193:, was performed there in January 1965. Before its association with art and poetry, it was an auto repair shop. The gallery was referred to as "The Six Gallery," "The 6 Gallery," "6 Gallery," and "The 6" by its founders and members. In 1995, literary pilgrim Tony Willard wrote of the location, "3119 Fillmore stands in the middle of block's west side, canary yellow with royal blue awnings, black flower boxes full of exuberant geraniums at the second-story windows. It houses a store called Silkroute International, whose rugs and pillows spill onto the sidewalk." The Gallery's 3119 address no longer exists, but a podium and plaque commemorating the 50th anniversary of the reading of "Howl" stand on the sidewalk in front of a restaurant at 3115 Fillmore. The black flower boxes are still there, without exuberant geraniums.
212:. p. 79. New York: Wiley-Blackwell.) However, most scholars agree on the date October 7, as does the plaque honoring the event, pictured here. (The date is confirmed in Morgan, Bill and Nancy L. Peters, eds. 2006. Howl on Trial: The Battle for Free Expression. p. 1. San Francisco: City Lights Publishers; and Raskin, Jonah. 2006. American Scream: Allen Ginsberg's Howl and the Making of the Beat Generation. p. 154. Berkeley and Los Angeles: University of California Press.)
31:
253:– and by 1955, had "become the official director". ("Oral history interview with Wally Hedrick", Smithsonian Archives of American Art. The transcribed interview took place at Hedrick's home in San Geronimo, California, June 10, 1974; Interviewer: Paul Karlstrom
145:, who refused to read his own work but cheered the other poets on, shouting "Yeah! Go! Go!" during their performances. Still, Kerouac was able to recall much of what occurred at the reading, and wrote an account that he included in his novel
113:, a San Francisco poet of an older generation, who was a kind of literary father-figure for the younger poets and had helped to establish their burgeoning community through personal introductions at his weekly salon.
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Ginsberg recalled: "The Six
Gallery reading had come about when Wally Hedrick, who was a painter and one of the major people there, asked Rexroth if he knew any poets that would put on a reading.
120:. McClure read five poems, including "Point Lobos Animism" and "For the Death of 100 Whales"; Snyder, "A Berry Feast"; and Whalen, "Plus Ca Change". Most famously, it was at this reading that
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Some sources have erroneously reported the date of the reading as
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Placed before the location of Six
Gallery on the 50th anniversary of the first full-length public reading of HOWL.
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https://archive.today/20121214235927/http://www.aaa.si.edu/collections/oralhistories/transcripts/hedric74.htm
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260:(accessed November 25, 2014). The Six Gallery functioned as an underground
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and helped to herald the West Coast literary revolution that continued the
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421:"Stretcher | Features | Remembering Wally Hedrick"
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Concise
Companion to Postwar American Literature and Culture
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510:. University of California Press. p. 177.
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451:"Sixty Years After The Six Gallery Reading"
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307:"Poster for the 6 Gallery, Poetry Reading"
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264:for the members and a meeting place for
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508:Bay Area Figurative Art, 1950-1965
335:. New York: Doubleday. p. 60.
48:Six Angels in the Same Performance
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792:Songs of Innocence and Experience
930:International Poetry Incarnation
828:Life and Times of Allen Ginsberg
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225:co-founded The Six Gallery in
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173:the poet, Hayward King, and
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569:About "Howl" in Performance
564:Literary Kicks: Six Gallery
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124:first presented his poem
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189:in 1952. Duncan's play,
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962:Human Be-In
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677:: 1980–1985
651:Planet News
619:collections
262:art gallery
251:Jack Spicer
191:Faust Foutu
171:Jack Spicer
95:Gary Snyder
1079:Categories
1049:37°47′54″N
947:Beat Hotel
876:Chicago 10
836:The Source
751:Iron Horse
391:12 January
361:3 February
317:2015-10-07
231:California
135:Korean War
992:(partner)
802:1952–1995
221:In 1954,
197:Footnotes
185:and poet
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401:cite web
940:Beatnik
911:Related
730:Kaddish
709:America
179:Ubu Roi
58:History
983:People
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97:, and
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