Knowledge

Sol Hess

Source đź“ť

22: 152:, succeeding him in that position in 1940. Hess was particularly adept at expanding type faces into whole families, allowing him to complete 85 faces for Monotype, making him America's fourth most prolific type designer. While he was with Monotype, Hess worked on commissions for many prominent users of type, including, 1228: 1213: 141: 1162: 1147: 105: 526: 545: 251: 43: 713: 86: 58: 1098: 1045: 148:
in 1902, rising to typographic manager in 1922. He was a close friend and collaborator with Monotype art director
173: 39: 925: 421: 65: 1066: 169: 1111:(1945), listed by Monotype as having been produced and being based on “old sources” but no specimen survives. 32: 1078: 1062: 72: 943: 829: 177: 165: 153: 812: 656: 1223: 1218: 1102: 873: 768: 652: 504: 466: 244: 54: 216: 1055: 1002: 977: 772: 508: 481: 449: 220: 799: 856: 833: 267: 211: 1158: 1143: 262: 123: 1173: 1070: 1016: 877: 700: 586: 189: 145: 133: 939: 861: 470: 317: 161: 1091: 627: 445: 402: 381: 363: 358: 313: 149: 79: 1207: 157: 137: 1041: 485: 412: 695: 582: 21: 963:, never listed in regular specimen books, only on a “specimen request sheet.” 1121: 914: 417: 1125: 1035: 1006: 992: 929: 558: 271: 15: 1138:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
968:
Typefaces adapted for Monotype composition by Sol Hess
352:, was designed in house by Monotype, probably by Hess. 304:, was designed in house by Monotype, probably by Hess. 986:(1908), the first kerned italic for Monotype casting. 46:. Unsourced material may be challenged and removed. 1155:American Metal Typefaces of the Twentieth Century, 489:, though with the white line on the opposite side. 532:by including a set of alternate rounded capitals. 1040:(1936), based on the thirteenth century face of 176:for whom he re-designed the typography of their 142:Pennsylvania Museum School of Industrial Design 215:based on an oldstyle antique face designed by 8: 1229:University of the Arts (Philadelphia) alumni 1157:Oak Knoll Books, New Castle Delaware, 1993, 733:Twentieth Century Extrabold Condensed Italic 140:. After a three-year scholarship course at 465:(1927), thirteen alternate characters for 1097:(1921, Village Letter Foundry). Used by 751:Twentieth Century Medium Condensed Italic 106:Learn how and when to remove this message 1214:American typographers and type designers 999:English Caslon Old Style No. 37 + Italic 976:(1902), based on a face produced by the 252:Baltimore Type & Composition Company 1181: 1170:American Type Designers and Their Work. 118:For the comic strip writer who created 745:Twentieth Century Ultrabold Condensed 7: 924:(1948), based on the calligraphy of 44:adding citations to reliable sources 444:(1925), designed as a companion to 401:(1924), designed as a companion to 1142:Blandford Press Lts.: 1953, 1983. 1054:(1940), a Monotype adaptation of 836:hand lettering for that magazine. 757:Twentieth Century Ultrabold Italic 727:Twentieth Century Extrabold Italic 527:Barnhart Brothers & Spindler's 14: 1013:Caslon Old Style No. 437 + Italic 243:(1916), alternate characters for 136:– d. 1953) was an American 860:. Privately cast for use in the 20: 1140:The Encyclopedia of Type Faces. 