Knowledge

Young Americans

Source 📝

840: 1149:"Who Can I Be Now?" reflects the theme of self-identity. Over its runtime, it builds to a what Pegg calls a "gospel-choir climax". Doggett writes that its title summarises Bowie's career up to this point, sharing a similar theme as "Changes". "It's Gonna Be Me" is a ballad similar in style to Aretha Franklin. Originally titled "Come Back My Baby", it is lyrically similar to "Can You Hear Me?", in that it follows a casual seducer who realises the error of his ways and works to redeem himself. Pegg and Doggett praised the track as one of the most overlooked gems of Bowie's entire career. "John, I'm Only Dancing (Again)" is a radical seven-minute funk and 528: 770:". After these sessions, Bowie was eager to perform the new work live. Embarking on the second half of the Diamond Dogs Tour, lasting September to December 1974, this portion is nicknamed the Soul Tour due to the influence of the new material. The shows were heavily altered and no longer featured elaborate set-pieces, due to Bowie's exhaustion with the design and wanting to explore the new sound he was creating. Songs from the previous leg were dropped, while new ones were added, including some from the upcoming album. On 2 November, Bowie appeared on 722: 1601:, which secured his breakthrough into the US market. Pegg says the album turned Bowie from "a mildly unsavoury cult artist to a chat-show friendly showbiz personality" in the US. Bowie, however, expressed varying statements about the album throughout his lifetime. In late 1975, he described it as "the phoniest R&B I've ever heard. If I ever would have got my hands on that record when I was growing up I would have cracked it over my knee." He further described it as "a phase" in a 1976 interview with 1256: 611: 8908: 1084: 1629:: "While all rock'n'roll was based on white men's appropriation of black popular music, very few artists had embraced the form wholesale, to the point of using the same studios and musicians, as Bowie ." Buckley commented that it brought fans of both glam rock and soul together in the wake of the disco era. In subsequent years, artists who experimented with funk and soul after Bowie included 2218: 1985: 1923: 1918: 1861: 1778: 2213: 2208: 2203: 2198: 2180: 2175: 2170: 2165: 2160: 1980: 1975: 1970: 1965: 1913: 1908: 1903: 1856: 1851: 1846: 1841: 1811: 1806: 1801: 1796: 1773: 1768: 1763: 1758: 869:(after the newly recorded track); "John, I'm Only Dancing (Again)" was still in the track-listing and the two new tracks replaced "Who Can I Be Now?" and "Somebody Up There Likes Me". Visconti, who believed the album was completely finished, returned to London to record string arrangements for "Can You Hear Me", "Win" and "It's Gonna Be Me" at 56: 1065:: "People forget what the sound of Man's instinct is—it's a drone, a mantra. And people say, 'Why are so many things popular that just drone on and on?' But that's the point really. It reaches a particular vibration, not necessarily a musical level." Bowie, Vandross, Clark and Cherry can be seen rehearsing the song in the 997:" opens the album, which Bowie said was about "a newly-wed couple who don't know if they really like each other". The song also presents new lyrical directions for the artist: instead of "shady" characters living in worlds fraught with darkness, "Young Americans" shows typical American teenagers. References are made to 963:", or, in the words of the author Benoît Clerc, "a pale synthetic derivative of authentic soul music". Garson later argued: "I think because he was uncertain if he was good at it, he demeaned himself by calling it plastic soul." Other writers have classified it "sax-y white soul" and white soul music. Ashley Naftule of 1103:" is a blue-eyed soul reworking that features Lennon on guitar and backing vocals. Bowie had previously called the Beatles' original version "very watery" and wanted to "hammer the hell out of it". His cover has been maligned by critics and biographers. Perone argues that it succeeds as a "groove piece". 1017:
writes that the song introduced the world to an entirely new Bowie, catching everyone by surprise. Bowie said "Win" was about people who "don't work very hard". According to the author James E. Perone, the lyrics are more abstract than the previous track and are open to interpretation. Saxophones and
737:
During his time at Sigma Sound, Bowie completely immersed himself in soul music. He created a new persona called "The Gouster", a slang term for a hip street boy, which became one of the album's working titles. Visconti commented: "It wasn't so much a concept as a way of setting the tone that we were
443:
has received mixed critical reviews on release and in later decades; Bowie himself had mixed feelings about the album. The album proved influential. Bowie was one of the first white artists of the era to overtly engage with black musical styles; other British artists followed suit. The album has been
2271:
The 1991 and 2007 reissues featured "Who Can I Be Now?", "John, I'm Only Dancing (Again)" and "It's Gonna Be Me" as bonus tracks; the latter was released in an alternate version with strings on the 2007 edition. The 1991 reissue replaced the original versions of "Win", "Fascination" and "Right" with
2053:
argued: "Those rock historians who dismiss the album as a white elephant among Bowie's 1970s output underestimate its significance. Because this was Bowie's first display of true fearlessness, rock's most celebrated shape-shifter attempting his first real post-fame metamorphosis." Others agree that
