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wrote that they use them for "anything from ambient noise to throbbing riffs". He goes on to write that "Mazurek's inventive improvisations dance around Taylor's live, open-sounding kit, while
Kupersmith's bass sound stays oddly, unfashionably low."
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combines the sounds of a traditional jazz combo with electronic overdubs. The songs were developed during their
European No War Tour and written over a one-month period then recorded in Chicago. The track "Palmero" includes recorded sounds from a
394:
s Mark
Richardson noted: "although the Trio operate within a smaller sphere than many of their contemporaries, they remain open to possibility and produce inspired combinations of seemingly different sounds-- and the economical and engaging
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writes that the combo is "more focused on an overall concept for the record as an atmospheric listen" and that the album "is a document of a band that has really hit its stride". When commenting on the combo's use of computers
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called the musicians "phenomenal jazz talents interested in technological possibilities... as well as jazz's venerable heritage," and called the recording "an album of power, vision and conviction."
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198:. This is their last release with bassist Noel Kupersmith. Mazurek and Taylor have also combined as the Chicago Underground Duo and with the Chicago Underground Orchestra.
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has "heated high speed interplay and cold techno ice caps" and calls the musicians "gifted improvisers at the top of their game". In
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217:. This is their last release with bassist Noel Kupersmith, Jason Ajemian plays bass on their next release,
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170:. This is their first release on Thrill Jockey, their first two albums were released by
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John
Schacht listed the album as one of his top twenty favorite albums of 2004 in
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is evidence that they're on to something." Brian Baker of
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In comparison to their earlier work, Gregory McIntosh of
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423:All tracks written by the Chicago Underground Trio
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16:2004 studio album by Chicago Underground Trio
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166:. The album was released in January 2004 on
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989:from the original on 5 February 2024
953:from the original on 5 February 2024
853:from the original on 5 February 2024
831:Hendrickson, Tad (26 January 2004).
760:
758:
743:from the original on 5 February 2024
708:from the original on 5 February 2024
625:from the original on 5 February 2024
590:from the original on 5 February 2024
580:"Biography: Chicago Underground Duo"
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903:Schacht, John (29 December 2004).
14:
884:from the original on May 16, 2021
874:"Chicago Underground Trio - Slon"
872:Baker, Brian (February 1, 2004).
765:Richardson, Mark (June 7, 2004).
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921:from the original on 8 July 2011
812:from the original on 7 July 2011
767:"Slon: Chicago Underground Trio"
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1231:Chicago Underground Trio albums
1195:A Night Walking Through Mirrors
1:
985:(11): 19. 16 February 2004.
796:Butters, Rex (1 June 2004).
174:. The album was produced by
162:is the third album from the
1119:Chicago Underground Quartet
514:Bill Skibbe – tape splicing
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833:"Chicago Underground Trio
798:"Chicago Underground Trio
52:January 20, 2004
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915:Charlotte, North Carolina
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164:Chicago Underground Trio
112:Chicago Underground Trio
42:Chicago Underground Trio
178:. The trio consists of
946:CMJ New Music Monthly
186:, Noel Kupersmith on
168:Thrill Jockey Records
67:April 27–30, 2003 in
1143:In Praise of Shadows
978:CMJ New Music Report
842:CMJ New Music Report
382:CMJ New Music Report
1035:Chicago Underground
727:Nastos, Michael G.
692:McIntosh, Gregory.
656:"Full metal racket"
654:(16 January 2004).
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1127:Axis and Alignment
973:"Jazz Album Chart"
475:Noel Kupersmith –
449:"Shoe Lace" (4:32)
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949:(121): 40. 2004.
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519:Chart performance
440:"Campbell" (6:57)
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508:Sheila Sachs –
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437:"Sevens" (3:00)
434:"Zagreb" (6:39)
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359:John L. Walters
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1087:12° of Freedom
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905:"List-O-Rama!"
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806:All About Jazz
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373:All About Jazz
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1167:Age of Energy
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1095:Possible Cube
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452:"Pear" (3:02)
451:
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443:"Kite" (4:35)
442:
439:
436:
433:
431:"Slon" (4:56)
430:
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418:Track listing
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239:Review scores
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93:Thrill Jockey
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1111:Flamethrower
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991:. Retrieved
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955:. Retrieved
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855:. Retrieved
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814:. Retrieved
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779:. Retrieved
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710:. Retrieved
695:
670:. Retrieved
661:The Guardian
659:
627:. Retrieved
612:
604:
592:. Retrieved
578:Bush, John.
573:
556:Jazz Albums
553:
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364:The Guardian
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125:Flamethrower
123:
37:Studio album
1226:2004 albums
1103:Synesthesia
1062:Jeff Parker
1054:Chad Taylor
1047:Rob Mazurek
993:16 February
957:16 February
925:16 February
888:January 22,
857:16 February
849:(849): 20.
816:16 February
781:January 22,
747:16 February
712:16 February
672:16 February
629:16 February
594:16 February
483:Chad Taylor
479:, computers
463:Rob Mazurek
375:wrote that
215:fish market
192:Chad Taylor
180:Rob Mazurek
1220:Categories
1159:Boca Negra
1079:Playground
613:Playground
566:References
114:chronology
56:2004-01-20
1203:Good Days
1151:Chronicle
771:Pitchfork
731:Chronicle
729:"Review:
694:"Review:
611:"Review:
471:computers
390:Pitchfork
290:Pitchfork
227:Reception
220:Chronicle
143:Chronicle
987:Archived
951:Archived
941:"Top 75"
919:Archived
882:Archived
851:Archived
810:Archived
775:Archived
741:Archived
737:Allmusic
706:Archived
702:Allmusic
666:Archived
623:Archived
619:Allmusic
588:Archived
584:Allmusic
504:producer
496:engineer
354:AllMusic
253:AllMusic
212:Sicilian
202:Overview
100:Producer
64:Recorded
49:Released
39: by
1190:, 2014)
457:Credits
147:(2007)
138:(2004)
129:(2000)
69:Chicago
54: (
1206:(2020)
1198:(2017)
1186:(with
1178:(2014)
1170:(2012)
1162:(2010)
1154:(2007)
1146:(2006)
1138:(2004)
1130:(2002)
1122:(2001)
1114:(2000)
1106:(2000)
1098:(1999)
1090:(1998)
1082:(1998)
1071:Albums
544:Top 75
529:Chart
510:design
500:mixing
467:cornet
247:Rating
244:Source
184:cornet
1175:Locus
878:Paste
537:2004
532:Peak
526:Year
487:drums
402:Paste
196:drums
88:Label
76:Genre
1135:Slon
995:2011
959:2011
927:2011
890:2023
859:2011
835:Slon
818:2011
800:Slon
783:2023
749:2011
714:2011
696:Slon
674:2011
631:2011
596:2011
477:bass
397:Slon
377:Slon
233:Slon
207:Slon
190:and
188:bass
159:Slon
134:Slon
81:Jazz
22:Slon
554:CMJ
548:70
542:CMJ
361:of
194:on
182:on
1222::
983:78
981:.
975:.
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907:.
880:.
876:.
847:78
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839:.
808:.
804:.
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769:.
757:^
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704:.
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682:^
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639:^
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617:.
586:.
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559:6
502:,
498:,
494:–
485:–
469:,
465:–
223:.
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861:.
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802:"
785:.
751:.
733:"
716:.
698:"
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633:.
615:"
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392:'
58:)
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