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Small Faces (1967 album)

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456:"The pitch was already soggy and fans started to surround the car in their hundreds. Kids were climbing on the roof. "The ground was pretty soft and the car just wouldn't move. It was right in the middle of the pitch and it just started to go down and down and down. The four of us and the driver were getting the real horrors. The kids' faces were getting mashed up against the windows and I remember seeing one little kid being pushed down and her head disappearing out of sight. We were shouting "Look out for that kid" and then the roof of the car started to bow inward under the sheer weight of the kids on top. We were holding the roof up which was really starting to cave in and there wasn't much air in the car 'cos we couldn't open the windows which really set a panic in." 553: 756:, and later, it was released in mainland Europe and Oceania. Even though it was a success, it failed to breach the top 10, peaking at number 12 on the UK Album Chart. This is most likely due to the lack of a hit single accompanying the album. Ultimately, it became the original lineup's only studio effort to fail charting within the top 5 on the UK albums chart, as both their debut and 1063: 1058: 1027: 1022: 979: 942: 937: 904: 1053: 1048: 1043: 1017: 1012: 1007: 974: 969: 964: 959: 932: 927: 922: 899: 894: 889: 884: 854: 849: 844: 839: 834: 638:
By February, the group recorded "Become Like You", "Something I Want to Tell You" and "Feeling Lonely". On 28 February, "Eddie's Dreaming" had been recorded. The same day, "Get Yourself Together" and "Green Circles" had been mixed both in stereo and mono, with the definitive version featuring Ronnie
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during that session. The following day, the group recorded "All Our Yesterdays", "Just Passing" and 11 takes of a track dubbed "Doolally", which was eventually renamed to "Things Are Going to Get Better" after recording take 14, which became the master track. At this point, the master take of "Get
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The vocal duty on the album is more varied than on their debut album, where Marriott sang ten of the twelve tracks. On the record, Lane assumes lead vocals on four songs, with Marriott singing lead on six. McLagan sings his sole composition "Up the Wooden Hills to Bedfordshire". Marriott and Lane
532:" had been released without consent by the band. After a messy confrontation with Arden who tried to face down the boys' parents by claiming that the whole band were using drugs, they cut their ties with Arden and Decca. They were almost straight away offered a deal with the newly-established 1124:
However, the most prevalent and well-known of these reissues is the 2012 Deluxe Edition, which features several previously unreleased tracks, along with various A-sides and B-sides of the group's 1967 singles. On this remaster is the track "Don't Burst My Bubble", recorded in February 1968.
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but no outright psychedelia -- but it is bright, colorful, and concentrated, its very brevity playing like snappy pop art. No song runs over three minutes and many clock in under two, a direct contrast to the somewhat extended grooves of their 1966 LP, and an aesthetic that lends this an
399:" and was highly regarded by other musicians, exerting a strong influence on a number of bands both at home and abroad. The album received mostly positive reviews from critics and fans alike, and has been featured on several best of lists, including 49: 714:
that Ronnie became more involved. The first Immediate album is made up of 50% Steve’s songs and 50% of Ronnie’s. They didn’t collaborate as much as people thought. In fact, when they did, they often ended up arguing and
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in 1989. Further CD remasters would reach mainland Europe, UK and the United States, where the album had been unavailable since 1967. Tracks from the album have since been included within compilations, most notably in
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Lane on lead vocals. In March, "My Way of Giving" had been rehauled, and "Up The Wooden Hills To Bedfordshire" had been recorded. The remaining tracks were recorded in April, and mixing had been finalized by May.
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are jointly credited as keyboardist (about half of the debut album was recorded with Winston in June–September 1965, with the remaining tracks being recorded after McLagan joined the band in November 1965).
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a 2-CD compilation of their work on Immediate Records, in which all tracks from it were included. Remasters of the album with a blue tint were sold exclusively at various
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It was by achieving this synthesis that Marriott and the band believed they had now met the criteria expected of them. Ronnie Lane's predilection for a softer,
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sound was heavily evident on songs such as "Show Me The Way" and "All Our Yesterdays". It was the first release to feature Lane as a prevalent songwriter.
