1018:
664:
476:
1171:
the Queen made an extensive Royal tour of most of the countries forming the
British Commonwealth. The Coronation dress was worn for the opening of Parliament in several countries, and her varied wardrobe gained press and newsreel headlines internationally, not least for the cotton dresses worn and copied worldwide, many ordered from a specialist wholesale company, Horrockses. Hartnell designs were augmented by a number of gowns from Hardy Amies, her secondary designer from 1951 onwards. Most of the ladies of the royal family used Hartnell, as well as other London designers, to create their clothes for use at home and abroad.
823:; Dior himself was not immune to the influence and romance of Hartnell's new designs, publicly stating that whenever he thought of beautiful clothes, it was of those created by Hartnell for the 1938 State Visit, which he viewed as a young aspirant in the fashion world. The crinoline fashion for evening wear influenced fashion internationally, and French designers were quick to take up the influence of the Scottish-born Queen and the many kilted Scots soldiers in Paris for the State Visit; day clothes featuring plaids or tartans were evident in the next season's collections of many Parisian designers.
764:
to a personal royal style began with designs with a slimmed-down fit for day and evening wear. The new Queen was short, and her new clothes gave her height and distinction; public day-clothes usually consisted of a long or three-quarter length coat over a slim skirt, often embellished with fur trimmings or some detail around the neck. His designs for the Queen's evening wear varied from unembellished slim dresses to evening wear embroidered with sequins and glass. There was a complete change of style apparent in designs for the grander evening occasions, when
Hartnell re-introduced the
1046:
the Queen, who appeared in her own often re-worked clothes in bombed areas around the country. Hartnell received her endorsement to design clothes for the government's
Utility campaign, mass-produced by Berketex, with whom he entered a business relationship that continued into the 1950s. Through this partnership, he became the first leading mid-20th century designers to design mass-produced ready-to-wear clothing. In 1916, Lucile had shown the way during the First World War by designing an extensive line of clothes for the American catalogue retailers
812:, before the visit resulted in court mourning and a short delay in the dates of the visit to a vital British ally, of enormous political significance at a time when Germany was threatening war in Europe. Royal mourning dictated black and shades of mauve, which meant that all the clothes utilising colour for the planned June visit had to be re-made; Hartnell's workrooms worked long hours to create a new wardrobe in white, which Hartnell remembered had a precedent in British royal mourning protocol, and was not unknown for a younger queen.
1089:
2375:
1241:
The business struggled with overheads in common with all couture businesses and various merchandising ventures had some success in helping to bolster the finances. The sale of 'In Love' scent and then other scents was re-introduced in 1954, followed by stockings, knitwear, costume jewellery and late in the 1960s, menswear. However, it was not enough to turn the tide of high-street youthful fashion and he even had to sell his country retreat Lovel Dene to finance the Bruton Street business.
158:
801:
designs to the highest international couture standards by the 1930s. In 1929, Hartnell showed his clothes to the international press in Paris, and the floor-length hems of his evening dresses, after a decade of rising hems, were hailed as the advent of a new fashion, copied throughout the world as evidenced by the press of the time. His clothes were so popular with the press that he opened a House in Paris in order to participate in
Parisian Collection showings.
1195:
1232:
Throughout the 1950s and 1960s, the name of Norman
Hartnell was continually found in the press. Apart from designing two collections a year and maintaining his theatrical and film star links, he was adept at publicity, whether it was in creating a full evening dress of pound notes for a news-paper stunt, touring fashion shows at home and abroad or using the latest fabrics and man-made materials. Memorable evening dresses were worn by the concert pianist
589:
the largest in London couture, and continued until his death in 1979, also producing the embroidered
Christmas cards for clients and press during quiet August days, a practical form of publicity at which Hartnell was adept. The originality and intricacy of Hartnell embroideries were frequently described in the press, especially in reports of the original wedding dresses he designed for socially prominent young women during the 1920s and 1930s.
1122:
921:
603:
379:
36:
1339:, acquired in 2008 by Fung Capital. Hardy Amies is now owned by No.14 Savile Row, which in turn is owned by Fung Capital, the private investment holding company of the Fung family also the controlling shareholders of publicly listed Li & Fung Limited and Trinity Limited. Various Norman Hartnell themed housewares have been produced and there are plans to further develop the brand.
2331:
1113:). With a fashionable sweetheart neckline and a full skirt, the dress was embroidered with some 10,000 seed-pearls and thousands of white beads. Hartnell also created the going-away outfit and her trousseau, becoming her main designer to be augmented by Hardy Amies in the early 1950s and appealing to whole new generation of clients.
518:, and afternoon gowns for guests at society weddings. Hartnell's success ensured international press coverage and a flourishing trade with those no longer content with 'safe' London clothes derived from Parisian designs. Hartnell became popular with the younger stars of stage and screen, and went on to dress such leading ladies as
752:. Hartnell regretted that his work on the designs for the occasion had been denied worldwide publicity; however, vast crowds did see the newest member of the royal family drive off from Buckingham Palace wearing a Hartnell ensemble for her honeymoon, and the seal of royal approval led to increased business for Hartnell.
1262:
1312:
and the building was completely renovated under the direction of
Michael Pick who brought back to life its original Art Moderne splendours. The famous glass chimney-piece forming the focal point of Lacoste's scheme leading on from the ground floor to the first floor salon with its faceted art moderne
1157:
countries, echoing earlier
Coronation dresses. The complicated construction of the supporting undergarments and frustrating hours of work involved were described by Hartnell in his autobiography; the weight of the dress made it difficult to achieve a perfect balance and lend a gentle, forward swaying
763:
dresses from
Hartnell, remaining loyal to Handley-Seymour for her Coronation gown. Until 1939, Hartnell received most of the Queen's orders, and after 1946, with the exception of some country clothes, she remained a Hartnell client, even after his death. Hartnell's ability in adapting current fashion
1240:
and typified his high profile as an innovative designer, although in his sixth decade - then considered to be a great age. Hartnell designed and created collections on a smaller scale until 1979 with designs for the Queen and Queen
Elizabeth, the Queen Mother still commanding his time and attention.
