Knowledge (XXG)

Software art

Source đź“ť

26:, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to 178:
is one of the early pioneers of Software and Net Art. Her website, re-move.org (1999–2003) received an Award of Distinction in the Net Vision/Net Excellence Category of Ars Electronica in 2003.
50:(Moscow, Helsinki, Aarhus, and Dortmund) have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics. 80:– Citizens Intelligent Agency and GGGRU worm, datamining software for searching hidden patterns and links between people, groups, objects, events, places /based on 237:
Barreto, Ricardo and Perissinotto, Paula “the_culture_of_immanence”, in Internet Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2002.
388: 35: 85: 423: 297: 119: 906: 618: 346: 282: 242: 232: 162:
is one of the pioneers of data visualization art, creating works based on music, photographs, and even Knowledge (XXG) edits.
128:
is known for the creation of "amalgamations" that average dozens of images to create individual, ethereal "archetype" images.
269: 249: 891: 673: 638: 538: 508: 487: 97: 94:
is an artist who creates websites that are signed, exhibited and sold in galleries and Museums as autonomous artworks.
458: 416: 331: 855: 169: 290:
Fractal Narrative. About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces
663: 256: 926: 947: 896: 724: 952: 784: 759: 593: 568: 503: 475: 463: 409: 159: 141: 43: 114:
is an artist who focuses on software art, awarded in the categories "Interaction" and "Software" at
658: 583: 373: 91: 334:, "L'art à l'époque virtuel", in Frontières esthétiques de l'art, Arts 8, Paris: L'Harmattan, 2004 804: 749: 558: 548: 513: 369: 262: 252:
An extensive review of the Run_Me software art conference/ festival held in Aarhus, Denmark 2004.
814: 764: 734: 362: 352: 342: 293: 278: 238: 228: 862: 836: 819: 754: 623: 603: 598: 578: 395: 384:
Mitchell Whitelaw. Metacreation: art and artificial life. Cambridge, MA: MIT Press, 2004
274: 172:
web browser which won an honorary mention in the net art section of Ars Electronica in 1999.
165: 104:
2001 in the category "artistic software". She is also the creator of the highly influential
901: 688: 653: 643: 573: 153: 73: 357:"The House that Jack Built – Jack Burnham's Concept of 'Software' as a Metaphor for Art" 105: 848: 769: 613: 588: 553: 319: 149: 131: 63: 31: 313: 941: 842: 789: 779: 774: 719: 714: 356: 125: 67: 34:, for dissemination and critical discussion of the works. Art festivals such as FILE 327:
Processor Art: Currents in the Process Oriented Works of Generative and Software Art
709: 648: 453: 210: 199: 175: 138:
performance group, but is also credited with early software art-inspired creations.
115: 101: 59: 39: 27: 366: 16:
Creative works relying on the executive functions of computers to provoke emotions
379: 326: 911: 799: 729: 693: 683: 608: 432: 309: 205: 916: 794: 739: 633: 303: 881: 809: 668: 563: 543: 482: 194: 921: 886: 744: 533: 188: 145: 111: 23: 77: 628: 304:
Konzeptuelle Kunst und Software Art: Notationen, Algorithmen und Codes
47: 100:
is the author of nebula.m81, an experimental web browser awarded at
224: 135: 468: 405: 401: 66:
in 1999, the Bomb visual-musical instrument in 1995, and the
367:"Art in the Information Age: Technology and Conceptual Art" 277:(2006). "Network Art: Practices and Positions". Routledge, 225:
Engineering Culture: On 'The Author as (Digital) Producer'
168:
were early experimenters in this field, producers of the
30:
since it often relies on the Internet, most notably the