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The album was released in both monaural and stereophonic versions on 23 June 1967 (IMLP 008 and IMSP 008, mono and stereo versions respectively) in the
1197:. Lane, Jones and McLagan are therefore effectively covering their own song, albeit it in a quite different, more uptempo 'Motown' style arrangement. 3952: 2723:– lead, harmony, and backing vocals, keyboards, bass guitar on "Show Me the Way", guitar and bass guitar on "Up the Wooden Hills to Bedfordshire" 277:
The album is considered to be the artistic breakthrough for the group in terms of songwriting and composition, and marks their transition from a
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The album reached number 12 on the UK charts, becoming their only original studio album to chart outside the top-10 (both their debut album and
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Demand for a new album had increased towards the end of the year, and by late 1966, Small Faces had slowly started to abandon their
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had strained, due to several aspects, including the fact that the band received barely any royalties from their records, and that "
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The album is a huge departure from the sound that made up their previous two albums, their eponymous debut and the compilation
377:). It is also the first studio album by the group where McLagan plays on all tracks, whereas on their debut album both he and 2869: 210: 501:
served on the plate. Most tracks on the album were conceived and written by December 1966 and the earlier parts of 1967 by
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gave it 5 out 5 stars, praising the album for its sophisticated songs, and its pop melodies, stating: "there may be some
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The album incorporates a blend of several different moods and genres of music, ranging from the relatively straight-up
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to contain solely original compositions. Thirteen of the album's fourteen tracks were either written or co-written by
3767: 671:, which by 1967–1969 had reached its peak popularity. Both "All Our Yesterdays" and "Eddie's Dreaming" incorporate 552: 494: 517:"; This is the sole composition on the album that was not written or co-written by the Marriott/Lane partnership. 3530: 3347: 2980: 2874: 2864:
In the 1960s it was common procedure to include a recent hit single on studio albums, like Small Faces did with "
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Tracks recorded specifically for a follow-up album to their debut commenced by August 1966 when tracks such as "
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exceptionally modern feel: all the tunes are sharply cut and precisely tailored, with no wasted moments."
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reached the top-5). Despite not containing a hit single, it was released in between their smash hits "
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stadium, attempted breaking into the band's vehicle, even climbing on top of it. Of the occurrence,
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In 1966, the Small Faces managed to chart a top-5 album and four consecutive top-10 singles on the
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released a cover of "My Way of Giving" as a single in early 1967. His version stayed on the
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LP reissues became the standard format for many years, until it finally became available on
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and Small Faces being the largest bands directed towards the subculture in 1965 and 1966.
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with previously unreleased material, along with various A-sides and B-sides from 1967.
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The album was well received and reviewed upon its release. In a retrospective review,
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The tracks recorded in the sessions from August 1966 ended up in assorted ways; "
3475:"ogden's nut gone flake | full Official Chart History | Official Charts Company" 3274: 3248: 2720: 2708: 2394: 1846: 1532: 1488: 1274: 1210: 1194: 1180: 1148: 1126: 1081: 792: 680: 676: 632: 627: 614:" had started. By 13 December 1966 the group cut the backing track of the song " 589: 510: 506: 482: 461: 449: 364: 356: 348: 325: 321: 313: 231: 179: 164: 100: 88: 61: 3904: 2835: 2733: 913: 569: 3896: 3829:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 278. 3798:"my way of giving in | full Official Chart History | Official Charts Company" 264:
reached number 17 in the UK charts. The Immediate album shares its name with
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in early June 1967 in order to sabotage the chart success of the Immediate
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Unterberger, R., "Mod", in V. Bogdanov, C. Woodstra and S. T. Erlewine,
3093:"all or nothing | full Official Chart History | Official Charts Company" 3500:"my mind's eye | full Official Chart History | Official Charts Company" 2878:; both albums managed to chart within the top 5 on the UK Albums chart. 2839: 1158: 1152: 1130: 490: 3450:"small faces | full Official Chart History | Official Charts Company" 238:
on 23 June 1967. Although this was their first album for new manager
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All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
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period most of the self-penned stuff was 99% Steve. It wasn’t until
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All Music Guide to Rock: the Definitive Guide to Rock, Pop and Soul
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Gallagher, Marriott, Derringer & Trower: their lives and music
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held a party at their residence on 22 Westmoreland Terrace in
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list of Top 100 '60s Rock Albums, along with several lists by
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release - something that it managed to do to some extent when
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The album was completely remastered in 2012 and reissued as
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of tracks such as "(Tell Me) Have You Ever Seen Me" and "
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covers that were parts of the group's early repertoire.