588:
by taking his designs to the heart of world fashion. Hartnell specialised in expensive and often lavish embroidery as an integral part of his most expensive clothes, which he also utilised to prevent exact ready-to-wear copies being made of his clothing. The Hartnell in-house embroidery workroom was
1347:
Hartnell never married, but enjoyed a discreet and quiet life at a time when homosexual relations between men were illegal. He considered himself a confirmed bachelor, and his close friends were almost never in the public eye, nor did he ever do anything to compromise his position and business as a
1182:
dress, totally unadorned, utilising many layers of fine silk, and requiring as much skill as the complexities of the Queen's Coronation dress, which it echoed in outline. The Queen wore a long blue lace day dress with a bolero, echoing the design with a slight bolero jacket and a hat adorned with a
1170:
created many designs included in the wardrobes of the Queen. The Queen undertook an increasingly large number of State visits and Royal tours abroad, as well as numerous events at home, all necessitating a volume of clothing too large for just one House to devote its time to. During 1953–54,
1165:
and those of all major Royal ladies in attendance, creating the necessary theatrical tableaux in Westminster Abbey. He also designed dresses for many other clients who attended the ceremony, and his summer 1953 collection of some 150 designs was named "The Silver and Gold Collection", subsequently
1045:
and sustained his career by sponsoring collections for sale to overseas buyers, competing with the Occupied French and German designers, but also a growing group of American designers. Private clients ordered new clothes within the restrictions or had existing clothes altered. This also applied to
800:
editor, Bocher told Hartnell that he had seldom seen so many wonderful dresses so badly made. Hartnell took his advice and employed the talented Parisian 'Mamselle' Davide, reputedly the highest paid member of any London couture house, and other talented cutters, fitters and tailors to execute his
576:
Alarmed by a lack of sales, his sister Phyllis insisted that Norman cease his pre-occupation eveningwear and instead focus on creating practical day clothes. Hartnell utilised British woollen fabrics to subtle and ingenious effect; though previously sidelined by London dressmaking, the use of wool
1231:
In the mid-1950s, Hartnell reached the peak of his fame and the business employed some 500 people together with many others in the ancillary businesses. In common with all couture houses of the era, rising costs and changing tastes in women's clothing were a portent of the difficult times ahead.
842:
By 1939, largely due to Hartnell's success, London was known as an innovative fashion centre and was often visited first by American buyers before they travelled on to Paris. Hartnell had already had substantial American sales to various shops and copyists, a lucrative source of income to all
1209:
in 1969, Hartnell's clothes for the Queen and Queen Elizabeth The Queen Mother were short, simple designs, reflecting their own personal style. His royal clothes created an impeccably neat look that managed to be stylish without making an overt fashion statement. Hartnell became increasingly
1149:. These were then discussed with the Queen. At her request, the final design had the similar sweetheart neckline used for the Queen's wedding dress in 1947, with a fuller, heavy silk skirt embellished with varied embroideries, including the depiction of the national botanical emblems of the
1057:, also known as IncSoc, established in 1942 to promote British fashion design at home and abroad. Hartnell was also commissioned to design women's uniforms for the British army and medical corps during the war. He would go on to design service uniforms for nurses and female officers in
743:
Although Hartnell's designs for the Duchess of Gloucester's wedding and her trousseau achieved worldwide publicity, the death of the bride's father and consequent period of mourning before the wedding led to what had been planned as a large state wedding, taking place at
1639:
Norman Hartnell first designed for the stage as a schoolboy before the First World War and went on to design for at least twenty-four varied stage productions, after his initial London success with a Footlights Revue, which brought him his first glowing press reviews.
671:
By 1934, Hartnell's success had outgrown his premises, and he moved over the road to a large Mayfair town house already provided with floors of work-rooms at the rear to Bruton Mews. The first-floor salon was the height of modernity, a glass and mirror-lined
1017:
663:
562:
1158:
motion, rather than the lurching, listing motion of the prototypes. The development of the prototypes was the work of his expert cutters and fitters, as Hartnell could not sew, although he understood construction and the handling of various fabrics.
705:
682:(1909–1983), and proved the perfect background for each new season of Hartnell designs. The interiors of the large late 18th-century town house are now preserved as one of the finest examples of art-moderne pre-war commercial design in the UK.
902:
and when Molyneux opened his London salon, also designed by Lacoste, she became a steady client of his until he closed the business in 1950. Thereafter, she was often a Hartnell client. Hartnell would go on to receive a
1080:
for his influence on world fashion and in the same year created an extensive wardrobe for Queen Elizabeth to wear during the Royal Tour of South Africa in 1947, the first Royal Tour abroad since 1939. Both slimline and
1040:
scheme; apart from specific rules on the amount of fabric allowed per garment, the number of buttons, fastenings and the amount and components of embroideries were all calculated and controlled. Hartnell joined the
1092:
Embroidered wedding dress, 1951, worn by Hermione S. Ball for her marriage to Mervyn Evans, 23 July 1951. Hartnell added a band of embroidery to elongate the body and add grandeur to the back of the full skirt.
834:
in September 1939. The King and Queen were received with enormous acclaim by great crowds throughout the tour and visit and the dignity and charm of the Queen were undoubtedly aided by her Hartnell wardrobe;
1360:
to France to view their creations being worn. Hartnell had been known to term Amies 'Hardly Amiable'. In late years, long after Hartnell's death and in a more liberal climate, Amies became known for some
1252:
and on arriving at Buckingham Palace was delighted to find that the Queen had deputed Queen Elizabeth The Queen Mother to invest him with the honour. Prudence Glynn, the astute fashion editor then of
2641:
1178:
in 1960 marked the last full State occasion for which he designed an impressive tableau of dresses. It also marked the swan-song of lavish British couture. The Princess wore a multi-layered white
830:
of Canada and visit to North America during May and June 1939. At a critical time in world history, the visit cemented North American ties of friendship in the months before the outbreak of
1348:
leading designer to both ladies of the British royal family and his aristocratic or 'society' clients upon whom his success was founded. He rarely socialised with any of them. The younger
514:, his designs overlaid the harder silhouettes with a fluid romanticism in detail and construction. This was most evident in Hartnell's predilection for evening and bridal gowns, gowns for
2611:
1085:
styles were included. In addition, Hartnell designed for the young Princess Elizabeth and Princess Margaret; Molyneux also designed some day clothes for the Princesses during this trip.
2105:
1289:, and another from a time as the Deb of the Year in 1930, Margaret Whigham. Wearing a spectacular Hartnell dress, her wedding to Charles Sweeny stopped the traffic in Knightsbridge. As
809:
1768:
2606:
297:
2409:
2343:
1296:
After his death, Queen Elizabeth The Queen Mother remained a steadfast client, as did other older clients. In order to continue and revive the business John Tullis, a nephew of
886:
The younger members of the British royal family attracted worldwide publicity, drawing attention to Hartnell by association. Whilst it was a triumph for Hartnell to have gained
503:. Hartnell was considered by some to be a good London alternative to Parisian or older London dress houses, and the London press seized on the novelty of his youth and gender.
