574:, directed by Peter Brook and starring Paul Scofield as Armado. However, despite critical success the season culminated in the largest financial deficit the Memorial Theatre had ever experienced. Whilst this did not faze Jackson, the governors used it as a further reason to question his methods. But, despite their protests his contract was extended to three years, this demonstrated a recognition that in order to establish real change he needed more time.
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struck up a friendship with
Jackson and consequently wrote The Apple Cart for the festival's first season. Initially the festival was primarily to showcase the work of Shaw, however the two of them soon began to develop the festival into what it remains to this day. Correspondence between the two is
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The theatre rapidly became home to one of the most famous and exciting repertory theatre companies in the country with the repertoire ranging from innovative modern dress
Shakespeare, medieval moralities, Greek drama and modern experimental drama, as well as presenting many world premieres including
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The following year performances moved to the
Edgbaston Assembly Rooms. The company was increasingly gaining in reputation and popularity in the city. Jackson was confident in the potential that the dedicated company possessed. He employed Drinkwater as the company Secretary from 1909, and from 1911,
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In his teenage years, he travelled around Europe, visiting Greece and Italy, living in Geneva for eighteen months where he studied French and learnt to paint. He desired to become an artist, but his father persuaded him to take a job in the architect's office of Frank Osborn in
Birmingham, beginning
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The now knighted, Jackson purchased a home at
Blackhill in the Malverns in 1929, due to the relaxing and inspiring atmosphere. From 1929 to 1937, he joined forces with the Malvern Theatre manager, Roy Limbert to put on an annual summer festival. After coming to Birmingham to see Heartbreak House,
581:. Neither received much praise from the critics and the governors' patience was tested again. This culminated in Jackson's dramatic announcement of his retirement in January 1948. The governors did nothing to prevent his departure and had already decided on his successor,
383:, H S Milligan and C. R. Dawes had been performing their own productions at the Jackson's family home of the Grange in Moseley, from around 1902 to family and friends. Their first public appearance took place on 2 October 1907 at the Mission Hall in Inge Street.
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The actors and production staff who toured at
Malvern from Birmingham found the setting and the work enjoyable and worthwhile. The festivals, however, were costly and were not, in Jackson's opinion, received gratefully by the people of Malvern.
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and after just four months building work (which took place day and night), on 15 February 1913, Jackson opened the
Birmingham Repertory Theatre on Station Street, when it opened it became the first purpose built repertory theatre in the world.
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Spreadborough) Jackson. The
Jacksons were a prominent and wealthy family of merchant grocers. His father, George, was a prominent businessman who was passionate about the theatre, reportedly naming his son for renowned British stage actor
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all gaining valuable early experience with the then thriving repertory system. He toured plays to the city's parks, established a theatre school and made
Birmingham Repertory Theatre one of the most renowned theatres in the world.
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all of the
Players were paid. At the start of 1912, Jackson began to identify and develop plans to build a permanent theatre for the expanding company. He had clear ideas about the design which he discussed with the architect
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From a young age, Jackson was exposed to the theatre and to the arts, from school where he was privately educated, to regularly attending the theatre, opera and ballet. The young Jackson saw his first Shakespeare production,
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Along with his friends they christened the company, The Pilgrim Players. This was to be the amateur foundations for the future Birmingham Repertory Theatre Company. Jackson alongside his friends,
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Many plays transferred to London or toured. In 1932 Jackson was supporting four companies and told Shaw he had spent thousands supporting the theatre, calling it more fun than running a yacht.
565:, was uneasy from the start as Jackson insisted in bringing in his own staff and using a completely new company of actors. This alienated some previously loyal supporters within Stratford.
612:" at the Birmingham Repertory Theatre, but he was unable to stay longer than the first intermission. Sadly, he did not live to see the new Rep on Broad Street, which opened in 1971.
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Throughout the late 1950s plans were developed for a new theatre building in Birmingham and in 1960 the City Council and the Arts Council agreed funding would be provided.
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Jackson had an exceptional eye for young talent, later employing many young actors who later went on to become stars in their own right. Some of the early names included;
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Undeterred, Jackson followed his plan to produce eight plays staggered throughout the season, each directed by a guest director. The hit of the first season in 1946 was
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working there in 1897. His time there did now inspire him creativity, as he had already turned his focus to writing and performing plays with a group of his friends.
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Selected correspondence of Bernard Shaw. 4. Bernard Shaw and Barry Jackson, University of Toronto Literary Collections, 2002.
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directed at the Rep just after World War II and transferred with Sir Barry and Paul Scofield to Stratford.
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A bust of Jackson now stands in the Birmingham REP. Jackson was gay and the partner of Scott Sunderland.
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221:(6 September 1879 – 3 April 1961) was an English theatre director, entrepreneur and the founder of the
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Jackson returned to Birmingham Repertory Theatre in 1948, but retired from running the company.
