25:
82:
693:
206:
is thought likely to have originated the modern
Western system of solmization by introducing the ut–re–mi–fa–so–la syllables, which derived from the initial syllables of each of the first six half-lines of the first stanza of the
580:
713:
The svara sections are sung in sargam (Indian solfege), using the Indian note names, sa, ri, ga, ma, pa, dha, ni (which correspond to the
Western do, re, mi, fa, sol, la, ti).
249:
743:
581:
https://www-oxfordmusiconline-com.ezp-prod1.hul.harvard.edu/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000026154
707:
Morris, Robert (2009). "Architectonic
Composition in South Indian Classical Music: The "Navaragamalika Varnam"". In Tenzer, Michael (ed.).
46:
68:
225:
466:
39:
33:
835:
550:
233:
220:
is known for having changed the name of note "Ut" (C), renaming it "Do" (in the "Do Re Mi ..." sequence known as
736:
50:
688:
330:
217:
830:
729:
90:
579:
Hughes, Andrew, and Edith Gerson-Kiwi. "Solmization." Grove Music Online. 2001; Accessed 2 Jan. 2022.
772:
672:
664:
476:
614:
508:
782:
767:
656:
606:
545:
255:
240:(1780), is that the syllables were derived from the Arabic solmization system درر مفصّلات
212:
203:
325:, which discuss a musical system of seven notes, realized ultimately in what is known as
437:, is used for solmization. The syllables representing the notes A, B, C, D, E, F, G are
787:
777:
721:
424:
326:
259:
124:
The seven syllables normally used for this practice in
English-speaking countries are:
112:. Various forms of solmization are in use and have been used throughout the world, but
85:
824:
756:
676:
298:
109:
809:
752:
647:
Miller, Samuel D. (Autumn 1973), "Guido d'Arezzo: Medieval
Musician and Educator",
560:
318:
81:
797:
555:
540:
523:
365:
322:
221:
113:
618:
472:
610:
302:
294:
105:
101:
368:'s music in China, the words used to name notes are (from fa to mi): 上 (
668:
527:
660:
594:
804:
429:
314:
655:(3), MENC_ The National Association for Music Education: 239–45,
434:
208:
725:
116:
is the most common convention in countries of
Western culture.
18:
507:. These names derive from one-syllable simplification of the
192:). The system for other Western countries is similar, though
469:
uses another solmization system beginning "Fu Ho U".
433:, an ancient poem used as a tutorial of traditional
252:, but there is not any documentary evidence for it.
301:("chanting"') was used as a means of communicating
420:). The system is used for teaching sight-singing.
361:, which correspond to the Western solfege system.
224:). An alternative explanation, first proposed by
711:. Oxford: Oxford University Press. p. 309.
196:is often used as the final syllable rather than
522:, corresponding to 4 and 7, are skipped in the
262:to name notes: starting with A, the notes are
595:"The History and Uses of the Sol-fa Syllables"
16:Systems associating syllables to musical notes
737:
8:
744:
730:
722:
512:siji, loro, telu, papat, lima, enem, pitu
69:Learn how and when to remove this message
605:. London: Novello, Ewer and Co.: 35–51.
238:Essai sur la Musique Ancienne et Moderne
80:
32:This article includes a list of general
572:
649:Journal of Research in Music Education
599:Proceedings of the Musical Association
270:(beta, pronounced v in modern greek),
7:
546:Kodály method with Curwen hand signs
317:solmization of India has origins in
38:it lacks sufficient corresponding
14:
709:Analytical Studies in World Music
246:dāl, rā', mīm, fā', ṣād, lām, tā'
475:musicians derive syllables from
258:uses syllables derived from the
108:is attributed to each note of a
23:
230:Thesaurus Linguarum Orientalium
1:
694:Θεωρητικὸν μέγα τῆς Μουσικῆς
467:Shakuhachi musical notation
104:system in which a distinct
854:
333:, the notes in order are:
763:
551:Numbered musical notation
234:Jean-Benjamin de La Borde
152:(with sharpened notes of
697:, Trieste, 1832, p.25-26
637:Farmer (1988), p.72–82.
593:McNaught, W. G. (1893).
172:and flattened notes of
53:more precise citations.
689:Chrysanthos of Madytos
331:Indian classical music
297:, the system known as
250:during the Middle Ages
244:("Separated Pearls") (
218:Giovanni Battista Doni
94:
778:Learning music by ear
91:Biblioteca Ambrosiana
84:
773:Interval recognition
611:10.1093/jrma/19.1.35
427:, the first line of
232:(1680) and later by
226:Franciszek Meninski
95:
818:
817:
509:Javanese numerals
79:
78:
71:
843:
836:Musical notation
783:Music psychology
746:
739:
732:
723:
716:
715:
704:
698:
686:
680:
679:
644:
638:
635:
629:
628:
626:
625:
590:
584:
577:
309:Oriental systems
305:music verbally.
