801:…its subject is very little known, and is here dealt with by the best authority of our day on Armenian history, art, and civilization… …I can say from the point of view of Byzantine studies that I consider Miss Der Nersessian's book the best study which has yet appeared in which, in a concise and most reliable form, the reader for the first time has a picture of political, religious, cultural, and artistic interrelations between Armenia and the Byzantine Empire.
325:. She taught art history at Wellesley, quickly being promoted to full professor and later becoming the department chair of the art history program and director of the Farnsworth Museum (now the Davis Museum). Der Nersessian was the first woman to teach Byzantine art at a women's college, the first woman to be decorated with the medal of Saint Gregory the Illuminator by Catholicos
247:). Her parents died while she was still young: her mother Akabi, when she was nine, and her father Mihran, when she was eighteen. She attended the Esayan Academy and the English High School for Girls in Constantinople, gaining fluency in Armenian, English and French at an early age. In 1915, during the height of the
329:
in 1960, the first woman invited to lecture at the Collège de France in Paris, the only woman in her time to gain full professorship at
Dumbarton Oaks, and the second woman to be honored with a gold medal from the Society of Antiquaries of London in 1970. In 1947, she received the Achievement Award
345:, so as to better help Armenian scholars in their studies. Shortly after her death in 1989, an endowment fund for prospective art history students in Armenia, the Fonds Sirarpie Der Neressian at the Institut de Recherches sur les Miniatures Arméno-Byzantines, was created in her honor.
31:
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Miss
Nercessian's factual treatment is again welcome in a field where narrow partisanship has often tended to obscure the issues. Her book is likely to prove useful to all students of near eastern history, as well as to archaeologists and art
285:. In 1922, she became Millet's assistant, and with his help, published one of her first articles in 1929. The two theses (graduates students then had to submit two theses) that she presented for her
815:
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Der
Nersessian remained at Dumbarton Oaks until 1978, when she retired to France and lived with her sister in Paris. Upon retirement, she had her entire library shipped to the
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207:, its deputy director from 1954–55 and 1961–62, and a member of its Board of Scholars. Der Nersessian was also a member of several international institutions such as the
574:
294:
212:
289:, "L'illustration du roman de Barlaam et Joasaph" and a paper on Armenian illuminated manuscripts during the late medieval period, were well-received (earning a
755:
In bringing together elements of such diversity, and in placing them clearly in their true relations, Sirarpie Der
Nersessian has accomplished a tour de force.
896:
727:"Armenia and the Byzantine Empire. A Brief Study in Armenian Art and Civilization by Sirarpie der Nersessian; Henri Grégoire Review by: Jurgis Baltrušaitis"
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How fortunate, then, that
Professor Sirarpie Der Nersessian, the foremost Armenologist of our time, undertook this work on The Armenians
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851:
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385:. Vasiliev wrote in his review of the book that she was "the best authority of our day on Armenian history, art, and civilization."
771:"Armenia and the Byzantine Empire. A Brief Study of Armenian Art and Civilization by Sirapie Der Nersessian Review by: A. Vasiliev"
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Allen, Jelisaveta, Nina G. GarsoĂŻan, Ihor Ĺ evÄŤenko, Robert W. Thomson (1989). "Sirarpie Der
Nersessian: 1896-1989".
951:
358:
270:, where she studied history in the École des Hautes Études de l'université de Paris. She worked under the
568:
353:
Der
Nersessian's scholarly output chiefly focused on art history, and more specifically on the study of
523:(2005). "Sirarpie Der Nersessian (1896-1989): Pioneer of Armenian Art History". In Jane Chance (ed.).
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251:, Der Nersessian and her sister Arax (by then orphans) were forced to leave for Europe, settling in
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Miniature
Painting in the Armenian Kingdom of Cilicia from the Twelfth to the Fourteenth Century
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692:"Armenia and the Byzantine Empire by Sirapie der Nercessian Review by: David Talbot Rice".
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For a more comprehensive list, see: Dumbarton Oaks Papers. "Sirarpie Der
Nersessian."
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369:. Below is a partial list of books and articles that she authored. Her 1945 book
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455:"The Armenian Chronicle of the Constable Smpad or of the 'Royal Historian.'"
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366:
165:
481:"Pagan and Christian Art in Egypt. An exhibition at the Brooklyn Museum."
317:, Albert M. Friend Jr., and Walter Cook, becoming a part-time lecturer at
659:(in Armenian). Vol. 11. Yerevan: Armenian Encyclopedia. p. 683.
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in 1896. She came from a well-to-do family (her maternal uncle was then-
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430:. Paris: Art européen. Publications filmées d'art et d'histoire, 1965.
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219:(1966). By the 1970s, she was recognized as the leading scholar in
590:"Sirarpie Der Nersessian, The Armenians (New York: Praeger, 1970)"
73:
488:"Two Miracles of the Virgin in the Poems of Gautier de Coincy,"
495:"The Kingdom of Cilician Armenia," in Kenneth M. Setton, ed.,
95:
Order of Saint
Gregory the Illuminator (1960, First Class)
236:
Der Nersessian was born the youngest of three children in
179:. Der Nersessian was a renowned academic and a pioneer in
164:(5 September 1896 – 5 July 1989) was an
527:. Madison: University of Wisconsin Press. p. 483.
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at the suggestion of her three mentors, Byzantinists
472:"A General View of the Manuscripts of San Lazarro."