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had covered "Get Yourself Together" between 1981–1982.
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Yourself Together" had been completed. By 16 January, "
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on 10 January 1967, with vocal takes attempted by both
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During the later parts of 1966, their affiliation with
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backed by, as the personnel credits on the LP reveal,
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covers, alongside originals in order to appeal to the
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as focal points, while many other tracks feature the
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they wrote more material that could be classified as
544:, which they stayed on until their break-up in 1969. 3688:"The Darlings of Wapping Wharf Launderette - Review" 2577:"Things Are Going to Get Better" (Alternate version) 2166: 2152: 1618: 1604: 1423: 1409: 1236: 1222: 351:of "Show Me the Way" and "Feeling Lonely", and the 178: 155: 143: 127: 99: 84: 76: 68: 55: 41: 3302:, 3rd. ed. (Milwaukee, WI: Backbeat Books, 2002), 3009:"h2g2 - The Small Faces - the Band - Edited Entry" 2062:"(Tell Me) Have You Ever Seen Me?" (Alternate mix) 1129:cited it as an inspiration for the title track of 469:Leaving Decca and signing to Immediate (1966–1967) 3323:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002), 3057: 3055: 787:" were issued (in their re-recorded versions) on 3223:"Small Faces - Big Music: A Compleat Collection" 2711:– lead, harmony, and backing vocals, bass guitar 513:wrote his first solo-song for the band, titled " 3657:Staunton, Terry (June 1997). "The Small Faces: 3424:Hewitt, Paulo; Hellier, John (24 August 2023). 704: 454: 18:Something I Want to Tell You (Small Faces song) 2665:"(If You Think You're) Groovy" (Backing track) 956: 605:Small Faces – Big Music: A Compleat Collection 3319:V. Bogdanov, C. Woodstra and S. T. Erlewine, 3146:"Small Faces Story Part 10 - Room for Ravers" 3118:"Small Faces Story Part 11 - Room for Ravers" 497:for the first time after serving them spiked 304:, at two separate studios. It is their first 8: 3397:"Small Faces - Small Faces - stereo version" 1040: 1004: 919: 881: 831: 3872:small faces the young mods' forgotten story 2950:"Small Faces Story Part 2- Room for Ravers" 367:as a solo composer, contributing his song " 3948:Psychedelic rock albums by English artists 3372:"Small Faces - Small Faces - mono version" 2758: 1115:The Darlings of Wapping Wharf Launderette, 806: 47: 38: 3066:Small Faces (Immediate) – The Small Faces 2108:"Green Circles" (Take 1: Alternate mix 3) 1176:for a single week, peaking at number 48. 3943:Albums recorded at Olympic Sound Studios 3906:The Darlings of Wapping Wharf Laundrette 2146: 1598: 1403: 1216: 1161:(a friend of the Small Faces) recorded " 779:on 2 June 1967. Of these tracks, only " 3198:"Small Faces | Biography & History" 3176:. Hal Leonard Corporation. p. 91. 