1170:
to create a painting but retracted the offer when he heard that Rockwell would need at least six months to do the job. According to Pegg, another rejected idea was a full-length portrait of Bowie in a "flying suit" and white scarf, standing in front of an American flag and raising a glass. The final
1153:
reworking of Bowie's 1972 glam rock single "John, I'm Only Dancing". This new version mostly retains the original's chorus, but with new verses and an entirely different melody. It was released as a single in 1979. "After Today" is a soul-disco song with a falsetto vocal from Bowie and less polished
742:
addiction heightened at a rapid pace during the period; he often stayed awake day and night recording while the band slept. Alomar said the sessions were "fuelled" by drugs, recalling: "He used drugs to keep himself awake. it was more a functional thing , so he'd be 'on' whenever the moment came to
1504:
called the record "an almost total failure", saying that "although the amalgam of rock and Philly soul is so thin it's interesting, it overwhelms David's voice, which is even thinner". He nonetheless appreciated Bowie's renewed "generosity of spirit to risk failure" following the disappointments of
1997:
has received mixed reviews from critics and fans in later decades, being dismissed as a purely transitional record and an inauthentic excursion by an artist whose talents lay elsewhere. Others have criticised it for being inconsistent, and lacking strong songwriting and the musical cohesiveness of
795:
and started mixing following the conclusion of the Soul Tour in November 1974. Local fans, whom Bowie referred to as the "Sigma Kids", waited outside the studio over the course of the sessions. On the final day of tracking, these fans were invited into the studio to listen to rough versions of the
717:
as they were recording, so these effects were heard upon playback. At Sigma Sound, however, the engineers applied effects during the mixing stage. Bowie was initially confounded when hearing the tapes back, as according to the biographer Chris O'Leary, he "hadn't heard his 'naked' voice on tape in
1095:. Similar to "Right", it uses a call-and-response structure and is embellished in strings, saxophone and synthesisers that hide dark lyrics. Pegg states that the lyrics discuss the idea of celebrity and the "hollowness of fame and adulation". Bowie himself described the song as a "Watch out mate, 931:
January 1975. Bowie contacted Visconti about the collaborations with Lennon two weeks later. Bowie was apologetic and requested the two tracks be on the final album; they replaced "Who Can I Be Now?", "It's Gonna Be Me" and "After Today". Visconti later said: " beautiful songs and it made me sick
1133:", which Bowie then used to create "Fame". Lennon's voice is heard interjecting the falsetto "Fame" throughout the song. Bowie later said that Lennon was the "energy" and the "inspiration" for "Fame", which is why he received a writing credit; O'Leary states that Lennon wrote the song's intro 729:
The sessions were productive and moved rapidly, only taking two weeks to complete. It was agreed early on to record as much of the album as possible live, with the full band playing together, including Bowie's vocals, as a single continuous take for each song. According to Visconti, the album
1326:
July in the UK, with the album track "Right" as the B-side. Although it only reached number 17 in the UK, "Fame" topped the charts in the US. Its chart success was a surprise to Bowie, who recalled in 1990: "Even though had contributed to it and everything, and I had no idea, as with
2242:
in 1991, with three bonus tracks. The reissue charted at number 54 on the UK Albums Chart for one week in April 1991. A 1999 edition on EMI featured 24-bit digitally remastered sound and no extra tracks. The 2007 reissue, marketed as a "Special Edition", included an accompanying
568:(1963), so meeting a musician who played at the Apollo meant a lot to him. Alomar had never heard of Bowie when they met, but they immediately connected and formed a working relationship that would last almost 15 years; Alomar became Bowie's guide into American black music. 1622:
has been called one of Bowie's most influential records. With the album, Bowie was one of the first mainstream white artists to embrace black musical styles, paving the way for other artists to engage in similar styles. Daryl Easlea summarised in
734:. The album represented a change in Bowie's approach to production, allowing the musicians to come up with ideas that Bowie used to write lyrics and melodies. Cherry, Clark and Vandross, in particular, became driving forces of the project. 1025:" evolved out of a Vandross track titled "Funky Music (Is a Part of Me)", which Bowie added new lyrics to. Bowie kept most of Vandross' structure but changed the interplay of the backing vocalists. Doggett cites elements in the novels 5205: 1474:
praised the title track and thought that the remainder of the album "works best when Bowie combines his renewed interest in soul with his knowledge of English pop, rather than opting entirely for one or the other". Ray Fox-Cumming of
743:
record." Bowie's cocaine use affected his voice, creating what Bowie himself called "a real raspy sound" that prevented him from singing higher notes. He believed the album contained the highest notes he ever sang on record.