872:(1946), an italic companion to 266:, based on the original by the 31:needs additional citations for 1077:, which was in turn copied by 870:Alternate Gothic Italic, No. 2 780:New Gothic Condensed lowercase 626:(1932), an in-line version of 599:Sans Serif Extrabold Condensed 184:Typefaces designed by Sol Hess 1: 765:Century Bold Condensed Italic 721:Twentieth Century Bold Italic 709:(1937), capital letters only. 380:(1922), a companion face for 1001:(1903), commissioned by the 219:for the Scottish foundry of 739:Twentieth Century Ultrabold 605:Sans Serif Medium Condensed 463:Alternate Gothic Modernized 248:News Gothic Extra Condensed 1245: 1090:(1941), a re-branding of 926:Domingo Maria de Servidori 910:Hess New Bookbold + Italic 675:Stymie Extrabold Condensed 611:Sans Serif Light Condensed 422:Alexander Wilson & Son 416:based on faces cut by the 362:(1920), based on faces by 344:Goudy Heavy Face Condensed 268:G. Peignot et Fils foundry 227:Bookman Oldstyle Condensed 117: 1168:Rollins, Carl Purlington 1061:(1904, privately cast by 912:(1948), an adaptation of 428:Scotch Open Shaded Italic 290:Cochin Bold + Bold Italic 1101:and Hess for the famous 1067:Harvard University Press 902:Stationers Gothic Medium 885:Stationers Gothic series 714:Twentieth Century series 525:(1922), adapted from on 170:World Publishing Company 1176:, V. 4, #1, p. 13. 1122:Samples of Hess's fonts 1044:. Adapted by Hess and 890:Stationers Gothic Light 810:(1940), a variation of 798:(1939), a companion to 788:(1939), a knock off of 687:Stymie Extrabold Italic 669:Stymie Medium Condensed 542:Tourist Extra Condensed 530:Modern Condensed Gothic 442:Kennerley Open Capitals 332:Goudy Handtooled Italic 256:Tourist Extra Condensed 1063:American Type Founders 936:Cheltenham Wide Italic 896:Stationers Gothic Bold 878:Alternate Gothic No. 2 828:, commissioned by the 681:Stymie Light Condensed 548:re-branding of Hess's 503:Lowercase letters for 471:Alternate Gothic No. 1 399:Italian Old Style Wide 338:Goudy Heavy Face Open' 310:Goudy Old Style series 1069:). Later modified by 1056:William Dana Orcutt’s 984:Bruce Oldstyle Italic 830:Saturday Evening Post 703:’s heavyface of 1757. 699:(1935), adapted from 571:Bodoni Bold Condensed 536:Tourist Gothic Italic 518:Tourist Gothic series 370:Hess Old Style Italic 178:Saturday Evening Post 166:Yale University Press 1103:Oxford Lectern Bible 593:Sans Serif Extrabold 565:Bodoni Bold Panelled 221:Miller & Richard 40:improve this article 854:(1942), based upon 852:Ward Roman + Italic 480:(1928), based upon 457:Heavyface Condensed 435:Scotch Roman Italic 433:Swash initials for 413:Scotch Roman series 330:Swash capitals for 323:Swash capitals for 197:Hess Title + Italic 624:Hadriano Stone Cut 544:was actually just 302:Cochin Bold Tooled 938:, a companion to 846:Post Stout Italic 840:Post Black Italic 813:Stymie Extra Bold 767:(1938), based on 579:Sans Serif series 498:Broadway Engraved 406:Italian Old Style 350:Goudy Text Shaded 325:Goudy Bold Italic 203:Hess Title Italic 188:All faces cut by 174:Curtis Publishing 138:typeface designer 124:Sol Hess (writer) 116: 115: 108: 90: 1236: 1198: 1197:MacGrew, p. 331. 1195: 1189: 1186: 1071:Stephenson Blake 1017:Stephenson Blake 701:John Baskerville 696:Baskerville Bold 663:Stymie Extrabold 617:Sans Serif Lined 550:Jefferson Gothic 546:Baltimore Type's 391:Hess Bold Italic 314:Frederic Goudy's 241:Jefferson Gothic 190:Lanston Monotype 146:Lanston Monotype 134:Philadelphia, PA 111: 104: 100: 97: 91: 89: 48: 24: 16: 1244: 1243: 1239: 1238: 1237: 1235: 1234: 1233: 1204: 1203: 1202: 1201: 1196: 1192: 1188:Rollins, p. 13. 