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sisters married on the same day. Gradually, he advises everyone to hand over his financial matters to
Bhagirathi and people start gossiping about their relationship. He stops drinking, smoking, womanising, and his house is converted into a proper living place. Though Bhagirathi is happy that he is a changed person, she frequently reminds him of his sins which caused harm to many.
322:
next day. On the same night, Anthony becomes weak. He requests
Bhagirathi to sing the song which she sang when she was happily married and which tempted him to molest her. Listening to her song, Anthony dies. When Anthony's coffin leaves, Bhagirathi realises how he took care of her and cries that she has no one to take care of her now.
306:
When she refuses, he leaves the home after locking it without informing her and does not return. Left outside the locked house, Bhagirathi searches for him but fails. When no one supports her in the village and she is helpless and alone, Irudhayasami advises her to move into
Anthony's house as he is the root cause of all her troubles.
642:
to buy the film. As a result, Anandhi Films had to distribute the film themselves. Although criticised by
Brahmin organisations who demanded for it to be banned, the film received critical acclaim (particularly for Lakshmi's performance) and became a commercial success, with a 100-day theatrical run. It was released on DVD in 2002 by
321:
One day, Anthony suffers a paralytic attack and becomes bedridden. He regrets all his sins, particularly to
Bhagirathi, who now takes care of him. She even nurses him in the absence of his servant. Anthony requests Marudhu to locate Raghupathi and bring him. Raghupathi is found and agrees to come the
641:
from the Censor Board after 10 cuts. Distributors objected to the climax; they told Sakthi they would buy the film if he change the climax into one where
Bhagirathi reunites with her husband or commits suicide, but Sakthi adamantly refused. 60 preview shows took place, but no distributor was willing
421:
to direct a film for them, he suggested to adapt the short story for the screen, and they agreed despite initial hesitance. Sakthi wrote the film adaptation's screenplay, while Mohan of
Anandhi produced the film. Cinematography was handled by the duo Vishwam–Nataraj, and editing by G. Radhakrishnan.
297:
Anthony is a wealthy landlord, a drunkard who has no values in life and indulges in several atrocities. The village chief
Ondriyam and the police inspector are his supporters. Irudhayasami, an honest and soon-to-retire senior police constable, arrests a man who attempted to rape a woman, but due to
317:
Anthony's servant
Marudhu takes care of Bhagirathi's needs. Soon, Anthony realises his mistakes and his attitude and behaviour change. He helps his worker Muthu marry his lover Jilla, daughter of Ondriyam, by gifting his lands to him. Anthony helps Bhagirathi's father financially to get her three
305:
couple, move into the village and settle in the house next to
Anthony's. Anthony lusts after Bhagirathi and one night when Raghupathi is not home, a drunk Anthony rapes Bhagirathi. When Raghupathi notices Anthony walking away from his home and Bhagirathi crying, he disowns her as she is maligned.
688:
by Ashish Rajadhyaksha and Paul Willemen concurred, feeling they were inserted for "box-office reasons". Baskaran said that the passage of years that Bhagirathi spends in Anthony's house had not been depicted "visually at all", but described Lakshmi's performance as the "high point" of the film.
325:
Raghupathi comes after the coffin has left and in a selfish tone asks Bhagirathi to join him the next day. She refuses and tells him that a couple should be together in good and bad times. When she needed him the most, he deserted her; though Anthony molested her for his momentary pleasure, he
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288:
was released on 22 November 1984. Despite receiving criticism from Brahmin organisations who demanded it be banned, the film received critical acclaim, particularly for Lakshmi's performance, and became a commercial success, with a theatrical run of over 100 days.
684:, felt that much of the film's impact was diluted by elements like the cabaret dance, duets and a fight sequence along with clichéd devices like using obesity for comic effect, all of which he described as the "trappings of a run-of-the-mill commercial movie".
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326:
regretted his mistake and took great care of her, treating her with respect till his end. So she would be proud to be Anthony's widow rather than the wife of a self-centered husband who did not take care of his life partner. She removes her
309:
Bhagirathi goes to Anthony's house and declares that he should take responsibility for her as he is the cause of her hardship and confines herself to a room in his house, warning him that he should not enter it at any cost in the name of
277:
of the same name. The film was produced by Mohan of Anandhi Films, photographed by the duo Vishwam–Nataraj, and edited by G. Radhakrishnan. It shot on actual locales, with minimal use of sets, although shooting also took place at
658:
published the reviews of readers rather than their own. The review board wrote that the screenplay was more engaging and intense than the short story, praised the performance of Lakshmi but criticised the item number featuring
314:. She states that as she is unable to punish him for his sin, she is punishing herself by being in his home and living in a room like a prison. His punishment is watching her suffer before his eyes for the sin he committed.