932:
when decided not to use them. I think it was the personal content of the songs which he was a bit reluctant to release, although it was so obscure I don't think even I knew what he was on about in them!" The album was
7571: 1211: 1311:
reached the top five in New Zealand and Sweden, the top ten in Australia and Finland, number 12 in France, 13 in Norway, 17 in Canada and 82 in Japan. According to Buckley, sales were lower than
6005: 3185:
and released as a single in September 1974, reaching the UK top ten. The rendition of "Here Today and Gone Tomorrow" remained unreleased until it was included on the 1990 and 2005 reissues of
5219: 6039: 1820: 1582:
continued Bowie's run of commercial success, reaching number three in the US. However, his cocaine use continued throughout 1975, to the extent he had almost no recollection of recording
6128: 697:
August upon Visconti's arrival. Before Philadelphia, Bowie had spent most of his recording career in Britain, where recording methods were different from those in the United States. At
7499: 8863: 1611:
magazine: "I shouldn't have been quite so hard on myself, because looking back it was pretty good white, blue-eyed soul it was quite definitely one of the best bands I ever had."
4940: 3712: 3911: 6709: 6566: 6505: 6850: 6337: 1129:
song that represents Bowie and Lennon's dissatisfaction with the troubles of fame and stardom. Alomar originally developed the guitar riff for Bowie's cover of "Footstompin
673:
joined the project immediately after Bowie informed him of Weeks' involvement; Visconti co-produced much of Bowie's work for the rest of the decade. Cherry, Alomar's wife
495:
days in the mid-1960s, he began listening to soul records extensively and incorporating soul material into his live sets. In July, towards the end of the first leg of his
8947: 5456: 3770: 1527:
felt the record was more of a transitional one, created out of a confused state of mind not knowing where to take his career next. He enjoyed it despite its flaws. In
55: 4715: 4659: 3612: 8952: 8373: 6215: 4177: 1684: 5416: 8793: 1223:. In the US, it was released in edited form, omitting two verses and a chorus; its B-side was the 1974 live cover of "Knock on Wood". It reached number 18 on the 5634: 5374: 5050: 4841: 5529: 6642: 5675: 7859: 2099: 900:" period, had met Bowie in Los Angeles in September 1974. The two connected and decided to record together. With Alomar, the two convened at New York City's 6369: 5925: 4049: 8556: 8271: 5127: 8299: 6526: 1491:
a "gem" and a "triumph" filled with "superb" songs aside from the "pretentious" title track, but felt "Across the Universe" and "Fame" were out of place.
