22:
152:, succeeding him in that position in 1940. Hess was particularly adept at expanding type faces into whole families, allowing him to complete 85 faces for Monotype, making him America's fourth most prolific type designer. While he was with Monotype, Hess worked on commissions for many prominent users of type, including,
1228:
1213:
141:
1162:
1147:
105:
526:
545:
251:
43:
713:
86:
58:
1098:
1045:
148:
in 1902, rising to typographic manager in 1922. He was a close friend and collaborator with
Monotype art director
173:
39:
925:
421:
65:
1066:
169:
1111:(1945), listed by Monotype as having been produced and being based on “old sources” but no specimen survives.
32:
1078:
1062:
72:
943:
829:
177:
165:
153:
812:
656:
1223:
1218:
1102:
873:
768:
652:
504:
466:
244:
54:
216:
1055:
1002:
977:
772:
508:
481:
449:
220:
799:
856:
833:
267:
211:
1158:
1143:
262:
123:
1173:
1070:
1016:
877:
700:
586:
189:
145:
133:
939:
861:
470:
317:
161:
1091:
627:
445:
402:
381:
363:
358:
313:
149:
79:
1207:
157:
137:
1041:
485:
412:
695:
582:
21:
963:, never listed in regular specimen books, only on a “specimen request sheet.”
1121:
914:
417:
1125:
1035:
1006:
992:
929:
558:
271:
15:
1138:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
968:
Typefaces adapted for
Monotype composition by Sol Hess
352:, was designed in house by Monotype, probably by Hess.
304:, was designed in house by Monotype, probably by Hess.
986:(1908), the first kerned italic for Monotype casting.
46:. Unsourced material may be challenged and removed.
1155:American Metal Typefaces of the Twentieth Century,
489:, though with the white line on the opposite side.
532:by including a set of alternate rounded capitals.
1040:(1936), based on the thirteenth century face of
176:for whom he re-designed the typography of their
142:Pennsylvania Museum School of Industrial Design
215:based on an oldstyle antique face designed by
8:
1229:University of the Arts (Philadelphia) alumni
1157:Oak Knoll Books, New Castle Delaware, 1993,
733:Twentieth Century Extrabold Condensed Italic
140:. After a three-year scholarship course at
465:(1927), thirteen alternate characters for
1097:(1921, Village Letter Foundry). Used by
751:Twentieth Century Medium Condensed Italic
106:Learn how and when to remove this message
1214:American typographers and type designers
999:English Caslon Old Style No. 37 + Italic
976:(1902), based on a face produced by the
252:Baltimore Type & Composition Company
1181:
1170:American Type Designers and Their Work.
118:For the comic strip writer who created
745:Twentieth Century Ultrabold Condensed
7:
924:(1948), based on the calligraphy of
44:adding citations to reliable sources
444:(1925), designed as a companion to
401:(1924), designed as a companion to
1142:Blandford Press Lts.: 1953, 1983.
1054:(1940), a Monotype adaptation of
836:hand lettering for that magazine.
757:Twentieth Century Ultrabold Italic
727:Twentieth Century Extrabold Italic
527:Barnhart Brothers & Spindler's
14:
1013:Caslon Old Style No. 437 + Italic
243:(1916), alternate characters for
136:– d. 1953) was an American
860:. Privately cast for use in the
20:
1140:The Encyclopedia of Type Faces.
872:(1946), an italic companion to
266:, based on the original by the
31:needs additional citations for
1077:, which was in turn copied by
870:Alternate Gothic Italic, No. 2
780:New Gothic Condensed lowercase
626:(1932), an in-line version of
599:Sans Serif Extrabold Condensed
184:Typefaces designed by Sol Hess
1:
765:Century Bold Condensed Italic
721:Twentieth Century Bold Italic
709:(1937), capital letters only.