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woman who, after being raped by an alcoholic man, is disowned by her husband. After being encouraged by a police constable, she moves in with the rapist and develops an attachment for him.
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was created, involving a farm-worker wooing a politician's daughter. Most of the film was shot on actual locales, with minimal use of sets, although shooting also took place at
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as "both revolve around a rapist who is reformed by the rape survivor". Maderya felt that both the films "advance an atavistic moral solution to the problem of rape."
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was one of the earliest Tamil films to explore the relationship between the rapist and the victim. It also emerged a "landmark" in Rajesh's career. Critic
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wrote that while the film as a whole could not be appreciated, individual aspects could, such as the bold theme.
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Anthony's clout, the accused is exonerated. Irudhayasami curses that one day Anthony would repent for his sins.
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Rajadhyaksha and Willemen stated that Lakshmi gave an "accomplished repeat performance of a rape victim" after
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481:) a man cannot become a husband." He also felt it was the inverse of most Tamil films which used to exalt the
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449:, like many of Sakthi's films, is a women-centric film. Journalist Kumuthan Maderya, writing for
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for the character of Anthony as he felt his physique suited the character very well.
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and published in 1980. The story, which was published in the Tamil magazine
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417:, won a gold medal for the best short story. When Anandhi Films approached
332:, the symbol of their marriage, and continues to live in Anthony's house.
30:
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901:[Obituary: R. C. Sakthi | I'm the one who makes women live!].
838:"Potpourri of tidbits about Tamil cinema – Director R. C. Sakthi"
501:'s cinematic debut. The song "Naan Paadikkonde Iruppen" is set in the
743:
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737:
735:
733:
1668:
Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music
1689:
Borderwork: Feminist Engagements with Comparative Literature
1612:
Women in Films: An Incisive Study Into the Issues and Trends
1044:"Performing Bestiality: Beauties and Beasts in Tamil Cinema"
467:
Women in Films: An Incisive Study Into the Issues and Trends
770:
768:
766:
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762:
760:
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473:"boldly attempted to express the view that by merely tying
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The eye of the serpent: an introduction to Tamil cinema
1183:"தமிழுக்கு அமுதென்று பேர்! – கவிஞர் முத்துலிங்கம்"
663:, and rated the film 56 out of 100. On 6 January 1985,
637:
was released on 22 November 1984. The film received an
1120:"Sirai Tamil Film EP Vinyl Record by M S Viswanathan"
747:
1299:"பிளாஷ்பேக்: 60 முறை பிரிவியூஷோ திரையிடப்பட்ட சிறை"
899:"அஞ்சலி: ஆர்.சி.சக்தி | பெண்களை வாழ வைப்பவன் நான்!"
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1594:The Best of Tamil Cinema, 1931 to 2010: 1977–2010
1670:(2nd ed.). Chennai: Pichhamal Chintamani.
831:
829:
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1035:
1033:
1031:
8:
1305:, the film which had 60 preview shows].
1213:
939:. Chennai. 18 September 2017. Archived from
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390:(special appearance in the song "Paathuko")
465:"-type story in Tamil cinema. In the book
29:
20:
1483:
1355:. 17 May 2010. p. 5. Archived from
884:
869:
508:
1263:"Chirai (35 mm.) (Colour) (India)"
1191:(in Tamil). 20 May 2018. Archived from
729:
654:In their issue dated 23 December 1984,
615:
1074:
911:from the original on 21 September 2019
1686:(1994). Higonnet, Margaret R. (ed.).
1461:from the original on 21 February 2023
616:
7:
1496:Ashok Kumar, S. R. (18 March 2005).
1100:from the original on 18 August 2022
207:
1546:from the original on 20 April 2018
1391:from the original on 11 April 2018
1163:from the original on 17 April 2019
1012:from the original on 18 April 2024
579:"Rasathi Rosapoo Vektam Eno Innum"
259:in supporting roles. It follows a
14:
1779:Films scored by M. S. Viswanathan
1275:from the original on 2 March 2023
1130:from the original on 2 March 2022
1056:from the original on 9 April 2018
848:from the original on 9 April 2018
812:from the original on 10 July 2018
1425:from the original on 26 May 2020
1315:from the original on 24 May 2018
1042:Maderya, Kumuthan (9 May 2017).