8155: 6589: 5719: 1519:, John Mendelsohn criticised the lyrics, Bowie's vocal performance, found the melodies "as good as non-existent" and the overall album very weak. In the 1118:. In 1975, Bowie stated that the song was "written for somebody" but declined to disclose who; his biographers agree that it was most likely for Cherry. 1057:
between Bowie and the backing singers "lends an air of immaculate sophistication to the lyric's paean to positive thinking", according to the biographer
6777: 1114:, while Doggett believes its style is more reminiscent of southern music rather than Philly soul. Perone likens Bowie's vocal performance to the singer 4915: 8942: 8549: 8482: 4944: 3116: 1290: 839: 6611: 5601: 2114: 8937: 2988: 7852: 4866: 4693: 4013: 892: 2068:". Positive reviews of the album say that it has aged well, even being considered by some as a masterpiece of white soul. In 1991, Jon Wilde of 7901: 5010: 3077: 1696: 1574:. Produced by Harry Maslin, the album was recorded in Los Angeles from September to November 1975 and released in January 1976. Songs from the 1537:
praised the backing band but found the record too "pastiche" to be credible and Bowie's worst release up to that point. In Canada, Bill Man of
1092: 763: 389:. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued at the 3484: 1335:... I don't get it, and 'Fame' was really out of left-field for me." In early November, he became one of the first white artists to appear on 1087:
The singer Ava Cherry (pictured in 2016) sang backing vocals throughout the album. She is also the supposed inspiration for "Can You Hear Me?"
981:
writes that the album is "a record of high spirits and lively, colliding ideas". One of Bowie's major inspirations when writing the album was
8246: 7494: 7469: 7418: 7395: 7369: 7341: 7312: 7280: 7247: 7219: 7190: 7162: 7137: 7118: 7090: 7066: 7041: 7013: 6990: 6967: 6937: 6918: 6895: 6053: 5826: 5263: 4480: 8025: 1597:
as Bowie's first album that he performed as himself rather than as a persona. Sandford believed that Bowie showed maturity by not featuring
8401: 7824: 2454: 1107: 8595: 8348: 6248: 524:
in October 1974. Bowie had grown tired of the tour's lavish set-pieces and theatricality and was ready to fully embrace black soul music.
4104: 3973: 1009:, which occurred a week before the recording sessions began. The line "I heard the news today, oh boy" was taken from the Beatles' song " 8292: 6982: 3726: 2257: 450: 38: 7620: 8447: 8218: 7979: 7789: 7641: 7557: 6118: 1303: 592: 512: 8169: 5969: 5189: 3903: 1234:, his second top 40 entry and second-highest chart peak in the US up to that point. Bowie's November 1974 performance of the song on 8510: 8225: 8183: 8176: 7634: 7229: 6303: 2043:
opined that the album is "easy to overlook" because Bowie "did most of these robot-soul space-funk tricks better two years later on
1832: 978: 595:, the home of many well-known black American musicians. At the end of the first leg of the tour, Bowie returned to New York City to 8475: 8306: 6744: 4980: 1328: 8786: 7514: 6329: 6059: 2875: 1674: 912:". In Visconti's absence, the session was co-produced by Bowie and Maslin. Alongside Alomar, Bowie invited Slick and the drummer 633:. All members were unavailable except for Larry Washington (percussion), so Bowie went to New York City for further recruitment. 500: 31: 6756: 8720: 8039: 7524: 1346: 1179:
August 1974 by the photographer Eric Stephen Jacobs. Jacobs took inspiration from a similar photo he took of the choreographer
831:
provided by Visconti showed "John, I'm Only Dancing (Again)", "Who Can I Be Now?" and "It's Gonna Be Me" in the track-listing.
564: 5442: 5339: 2272:
alternate mixes, but later reissues restored the original mixes. Another outtake, "After Today", appeared on the 1989 box set
8977: 8394: 8197: 7943: 7669: 3373: 2352: 1666: 1022: 856: 3760: 5034: 8380: 8000: 7866: 7298: 7266: 7104: 6828: 4723: 4647: 3602: 3101: 1944: 1894: 1336: 596: 6203: 5490: 4185: 4144: 977:'s Daryl Easlea, lyrical themes throughout the album include loneliness, despair and alienation, although the biographer 8440: 8334: 6703: 6560: 6499: 5670: 5399: 2035:
as an overlooked album that occupies a troubled place in Bowie's discography, being sequenced between Bowie's Ziggy and
1515: 8967: 8962: 8957: 8503: 8408: 7986: 7704: 7697: 7676: 7648: 6723: 5624: 5361: 5215: 5061: 4824: 4251: 1002: 8285: 7845: 6446:
Poet, J. (17 August 2007). "Young Americans (Special Edition)/The Best of David Bowie 1980/1987: Sight & Sound".