1187: 1183: 1135: 1118: 1109:Martin + Italic 1021:Caslon Old Face 970: 862:Montgomery Ward 832:and based upon 790:Huxley Vertical 523:Tourist Gothic 493:Broadway series 312:, all based on 250:. Also cast by 186: 162:Montgomery Ward 154:Crowell-Collier 127: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 1242: 1240: 1232: 1231: 1226: 1221: 1216: 1206: 1205: 1200: 1199: 1190: 1180: 1179: 1178: 1177: 1166: 1153:MacGrew, Mac, 1151: 1134: 1131: 1130: 1129: 1117: 1116:External links 1114: 1113: 1112: 1106: 1095:Goudy Newstyle 1085: 1049: 1032: 1029:Classic Hebrew 1026: 1025: 1024: 1010: 989: 988: 987: 974:Bruce Oldstyle 969: 966: 965: 964: 961:Hess Monoblack 958: 953:, also called 948: 933: 919: 907: 906: 905: 899: 893: 882: 867: 866: 865: 849: 843: 823: 817: 805: 800:Gerry Powell’s 793: 783: 777: 762: 761: 760: 754: 748: 742: 736: 730: 724: 710: 704: 692: 691: 690: 684: 678: 672: 666: 646: 640: 634: 631:Hadriano Title 621: 620: 619: 614: 608: 602: 596: 576: 575: 574: 568: 555: 554: 553: 539: 533: 515: 514: 513: 501: 490: 475: 460: 454: 450:Kennerley Open 439: 438: 437: 431: 409: 396: 395: 394: 375: 374: 373: 364:Nicolas Jenson 359:Hess Old Style 355: 354: 353: 347: 341: 335: 328: 307: 306: 305: 299: 293: 287: 281: 259: 238: 237: 236: 230: 217:A.C. Phemister 212:Bookman series 208: 207: 206: 185: 182: 150:Frederic Goudy 144:, he began at 114: 113: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1241: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1211: 1209: 1194: 1191: 1185: 1182: 1175: 1171: 1167: 1164: 1163:0-938768-34-4 1160: 1156: 1152: 1149: 1148:0-7137-1347-X 1145: 1141: 1137: 1136: 1132: 1127: 1123: 1120: 1119: 1115: 1110: 1107: 1104: 1100: 1096: 1093: 1089: 1086: 1084: 1080: 1076: 1072: 1068: 1064: 1060: 1057: 1053: 1050: 1047: 1043: 1039: 1037: 1033: 1030: 1027: 1022: 1018: 1014: 1011: 1008: 1004: 1003:Gilliss Press 1000: 997: 996: 995: 994: 993:Caslon series 990: 985: 982: 981: 979: 978:Bruce Foundry 975: 972: 971: 967: 962: 959: 956: 952: 949: 946: 945: 941: 937: 934: 931: 927: 923: 920: 917: 916: 915:Garamond Bold 911: 908: 903: 900: 897: 894: 891: 888: 887: 886: 883: 880: 879: 875: 871: 868: 863: 859: 858: 857:Memphis Light 853: 850: 847: 844: 841: 838: 837: 835: 834:E.J. Kitson’s 831: 827: 824: 821: 818: 815: 814: 809: 806: 804: 801: 797: 794: 791: 787: 784: 781: 778: 775: 774: 770: 766: 763: 758: 755: 752: 749: 746: 743: 740: 737: 734: 731: 728: 725: 722: 719: 718: 716: 715: 711: 708: 705: 702: 698: 697: 693: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 660: 659: 658: 654: 650: 649:Stymie series 647: 644: 641: 638: 635: 632: 629: 625: 622: 618: 615: 612: 609: 606: 603: 600: 597: 594: 591: 590: 588: 584: 580: 577: 572: 569: 566: 563: 562: 561: 560: 559:Bodoni series 556: 551: 547: 543: 540: 537: 534: 531: 528: 524: 521: 520: 519: 516: 511: 510: 506: 502: 499: 496: 495: 494: 491: 488: 487: 486:Cooper Hilite 483: 479: 478:Cooper Tooled 476: 473: 472: 468: 464: 461: 458: 455: 452: 451: 447: 443: 440: 436: 432: 429: 426: 425: 424:before 1833. 423: 419: 415: 414: 410: 407: 404: 400: 397: 392: 389: 388: 386: 383: 379: 376: 371: 368: 367: 365: 361: 360: 356: 351: 348: 345: 342: 339: 336: 333: 329: 326: 322: 321: 320: 319: 315: 311: 308: 303: 300: 297: 294: 291: 288: 285: 284:Cochin Italic 282: 279: 276: 275: 273: 269: 265: 264: 263:Cochin series 260: 257: 253: 249: 246: 242: 239: 234: 231: 228: 225: 224: 222: 218: 214: 213: 209: 204: 201: 200: 198: 195: 194: 193: 191: 183: 181: 179: 175: 171: 167: 163: 159: 158:Sears Roebuck 155: 151: 147: 143: 139: 135: 131: 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: â€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 1193: 1184: 1169: 1154: 1139: 1108: 1099:Bruce Rogers 1094: 1087: 1082: 1074: 1058: 1051: 1046:Bruce Rogers 1042:Anton Janson 1034: 1028: 1020: 1012: 998: 991: 983: 980:about 1869. 