2465:
1365:
remarks during interviews and in explaining his business success compared to Hartnell's near penury at the end, he more than once termed Hartnell a 'soppy' or 'silly old
1054:
1022:
756:
1965:
1791:
1166:
used as the title for his autobiography, illustrated largely by his assistant Ian Thomas. Thomas subsequently opened his own establishment in 1968 and together with
2596:
308:
Hartnell was born in Streatham, southwest London. His parents were then publicans and owners of the Crown & Sceptre, at the top of Streatham Hill. Educated at
1249:
904:
281:
272:
251:
147:
804:
Within a decade, Hartnell again effectively changed the fashionable evening dress silhouette, when more of the crinoline dresses worn by the Queen during the
2636:
2591:
2455:
487:
embroidered with glass beads with a 2.6 metres (8.5 ft) train. An early example of a dress designed for a single occasion, rather than repeated use.
740:, who had made her wedding dress in 1923, accompanied her daughters to the Hartnell salon to view the fittings and met the designer for the first time.
475:
2035:
1258:
termed him "The First Fashion Knight" and his work as "The Norman Conquest". Hartnell designed and created collections on a smaller scale until 1979.
794:. Bocher was a friend of Hartnell's with whom the latter credited with sound early advice, when he showed his 1929 summer collection in Paris. Then a
1758:
1383:. A Hartnell evening ensemble features in the collection of vintage dresses inherited by Probert-Price's great-niece following her death in 2013.
2079:
2124:"Blue silk and lace dress designed by Norman Hartnell worn by the Queen to Princess Margaret's wedding in 1960 - Fashion Galleries - Telegraph"
1175:
851:, opened London houses, which had a glittering social life centred around the Court. Young British designers opened their own Houses, such as
891:
222:
2323:
1285:, a friend, and was attended by many models and employees and clients, including one of his earliest from the 1920s, his lifelong supporter
1210:
pre-occupied with royal orders. In this he was helped by Thomas, who left to found his own establishment in 1966, and the Japanese designer
2631:
2421:
1102:
2601:
2351:
1460:
879:. Before Hartnell established himself, the only British designer with a worldwide reputation for originality in design and finish was
867:
also opened his own House, and all attracted younger women. Older more staid generations still patronised the older London Houses of
2152:
2142:
1004:
650:
462:
119:
2621:
1844:
938:
864:
808:
to Paris in July 1938 also created a worldwide sensation viewed in the press and on news-reels. The death of the Queen's mother,
791:
733:
713:
709:
693:. The cottage was extensively re-modelled for him by Lacoste. Hartnell's London residence, The Tower House, Park Village in West
624:
396:
285:
53:
2196:
2448:
1668:
1142:
985:
443:
100:
2626:
1705:
1452:
1245:
1187:
made the going-away outfit for the Princess and the whole wedding and departure of the couple from the Pool of London on HMY
942:
628:
400:
57:
957:
415:
72:
685:
At the same time Hartnell moved into the new building, he acquired a weekend retreat, Lovel Dene, a Queen Anne cottage in
2123:
335:, whom he sued for damages when several of his drawings appeared unattributed in her weekly fashion column in the London
2616:
1594:
1278:
313:
255:
2219:
1335:
The Norman Hartnell name was acquired by Li & Fung as part of an extensive London fashion portfolio which includes
964:
422:
79:
1709:
1336:
1325:. The Gulf War and subsequent recession of the early 1990s killed the venture and the house closed its doors in 1992.
1290:
1077:
1042:
899:
259:
898:
in Paris. He designed her 1934 wedding dress and the bridesmaids dresses for her marriage to Queen Mary's fourth son
613:
1317:
as the focal point of the grand mirrored salon. The house re-opened with an acclaimed collection designed by former
2441:
2335:
569:
276:(12 June 1901 – 8 June 1979) was a leading British fashion designer, best known for his work for the ladies of the
931:
632:
617:
389:
46:
2562:
1525:
971:
737:
429:
86:
2396:
1436:
1380:
769:
2433:
1735:"Norman Hartnell - Fashion Designer Encyclopedia - century, women, suits, dress, style, new, body, collection"
1356:, was surprised to discover how much he enjoyed his company in Paris in 1959. They were both there during the
776:. King George suggested that the style favoured earlier by Queen Victoria would enhance the Queen's presence.
2370:
2168:
1683:
1606:
1576:
1468:
1154:
1146:
953:
839:
termed Queen Elizabeth "the most dangerous woman in Europe" on viewing film footage of the successful tour.
585:
411:
212:
68:
1088:
1544:
1412:
1300:, designed for the House until the business was sold. A consortium headed by Manny Silverman, formerly of
1101:
Although worried that he was too old for the job at 46, Hartnell was commanded by the Queen to create the
1032:(1939–45) Hartnell - in common with other couture designers - was subject to government trading and
880:
332:
1698:
1694:
1679:
1653:
1626:
1217:
In 1968, Hartnell was involved with the redesign of female police uniforms for the Metropolitan Police.
1058:
1966:"Norman Hartnell, the Designer Behind Princess Beatrice's Wedding Dress, Has Long Been Fashion Royalty"
1792:"Norman Hartnell, the Designer Behind Princess Beatrice's Wedding Dress, Has Long Been Fashion Royalty"
1420:
499:
and their mothers, who desired fashionable and original designs for a busy social life centred on the
2586:
2581:
2083:
1270:
701:
320:
277:
1940:
679:
157:
2547:
2542:
2366:
1062:
820:
507:
1992:
2524:
2514:
2484:
1901:
1876:
1568:
1353:
1211:
200:
2410:"Queen's role as international trend-setter exhibited in new show of Hartnell and Amies couture"
2380:
1734:
697:, was also remodelled and furnished with a fashionable mixture of Regency and modern furniture.
2060:
1194:
2529:
2148:
1614:
1599:
1581:
1560:
1484:
1404:
1221:
1110:
848:
749:
745:
721:
527:
328:
293:
978:
436:
93:
2479:
2300:
1849:
1536:
1444:
1286:
1282:
1130:
1129:
for Elizabeth II, a complex process, due to the gown's weight and embroidery. Photograph by
1037:
1029:
796:
773:
694:
572:, showing a dress by Hartnell. The painting was given to Hartnell at Ranken's death in 1941.
500:
480:
362:
309:
240:
1121:
1068:
In 1946 Hartnell took a successful collection to South America, where his clients included
2534:
1816:
1520:
1428:
1396:
1297:
1206:
1162:
1126:
895:
868:
844:
535:
531:
484:
483:, later the Duchess of Argyll, for her marriage to Charles Sweeny in 1933. Silk satin and
352:, with the financial help of his father and first business colleague, his sister Phyllis.