5516: 491:, which predicted the musical direction for Bowie's next project. While his interest in soul music dated back to his 476: 6652: 1013:" (1967), acknowledging Lennon's influence on Bowie and their imminent collaboration later on the album. The author 8982: 8694: 7972: 7211: 6769: 5661: 5557: 1598: 1534: 1042: 6799: 3662:
Beaumont, Mark (21 February 2020). "Cocaine, No Sleep and Deep Soul: The Story of David Bowie's Young Americans".
8341: 8264: 7782: 7690: 7462: 7387: 7207: 6359: 5915: 5629: 4039: 4008: 3245: 3215: 2274: 1483: 1054: 965: 755: 751: 8327: 8148: 5118: 8972: 8835: 8313: 8120: 8085: 7548: 7540: 6522: 2373: 1046: 650: 527: 8454: 7817: 6581: 5995: 5705: 8067: 1037:(1974) as inspirations for the title, while David Buckley writes that it reaffirms the 'strange fascination' 8779: 8630: 8563: 7725: 7613: 7509: 7504: 7489: 5155: 5006: 4976: 4475: 3961: 2914: 2839: 2472: 2017: 1122: 909: 406: 291: 8590: 5589: 1587: 8772: 8765: 8600: 8542: 8320: 7838: 7361: 7333: 7076: 6619: 2320: 1578:
period that foreshadowed the album's direction included "Win", "Can You Hear Me?" and "Who Can I Be Now?"
994: 777: 750:, including "After Today", "Who Can I Be Now?", "It's Gonna Be Me", a rerecording of Bowie's 1972 single " 278: 8870: 8744: 8699: 8489: 8415: 8278: 8032: 7662: 6887: 6469: 6413: 6295: 6243: 5821: 3669: 1185: 1018:
strings feature throughout, while the backing vocalists are more relaxed and in line with Bowie's lead.
901: 662: 410: 119: 8092: 2094:. The magazine argued that its style shift helped introduce Bowie to a wider audience. That same year, 4878: 4685: 3999: 2268:. It was released in CD, vinyl, and digital formats, both as part of this compilation and separately. 8932: 8911: 8758: 8664: 8127: 7993: 7519: 7455: 7154: 6951: 6391: 5561: 5451: 5369: 2103: 1679: 1433: 1421: 916:, making their debuts on a Bowie record, as well as the bassist Emir Ksasan from the Soul Tour band. 772: 710: 5051:"Swedish Charts 1972–1975/Kvällstoppen – Listresultaten vecka för vecka > Mars 1975 > 25 Mars" 5002: 3213:
This version of "It's Hard to Be a Saint in the City" differs from the released version on the 1990
8689: 8580: 8468: 8366: 8239: 7796: 7746: 7272: 7005: 6457: 6448: 4099: 3624: 3474: 2529: 2430: 2151: 2004: 1882: 1111: 1100: 905: 721: 572: 402: 358: 104: 5816: 4903: 4470: 8610: 7606: 7410: 7356: 6045: 4836: 3607: 2746: 2248: 1712: 1642: 1570: 1446: 1298: 1286: 658: 435: 243: 17: 2016:; at times, it comes off as an artist trying very hard to demonstrate how unpredictable he is." 1707:
as a whole served as an influence not only on other funk artists such as Clinton but also early
6271: 6238: 2084:
is a fantastic soul record, but soul with something else going on. There's an edginess to it."
8877: 8751: 8605: 8585: 8190: 8106: 7831: 7718: 7683: 7655: 7414: 7391: 7365: 7337: 7308: 7276: 7243: 7215: 7186: 7158: 7133: 7114: 7086: 7081: 7062: 7052: 7037: 7009: 6986: 6963: 6933: 6914: 6891: 6461: 6405: 6287: 6123: 6049: 5334: 5259: 5079: 4090: 3965: 3765: 2899: 2801: 2060: 1932: 1670: 1496: 1461:
Amongst mixed reviews, some enjoyed certain tracks but disregarded the collection as a whole.