2891: 2830:The mod scene was largely attracted to 2823: 2677: 2132: 1572: 1389: 1179:"My Way of Giving" was also covered by 762:peaked at number 3 and 1 respectively. 3609: 3599: 3571: 3561: 2148:2012 Deluxe Edition CD disc 2 (stereo) 592:, while the band were still signed to 3856:Steve Marriott - All Too Beautiful... 3761: 3759: 3419: 3417: 3341:Hewitt, Paolo; Hellier, John (2004). 3140: 3138: 2974:Hewitt, Paolo; Hellier, John (2004). 2678: 2133: 1573: 1390: 812: 363:". The album also marks the debut of 7: 3527:Steve Marriott: All Too Beautiful... 3426:Steve Marriott – All Too Beautiful.. 3344:Steve Marriott: All Too Beautiful... 3002: 3000: 2977:Steve Marriott: All Too Beautiful... 1600:2012 Deluxe Edition CD disc 1 (mono) 1036:Virgin Encyclopedia of Popular Music 726:Steve Marriott: All Too Beautiful... 580:", "Yesterday, Today and Tomorrow, " 36:1967 studio album by Small Faces 2437:Up the Wooden Hills to Bedfordshire 1889:Up the Wooden Hills to Bedfordshire 1527:Up the Wooden Hills to Bedfordshire 1092:magazine gave it 8/10 stars, while 958: 515:Up the Wooden Hills to Bedfordshire 369:Up the Wooden Hills to Bedfordshire 3853:Paolo Hewitt John Hellier (2004). 2615:"Green Circles" (Alternate take 2) 2079:"Eddie's Dreaming" (Alternate mix) 432:, including their number one hit " 25: 3870:Paolo Hewitt/Kenney Jones (1995) 2495:B-side of 'I Can't Make It', 1967 1042: 1006: 921: 883: 833: 795:" was released as the B-Side of " 493:, London, and introduced them to 3633:"Small Faces - Album Reviews 11" 2255:"Things Are Going to Get Better" 2177:(Tell Me) Have You Ever Seen Me? 1707:"Things Are Going to Get Better" 1629:(Tell Me) Have You Ever Seen Me? 1323:"Things Are Going to Get Better" 1247:(Tell Me) Have You Ever Seen Me? 1061: 1056: 1051: 1046: 1041: 1025: 1020: 1015: 1010: 1005: 977: 972: 967: 962: 957: 940: 935: 930: 925: 920: 902: 897: 892: 887: 882: 852: 847: 842: 837: 832: 781:(Tell Me) Have You Ever Seen Me? 659:audience the group amassed. For 586:(Tell Me) Have You Ever Seen Me? 3827:Australian Chart Book 1970–1992 3428:. Helter Skelter. p. 149. 2750:Stephen Bobroff – photography 2001:B-side of 'Itchycoo Park', 1967 588:" and "That Man" were taped at 3953:Albums recorded at IBC Studios 3908:Unofficial Small Faces Website 3900:Unofficial Small Faces Website 3593:There Are But Four Small Faces 3554:Martin, Gavin (October 2014). 2198:"Something I Want to Tell You" 2153: 1650:"Something I Want to Tell You" 1605: 1410: 1268:"Something I Want to Tell You" 1223: 415:to be the group's best album. 230:is the second studio album by 211:There Are But Four Small Faces 1: 3766:Hellier, John (26 May 1999). 3589:Wilson, Lois (October 2014). 2868:" on their debut album, and " 2051:B-side of 'Tin Soldier', 1967 424:Boundary Park incident (1966) 3892:Small Faces Official Website 3859:. Helter Skelter Publishing 2793: 2778: 1147:The album is a favourite of 651:. Both albums featured many 610:In early December, work on " 266:their 1966 Decca debut album 2747:Stephen Hill – cover design 3969: 3675:. No. 1. p. 113. 