2374:
2494:
2489:
1552:
1476:
1318:
1184:
1150:
1047:
872:
852:
816:
779:
760:
686:
523:
496:
1269:
Hartnell was buried on 15 June 1979 next to his mother and sister in the graveyard of
2575:
2509:
1500:
1492:
1366:
1309:
1237:
1179:
1106:
1094:
1073:
876:
725:
700:
In 1935, Hartnell received the first of what was to be numerous commissions from the
551:
519:
488:
345:
1763:
1713:
1377:
1305:
1233:
1199:
887:
856:
836:
831:
729:
717:
539:
337:
319:
Hartnell's main interests were in performing in, and designing for, productions at
289:
163:
17:
2389:
1861:
577:
fabrics in ladies' day clothing had already successfully demonstrated in Paris by
2224:
glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
1902:"Norman Hartnell - couturier to the Royal Family - was born 119 years ago today"
1877:"Norman Hartnell - couturier to the Royal Family - was born 119 years ago today"
1529:
1357:
1349:
1329:
1274:
1205:
Fashion rapidly changed in the 1960s, and by the time of the Investiture of the
1167:
920:
805:
783:
674:
602:
578:
555:
547:
543:
378:
35:
2291:. Frances Kennett et al. Brighton Art Gallery and Bath Museum of Costume. 1985.
1853:
1690:
1322:
827:
787:
357:
324:
2227:
1373:
1301:
1254:
1225:
1188:
1161:
In addition, Hartnell designed the accompanying dresses worn by the Queen's
1138:
1082:
1069:
1033:
765:
690:
561:
515:
331:, London. He then worked unsuccessfully for two London designers, including
181:
2330:
2519:
890:
as a client, the four young wives of her four sons created fashion news.
860:
511:
327:
performances whilst an undergraduate, a production which transferred to
2249:
2144:
Women police: Gender, welfare and surveillance in the twentieth century
2019:
1649:
1372:
Hartnell had many women friends. His dresses were also worn by another
1332:
at 26 Bruton Street where he spent his working life from 1934 to 1979.
945: in this section. Unsourced material may be challenged and removed.
403: in this section. Unsourced material may be challenged and removed.
349:
1817:"Inside The World Of Norman Hartnell, The Queen's Favourite Couturier"
1391:
Hartnell designed costumes for the following films (incomplete list):
1328:
On 11 May 2005, the Norman Hartnell premises were commemorated with a
495:
Thanks to his Cambridge connections, Hartnell acquired a clientele of
2499:
2271:
BE DAZZLED! Norman Hartnell : Sixty Years of Glamour and Fashion
1672:
1362:
1183:
single rose, reminiscent of the Princess's full name, Margaret Rose.
288:(later the Queen Mother) in 1940, and Royal Warrant as Dressmaker to
1314:
2392:– Information and images of Queen Elizabeth II's 1947 wedding dress
2036:"Norman Hartnell: Inside the making of the Queen's coronation gown"
2017:
Keay, Douglas (26 July 1957). "Off Parade - At the Hartnell Home".
1759:"Two princesses, a royal dressmaker and a row about a wedding gown"
1214:, who similarly left to create his own highly successful business.
826:
The Queen commanded another extensive wardrobe by Hartnell for the
1260:
1193:
1120:
1087:
1016:
704:, in designing the wedding dress and bridesmaid's dresses for the
662:
560:
474:
296:
also wore a dress designed for Queen Elizabeth II by Hartnell for
1369:' whilst describing himself as a 'bitchy' or 'clever old queen.'
323:, and first came to fashion after designing for the university's
2504:
1145:. Many versions were sketched by Hartnell and his new assistant
1141:
in 1952, Hartnell was asked by Queen Elizabeth II to design her
782:, subsequently the Duchess of Windsor following her marriage to
584:
Hartnell successfully emulated his British predecessor and hero
2437:
815:
Hartnell was decorated by the French government and his friend
581:, who showed a keen interest in his 1927 and 1929 collections.
2326:, by Linda Grant, 30 September 2007. – Fashion.Telegraph.co.uk
1648:
He is featured as a character in the first two seasons of the
1261:
914:
596:
372:
138:
29:
2197:"Go see this: Hartnell to Amies Couture By Royal Appointment"
1021:
Hartnell designs produced in 1944 to promote the work of the
732:
approved the designs, the latter also becoming a client. The
1304:., acquired the company. Guest collections were designed by
1313:
detailed mirror cladding and pilasters was returned by the
1228:
and client, issued a postage stamp dedicated to Hartnell.
871:, Reville and the British-owned London concessions of the
2430:– Film report of fashion show featuring Hartnell designs
1191:
received worldwide newspaper and television publicity.
786:, was also a London Hartnell client, later patronizing
2397:"Fashion Drawing and Illustration in the 20th Century"
843:
designers. Some French designers, such as Anglo-Irish
2642:
Military personnel from the London Borough of Lambeth
768:
to world fashion, after the King showed Hartnell the
2313:"Hardy Amies". Michael Pick. ACC Publications. 2012.
667:
Hartnell at work in his London studio during wartime
2556:
2472:
1752:
1750:
1748:
1277:. A memorial service in London was led by the then
247:
236:
228:
218:
208:
189:
170:
136:
60:. Unsourced material may be challenged and removed.
1265:The grave of Sir Norman Hartnell, Clayton, Sussex
678:space designed by the innovative young architect
558:were said to be impressed by Hartnell's designs.
2422:"Fashion Show in Cardiff Aka Berketex Fashions…"
2310:Caroline de Guitaut. The Royal Collection. 2009.
1941:"V&A · 'Silver and Gold' by Norman Hartnell"
1055:Incorporated Society of London Fashion Designers
1023:Incorporated Society of London Fashion Designers
757:Coronation of King George VI and Queen Elizabeth
748:, instead being held privately in the chapel of
344:In 1923, Hartnell opened his own business at 10
2344:"Norman Hartnell: master of the royal wardrobe"
863:where Hardy Amies was the designer after 1935.
2607:Knights Commander of the Royal Victorian Order
2612:Officiers of the Ordre des Palmes Académiques
2449:
2324:Norman Hartnell: master of the royal wardrobe
8:
2466:Fédération de la Haute Couture et de la Mode
1848:(online ed.). Oxford University Press.
2147:. Manchester University Press. p. 55.
1174:Hartnell's design for the wedding dress of
631:. Unsourced material may be challenged and
2456:
2442:
2434:
2373:
2061:"Missing Paintings - WilliamRanken.org.uk"
156:
133:
2273:. Michael Pick. Pointed Leaf Press. 2007.
1005:Learn how and when to remove this message
651:Learn how and when to remove this message
463:Learn how and when to remove this message
120:Learn how and when to remove this message
2279:. Norman Hartnell. Evans Brothers. 1955.
1845:Oxford Dictionary of National Biography
1726:
1053:Hartnell was among the founders of the
894:, was a notable figure and a patron of
819:, creator of the full-skirted post-war
2597:Alumni of Magdalene College, Cambridge
1678:He was made a Member 4th Class of the
506:Although expressing the spirit of the
312:, Hartnell became an undergraduate at
2195:Crimmens, Tamsin (15 November 2012).