1404: 1228: 1220: 1134: 1010: 933: 870: 851:
The Soul Tour ended in December 1974, after which Bowie, Visconti and Alomar regrouped at the
759: 584: 496: 366: 339: 7201: 6096: 8830: 8738: 8659: 8422: 8134: 7950: 7873: 6959: 6168: 6027: 5325: 4139: 3479: 1956: 1625: 1561: 1539: 1501: 1392: 1355: 1331:', that that was what a commercial single is. I haven't got a clue when it comes to singles. 1264: 1224: 1216: 1033: 956: 630: 492: 417:. The album's cover artwork is a back-lit photograph of Bowie taken by Eric Stephen Jacobs. 343: 141: 5156:"InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" 1481:
described the sound as "spasmodic, awkward, frustrating" and having "a joyless energy". In
1255: 641:(saxophone) and Pablo Rosario (percussion) were retained from the Diamond Dogs Tour, while 8825: 8113: 8099: 7880: 7803: 7262: 7258: 6000: 5955: 3664: 3000: 2658: 2610: 2359: 2049: 2036: 1787: 1683:(1977). Clinton also used a modified version of the "Fame" instrumental for Parliament's " 1294: 1244: 1167: 982: 917: 861: 702: 698: 678: 618: 588: 386: 188: 5120:
Sisältää hitin – 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021
1425:
predicted that the album would appease Bowie's current fans and open him up to new ones.
4968: 8893: 8883: 8856: 8840: 8727: 8640: 8620: 8461: 8162: 7915: 7753: 7627: 6114: 5210: 4156: 3230: 2814: 2440: 1654: 952: 706: 666: 559: 547: 430: 347: 261: 136: 6031: 873:, while Bowie remained in New York, working on separate mixing with in-house engineer 610: 8926: 8535: 8496: 8204: 7304: 7294: 7290: 7239: 7233: 7172: 7110: 7058: 7033: 7023: 5951: 5701: 5524: 4044: 4035: 3721: 3200: 2926: 2622: 2549: 2534: 2508: 2479: 2189: 2040: 1708: 1650: 1524: 1477: 1463: 1279: 1138: 1071: 1058: 1038: 1027: 1014: 1006: 920:
contributed percussion, while Jean Fineberg and Jean Millington sang backing vocals.
767: 714: 670: 638: 543: 535: 424: 374: 370: 203: 114: 8845: 8820: 8810: 8635: 8615: 8517: 8387: 8141: 8060: 8053: 8046: 7908: 7887: 7810: 7711: 7592: 7578: 7100: 6910: 6803: 6396: 5964: 5920: 5570: 5411: 5329: 4086: 3086: 2697: 2673: 2649: 2567: 2558: 2231: 2108: 1999: 1658: 1607: 1529: 1427: 1096: 960: 913: 888: 874: 852: 824: 654: 646: 576: 508: 467: 414: 390: 377:, who became one of Bowie's most frequent collaborators, and the backing vocalists 362: 351: 319: 198: 176: 110: 3381: 3228:
Vandross released his own version of "Funky Music (Is a Part of Me)" on his album
602:, listening to various black albums in preparation for his return to Sigma Sound. 7323: 7176: 7148: 7027: 6881: 3673: 1543:
was also disappointed, believing Bowie should "focus his talents more directly".
8815: 8651: 7934: 7737: 7478: 7379: 7182: 6695: 6552: 6491: 6473: 6417: 6299: 2634: 2604: 2540: 2525: 2436: 2288: 1688: 1638: 1202: 1190: 1172: 998: 897: 884: 881: 847:(pictured in 1975) collaborated with Bowie for "Across the Universe" and "Fame". 844: 792: 731: 674: 634: 555: 551: 504: 480: 462: 398: 394: 382: 331: 323: 212: 181: 129: 68: 730:
contains "about 85% 'live' David Bowie". Most of the material was built out of
8850: 8625: 8211: 7922: 7894: 7775: 7564: 7351: 6647: 5585: 5482: 4134: 2742: 2598: 2576: 2077: 1662: 1634: 1630: 1471: 1341: 1180: 1141:
middle eight and did it backwards, you know, and we made a record out of it!"
1083: 937: 781: 642: 580: 520: 516: 488: 378: 225: 151: 6465: 6409: 6291: 4743: 4741: 1193:' New York City office. Sandford calls it one of the "classic" album covers. 681:, Anthony Hinton and Diane Sumler performed backing vocals for the sessions. 8684: 8018: 4246: 4237: 2910: 2827: 2553: 2264:, which also includes an earlier, rawer-sounding draft of the album, titled 2028:
is "more enjoyable as a stylistic adventure than as a substantive record".