973: 960: 954: 950: 942: 935: 921: 913: 909: 901: 895: 889: 884: 876: 869: 855: 851: 845: 839: 825: 819: 811: 807: 802: 795: 789: 785: 779: 773:Century Bold 771: 764: 756: 750: 744: 738: 732: 726: 720: 712: 706: 694: 686: 680: 674: 668: 662: 655: 648: 643:Hess Neobold 642: 636: 630: 623: 616: 610: 604: 598: 592: 578: 570: 564: 557: 549: 541: 535: 529: 522: 517: 507: 497: 492: 484: 477: 469: 462: 456: 448: 441: 434: 427: 411: 405: 398: 390: 384: 377: 369: 357: 349: 343: 337: 331: 324: 316: 309: 301: 295: 289: 283: 277: 261: 255: 247: 240: 232: 226: 223:about 1860. 210: 202: 196: 187: 132:(born 1886, 129: 128: 119: 102: 96:January 2013 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 1224:1953 deaths 1219:1886 births 1088:Goudy Bible 1081:and called 1073:and called 1015:, based on 955:Hess Poster 826:Post series 820:Stylescript 796:Onyx Italic 651:, based on 583:Rudolf Koch 581:, based on 482:Oz Cooper's 420:foundry of 385:Goudy Light 296:Cochin Open 233:New Bookman 1208:Categories 1133:References 1059:Humanistic 1052:Laurentian 944:Cheltenham 932:from 1798. 808:Squareface 66:newspapers 55:"Sol Hess" 940:Goodhue’s 922:Artscript 378:Hess Bold 318:Old Style 120:The Nebbs 1105:of 1948. 1038:+ Italic 874:Benton’s 864:catalog. 786:Slimline 769:Benton’s 653:Benton's 637:Pendrawn 509:Broadway 505:Benton's 467:Benton's 418:Scottish 245:Benton's 130:Sol Hess 1126:MyFonts 1092:Goudy’s 1075:Bologna 717:(1937) 628:Goudy's 446:Goudy's 403:Goudy's 382:Goudy's 199:(1910) 80:scholar 1161:  1146:  1083:Verona 1036:Janson 1031:(1920) 1007:Boston 951:Poster 930:Madrid 904:(1948) 898:(1948) 892:(1948) 848:(1934) 842:(1939) 822:(1940) 782:(1938) 759:(1947) 753:(1947) 747:(1944) 741:(1941) 735:(1938) 729:(1937) 723:(1937) 689:(1935) 683:(1936) 677:(1935) 671:(1935) 665:(1934) 657:Stymie 645:(1934) 639:(1933) 613:(1930) 607:(1930) 601:(1930) 595:(1930) 573:(1934) 567:(1928) 538:(1938) 512:(1929) 500:(1928) 459:(1927) 430:(1924) 393:(1924) 372:(1922) 346:(1927) 340:(1926) 334:(1922) 327:(1919) 298:(1927) 292:(1921) 286:(1921) 280:(1917) 278:Cochin 235:(1927) 229:(1916) 205:(1911) 172:, and 122:, see 82:  75:  68:  61:  53:  1174:Print 707:Spire 587:Kabel 272:Paris 87:JSTOR 73:books 1159:ISBN 1144:ISBN 1065:for 803:Onyx 59:news 1172:in 1124:by 1079:ATF 1019:’s 1005:in 928:of 585:’s 270:in 254:as 42:by 1210:: 589:. 387:. 366:. 274:. 192:. 180:. 168:, 164:, 160:, 156:, 1165:. 1150:. 1128:. 1048:. 1023:. 1009:. 957:. 947:. 918:. 881:. 816:. 792:. 776:. 633:. 552:. 474:. 453:. 408:. 258:. 126:. 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

Index


verification
improve this article
adding citations to reliable sources
"Sol Hess"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Sol Hess (writer)
Philadelphia, PA
typeface designer
Pennsylvania Museum School of Industrial Design
Lanston Monotype
Frederic Goudy
Crowell-Collier
Sears Roebuck
Montgomery Ward
Yale University Press
World Publishing Company
Curtis Publishing
Saturday Evening Post
Lanston Monotype
Bookman series
A.C. Phemister
Miller & Richard
Benton's
Baltimore Type & Composition Company

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