883:, whose London house closed in 1924.
223:Coronation gown of Queen Elizabeth II
7:
943:adding citations to reliable sources
907:in 1940 as Dressmaker to the Queen.
629:adding citations to reliable sources
401:adding citations to reliable sources
58:adding citations to reliable sources
27:British fashion designer (1901–1979)
2637:20th-century English businesspeople
2592:People educated at Mill Hill School
1771:from the original on 3 October 2021
1103:wedding dress of Princess Elizabeth
2557:Invited, foreign and guest members
2342:Grant, Linda (30 September 2007).
1790:Foussianes, Chloe (20 July 2020).
1757:Thorpe, Vanessa (3 October 2021).
25:
2408:Nikkhah, Roya (28 October 2012).
2308:The Royal Tour: A Souvenir Album.
2285:. Norman Hartnell. Cassell. 1971.
1658:, portrayed by Richard Clifford.
2329:
2106:"RCIN 250044 - Coronation dress"
1993:"Style History: Norman Hartnell"
1248:in 1977, Hartnell was appointed
919:
714:Prince Henry, Duke of Gloucester
710:Lady Alice Montagu Douglas Scott
601:
377:
34:
1842:"Hartnell, Sir Norman Bishop".
930:needs additional citations for
388:needs additional citations for
45:needs additional citations for
2034:Alex, Ella; er (28 May 2020).
1875:Cope, Rebecca (12 June 2020).
1667:He was made an Officer of the
1453:The Return of Bulldog Drummond
254:1977, MVO 1953, Officier de l'
1:
1991:AnHistorian (22 April 2022).
1693:as a Knight Commander of the
1137:Following the early death of
2401:Victoria & Albert Museum
2193:' Hardy Amies' Michael Pick
1862:UK public library membership
1684:1953 Coronation Honours List
1669:Ordre des Palmes académiques
1105:in 1947 for her marriage to
314:Magdalene College, Cambridge
256:Ordre des Palmes Academiques
2632:British Home Guard soldiers
2226:. GLBTQ Inc. Archived from
1928:Lucile - Her Life by Design
1739:www.fashionencyclopedia.com
1699:1977 New Years Honours List
1291:Margaret, Duchess of Argyll
1078:Neiman Marcus Fashion Award
1076:. In 1947, he received the
900:Prince George, Duke of Kent
716:. The two bridesmaids were
316:and read Modern Languages.
260:Neiman Marcus Fashion Award
2658:
2110:www.royalcollection.org.uk
1945:Victoria and Albert Museum
1036:restrictions, part of the
570:William Bruce Ellis Ranken
269:Sir Norman Bishop Hartnell
2602:English fashion designers
2563:List of grands couturiers
2289:Norman Hartnell 1901-1979
1376:resident of the past, ex-
1293:, she remained a client.
738:Elizabeth Handley-Seymour
155:
2077:"The Queen and Fashion"
2065:www.williamranken.org.uk
759:, the Queen ordered the
550:; even top French stars
2622:Wedding dress designers
2283:Royal Courts of Fashion
2173:ceres.mcu.es/pages/Main
2141:Louise Jackson (2017).
2128:fashion.telegraph.co.uk
2080:"The Queen and fashion"
1997:An Historian About Town
1607:Never Put It in Writing
1577:The Passionate Stranger
586:Charles Frederick Worth
365:was his second cousin.
213:University of Cambridge
1854:10.1093/ref:odnb/31209
1545:The Peterville Diamond
1352:, fellow designer for
1266:
1246:Queen's Silver Jubilee
1202:
1134:
1125:Hartnell designed the
1098:
1025:
668:
573:
492:
479:Wedding dress worn by
280:. Hartnell gained the
175:Norman Bishop Hartnell
2627:People from Streatham
2385:Fashion Encyclopedia.
1930:(2012), pp. 121, 287.
1695:Royal Victorian Order
1680:Royal Victorian Order
1598:(1959) (costumes for
1595:Suddenly, Last Summer
1264:
1198:Hartnell in 1973, by
1197:
1143:1953 Coronation dress
1124:
1091:
1059:City of London Police
1020:
666:
564:
478:
304:Early life and career
162:Hartnell in 1972, by
2338:at Wikimedia Commons
2169:"Hartnell - Londres"
1926:Randy Bryan Bigham,
1624:(1967) (TV episode:
1622:A Double in Diamonds
1524:(1941) (dresses for
1236:and TV cookery star
939:improve this article
702:British royal family
625:improve this section
397:improve this article
321:Cambridge University
54:improve this article
2617:Artists from London
2348:The Daily Telegraph
2299:The Journal of the
2086:on 29 February 2012
1708:for service in the
1644:Cultural depictions
1461:Brewster's Millions
1381:Renee Probert-Price
1279:Bishop of Southwark
1244:At the time of the
1063:Metropolitan Police
736:, then a client of
516:court presentations
508:Bright Young Things
18:Sir Norman Hartnell
2525:Jean Paul Gaultier
2515:Giambattista Valli
2485:Alexandre Vauthier
2354:on 31 October 2014
2230:on 31 October 2014
2220:"Amies, Sir Hardy"
2175:. 15 February 2012
1970:Town & Country
1796:Town & Country
1580:(1957) (gowns for
1569:Maytime in Mayfair
1421:That's a Good Girl
1354:Queen Elizabeth II
1267:
1203:
1135:
1099:
1026:
810:Cecilia Bowes-Lyon
718:Princess Elizabeth
669:
574:
530:(also a client of
493:
290:Queen Elizabeth II
201:Windsor, Berkshire
2569:
2568:
2403:. 13 August 2013.