242:Durar Mufaṣṣalāt
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
853:
852:
846:
845:
844:
842:
841:
840:
821:
820:
819:
814:
759:
750:
720:
719:
706:
705:
701:
687:
683:
661:10.2307/3345093
646:
645:
641:
636:
632:
623:
621:
592:
591:
587:
578:
574:
569:
537:
311:
256:Byzantine music
213:Ut queant laxis
204:Guido of Arezzo
122:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
851:
850:
847:
839:
838:
833:
823:
822:
816:
815:
813:
812:
807:
802:
801:
800:
790:
788:Relative pitch
785:
780:
775:
770:
764:
761:
760:
751:
749:
748:
741:
734:
726:
718:
717:
699:
681:
639:
630:
585:
571:
570:
568:
565:
564:
563:
558:
553:
548:
543:
536:
533:
465:respectively.
425:Japanese music
310:
307:
260:Greek alphabet
121:
118:
86:Guidonian hand
77:
76:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
849:
848:
837:
834:
832:
829:
828:
826:
811:
808:
806:
803:
799:
796:
795:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
769:
766:
765:
762:
758:
757:Sight-reading
754:
747:
742:
740:
735:
733:
728:
727:
724:
714:
710:
703:
700:
696:
695:
690:
685:
682:
678:
674:
670:
666:
662:
658:
654:
650:
643:
640:
634:
631:
620:
616:
612:
608:
604:
600:
596:
589:
586:
582:
576:
573:
566:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
538:
534:
532:
530:
529:
525:
521:
517:
513:
510:
506:
502:
498:
494:
490:
486:
482:
478:
474:
470:
468:
464:
460:
456:
452:
448:
444:
440:
436:
432:
431:
426:
421:
419:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
367:
362:
360:
356:
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
308:
306:
304:
300:
299:Canntaireachd
296:
291:
289:
285:
281:
277:
273:
269:
265:
261:
257:
253:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
214:
210:
205:
201:
199:
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
155:
151:
147:
143:
139:
135:
131:
127:
119:
117:
115:
111:
110:musical scale
107:
103:
99:
93:
92:
87:
83:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
831:Ear training
810:Tonal memory
792:
753:Ear training
712:
708:
702:
692:
684:
652:
648:
642:
633:
622:. Retrieved
602:
598:
588:
575:
561:Tonic sol-fa
526:
519:
515:
511:
504:
500:
496:
492:
488:
484:
480:
471:
462:
458:
454:
450:
446:
442:
438:
428:
422:
417:
413:
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
363:
358:
354:
350:
346:
342:
338:
334:
312:
292:
287:
283:
279:
275:
271:
267:
263:
254:
245:
241:
237:
229:
211:
202:
197:
193:
189:
185:
181:
177:
173:
169:
165:
161:
157:
153:
149:
145:
141:
137:
133:
129:
125:
123:
97:
96:
89:
88:, from 1274
65:
59:January 2013
56:
37:
793:Solmization
319:Vedic texts
282:(epsilon),
98:Solmization
51:introducing
825:Categories
624:2010-02-26
567:References
556:Shape note
524:pentatonic
366:Han people
323:Upanishads
34:references
677:143833782
619:0958-8442
321:like the
278:(delta),
274:(gamma),
266:(alpha),
768:Counting
691:,
535:See also
531:scale.)
473:Javanese
295:Scotland
286:(zeta),
120:Overview
106:syllable
102:mnemonic
798:Solfège
669:3345093
541:Solfège
528:slendro
477:numbers
303:bagpipe
290:(eta).
222:solfège
114:solfège
47:improve
755:&
675:
667:
617:
412:), 乙 (
404:), 五 (
396:), 六 (
388:), 凡 (
384:), 工 (
376:), 尺 (
357:, and
327:sargam
148:, and
36:, but
805:Tempo
673:S2CID
665:JSTOR
430:Iroha
374:shàng
370:siong
329:. In
315:Svara
100:is a
615:ISSN
518:and
435:kana
423:For
406:ngou
398:liuo
390:huan
386:gōng
364:For
313:The
209:hymn
657:doi
607:doi
516:pat
514:. (
501:nem
493:pat
416:or
414:yik
408:or
402:liù
400:or
394:fán
392:or
382:chǐ
380:or
378:cei
372:or
355:dha
293:In
236:in
228:in
216:.
142:sol
827::
671:,
663:,
653:21
651:,
613:.
603:19
601:.
597:.
520:pi
505:pi
497:ma
489:lu
485:ro
481:ji
479::
463:to
461:,
459:he
457:,
455:ho
453:,
451:ni
449:,
447:ha
445:,
443:ro
441:,
418:yǐ
410:wǔ
359:ni
353:,
351:pa
349:,
347:ma
345:,
343:ga
341:,
339:re
337:,
335:sa
288:ni
284:zo
280:ke
276:di
272:ga
268:vu
264:pa
248:)
200:.
198:ti
194:si
190:ra
188:,
186:me
184:,
182:se
180:,
178:le
176:,
174:te
170:li
168:,
166:si
164:,
162:fi
160:,
158:ri
156:,
154:di
150:ti
146:la
144:,
140:,
138:fa
136:,
134:mi
132:,
130:re
128:,
126:do
745:e
738:t
731:v
659::
627:.
609::
583:.
503:-
499:-
495:-
491:-
487:-
483:-
439:i
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