3273:Caiger, Rob; Flood, Tosh. 3247:Caiger, Rob; Flood, Tosh. 3062:Erlewine, Stephen Thomas. 3034:"Top 100 '60s Rock Albums" 687:on "Become Like You" and " 26: 3531:Helter Skelter Publishing 3348:Helter Skelter Publishing 2661: 2640: 2611: 2590: 2573: 2544: 2523: 2502: 2485: 2454: 2431: 2412: 2389: 2370: 2347: 2328: 2293: 2270: 2251: 2232: 2213: 2194: 2171: 2163: 2160: 2157: 2104: 2075: 2058: 2029: 2008: 1979: 1958: 1937: 1906: 1883: 1864: 1841: 1822: 1799: 1780: 1745: 1722: 1703: 1684: 1665: 1646: 1623: 1615: 1612: 1609: 1544: 1521: 1504: 1483: 1466: 1445: 1428: 1420: 1417: 1414: 1357: 1336: 1319: 1300: 1283: 1264: 1241: 1233: 1230: 1227: 951:Rolling Stone Album Guide 820: 817: 477:roots, in favour of more 271:The First Immediate Album 186: 80:October 1966 – April 1967 46: 3938:Immediate Records albums 568:in London with engineer 29:Small Faces (1966 album) 27:Not to be confused with 2851:With the exception of " 2807:Small Faces discography 2548:"Don't Burst My Bubble" 1121:locations during 2018. 1078:Stephen Thomas Erlewine 452:stated the following: 402:Ultimate Classic Rock's 3913:BBC Small Faces Review 3802:www.officialcharts.com 3663:Ogden's Nut Gone Flake 3524:Hewitt, Paolo (2004). 3504:www.officialcharts.com 3479:www.officialcharts.com 3454:www.officialcharts.com 3097:www.officialcharts.com 2875:Ogdens' Nut Gone Flake 1205:All tracks written by 759:Ogdens' Nut Gone Flake 735:share lead vocals on " 732: 573: 466: 388:Ogdens' Nut Gone Flake 374:Ogdens' Nut Gone Flake 339:of "Talk To You", the 3556:Small Faces: Reissues 3038:Ultimate Classic Rock 2929:www.thesmallfaces.com 2904:www.thesmallfaces.com 2671:previously unreleased 2633:previously unreleased 2583:previously unreleased 2566:previously unreleased 2353:Get Yourself Together 2126:previously unreleased 2097:previously unreleased 2068:previously unreleased 1805:Get Yourself Together 1451:Get Yourself Together 743:Release and reception 689:Get Yourself Together 635:" had been recorded. 612:Get Yourself Together 555: 411:. Many fans consider 316:, in contrast to the 3772:www.wappingwharf.com 3743:www.makingtime.co.uk 3150:www.makingtime.co.uk 3122:www.makingtime.co.uk 3007:Ltd, Not Panicking. 2954:www.makingtime.co.uk 2374:"All Our Yesterdays" 2033:"I Feel Much Better" 1826:"All Our Yesterdays" 1470:"All Our Yesterdays" 1096:granted it 4 stars. 808:Professional ratings 536:label, formed by ex- 3331:, pp. 1322–23. 2813:References and note 2717:– drums, percussion 2654:Single A-side, 1967 2604:Single A-side, 1967 2537:Single A-side, 1967 2516:Single A-side, 1967 2149: 2022:Single A-side, 1967 1983:"I'm Only Dreaming" 1972:Single A-side, 1967 1951:Single A-side, 1967 1601: 1587:2012 Deluxe edition 1406: 1219: 1183:for his 1970 album 809: 234:, released through 3933:Small Faces albums 3686:Erlewine, Thomas. 