380:(1922), a companion face for
1001:(1903), commissioned by the
219:for the Scottish foundry of
739:Twentieth Century Ultrabold
605:Sans Serif Medium Condensed
463:Alternate Gothic Modernized
248:News Gothic Extra Condensed
1245:
1090:(1941), a re-branding of
926:Domingo Maria de Servidori
910:Hess New Bookbold + Italic
675:Stymie Extrabold Condensed
611:Sans Serif Light Condensed
422:Alexander Wilson & Son
416:based on faces cut by the
362:(1920), based on faces by
344:Goudy Heavy Face Condensed
268:G. Peignot et Fils foundry
227:Bookman Oldstyle Condensed
117:
1168:Rollins, Carl Purlington
1061:(1904, privately cast by
912:(1948), an adaptation of
428:Scotch Open Shaded Italic
290:Cochin Bold + Bold Italic
1101:and Hess for the famous
1067:Harvard University Press
902:Stationers Gothic Medium
885:Stationers Gothic series
714:Twentieth Century series
525:(1922), adapted from on
170:World Publishing Company
1176:, V. 4, #1, p. 13.
1122:Samples of Hess's fonts
1044:. Adapted by Hess and
890:Stationers Gothic Light
810:(1940), a variation of
798:(1939), a companion to
788:(1939), a knock off of
687:Stymie Extrabold Italic
669:Stymie Medium Condensed
542:Tourist Extra Condensed
530:Modern Condensed Gothic
442:Kennerley Open Capitals
332:Goudy Handtooled Italic
256:Tourist Extra Condensed
1063:American Type Founders
936:Cheltenham Wide Italic
896:Stationers Gothic Bold
878:Alternate Gothic No. 2
828:, commissioned by the
681:Stymie Light Condensed
548:re-branding of Hess's
503:Lowercase letters for
471:Alternate Gothic No. 1
399:Italian Old Style Wide
338:Goudy Heavy Face Open'
310:Goudy Old Style series
1069:). Later modified by
1056:William Dana Orcutt’s
984:Bruce Oldstyle Italic
830:Saturday Evening Post
703:’s heavyface of 1757.
699:(1935), adapted from
571:Bodoni Bold Condensed
536:Tourist Gothic Italic
518:Tourist Gothic series
370:Hess Old Style Italic
178:Saturday Evening Post
166:Yale University Press
1103:Oxford Lectern Bible
593:Sans Serif Extrabold
565:Bodoni Bold Panelled
221:Miller & Richard
40:improve this article
854:(1942), based upon
852:Ward Roman + Italic
480:(1928), based upon
457:Heavyface Condensed
435:Scotch Roman Italic
433:Swash initials for
413:Scotch Roman series
330:Swash capitals for
323:Swash capitals for
197:Hess Title + Italic
624:Hadriano Stone Cut
544:was actually just
302:Cochin Bold Tooled
938:, a companion to
846:Post Stout Italic
840:Post Black Italic
813:Stymie Extra Bold
767:(1938), based on
579:Sans Serif series
498:Broadway Engraved
406:Italian Old Style
350:Goudy Text Shaded
325:Goudy Bold Italic
203:Hess Title Italic
188:All faces cut by
174:Curtis Publishing
138:typeface designer
124:Sol Hess (writer)
116:
115:
108:
90:
1236:
1198:
1197:MacGrew, p. 331.
1195:
1189:
1186:
1071:Stephenson Blake
1017:Stephenson Blake
701:John Baskerville
696:Baskerville Bold
663:Stymie Extrabold
617:Sans Serif Lined
550:Jefferson Gothic
546:Baltimore Type's
391:Hess Bold Italic
314:Frederic Goudy's
241:Jefferson Gothic
190:Lanston Monotype
146:Lanston Monotype
134:Philadelphia, PA
111:
104:
100:
97:
91:
89:
48:
24:
16:
1244:
1243:
1239:
1238:
1237:
1235:
1234:
1233:
1204:
1203:
1202:
1201:
1196:
1192:
1188:Rollins, p. 13.