998:Mannath, Malini (18 June 1993).
748:Rajadhyaksha & Willemen 1998
692:Sila Nerangalil Sila Manithargal
455:, described it as following the
493:The soundtrack was composed by
434:film. Sakthi revealed he chose
1774:Films directed by R. C. Sakthi
1641:Encyclopaedia of Indian Cinema
1421:(in Tamil). 23 December 1984.
1347:"Writer Anuradha Ramanan dies"
686:Encyclopaedia of Indian Cinema
515:
1:
1311:(in Tamil). 24 January 2017.
1271:. 2 April 1988. p. 963.
639:"A" (adults only) certificate
469:(2000), R. Kannan wrote that
301:Raghupathi and Bhagirathi, a
1769:Films based on short fiction
1576:. Chennai: East West Books.
1149:Naig, Udhav (15 July 2015).
1789:Tamil-language Indian films
962:ப்ரியன் (3 February 1985).
497:. The film marked lyricist
1805:
1749:1980s Tamil-language films
1617:Madurai Kamaraj University
975:(in Tamil). pp. 24–27
537:"Naan Paadikkonde Iruppen"
159:22 November 1984
1764:Films about rape in India
1615:. Publications Division,
1231:"The world was his music"
964:"சிறை தந்த சிறந்த நடிகர்"
897:சுரா (27 February 2015).
597:
575:
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28:
16:1984 film by R. C. Sakthi
1694:Cornell University Press
1151:"A darling of lyricists"
459:trope, and as an early "
227:written and directed by
1684:Sunder Rajan, Rajeswari
1649:Oxford University Press
800:"Anuradha Ramanan dead"
601:"Vidhi Enum Karangalil"
1666:Sundararaman (2007) .
1645:British Film Institute
682:The eye of the serpent
366:Prasanna as Raghupathi
1570:Baskaran, S. Theodore
1498:"Veteran on a rewind"
1633:Rajadhyaksha, Ashish
1268:The Gazette of India
1096:. 22 November 1984.
678:S. Theodore Baskaran
462:Beauty and the Beast
1609:Kannan, R. (2000).
1486:, pp. 159–160.
1022:Google News Archive
1000:"Thought-provoking"
680:, in his 1996 book
511:
430:. It was made as a
219:) is a 1984 Indian
1784:Indian drama films
1744:1980s Indian films
1447:(6 January 1985).
1352:The Times of India
1243:on 10 January 2018
1236:The Times of India
1005:The Indian Express
936:The Times of India
904:Hindu Tamil Thisai
509:
457:stockholm syndrome
1759:CinemaScope films
1596:. Galatta Media.
1415:[Sirai].
1214:Sundararaman 2007
787:Sunder Rajan 1994
626:
625:
608:M. S. Viswanathan
505:known as Shyama.
495:M. S. Viswanathan
376:V. Gopalakrishnan
253:V. Gopalakrishnan
231:. The film stars
199:
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123:M. S. Viswanathan
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1754:1984 drama films
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1534:"Crime does pay"
1532:(24 June 2016).
1530:Rangan, Baradwaj
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1506:. Archived from
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1471:Internet Archive
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1334:Dhananjayan 2011
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1301:[Flashback:
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1285:Internet Archive
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1229:(15 July 2015).
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931:"Did You Know?"
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808:. 17 May 2010.
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1637:Willemen, Paul
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1510:on 17 May 2018
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1418:Ananda Vikatan
1402:
1384:Penn Libraries
1379:"Sirai (1984)"
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1359:on 17 May 2018
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618:Total length:
611:
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588:K. J. Yesudas
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510:Track listing
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503:Carnatic raga
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211: Prison
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146:Anandhi Films
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1563:Bibliography
1548:. Retrieved
1537:
1524:
1512:. Retrieved
1508:the original
1501:
1491:
1479:
1469:– via
1463:. Retrieved
1457:(in Tamil).