183:history. She taught at several institutions in the
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111:
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81:
62:
37:
21:
669:Kouymjian. "Sirarpie Der Nersessian", pp. 482-493.
445:. Washington D.C.: Dumbarton Oaks Studies, 1993.
403:. Cambridge, MA: Harvard University Press, 1964.
397:. Cambridge, MA: Harvard University Press, 1945.
542:
540:
538:
536:
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462:"An Armenian Gospel of the Fifteenth Century,"
407:Armenian Manuscripts in the Walters Art Gallery
816:Sirarpie Der Nersessian Papers and Photographs
503:. Madison: University of Wisconsin Press 1969.
415:. Brussels: Les Editeurs d’Art Associés, 1986.
437:L'illustration du roman de Barlaam et Joasaph
8:
917:Corresponding fellows of the British Academy
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573:: CS1 maint: multiple names: authors list (
293:), and both were awarded with prizes by the
942:Emigrants from the Ottoman Empire to France
765:
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295:Académie des Inscriptions et Belles-Lettres
213:Académie des Inscriptions et Belles-Lettres
887:Fellows of the Medieval Academy of America
653:(1985). "Ter Nersesyan, Sirarpi Mihrani".
100:Award (1981, Armenian Academy of Sciences)
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332:American Association of University Women
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309:In 1930, Der Nersessian moved to the
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242:Armenian Patriarch of Constantinople
195:Professor of Art and Archaeology at
897:20th-century Armenian women writers
464:The Boston Public Library Quarterly
401:Aght'amar: Church of the Holy Cross
266:Der Nersessian was admitted to the
725:Baltrušaitis, Jurgis (June 1946).
301:when they were published in 1937.
259:for several years until moving to
16:Armenian art historian (1896–1989)
14:
937:20th-century French women writers
882:Armenians from the Ottoman Empire
624:Sorensen, Lee, ed. (2018-02-21).
892:20th-century Armenian historians
413:Armenian Miniatures from Isfahan
409:. Baltimore: The Trustees, 1973.
395:Armenia and the Byzantine Empire
371:Armenia and the Byzantine Empire
255:. Der Nersessian studied at the
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373:was praised by art historians
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922:Scholars of Byzantine history
902:20th-century Armenian writers
695:The English Historical Review
588:Mirak, Robert (Spring 1971).
501:The Later Crusades, 1189-1311
783:(4): 491–494. October 1945.
656:Armenian Soviet Encyclopedia
631:Dictionary of Art Historians
525:Medievalists and the Academy
492:41 (1987): pp. 157–163.
485:33 (1941): pp. 165–167.
459:13 (1959): pp. 141–168.
217:Armenian Academy of Sciences
947:Historians of Byzantine art
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872:University of Paris alumni
867:Harvard University faculty
708:10.1093/ehr/LXI.CCLX.271-b
702:(240): 271–272. May 1946.
626:"Der Nersessian, Sirarpie"
439:. Paris: de Boccard, 1937.
421:. New York: Praeger, 1969.
862:Wellesley College faculty
852:Armenian women historians
497:A History of the Crusades
478:(1947): pp. 269–272.
299:Revue des Études Grecques
155:
104:
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466:2 (1950): pp. 3–20.
191:in Massachusetts and as
912:French women historians
847:Armenian art historians
359:illuminated manuscripts
162:Sirarpie Der Nersessian
23:Sirarpie Der Nersessian
291:Mention très honorable
907:Armenian Byzantinists
842:Writers from Istanbul
549:Dumbarton Oaks Papers
490:Dumbarton Oaks Papers
457:Dumbarton Oaks Papers
450:Articles and chapters
305:Professor and pioneer
171:, who specialized in
877:Women art historians
257:University of Geneva
857:French Byzantinists
682:21 (1967): pp. 1-5.
598:The Armenian Review
379:Jurgis Baltrušaitis
355:church architecture
349:Select bibliography
315:Charles Rufus Morey
86:Sorbonne University
932:Women medievalists
927:Women Byzantinists
651:Chookaszian, Levon
521:Kouymjian, Dickran
383:Alexander Vasiliev
281:and art historian
272:Byzantine scholars
197:Harvard University
138:Harvard University
952:Armenian refugees
818:, Dumbarton Oaks.
375:David Talbot Rice
319:Wellesley College
249:Armenian genocide
245:Malachia Ormanian
189:Wellesley College
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199:. She was a
187:, including
181:Armenian art
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126:Institutions
105:
68:(1989-07-05)
66:July 5, 1989
837:1989 deaths
832:1896 births
713:historians.
434:(in French)
425:(in French)
339:Matenadaran
826:Categories
508:References
499:, vol. 2:
363:miniatures
44:1896-09-05
555:: ix–xi.
367:sculpture
330:from the
263:in 1919.
232:Education
227:Biography
776:Speculum
475:Bazmavep
327:Vazgen I
268:Sorbonne
173:Armenian
166:Armenian
76:, France
797:2856749
751:3047064
561:1291601
343:Yerevan
795:
749:
559:
381:, and
253:Geneva
112:Fields
92:Awards
793:JSTOR
747:JSTOR
593:(PDF)
557:JSTOR
389:Books
74:Paris
603:XXIV
575:link
365:and
297:and
277:and
175:and
63:Died
38:Born
785:doi
739:doi
704:doi
341:in
321:in
203:at
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