1187:
1183:
1135:
1118:
1109:Martin + Italic
1021:Caslon Old Face
970:
862:Montgomery Ward
832:and based upon
790:Huxley Vertical
523:Tourist Gothic
493:Broadway series
312:, all based on
250:. Also cast by
186:
162:Montgomery Ward
154:Crowell-Collier
127:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
1242:
1240:
1232:
1231:
1226:
1221:
1216:
1206:
1205:
1200:
1199:
1190:
1180:
1179:
1178:
1177:
1166:
1153:MacGrew, Mac,
1151:
1134:
1131:
1130:
1129:
1117:
1116:External links
1114:
1113:
1112:
1106:
1095:Goudy Newstyle
1085:
1049:
1032:
1029:Classic Hebrew
1026:
1025:
1024:
1010:
989:
988:
987:
974:Bruce Oldstyle
969:
966:
965:
964:
961:Hess Monoblack
958:
953:, also called
948:
933:
919:
907:
906:
905:
899:
893:
882:
867:
866:
865:
849:
843:
823:
817:
805:
800:Gerry Powell’s
793:
783:
777:
762:
761:
760:
754:
748:
742:
736:
730:
724:
710:
704:
692:
691:
690:
684:
678:
672:
666:
646:
640:
634:
631:Hadriano Title
621:
620:
619:
614:
608:
602:
596:
576:
575:
574:
568:
555:
554:
553:
539:
533:
515:
514:
513:
501:
490:
475:
460:
454:
450:Kennerley Open
439:
438:
437:
431:
409:
396:
395:
394:
375:
374:
373:
364:Nicolas Jenson
359:Hess Old Style
355:
354:
353:
347:
341:
335:
328:
307:
306:
305:
299:
293:
287:
281:
259:
238:
237:
236:
230:
217:A.C. Phemister
212:Bookman series
208:
207:
206:
185:
182:
150:Frederic Goudy
144:, he began at
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
1241:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1211:
1209:
1194:
1191:
1185:
1182:
1175:
1171:
1167:
1164:
1163:0-938768-34-4
1160:
1156:
1152:
1149:
1148:0-7137-1347-X
1145:
1141:
1137:
1136:
1132:
1127:
1123:
1120:
1119:
1115:
1110:
1107:
1104:
1100:
1096:
1093:
1089:
1086:
1084:
1080:
1076:
1072:
1068:
1064:
1060:
1057:
1053:
1050:
1047:
1043:
1039:
1037:
1033:
1030:
1027:
1022:
1018:
1014:
1011:
1008:
1004:
1003:Gilliss Press
1000:
997:
996:
995:
994:
993:Caslon series
990:
985:
982:
981:
979:
978:Bruce Foundry
975:
972:
971:
967:
962:
959:
956:
952:
949:
946:
945:
941:
937:
934:
931:
927:
923:
920:
917:
916:
915:Garamond Bold
911:
908:
903:
900:
897:
894:
891:
888:
887:
886:
883:
880:
879:
875:
871:
868:
863:
859:
858:
857:Memphis Light
853:
850:
847:
844:
841:
838:
837:
835:
834:E.J. Kitson’s
831:
827:
824:
821:
818:
815:
814:
809:
806:
804:
801:
797:
794:
791:
787:
784:
781:
778:
775:
774:
770:
766:
763:
758:
755:
752:
749:
746:
743:
740:
737:
734:
731:
728:
725:
722:
719:
718:
716:
715:
711:
708:
705:
702:
698:
697:
693:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
660:
659:
658:
654:
650:
649:Stymie series
647:
644:
641:
638:
635:
632:
629:
625:
622:
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
590:
588:
584:
580:
577:
572:
569:
566:
563:
562:
561:
560:
559:Bodoni series
556:
551:
547:
543:
540:
537:
534:
531:
528:
524:
521:
520:
519:
516:
511:
510:
506:
502:
499:
496:
495:
494:
491:
488:
487:
486:Cooper Hilite
483:
479:
478:Cooper Tooled
476:
473:
472:
468:
464:
461:
458:
455:
452:
451:
447:
443:
440:
436:
432:
429:
426:
425:
424:before 1833.
423:
419:
415:
414:
410:
407:
404:
400:
397:
392:
389:
388:
386:
383:
379:
376:
371:
368:
367:
365:
361:
360:
356:
351:
348:
345:
342:
339:
336:
333:
329:
326:
322:
321:
320:
319:
315:
311:
308:
303:
300:
297:
294:
291:
288:
285:
284:Cochin Italic
282:
279:
276:
275:
273:
269:
265:
264:
263:Cochin series
260:
257:
253:
249:
246:
242:
239:
234:
231:
228:
225:
224:
222:
218:
214:
213:
209:
204:
201:
200:
198:
195:
194:
193:
191:
183:
181:
179:
175:
171:
167:
163:
159:
158:Sears Roebuck
155:
151:
147:
143:
139:
135:
131:
125:
121:
110:
107:
99:
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
1193:
1184:
1169:
1154:
1139:
1108:
1099:Bruce Rogers
1094:
1087:
1082:
1074:
1058:
1051:
1046:Bruce Rogers
1042:Anton Janson
1034:
1028:
1020:
1012:
998:
991:
983:
980:about 1869.