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As the theatre's reputation grew more talent was to develop on its stage with the likes of
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This article is about the English theatre director. For other people of the same name, see
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There is a commemorative plaque to Jackson, set into a rock at Wynds Point, which is near
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There is a tower block named in his honour: Barry Jackson Tower in Aston, Birmingham.
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After a long period of severe illness, Sir Barry Jackson died 3 April 1961, at the
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He directed the Malvern Summer Festivals from 1929 to 1937 and was Director of the
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Dempsey's people : a folio of British street portraits 1824–1844
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The 1947 season included Brook's Romeo and Juliet and Benthall's
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Special Collections and at Birmingham Central Library Archives.
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Letters written by Jackson and other materials are held at the
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In 1960, Jackson's health began to deteriorate as a result of
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In 1945, Jackson was appointed as artistic director at the
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As well as being the founder and Governing Director of the
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and his office at the theatre. The final play he saw was "
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Birmingham Post and Mail Year Book and Who's Who, 1973-74
796:"Search Results for England & Wales Deaths 1837-2007"
746:"Search Results for England & Wales Births 1837-2006"
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George Bernard Shaw's epic Back to Methuselah in 1923.
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Debrett's Baronetage, Knightage and Companionage, 1954
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859:. Canberra: National Portrait Gallery. p. 229.
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was awarded to the best Canadian play staged at the
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824:"Springs and Spouts of Malvern's Middle Hills"
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810:"Exhibition Details - Connecting Histories"
907:, Birmingham Post and Mail Ltd., July 1973
486:Repertory Theatre and worked closely with
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829:. Malvern Spa Association. Archived from
331:Learn how and when to remove this message
129:Learn how and when to remove this message
883:. Toronto: University of Toronto Press.
600:. He spent time between the hospital in
482:. From 1929, he gave his support to the
343:Jackson was born on 6 September 1879 in
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415:The original Birmingham Rep (1913–1971)
399:In 1913 Jackson officially founded the
918:Birmingham Repertory Theatre's website
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948:People from Birmingham, West Midlands
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269:adding citations to reliable sources
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27:English theatre director (1879–1961)
18:Sir Barry Jackson (Theatre director)
372:Company when he was ten years old.
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725:Freedom of the City of Birmingham
652:Birmingham Museum and Art Gallery
544:Freedom of the City of Birmingham
474:, he was also a director of the
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776:. Victoria County History, 1964
542:in 1946–48. He was awarded the
256:needs additional citations for
54:needs additional citations for
881:Bernard Shaw and Barry Jackson
685:, 1925 for services to theatre
202:Theatre director, entrepreneur
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280:"Barry Jackson" director
78:"Barry Jackson" director
650:Jackson donated artworks to
559:Shakespeare Memorial Theatre
553:Shakespeare Memorial Theatre
536:Shakespeare Memorial Theatre
472:Birmingham Repertory Theatre
401:Birmingham Repertory Company
395:Birmingham Repertory Theatre
347:the son of George and Jane (
345:Kings Norton, Worcestershire
223:Birmingham Repertory Theatre
175:Kings Norton, Worcestershire
897:Hankinson, C. F. J. (ed.),
879:Conolly, Leonard W (2002).
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943:English theatre directors
219:Sir Barry Vincent Jackson
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689:Sir Barry Jackson Trophy
664:Birmingham Civic Society
632:University of Birmingham
619:in Birmingham, aged 81.
617:Queen Elizabeth Hospital
496:Sir Barry Jackson Trophy
494:theatre. From 1933, the
693:Dominion Drama Festival
500:Dominion Drama Festival
365:The Taming of the Shrew
855:Hansen, David (2017).
774:British History Online
768:Stephens, W.B. (ed.).
579:The Merchant of Venice
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163:Barry Vincent Jackson
901:, Odhams Press, 1954
610:Antony and Cleopatra
571:Love's Labour's Lost
509:The Malvern Festival
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540:Stratford-upon-Avon
516:George Bernard Shaw
368:, performed by the
227:George Bernard Shaw
546:on 16 April 1955.
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187:(1961-04-03)
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938:1961 deaths
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780:26 December
706:St. Andrews
589:Later years
465:Peter Brook
433:Edith Evans
389:S. N. Cooke
927:Categories
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719:Birmingham
677:Birmingham
602:Birmingham
490:promoting
291:newspapers
237:Early life
199:Occupation
192:Birmingham
168:1879-09-06
89:newspapers
598:leukaemia
194:, England
177:, England
712:Honorary
699:Honorary
683:Knighted
670:Honorary
492:Canadian
484:Montreal
721:), 1950
708:), 1937
679:), 1922
658:Honours
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606:Malvern
413:Old Rep
305:scholar
207:Partner
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702:LL.D
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