81: 389:"As a new tool of art digital coding and software art" 341:(World of Art series). London: Thames & Hudson. 872: 828: 702: 526: 496: 446: 439: 417: 191:, a specialized form of playable software art 8: 306:(Conceptual Art and Software Art, In German) 152:graphic design application, which parodies 108:software suite for live video manipulation. 443: 424: 410: 402: 36:Electronic Language International Festival 380:Software Art Andreas Broegger Copenhagen 315:Virtual Art: From Illusion to Immersion 22:is a work of art where the creation of 270:Runtime Art: Software, Art, Aesthetics 227:. Autonomedia / Arts Council England. 7: 122:International awards 2002 and 2005. 907:Los Angeles Center for Digital Art 619:Generative artificial intelligence 14: 359:Leonardo Electronic Almanac 6:10. 292:. Bielefeld: Transcript, 2014. 144:has won several awards for his 62:is best known for creating the 54:Selection of artists and works 1: 892:Austin Museum of Digital Art 322:Book Series, Cambridge 2003. 268:Broeckmann, Andreas (2004). 261:Broeckmann, Andreas (2006). 539:Artificial intelligence art 509:Fractal-generating software 969: 337:Paul, Christiane (2003). 332:Christine Buci-Glucksmann 325:Magnusson, Thor (2002). 257:Constructing Media Spaces 255:Bosma, Josephine (2004). 88:'s antiterrorist software 856:Listening Post (artwork) 223:DATA browser 02 (2005). 927:V&A Digital Futures 664:Photograph manipulation 263:Software Art Aesthetics 248:Luining, Peter (2004). 213:, a related form of art 202:, a related form of art 134:is well known for this 897:Computer Arts Society 393:Albert, Saul (1999). 387:Savli, Ahmet (2019). 302:Thomas Dreher (2005) 785:Hamid Naderi Yeganeh 760:Lynn Hershman Leeson 594:Digital architecture 569:Digital illustration 504:Graphic art software 148:Auto-Illustrator, a 44:Prix Ars Electronica 659:Music visualization 584:Digital photography 288:Duarte, German A.; 805:Ben Rubin (artist) 750:Desmond Paul Henry 549:Computer art scene 514:Animation software 98:Netochka Nezvanova 70:algorithm in 1992. 935: 934: 815:Camille Utterback 765:Zachary Lieberman 735:Stephanie Dinkins 522: 521: 363:Edward A. Shanken 353:Edward A. Shanken 298:978-3-8376-2829-6 166:Corby & Baily 160:Martin Wattenberg 960: 863:Remember To Rise 837:Edmond de Belamy 829:Notable artworks 820:Pindar Van Arman 755:Mario Klingemann 624:Generative music 604:Evolutionary art 599:Electronic music 579:Digital painting 444: 426: 419: 412: 403: 968: 967: 963: 962: 961: 959: 958: 957: 938: 937: 936: 931: 902:EVA Conferences 875:and conferences 874: 868: 824: 703:Notable artists 698: 689:Texture mapping 654:Motion graphics 644:Interactive art 574:Digital imaging 518: 492: 435: 430: 376:) 35:4: 433–38. 220: 218:Further reading 185: 154:Adobe Photoshop 74:Robert B. Lisek 56: 17: 12: 11: 5: 966: 964: 956: 955: 950: 940: 939: 933: 932: 930: 929: 924: 919: 914: 909: 904: 899: 894: 889: 884: 878: 876: 870: 869: 867: 866: 859: 852: 849:Jesus Dress Up 845: 840: 832: 830: 826: 825: 823: 822: 817: 812: 807: 802: 797: 792: 787: 782: 777: 772: 770:Margot Lovejoy 767: 762: 757: 752: 747: 742: 737: 732: 727: 722: 717: 712: 706: 704: 700: 699: 697: 696: 691: 686: 681: 676: 671: 666: 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 614:Generative art 611: 606: 601: 596: 591: 589:Digital poetry 586: 581: 576: 571: 566: 561: 556: 554:Computer music 551: 546: 541: 536: 530: 528: 524: 523: 520: 519: 517: 516: 511: 506: 500: 498: 494: 493: 491: 490: 485: 480: 479: 478: 473: 472: 471: 461: 450: 448: 441: 437: 436: 431: 429: 428: 421: 414: 406: 400: 399: 391: 385: 382: 377: 360: 350: 335: 329: 323: 307: 300: 