973:
960:
954:
950:
942:
935:
921:
913:
909:
901:
895:
889:
884:
876:
869:
855:
851:
845:
839:
825:
819:
811:
807:
802:
795:
789:
785:
779:
773:Century Bold
771:
764:
756:
750:
744:
738:
732:
726:
720:
712:
706:
694:
686:
680:
674:
668:
662:
655:
648:
643:Hess Neobold
642:
636:
630:
623:
616:
610:
604:
598:
592:
578:
570:
564:
557:
549:
541:
535:
529:
522:
517:
507:
497:
492:
484:
477:
469:
462:
456:
448:
441:
434:
427:
411:
405:
398:
390:
384:
377:
369:
357:
349:
343:
337:
331:
324:
316:
309:
301:
295:
289:
283:
277:
261:
255:
247:
240:
232:
226:
223:about 1860.
210:
202:
196:
187:
132:(born 1886,
129:
128:
119:
102:
96:January 2013
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
1224:1953 deaths
1219:1886 births
1088:Goudy Bible
1081:and called
1073:and called
1015:, based on
955:Hess Poster
826:Post series
820:Stylescript
796:Onyx Italic
651:, based on
583:Rudolf Koch
581:, based on
482:Oz Cooper's
420:foundry of
385:Goudy Light
296:Cochin Open
233:New Bookman
1208:Categories
1133:References
1059:Humanistic
1052:Laurentian
944:Cheltenham
932:from 1798.
808:Squareface
66:newspapers
55:"Sol Hess"
940:Goodhue’s
922:Artscript
378:Hess Bold
318:Old Style
120:The Nebbs
1105:of 1948.
1038:+ Italic
874:Benton’s
864:catalog.
786:Slimline
769:Benton’s
653:Benton's
637:Pendrawn
509:Broadway
505:Benton's
467:Benton's
418:Scottish
245:Benton's
130:Sol Hess
1126:MyFonts
1092:Goudy’s
1075:Bologna
717:(1937)
628:Goudy's
446:Goudy's
403:Goudy's
382:Goudy's
199:(1910)
80:scholar
1161:
1146:
1083:Verona
1036:Janson
1031:(1920)
1007:Boston
951:Poster
930:Madrid
904:(1948)
898:(1948)
892:(1948)
848:(1934)
842:(1939)
822:(1940)
782:(1938)
759:(1947)
753:(1947)
747:(1944)
741:(1941)
735:(1938)
729:(1937)
723:(1937)
689:(1935)
683:(1936)
677:(1935)
671:(1935)
665:(1934)
657:Stymie
645:(1934)
639:(1933)
613:(1930)
607:(1930)
601:(1930)
595:(1930)
573:(1934)
567:(1928)
538:(1938)
512:(1929)
500:(1928)
459:(1927)
430:(1924)
393:(1924)
372:(1922)
346:(1927)
340:(1926)
334:(1922)
327:(1919)
298:(1927)
292:(1921)
286:(1921)
280:(1917)
278:Cochin
235:(1927)
229:(1916)
205:(1911)
172:, and
122:, see
82:
75:
68:
61:
53:
1174:Print
707:Spire
587:Kabel
272:Paris
87:JSTOR
73:books
1159:ISBN
1144:ISBN
1065:for
803:Onyx
59:news
1172:in
1124:by
1079:ATF
1019:’s
1005:in
928:of
585:’s
270:in
254:as
42:by
1210::
589:.
387:.
366:.
274:.
192:.
180:.
168:,
164:,
160:,
156:,
1165:.
1150:.
1128:.
1048:.
1023:.
1009:.
957:.
947:.
918:.
881:.
816:.
792:.
776:.
633:.
552:.
474:.
453:.
408:.
258:.
126:.
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.