1452:
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1427:. Retrieved
1416:
1405:
1393:. Retrieved
1382:
1373:
1361:. Retrieved
1357:the original
1350:
1341:
1329:
1317:. Retrieved
1306:
1302:
1293:
1283:– via
1277:. Retrieved
1266:
1257:
1247:23 September
1245:. Retrieved
1241:the original
1234:
1221:
1209:
1197:. Retrieved
1193:the original
1186:
1177:
1165:. Retrieved
1154:
1144:
1132:. Retrieved
1123:
1114:
1102:. Retrieved
1091:
1082:
1070:
1058:. Retrieved
1047:
1020:– via
1014:. Retrieved
1003:
993:
983:– via
977:. Retrieved
970:
957:
945:. Retrieved
941:the original
934:
925:
915:21 September
913:. Retrieved
907:(in Tamil).
902:
892:
850:. Retrieved
842:Kalyanamalai
841:
836:Majordasan.
814:. Retrieved
803:
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782:
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419:R. C. Sakthi
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269:is based on
266:
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247:, Prasanna,
229:R. C. Sakthi
215:
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202:
201:
200:
175:Running time
152:Release date
62:
54:R. C. Sakthi
45:R. C. Sakthi
18:
1075:Kannan 2000
583:Piraisoodan
562:Muthulingam
558:"Paathukko"
546:Vani Jairam
499:Piraisoodan
485:sentiment.
432:CinemaScope
407:written by
405:short story
382:Isari Velan
372:as Ondriyam
312:Mother Mary
275:short story
257:Isari Velan
179:143 minutes
74:Produced by
41:Directed by
1739:1984 films
1733:Categories
1445:ஜெயமன்மதன்
1124:Macsendisk
1049:PopMatters
724:References
716:(1989) to
489:Soundtrack
452:PopMatters
396:Production
384:as Marudhu
351:as Anthony
225:drama film
223:-language
163:1984-11-22
130:Production
1676:295034757
1639:(1998) .
1602:733724281
1582:645890539
1539:The Hindu
1503:The Hindu
1465:5 January
1308:Dinamalar
1156:The Hindu
1104:18 August
805:The Hindu
710:compared
650:Reception
567:S. Janaki
526:Singer(s)
361:Ilavarasi
245:Ilavarasi
111:Edited by
35:DVD cover
1625:52929453
1592:(2011).
1572:(1996).
1550:20 April
1544:Archived
1459:Archived
1423:Archived
1395:11 April
1389:Archived
1313:Archived
1273:Archived
1188:Dinamani
1167:17 April
1161:Archived
1128:Archived
1098:Archived
1093:JioSaavn
1054:Archived
1016:18 April
1010:Archived
979:18 April
909:Archived
846:Archived
810:Archived
695:(1977).
661:Anuradha
388:Anuradha
363:as Jilla
357:as Muthu
355:Pandiyan
273:'s 1980
241:Pandiyan
192:Language
119:Music by
82:Starring
59:Based on
1279:2 March
1227:Vamanan
1134:2 March
1088:"Sirai"
1060:9 April
852:9 April
816:10 July
630:Release
424:subplot
343:Lakshmi
303:Brahmin
261:Brahmin
239:, with
233:Lakshmi
208:transl.
184:Country
161: (
132:company
89:Lakshmi
1700:
1674:
1655:
1623:
1600:
1580:
1514:17 May
1449:"சிறை"
1429:26 May
1412:"சிறை"
1363:17 May
1319:24 May
1199:22 May
947:17 May
699:Impact
529:Length
523:Lyrics
442:Themes
436:Rajesh
403:was a
349:Rajesh
237:Rajesh
216:Chirai
94:Rajesh
1719:Sirai
1454:Kalki
1303:Sirai
972:Kalki
967:(PDF)
718:Sirai
704:Sirai
670:Kalki
635:Sirai
622:18:03
520:Title
471:Sirai
447:Sirai
401:Sirai
286:Sirai
267:Sirai
221:Tamil
203:Sirai
195:Tamil
187:India
77:Mohan
63:Sirai
24:Sirai
1724:IMDb
1698:ISBN
1672:OCLC
1653:ISBN
1647:and
1621:OCLC
1598:OCLC
1578:OCLC
1552:2018
1516:2018
1467:2023
1431:2020
1397:2018
1365:2018
1321:2018
1281:2023
1249:2019
1201:2018
1169:2019
1136:2022
1106:2022
1062:2018
1018:2024
981:2024
949:2018
917:2019
854:2018
818:2018
612:4:28
593:4:17
571:4:44
550:4:34
483:tali
475:Tali
336:Cast
329:tali
293:Plot
255:and
235:and
1722:at
667:of
516:No.
66:by
1735::
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422:A
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206:(
165:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
