
582:"Sissel Tolaas"
580:
579:
575:
558:
557:
553:
544:
543:
539:
526:
525:
521:
512:
511:
507:
500:
487:
486:
482:
473:
472:
468:
459:
458:
454:
440:
439:
435:
426:
425:
421:
412:
410:
401:
400:
396:
387:
385:
376:
375:
371:
358:
357:
353:
344:
342:
333:
332:
323:
312:"The Sweat Hog"
309:
308:
304:
295:
293:
284:
283:
279:
275:
220:
207:
171:
120:
115:
113:
112:
102:
90:
79:
68:
62:
59:
40:
28:
24:
17:
12:
11:
5:
770:
768:
760:
759:
754:
749:
744:
739:
734:
729:
724:
719:
714:
704:
703:
699:
698:
673:
648:
623:
609:
595:
592:on 2012-08-14.
573:
570:on 2017-06-27.
551:
537:
519:
505:
498:
480:
466:
452:
433:
419:
394:
369:
351:
321:
302:
276:
274:
271:
219:
216:
206:
203:
195:St. Petersburg
170:
167:
143:
142:
136:
135:Known for
132:
131:
126:
122:
121:
116:
110:
108:
104:
103:
100:
92:
91:
88:
81:
80:
51:external links
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
769:
758:
757:Olfactory art
755:
753:
750:
748:
745:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
718:
717:Living people
715:
713:
710:
709:
707:
688:
684:
677:
674:
663:
662:wallpaper.com
659:
652:
649:
638:
634:
627:
624:
619:
613:
610:
605:
599:
596:
591:
587:
583:
577:
574:
569:
565:
561:
555:
552:
547:
541:
538:
533:
529:
523:
520:
515:
509:
506:
501:
499:9780262101172
495:
491:
484:
481:
476:
470:
467:
462:
456:
453:
448:
444:
437:
434:
429:
423:
420:
409:on 2017-04-27
408:
404:
398:
395:
384:on 2018-04-27
383:
379:
373:
370:
365:
361:
355:
352:
341:
337:
330:
328:
326:
322:
317:
313:
306:
303:
291:
287:
281:
278:
272:
270:
267:
262:
260:
254:
250:
248:
243:
241:
236:
231:
227:
223:
217:
215:
213:
204:
202:
200:
196:
192:
188:
184:
180:
176:
168:
166:
164:
160:
156:
153:
149:
148:Sissel Tolaas
141:
137:
133:
130:
127:
123:
119:
111:Sissel Tolaas
109:
105:
98:
93:
89:Sissel Tolaas
86:
77:
74:
66:
56:
52:
48:
44:
38:
37:
32:This article
30:
21:
20:
690:. Retrieved
686:
676:
665:. Retrieved
661:
651:
640:. Retrieved
636:
626:
612:
598:
590:the original
585:
576:
568:the original
563:
554:
540:
531:
522:
508:
489:
483:
469:
455:
446:
436:
428:"Grand Arts"
422:
411:. Retrieved
407:the original
397:
386:. Retrieved
382:the original
372:
363:
354:
343:. Retrieved
339:
315:
305:
294:. Retrieved
289:
280:
263:
256:
252:
246:
244:
234:
233:Her project
232:
228:
224:
221:
208:
172:
147:
146:
138:Research on
114:21 june 1961
69:
60:
45:by removing
41:Please help
33:
712:1961 births
125:Nationality
706:Categories
692:2023-11-08
667:2023-11-08
642:2023-11-08
413:2017-06-25
388:2017-06-25
345:2015-03-07
296:2018-06-03
273:References
266:Balenciaga
169:Early life
159:researcher
43:improve it
175:Stavanger
152:Norwegian
129:Norwegian
118:Stavanger
63:July 2017
447:Die Welt
218:Projects
496:
199:Oxford
191:Moscow
187:Warsaw
179:Norway
155:artist
687:Vogue
163:smell
150:is a
494:ISBN
197:and
157:and
140:odor
107:Born
708::
685:.
660:.
635:.
584:.
562:.
530:.
445:.
362:.
338:.
324:^
314:.
288:.
201:.
193:,
189:,
185:,
177:,
165:.
695:.
670:.
645:.
620:.
606:.
548:.
534:.
502:.
477:.
463:.
449:.
430:.
416:.
391:.
348:.
318:.
299:.
76:)
70:(
65:)
61:(
57:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.