2762:Chart (1967-1970) 2744:– studio engineers 2529:Here Come the Nice 2458:"Eddie's Dreaming" 2236:"Happy Boys Happy" 2147: 1943:Here Come the Nice 1910:"Eddie's Dreaming" 1688:"Happy Boys Happy" 1599: 1548:"Eddie's Dreaming" 1438:Marriott with Lane 1404: 1383:Lane with Marriott 1377:Michael O'Sullivan 1304:"Happy Boys Happy" 1217: 1143:In popular culture 1133:1982 studio album 807: 797:Here Come the Nice 772:From the Beginning 649:From the Beginning 574: 542:Andrew Loog Oldham 393:Here Come the Nice 318:group's 1966 debut 262:From the Beginning 253:From the Beginning 240:Andrew Loog Oldham 193:From the Beginning 3778:on 17 August 2019 3435:978-1-900924-44-3 3183:978-0-634-02956-1 2798: 2797: 2774:Kent Music Report 2688: 2687: 2416:"Show Me the Way" 2332:"Become Like You" 2143: 2142: 1868:"Show Me the Way" 1784:"Become Like You" 1583: 1582: 1508:"Show Me the Way" 1432:"Become Like You" 1400: 1399: 1070: 1069: 673:brass instruments 302:Immediate Records 274:by several fans. 236:Immediate Records 223: 222: 219: 218: 16:(Redirected from 3960: 3841: 3840: 3819: 3813: 3812: 3810: 3808: 3794: 3788: 3787: 3785: 3783: 3774:. Archived from 3763: 3754: 3753: 3751: 3749: 3735: 3729: 3728: 3726: 3724: 3709: 3703: 3702: 3700: 3698: 3683: 3677: 3676: 3667:The Autumn Stone 3654: 3648: 3647: 3645: 3643: 3629: 3618: 3617: 3611: 3607: 3605: 3597: 3586: 3580: 3579: 3573: 3569: 3567: 3559: 3551: 3545: 3544: 3521: 3515: 3514: 3512: 3510: 3496: 3490: 3489: 3487: 3485: 3471: 3465: 3464: 3462: 3460: 3446: 3440: 3439: 3421: 3412: 3411: 3409: 3407: 3393: 3387: 3386: 3384: 3382: 3368: 3362: 3361: 3338: 3332: 3317: 3311: 3296: 3290: 3289: 3287: 3285: 3279:www.45worlds.com 3275:"Track-By-Track" 3270: 3264: 3263: 3261: 3259: 3253:www.45worlds.com 3244: 3238: 3237: 3235: 3233: 3219: 3213: 3212: 3210: 3208: 3194: 3188: 3187: 3167: 3161: 3160: 3158: 3156: 3142: 3133: 3132: 3130: 3128: 3114: 3108: 3107: 3105: 3103: 3089: 3083: 3082: 3080: 3078: 3059: 3050: 3049: 3047: 3045: 3030: 3024: 3023: 3021: 3019: 3004: 2995: 2994: 2971: 2965: 2964: 2962: 2960: 2946: 2940: 2939: 2937: 2935: 2921: 2915: 2914: 2912: 2910: 2896: 2879: 2866:Sha-La-La-La-Lee 2862: 2856: 2849: 2843: 2832:rhythm and blues 2828: 2759: 2681: 2276:My Way of Giving 2217:"Feeling Lonely" 2164:Original release 2155: 2150: 2136: 1728:My Way of Giving 1669:"Feeling Lonely" 1616:Original release 1607: 1602: 1576: 1412: 1407: 1393: 1342:My Way of Giving 1287:"Feeling Lonely" 1225: 1220: 1174:UK Singles Chart 1066: 1065: 1064: 1060: 1059: 1055: 1054: 1050: 1049: 1045: 1044: 1030: 1029: 1028: 1024: 1023: 1019: 1018: 1014: 1013: 1009: 1008: 988:Martin C. Strong 982: 981: 980: 976: 975: 971: 970: 966: 965: 961: 960: 945: 944: 943: 939: 938: 934: 933: 929: 928: 924: 923: 907: 906: 905: 901: 900: 896: 895: 891: 890: 886: 885: 857: 856: 855: 851: 850: 846: 845: 841: 840: 836: 835: 810: 785:My Way of Giving 730: 653:rhythm and blues 582:My Way of Giving 560:was recorded at 556:The