2390:The Queen's robes
2334:Media related to
2250:"Norman Hartnell"
1860:(Subscription or
1615:The Beauty Jungle
1600:Katharine Hepburn
1582:Margaret Leighton
1561:The Demi-Paradise
1508:Design for Spring
1485:Non-Stop New York
1437:Princess Charming
1212:Gun'yuki Torimaru
1176:Princess Margaret
1111:Duke of Edinburgh
1015:
1014:
1007:
989:
954:"Norman Hartnell"
849:Elsa Schiaparelli
792:her wedding dress
772:portraits in the
750:Buckingham Palace
746:Westminster Abbey
722:Princess Margaret
661:
660:
653:
528:Gertrude Lawrence
473:
472:
465:
447:
412:"Norman Hartnell"
294:Princess Beatrice
284:as Dressmaker to
266:
265:
184:, London, England
130:
129:
122:
104:
69:"Norman Hartnell"
16:(Redirected from
2649:
2548:Stéphane Rolland
2539:Maurizio Galante
2458:
2451:
2444:
2435:
2429:
2426:British Pathé TV
2417:
2404:
2377:
2363:
2361:
2359:
2350:. Archived from
2333:
2301:Thirties Society
2258:
2257:
2246:
2240:
2239:
2237:
2235:
2215:
2209:
2208:
2206:
2204:
2191:
2185:
2184:
2182:
2180:
2165:
2159:
2158:
2138:
2132:
2131:
2120:
2114:
2113:
2102:
2096:
2095:
2093:
2091:
2082:. Archived from
2075:
2069:
2068:
2057:
2051:
2050:
2048:
2046:
2031:
2025:
2024:
2014:
2008:
2007:
2005:
2003:
1988:
1982:
1981:
1979:
1977:
1962:
1956:
1955:
1953:
1951:
1937:
1931:
1924:
1918:
1917:
1915:
1913:
1898:
1892:
1891:
1889:
1887:
1872:
1866:
1865:
1857:
1839:
1833:
1832:
1830:
1828:
1813:
1807:
1806:
1804:
1802:
1787:
1781:
1780:
1778:
1776:
1754:
1743:
1742:
1731:
1704:He received the
1537:Ships with Wings
1445:The Church Mouse
1287:Barbara Cartland
1283:Mervyn Stockwood
1224:, first lady of
1131:Sir Cecil Beaton
1030:Second World War
1010:
1003:
999:
996:
990:
988:
947:
923:
915:
774:Royal Collection
656:
649:
645:
642:
636:
605:
597:
481:Margaret Whigham
468:
461:
457:
454:
448:
446:
405:
381:
373:
363:William Hartnell
310:Mill Hill School
275:
241:William Hartnell
196:
160:
150:
134:
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
2657:
2656:
2652:
2651:
2650:
2648:
2647:
2646:
2572:
2571:
2570:
2565:
2552:
2535:Maison Margiela
2468:
2464:Members of the
2462:
2420:
2407:
2395:
2381:Norman Hartnell
2367:Norman Hartnell
2357:
2355:
2341:
2336:Norman Hartnell
2320:
2295:Gerald Lacoste.
2277:Silver and Gold
2267:
2265:Further reading
2262:
2261:
2248:
2247:
2243:
2233:
2231:
2217:
2216:
2212:
2202:
2200:
2194:
2192:
2188:
2178:
2176:
2167:
2166:
2162:
2155:
2140:
2139:
2135:
2122:
2121:
2117:
2104:
2103:
2099:
2089:
2087:
2078:
2076:
2072:
2059:
2058:
2054:
2044:
2042:
2040:Harper's BAZAAR
2033:
2032:
2028:
2016:
2015:
2011:
2001:
1999:
1990:
1989:
1985:
1975:
1973:
1964:
1963:
1959:
1949:
1947:
1939:
1938:
1934:
1925:
1921:
1911:
1909:
1900:
1899:
1895:
1885:
1883:
1874:
1873:
1869:
1859:
1841:
1840:
1836:
1826:
1824:
1815:
1814:
1810:
1800:
1798:
1789:
1788:
1784:
1774:
1772:
1756:
1755:
1746:
1733:
1732:
1728:
1723:
1673:French Republic
1671:in 1939 by the
1664:
1646:
1637:
1635:Theatre designs
1526:Sarah Churchill
1521:He Found a Star
1429:Give Her a Ring
1413:A Southern Maid
1397:Such Is the Law
1389:
1345:
1337:Hardy Amies Ltd
1298:Edward Molyneux
1207:Prince of Wales
1163:Maids of Honour
1127:coronation gown
1119:
1011:
1000:
994:
991:
948:
946:
936:
924:
913:
896:Edward Molyneux
892:Princess Marina
869:Handley-Seymour
845:Edward Molyneux
734:Duchess of York
657:
646:
640:
637:
622:
606:
595:
536:Jessie Matthews
532:Edward Molyneux
469:
458:
452:
449:
406:
404:
394:
382:
371:
369:1923–1934
306:
286:Queen Elizabeth
271:
243:(second cousin)
232:Norman Hartnell
204:
198:
194:
185:
179:
177:
176:
166:
151:
146:
144:
143:Norman Hartnell
141:
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
2655:
2653:
2645:
2644:
2639:
2634:
2629:
2624:
2619:
2614:
2609:
2604:
2599:
2594:
2589:
2584:
2574:
2573:
2567:
2566:
2560:
2558:
2554:
2553:
2551:
2550:
2545:
2540:
2537:
2532:
2530:Julien Fournié
2527:
2522:
2517:
2512:
2507:
2502:
2497:
2495:Bouchra Jarrar
2492:
2490:Alexis Mabille
2487:
2482:
2476:
2474:
2470:
2469:
2463:
2461:
2460:
2453:
2446:
2438:
2432:
2431:
2418:
2405:
2393:
2387:
2378:
2364:
2339:
2327:
2319:
2318:External links
2316:
2315:
2314:
2311:
2305:
2297:Michael Pick.
2292:
2286:
2280:
2274:
2266:
2263:
2260:
2259:
2241:
2210:
2186:
2160:
2153:
2133:
2115:
2097:
2070:
2052:
2026:
2009:
1983:
1972:. 20 July 2020
1957:
1932:
1919:
1908:. 12 June 2020
1893:
1867:
1834:
1823:. 19 July 2020
1808:
1782:
1744:
1725:
1724:
1722:
1719:
1718:
1717:
1702:
1697:(KCVO) in the
1687:
1676:
1663:
1660:
1645:
1642:
1636:
1633:
1632:
1631:
1619:
1611:
1603:
1591:
1585:
1573:
1565:
1557:
1553:This Was Paris
1549:
1541:
1533:
1517:
1514:Making Fashion
1511:
1505:
1497:
1489:
1481:
1477:Jump for Glory
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1388:
1385:
1344:
1341:
1319:Christian Dior
1271:Clayton church
1185:Victor Stiebel
1151:United Kingdom
1118:
1115:
1095:V&A Museum
1048:Sears, Roebuck
1013:
1012:
927:
925:
918:
912:
909:
873:House of Worth
859:, formerly at
853:Victor Stiebel
817:Christian Dior
780:Wallis Simpson
761:maid of honour
687:Windsor Forest
680:Gerald Lacoste
659:
658:
609:
607:
600:
594:
591:
524:Elsie Randolph
489:V&A Museum
471:
470:
385:
383:
376:
370:
367:
329:Daly's Theatre
305:
302:
264:
263:
249:
245:
244:
238:
234:
233:
230:
226:
225:
220:
219:Known for
216:
215:
210:
206:
205:
199:
197:(aged 77)
191:
187:
186:
180:
174:
172:
168:
167:
161:
153:
152:
145:
142:
137:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2654:
2643:
2640:
2638:
2635:
2633:
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2613:
2610:
2608:
2605:
2603:
2600:
2598:
2595:
2593:
2590:
2588:
2585:
2583:
2580:
2579:
2577:
2564:
2559:
2555:
2549:
2546:
2544:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2510:Frank Sorbier
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2491:
2488:
2486:
2483:
2481:
2480:Adeline André
2478:
2477:
2475:
2471:
2467:
2459:
2454:
2452:
2447:
2445:
2440:
2439:
2436:
2427:
2423:
2419:
2415:
2414:The Telegraph
2411:
2406:
2402:
2398:
2394:
2391:
2388:
2386:
2382:
2379:
2376:
2372:
2368:
2365:
2353:
2349:
2345:
2340:
2337:
2332:
2328:
2325:
2322:
2321:
2317:
2312:
2309:
2306:
2304:. No.3. 1982.