286: 272: 266: 259: 253: 246: 235: 219: 216: 215: 214: 208: 203: 197: 192: 184: 181: 180: 179: 173: 163: 157: 150:generative art 139: 132:Alexei Shulgin 129: 123: 109: 95: 89: 71: 64:Electric Sheep 55: 52: 32:World Wide Web 15: 13: 10: 9: 6: 4: 3: 2: 965: 954: 951: 949: 946: 945: 943: 928: 925: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 879: 877: 873:Organizations 871: 865: 864: 860: 858: 857: 853: 851: 850: 846: 844: 843:Barnsley fern 841: 839: 838: 834: 833: 831: 827: 821: 818: 816: 813: 811: 808: 806: 803: 801: 798: 796: 793: 791: 790:Trevor Paglen 788: 786: 783: 781: 780:Eric Millikin 778: 776: 775:Mauro Martino 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 720:Sougwen Chung 718: 716: 715:Cory Arcangel 713: 711: 708: 707: 705: 701: 695: 692: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 545: 542: 540: 537: 535: 532: 531: 529: 525: 515: 512: 510: 507: 505: 502: 501: 499: 495: 489: 486: 484: 481: 477: 474: 470: 467: 466: 465: 462: 460: 457: 456: 455: 452: 451: 449: 445: 442: 438: 434: 427: 422: 420: 415: 413: 408: 407: 404: 398: 397: 392: 390: 386: 383: 381: 378: 375: 374:Leonardo/ISAT 371: 368: 364: 361: 358: 354: 351: 348: 347:0-500-20367-9 344: 340: 336: 333: 330: 328: 324: 321: 317: 316: 311: 308: 305: 301: 299: 295: 291: 287: 284: 283:0-415-36479-5 280: 276: 273: 271: 267: 264: 260: 258: 254: 251: 250:Read_Me 2004. 247: 244: 243:85-7060-038-0 240: 236: 234: 233:1-57027-170-4 230: 226: 222: 221: 217: 212: 209: 207: 204: 201: 198: 196: 193: 190: 187: 186: 182: 177: 174: 171: 167: 164: 161: 158: 155: 151: 147: 143: 140: 137: 133: 130: 127: 126:Jason Salavon 124: 121: 118:2002 and won 117: 113: 110: 107: 103: 99: 96: 93: 90: 87: 83: 79: 76:, creator of 75: 72: 69: 68:Fractal flame 65: 61: 58: 57: 53: 51: 49: 45: 41: 38:(SĂŁo Paulo), 37: 33: 29: 25: 21: 948:Computer art 861: 854: 847: 835: 725:Harold Cohen 710:Refik Anadol 679:Software art 678: 649:Internet art 394: 338: 318:, MIT-Press/ 314: 289: 211:Computer art 200:Internet art 116:Transmediale 106:nato.0+55+3d 102:Transmediale 60:Scott Draves 40:Transmediale 28:Internet art 20:Software art 19: 18: 953:Digital art 912:Lumen Prize 800:Anna Ridler 730:Char Davies 694:Virtual art 684:Systems art 609:Fractal art 476:3D graphics 464:2D graphics 433:Digital art 339:Digital Art 310:Oliver Grau 206:Digital art 170:reconnoitre 142:Adrian Ward 46:(Linz) and 942:Categories 917:onedotzero 795:Casey Reas 740:Jake Elwes 674:Render art 634:Glitch art 559:Crypto art 488:3D printer 355:. (1998). 275:Corby, Tom 92:Bob Holmes 42:(Berlin), 882:Artfutura 810:Karl Sims 669:Pixel art 639:Immersion 564:Cyberarts 544:ASCII art 195:Demoscene 922:SIGGRAPH 887:Artmedia 745:David Em 534:Art game 497:Software 454:Computer 447:Hardware 370:Leonardo 365:(2002). 320:Leonardo 189:Art game 183:See also 146:Signwave 112:Marc Lee 24:software 629:GIF art 396:Artware 84:'s and 345:  296:  281:  241:  231:  48:readme 527:Forms 483:Xerox 440:Tools 136:386DX 120:Viper 469:2.5D 343:ISBN 294:ISBN 279:ISBN 239:ISBN 229:ISBN 82:LANL 78:NE5T 459:CGI 176:LIA 86:GRU 944:: 312:: 425:e 418:t 411:v 372:( 349:. 285:. 265:| 245:. 156:.

Index

software
Internet art
World Wide Web
Electronic Language International Festival
Transmediale
Prix Ars Electronica
readme
Scott Draves
Electric Sheep
Fractal flame
Robert B. Lisek
NE5T
LANL
GRU
Bob Holmes
Netochka Nezvanova
Transmediale
nato.0+55+3d
Marc Lee
Transmediale
Viper
Jason Salavon
Alexei Shulgin
386DX
Adrian Ward
Signwave
generative art
Adobe Photoshop
Martin Wattenberg
Corby & Baily

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