majority of 475:rhythm and blues 464: 430:UK Singles Chart 345:My Way of Giving 188: 187: 139: 138: 134: 114:psychedelic rock 51: 39: 21: 3968: 3967: 3963: 3962: 3961: 3959: 3958: 3957: 3918: 3917: 3898:Room For Ravers 3888: 3850: 3848:Further reading 3845: 3844: 3837: 3821: 3820: 3816: 3806: 3804: 3796: 3795: 3791: 3781: 3779: 3765: 3764: 3757: 3747: 3745: 3737: 3736: 3732: 3722: 3720: 3711: 3710: 3706: 3696: 3694: 3685: 3684: 3680: 3659:The Small Faces 3656: 3655: 3651: 3641: 3639: 3637:Acclaimedpeople 3631: 3630: 3621: 3608: 3598: 3588: 3587: 3583: 3570: 3560: 3553: 3552: 3548: 3541: 3533:. p. 153. 3523: 3522: 3518: 3508: 3506: 3498: 3497: 3493: 3483: 3481: 3473: 3472: 3468: 3458: 3456: 3448: 3447: 3443: 3436: 3423: 3422: 3415: 3405: 3403: 3395: 3394: 3390: 3380: 3378: 3370: 3369: 3365: 3358: 3350:. p. 151. 3340: 3339: 3335: 3318: 3314: 3297: 3293: 3283: 3281: 3272: 3271: 3267: 3257: 3255: 3249:"Recording log" 3246: 3245: 3241: 3231: 3229: 3221: 3220: 3216: 3206: 3204: 3196: 3195: 3191: 3184: 3169: 3168: 3164: 3154: 3152: 3144: 3143: 3136: 3126: 3124: 3116: 3115: 3111: 3101: 3099: 3091: 3090: 3086: 3076: 3074: 3061: 3060: 3053: 3043: 3041: 3040:. 19 March 2015 3032: 3031: 3027: 3017: 3015: 3006: 3005: 2998: 2991: 2983:. p. 111. 2973: 2972: 2968: 2958: 2956: 2948: 2947: 2943: 2933: 2931: 2923: 2922: 2918: 2908: 2906: 2898: 2897: 2893: 2888: 2883: 2882: 2863: 2859: 2850: 2846: 2829: 2825: 2820: 2815: 2803: 2766: 2757: 2755:Chart positions 2738:George Chkiantz 2694: 2689: 2679: 2630: 2596:I Can't Make It 2563: 2473: 2316: 2144: 2134: 2123: 2094: 2048: 1998: 1925: 1768: 1589: 1584: 1574: 1563: 1401: 1391: 1380: 1203: 1168:British singer 1163:Hurdy Gurdy Man 1145: 1102: 1062: 1057: 1052: 1047: 1026: 1021: 1016: 1011: 978: 973: 968: 963: 941: 936: 931: 926: 903: 898: 893: 888: 853: 848: 843: 838: 805: 750: 745: 731: 719: 645: 643:Musical content 620:Olympic Studios 562:Olympic Studios 550: 471: 465: 460: 442:mainland Europe 426: 421: 214: 205: 196: 174: 136: 132: 131: 123: 119:psychedelic pop 64: 37: 32: 23: 22: 15: 12: 11: 5: 3966: 3964: 3956: 3955: 3950: 3945: 3940: 3935: 3930: 3920: 3919: 3916: 3915: 3910: 3902: 3894: 3887: 3886:External links 3884: 3883: 3882: 3868: 3849: 3846: 3843: 3842: 3835: 3814: 3789: 3755: 3730: 3704: 3678: 3649: 3619: 3596:. p. 105. 3581: 3558:. p. 101. 3546: 3539: 3516: 3491: 3466: 3441: 3434: 3413: 3388: 3363: 3356: 3333: 3312: 3310:, pp. 1321–22. 3291: 3265: 3239: 3214: 3189: 3182: 3170:Muise (2002). 3162: 3134: 3109: 3084: 3051: 3025: 2996: 2989: 2981:Helter Skelter 2966: 2941: 2916: 2890: 2889: 2887: 2884: 2881: 2880: 2857: 2844: 2822: 2821: 2819: 2816: 2814: 2811: 2810: 2809: 2802: 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soul 310:Steve Marriott 283:blue-eyed soul 221: 220: 217: 216: 207: 198: 184: 183: 176: 175: 173: 172: 170:Steve Marriott 167: 161: 159: 153: 152: 147: 141: 140: 129: 125: 124: 122: 121: 116: 111: 105: 103: 97: 96: 86: 82: 81: 78: 74: 73: 70: 66: 65: 60: 53: 52: 44: 