2303:
2302:
2296:
2293:
2290:
2287:
2284:
2281:
2278:
2275:
2272:
2269:
2268:
2264:
2255:
2251:
2245:
2242:
2229:
2225:
2221:
2218:Cole, Shaun.
2214:
2211:
2198:
2190:
2187:
2174:
2170:
2164:
2161:
2156:
2154:9781526130273
2150:
2146:
2145:
2137:
2134:
2129:
2125:
2119:
2116:
2111:
2107:
2101:
2098:
2085:
2081:
2074:
2071:
2066:
2062:
2056:
2053:
2041:
2037:
2030:
2027:
2022:
2021:
2013:
2010:
1998:
1994:
1987:
1984:
1971:
1967:
1961:
1958:
1946:
1942:
1936:
1933:
1929:
1923:
1920:
1907:
1903:
1897:
1894:
1882:
1878:
1871:
1868:
1863:
1855:
1851:
1847:
1846:
1838:
1835:
1822:
1821:British Vogue
1818:
1812:
1809:
1797:
1793:
1786:
1783:
1770:
1766:
1765:
1760:
1753:
1751:
1749:
1745:
1740:
1736:
1730:
1727:
1720:
1715:
1711:
1707:
1706:Defence Medal
1703:
1700:
1696:
1692:
1688:
1685:
1682:(MVO) in the
1681:
1677:
1674:
1670:
1666:
1665:
1661:
1659:
1657:
1656:
1651:
1643:
1641:
1634:
1629:
1628:
1623:
1620:
1617:
1616:
1612:
1609:
1608:
1604:
1601:
1597:
1596:
1592:
1589:
1588:Women in Love
1586:
1583:
1579:
1578:
1574:
1571:
1570:
1566:
1563:
1562:
1558:
1555:
1554:
1550:
1547:
1546:
1542:
1539:
1538:
1534:
1531:
1527:
1523:
1522:
1518:
1515:
1512:
1509:
1506:
1503:
1502:
1501:Sailing Along
1498:
1495:
1494:
1493:Climbing High
1490:
1487:
1486:
1482:
1479:
1478:
1474:
1471:
1470:
1469:Two's Company
1466:
1463:
1462:
1458:
1455:
1454:
1450:
1447:
1446:
1442:
1439:
1438:
1434:
1431:
1430:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1393:
1392:
1386:
1384:
1382:
1379:
1375:
1370:
1368:
1364:
1359:
1355:
1351:
1343:Personal life
1342:
1340:
1338:
1333:
1331:
1326:
1324:
1320:
1316:
1311:
1310:Murray Arbeid
1307:
1303:
1299:
1294:
1292:
1288:
1284:
1280:
1276:
1272:
1263:
1259:
1257:
1256:
1251:
1247:
1242:
1239:
1238:Fanny Cradock
1235:
1229:
1227:
1223:
1222:Madame Somoza
1218:
1215:
1213:
1208:
1201:
1196:
1192:
1190:
1186:
1181:
1180:princess line
1177:
1172:
1169:
1164:
1159:
1156:
1152:
1148:
1144:
1140:
1132:
1128:
1123:
1116:
1114:
1112:
1108:
1107:Prince Philip
1104:
1096:
1090:
1086:
1084:
1079:
1075:
1074:Magda Lupescu
1071:
1066:
1064:
1060:
1056:
1051:
1049:
1044:
1039:
1035:
1031:
1024:
1019:
1009:
1006:
998:
987:
984:
980:
977:
973:
970:
966:
963:
959:
956: –
955:
951:
950:Find sources:
944:
940:
934:
933:
928:This section
926:
922:
917:
916:
910:
908:
906:
905:Royal Warrant
901:
897:
893:
889:
884:
882:
878:
874:
870:
866:
865:Peter Russell
862:
858:
854:
850:
846:
840:
838:
833:
829:
824:
822:
818:
813:
811:
807:
802:
799:
798:
793:
789:
785:
781:
777:
775:
771:
767:
762:
758:
755:For the 1937
753:
751:
747:
741:
739:
735:
731:
727:
726:King George V
723:
719:
715:
711:
707:
703:
698:
696:
695:Regent's Park
692:
688:
683:
681:
677:
676:
665:
655:
652:
644:
634:
630:
626:
620:
619:
615:
610:This section
608:
604:
599:
598:
592:
590:
587:
582:
580:
571:
567:
563:
559:
557:
553:
552:Alice Delysia
549:
545:
541:
537:
533:
529:
525:
521:
520:Gladys Cooper
517:
513:
509:
504:
502:
501:London Season
498:
490:
486:
482:
477:
467:
464:
456:
445:
442:
438:
435:
431:
428:
424:
421:
417:
414: –
413:
409:
408:Find sources:
402:
398:
392:
391:
386:This section
384:
380:
375:
374:
368:
366:
364:
360:
359:
353:
351:
347:
346:Bruton Street
342:
340:
339:
334:
330:
326:
322:
317:
315:
311:
303:
301:
299:
295:
291:
287:
283:
282:Royal Warrant
279:
274:
270:
261:
257:
253:
250:
246:
242:
239:
235:
231:
227:
224:
221:
217:
214:
211:
207:
202:
192:
188:
183:
173:
169:
165:
159:
154:
149:
140:
135:
132:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
2543:Schiaparelli
2425:
2413:
2400:
2384:
2356:. Retrieved
2352:the original
2347:
2307:
2298:
2294:
2288:
2282:
2276:
2270:
2253:
2244:
2232:. Retrieved
2228:the original
2223:
2213:
2201:. Retrieved
2189:
2177:. Retrieved
2172:
2163:
2143:
2136:
2127:
2118:
2109:
2100:
2088:. Retrieved
2084:the original
2073:
2064:
2055:
2043:. Retrieved
2039:
2029:
2018:
2012:
2000:. Retrieved
1996:
1986:
1974:. Retrieved
1969:
1960:
1948:. Retrieved
1944:
1935:
1927:
1922:
1910:. Retrieved
1905:
1896:
1884:. Retrieved
1880:
1870:
1843:
1837:
1825:. Retrieved
1820:
1811:
1799:. Retrieved
1795:
1785:
1773:. Retrieved
1764:The Guardian
1762:
1738:
1729:
1714:World War II
1654:
1647:
1638:
1625:
1621:
1613:
1605:
1593:
1587:
1575:
1567:
1559:
1551:
