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in 1987. Her son
Alejandro was born the following year. She resumed her work with a big retrospective exhibition in Venice, the city which is her inspiration, in 1990. Her commitment to world peace and culture was expressed in her exhibition “Pour la tolerance” at the Grande Arche de la Fraternité,
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Music had been a powerful influence on her life. In 1978 she painted
Kokoscha-Alma Mahler, three characters whose interrelated destinies are representative of their Zeitgeist. This was the beginning of an intense artistic output in series such as "La protesta del silencio" (1980) or "Presencias"
324:(1986). “Gandarias contemplates her models, living or dead, with a gaze like that of a seer or a somnambulist, in order to give them form ” from within” and to release their voices.“(Roa Bastos)
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She was a member of the Board of the
Fundación Yehudi Menuhin Foundation (Spain) and of the Scientific Committee of the “Istituto Internazionale per l'Opera e la Poesia di Verona “ (UNESCO).
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Paris. This was opened by
Federico Mayor Zaragoza, Simone Veil and Barbara Hendricks, whose portrait “Love Prayer” was the symbol of the show which celebrated the 50th Anniversary of
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She devoted the year 2000 to the study of Primo Levi's “Se questo è un uomo” (“If This Is a Man”) which resulted in the series "Primo Levi, la memoria". After the attack in
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she painted the tableau NY 9/11 a series of 13 paintings, from which “Miserere
Julianna” is going on display at the 9/11 Memorial Museum.
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She was made a
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The series “Kafka, the visionary” a series of 64 paintings was exhibited in the Haus am
Kleistpark (
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Amongst the artists who had most marked her life
Gandarias identified
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