43: 35: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3965: 3954: 3951: 3949: 3946: 3944: 3941: 3939: 3936: 3934: 3931: 3929: 3926: 3925: 3923: 3914: 3911: 3909: 3907: 3903: 3901: 3899: 3895: 3893: 3890: 3889: 3885: 3881: 3880:0-9523935-0-6 3877: 3873: 3869: 3866: 3865:1-900924-44-7 3862: 3858: 3857: 3852: 3851: 3847: 3838: 3836:0-646-11917-6 3832: 3828: 3824: 3818: 3815: 3803: 3799: 3793: 3790: 3777: 3773: 3769: 3762: 3760: 3756: 3744: 3740: 3734: 3731: 3719:. 1 June 2018 3718: 3714: 3708: 3705: 3693: 3689: 3682: 3679: 3674: 3673: 3668: 3664: 3660: 3653: 3650: 3638: 3634: 3628: 3626: 3624: 3620: 3615: 3603: 3595: 3592: 3585: 3582: 3577: 3565: 3557: 3550: 3547: 3542: 3540:1-900924-44-7 3536: 3532: 3529: 3528: 3520: 3517: 3505: 3501: 3495: 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1671: 1668: 1664: 1660: 1658: 1655: 1652: 1649: 1645: 1641: 1639: 1636: 1633: 1630: 1626: 1622: 1603: 1596: 1594: 1593:compact discs 1586: 1578: 1575:Total length: 1568: 1565: 1559: 1556: 1553: 1552: 1550: 1547: 1543: 1539: 1536: 1534: 1531: 1528: 1524: 1520: 1516: 1513: 1510: 1507: 1503: 1499: 1496: 1493: 1490: 1486: 1482: 1478: 1475: 1472: 1469: 1465: 1461: 1458: 1455: 1452: 1448: 1444: 1440: 1437: 1434: 1431: 1427: 1408: 1395: 1392:Total length: 1385: 1382: 1376: 1373: 1370: 1369: 1367: 1364: 1363:Green Circles 1360: 1356: 1352: 1349: 1346: 1343: 1339: 1335: 1331: 1328: 1325: 1322: 1318: 1314: 1312: 1309: 1306: 1303: 1299: 1295: 1292: 1289: 1286: 1282: 1278: 1276: 1273: 1270: 1267: 1263: 1259: 1257: 1254: 1251: 1248: 1244: 1240: 1221: 1214: 1212: 1208: 1201:Track listing 1200: 1198: 1196: 1192: 1188: 1187: 1182: 1177: 1175: 1171: 1170:Chris Farlowe 1166: 1164: 1160: 1156: 1154: 1150: 1142: 1140: 1138: 1137: 1132: 1128: 1122: 1120: 1116: 1111: 1107: 1099: 1097: 1095: 1091: 1086: 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Winston 376: 375: 370: 366: 362: 361:Green Circles 358: 354: 350: 346: 343:balladry of " 342: 338: 333: 331: 327: 323: 319: 315: 311: 307: 303: 299: 295: 292: 288: 284: 280: 275: 273: 272: 267: 263: 259: 255: 254: 249: 245: 244:Decca Records 241: 237: 233: 229: 228: 213: 212: 208: 204: 203: 199: 195: 194: 190: 189: 185: 181: 177: 171: 168: 166: 163: 162: 160: 158: 154: 151: 148: 146: 142: 130: 126: 120: 117: 115: 112: 110: 107: 106: 104: 102: 98: 94: 90: 87: 83: 79: 75: 71: 67: 63: 58: 54: 50: 45: 40: 34: 30: 19: 3905: 3897: 3874:– Acid Jazz 3871: 3854: 3826: 3817: 3805:. 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Index

Something I Want to Tell You (Small Faces song)
Small Faces (1966 album)

Studio album
Small Faces
IBC
Olympic
Genre
R&B
psychedelic rock
psychedelic pop
Label
Immediate
Producer
Ronnie Lane
Steve Marriott
Small Faces
From the Beginning
There Are But Four Small Faces
Small Faces
Immediate Records
Andrew Loog Oldham
Decca Records
Don Arden
From the Beginning
their 1966 Decca debut album
mod
blue-eyed soul
R&B
psychedelic

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