1543:
1535:
1519:
1513:
1507:
1499:
1491:
1483:
1475:
1467:
1459:
1451:
1443:
1435:
1427:
1419:
1411:
1403:
1395:
1390:
1371:
1346:
1334:
1327:
1306:Gina Fratini
1295:
1268:
1253:
1243:
1234:Eileen Joyce
1230:
1219:
1216:
1204:
1200:Allan Warren
1173:
1160:
1155:Commonwealth
1136:
1100:
1067:
1052:
1027:
1001:
995:October 2021
992:
982:
975:
968:
961:
949:
937:Please help
932:verification
929:
885:
857:Digby Morton
841:
837:Adolf Hitler
832:World War II
825:
814:
803:
795:
778:
770:Winterhalter
754:
742:
699:
684:
673:
670:
647:
641:October 2021
638:
623:Please help
611:
583:
575:
565:
540:Merle Oberon
505:
494:
459:
453:October 2021
450:
440:
433:
426:
419:
407:
395:Please help
390:verification
387:
356:
354:
343:
338:Daily Sketch
336:
318:
307:
278:royal family
268:
267:
195:(1979-06-08)
178:12 June 1901
164:Allan Warren
131:
116:
110:October 2014
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
2587:1979 deaths
2582:1901 births
2179:13 November
2090:25 February
2045:23 February
2002:23 February
1976:23 February
1950:23 February
1912:23 February
1827:23 February
1590:(1958) (TV)
1530:Evelyn Dall
1387:Filmography
1378:Tiller Girl
1358:State Visit
1350:Hardy Amies
1330:blue plaque
1275:West Sussex
1168:Hardy Amies
1109:(later the
1028:During the
806:State Visit
790:, who made
784:Edward VIII
675:Art Moderne
579:Coco Chanel
556:Mistinguett
548:Anna Neagle
544:Evelyn Laye
298:her wedding
193:8 June 1979
2576:Categories
2358:31 October
2234:31 October
2203:31 October
1864:required.)
1721:References
1710:Home Guard
1405:Aunt Sally
1323:Marc Bohan
1147:Ian Thomas
1043:Home Guard
965:newspapers
888:Queen Mary
828:Royal Tour
788:Mainbocher
730:Queen Mary
568:(1931) by
497:débutantes
423:newspapers
358:Doctor Who
325:Footlights
80:newspapers
2199:. Elle UK
2023:. London.
1775:3 October
1655:The Crown
1627:The Saint
1374:Streatham
1321:designer
1302:Moss Bros
1255:The Times
1226:Nicaragua
1220:In 1970,
1189:Britannia
1139:George VI
1117:1952–1979
1083:crinoline
1070:Eva Peron
1034:rationing
911:1940–1952
766:crinoline
691:Berkshire
612:does not
593:1934–1940
300:in 2020.
292:in 1957.
237:Relatives
209:Education
203:, England
182:Streatham
2520:Givenchy
2020:TV Times
1886:9 August
1769:Archived
1691:knighted
1061:and the
861:Lachasse
821:New Look
706:marriage
566:Magnolia
512:Flappers
2473:Members
2428:. 1952.
1712:during
1689:He was
1662:Honours
1650:Netflix
1315:V&A
1038:utility
979:scholar
724:. Both
633:removed
618:sources
437:scholar
350:Mayfair
94:scholar
2500:Chanel
2151:
1906:Tatler
1881:Tatler
1858:
1801:16 May
1652:drama
1618:(1964)
1610:(1964)
1572:(1949)
1564:(1943)
1556:(1942)
1548:(1942)
1540:(1942)
1516:(1938)
1510:(1938)
1504:(1938)
1496:(1938)
1488:(1937)
1480:(1937)
1472:(1936)
1464:(1935)
1456:(1934)
1448:(1934)
1440:(1934)
1432:(1934)
1424:(1933)
1416:(1933)
1408:(1933)
1400:(1930)
1363:ad lib
981:
974:
967:
960:
952:
881:Lucile
877:Paquin
439:
432:
425:
418:
410:
361:actor
333:Lucile
258:1939,
248:Awards
96:
89:
82:
75:
67:
2561:See:
1367:queen
986:JSTOR
972:books
797:Vogue
485:tulle
444:JSTOR
430:books
229:Label
101:JSTOR
87:books
2505:Dior
2360:2014
2254:IMDb
2236:2014
2205:2014
2181:2022
2149:ISBN
2092:2012
2047:2023
2004:2023
1978:2023
1952:2023
1914:2023
1888:2020
1829:2023
1803:2022
1777:2021
1528:and
1308:and
1250:KCVO
1153:and
1072:and
958:news
875:and
855:and
847:and
728:and
720:and
616:any
614:cite
554:and
546:and
510:and
416:news
355:The
273:KCVO
262:1947
252:KCVO
190:Died
171:Born
148:KCVO
73:news
2371:FMD
2369:at
1850:doi
941:by
712:to
708:of
627:by
534:),
399:by
139:Sir
56:by
2578::
2424:.
2412:.
2399:.
2383:–
2346:.
2252:.
2222:.
2171:.
2126:.
2108:.
2063:.
2038:.
1995:.
1968:.
1943:.
1904:.
1879:.
1819:.
1794:.
1767:.
1761:.
1747:^
1737:.
1281:,
1273:,
1065:.
1050:.
689:,
542:,
538:,
526:,
522:,
348:,
341:.
2457:e
2450:t
2443:v
2416:.
2362:.
2256:.
2238:.
2207:.
2183:.
2157:.
2130:.
2112:.
2094:.
2067:.
2049:.
2006:.
1980:.
1954:.
1916:.
1890:.
1856:.
1852::
1831:.
1805:.
1779:.
1741:.
1716:.
1701:.
1686:.
1675:.
1630:)
1602:)
1584:)
1532:)
1133:.
1097:.
1008:)
1002:(
997:)
993:(
983:·
976:·
969:·
962:·
935:.
654:)
648:(
643:)
639:(
635:.
621:.
491:.
466:)
460:(
455:)
451:(
441:·
434:·
427:·
420:·
393:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