1565: 1163: 1126: 974: 472: 335: 6731: 2251:
mixes of the album and Bowie's November 1974 interview and performances on
1278:
March 1975, and in early April in the US. It reached number nine on the US
6824: 3181:
This rendition of "Knock on Wood" was included on the original release of
2112:. The album was also included in the 2018 edition of Robert Dimery's book 1419:
was released to a generally favorable reception, particularly in America.
8888: 6947: 5991: 5251: 3377: 3219:
box set, and remains unreleased. Springsteen himself visited the session.
2887: 2235: 2021: 1750: 1646: 1115: 973:
tendencies" and the "warm earnestness" of soul and R&B. According to
970: 1285:
chart and remained on the chart for 51 weeks; by July, it was certified
8232: 7585: 7441: 7436: 6315: 2261: 1091:
The title of "Somebody Up There Likes Me" was taken from the 1956 film
747: 739: 445: 6851:"David Bowie en chiffres : un artiste culte, mais pas si vendeur" 5086:
peaked at the number-six on the list in the fourth week of March 1975.
2064:
arguing that "it's impossible to imagine Bowie's later albums without
1590:
in May 1976, he moved to Europe to rid himself of his drug addiction.
1189:
magazine. Using that photo, Craig DeCamps designed the final cover at
645:
was replaced by Alomar on guitar. At Alomar's suggestion, Bowie hired
629:("Mother Father Sister Brother"), Sigma Sound's house band of over 30 393:
in New York City at the tour's end. A collaboration between Bowie and
8733: 7329: 4178:"David Bowie Influenced More Musical Genres Than Any Other Rock Star" 2863: 1715: 1062: 534:
was the beginning of Bowie's working relationship with the guitarist
1297:
for 17 weeks, peaking at number two, being kept off the top spot by
1267:
in November 1975. He sang "Fame" and "Can You Hear Me?" on the show.
1171:
cover photo, a back-lit and airbrushed photo of Bowie, was taken in
30:
This article is about the album by David Bowie. For other uses, see
7407:
Tony Visconti: the Autobiography: Bowie, Bolan and the Brooklyn Boy
5126:(in Finnish). Helsinki: Kustannusosakeyhtiö Otava. pp. 36–37. 338:
style of previous albums, the record showcased Bowie's interest in
7130:
Rock On: The Illustrated Encyclopedia Of Rock N' Roll, 1964 – 1978
5255: 2593: 1254: 1150: 1082: 838: 720: 609: 526: 63: 6800:"Canadian album certifications – David Bowie – Young Americans" 5159: 4941:"American album certifications – David Bowie – Young Americans" 3439: 3437: 3435: 3433: 3431: 3429: 3427: 3425: 3423: 3421: 3419: 1345:, where he gave mimed performances of "Fame" and his new single " 788:". He was inarticulate and visibly drugged during his interview. 6825:"British album certifications – David Bowie – Young Americans" 5817:"Revisiting David Bowie's Art-Funk Classic 'Station to Station'" 3761:"Revisiting David Bowie's divisive 1975 album 'Young Americans'" 3417: 3415: 3413: 3411: 3409: 3407: 3405: 3403: 3401: 3399: 2851: 2589: 1260: 626: 484: 146: 7451: 3198:
Bowie's decaying mental state was showcased in the documentary
2090:
was voted Bowie's ninth best album in a 2013 readers' poll for
693:
August 1974, with official work starting three days later on 11
423:
was Bowie's breakthrough in the US, reaching the top 10 on the
7447: 6364: 5899: 5777: 5714: 3867: 3865: 2244: 2239: 1870: 1350: 1239: 1066: 37:"Who Can I Be Now?" redirects here. For the 2016 box set, see 7572:
The Rise and Fall of Ziggy Stardust and the Spiders from Mars
5003:"Official Albums Chart Top 50: 06 April 1975 – 12 April 1975" 4758: 4756: 4581: 4579: 4539: 4537: 4389: 4387: 4359: 4357: 4355: 4353: 3555: 3553: 3551: 1110:", originally "Take It in Right", is described by O'Leary as 904:
in January 1975, recording a cover of Lennon's Beatles song "
621:(pictured in 1985), a then-unknown singer from New York City. 373:, and includes a variety of musicians, such as the guitarist 6394:(20 June 2004). "OMM: The Top 100 Greatest British Albums". 2771: 2514: 758:", "Lazer", "Shilling the Rubes", a scrapped rerecording of 5956:"An Interview with David Bowie for the April 1990 Issue of 5755: 5753: 4554: 4552: 3538: 3536: 3534: 3532: 3530: 3528: 3526: 6239:"Revisiting David Bowie's R&B Move, 'Young Americans'" 4277: 4275: 4273: 4271: 4269: 3937: 3935: 3933: 3931: 3929: 3840: 3838: 3836: 3331: 3329: 3327: 3325: 3323: 3321: 3319: 3317: 3315: 3313: 3311: 3309: 3307: 3305: 3303: 3301: 3299: 1349:"; He then sang "Fame" and "Can You Hear Me?" live on the 7150:
Rebel Rebel: All the Songs of David Bowie from '64 to '76
6494:. US/Europe: Rykodisc/EMI. 1991. RCD 10140/CDP 79 6436 2. 4804: 4802: 4800: 4798: 4716:"'Young Americans' is Next 40th Anniversary Picture Disc" 4000:"David Bowie Fell to Earth and Found His Plastic Soul on 3297: 3295: 3293: 3291: 3289: 3287: 3285: 3283: 3281: 3279: 2058:
deserves a spot in Bowie's discography, with Sam Kemp of
5281: 5279: 5277: 5275: 5082:
combined sales for albums and singles in the one chart;
4500: 4498: 4416: 4414: 7325:
Notes from the Velvet Underground: The Life of Lou Reed
6979:
David Bowie All the Songs: The Story Behind Every Track
6930:
Strange Fascination – David Bowie: The Definitive Story
6907:
Strange Fascination – David Bowie: The Definitive Story
4135:"Bad is Good and Eric Nods, David Bowie Goes to Philly" 3882: 3880: 1450:
praised Bowie as an artist. In their end-of-year list,
1440:
Michael Gross said it was his best studio record since
951:
presented a new musical direction for Bowie, exploring
6041:
Christgau's Record Guide: Rock Albums of the Seventies
4773: 4771: 4374: 4372: 7029:
The Man Who Sold the World: David Bowie and the 1970s
5190:"Norwegiancharts.com – David Bowie – Young Americans" 4316: 4314: 3152:
Sales+streaming figures based on certification alone.
896:(1975). Lennon, who was in what he later termed his " 5320: 5318: 5176:
Note: user must select 'David BOWIE' from drop-down.
4648:"David Bowie changes course towards (plastic) soul: 2572:(all tracks except "Across the Universe" and "Fame") 2563:(all tracks except "Across the Universe" and "Fame") 1053:
to feature Bowie's old friend Geoff MacCormack. The
796:
new songs. The album's many working titles included
587:
and the favourite studio of the writer-producer duo
8864:
David Bowie Narrates Prokofiev's Peter and the Wolf
8803: 8710: 8677: 8649: 8573: 8527: 8432: 8358: 8256: 8077: 8010: 7964: 7932: 7767: 7735: 7533: 6745:"Italiancharts.com – David Bowie – Young Americans" 5248:
Oricon Album Chart Book: Complete Edition 1970–2005
5097: 5095: 5093: 2406: 2395: 2310: 2299: 2106:voted it the 88th best British album in a list for 1431:called it Bowie's "most compelling album to date"; 260: 211: 187: 175: 159: 128: 98: 90: 75: 62: 48: 7923:David Bowie at the Kit Kat Klub (Live New York 99) 5574:. p. 31 – via The History of Rock 1975. 429:chart; "Fame" became Bowie's first number one hit 6757:"Swisscharts.com – David Bowie – Young Americans" 6197: 6195: 6193: 6191: 5996:"Bowie's Many Faces Are Profiled On Compact Disc" 4081: 4079: 4077: 4075: 4073: 4071: 4069: 4067: 3262:Credited in the 1975 liner notes as Eric Stephen. 579:to work on recordings with the American musician 3668:. London: Independent Digital News & Media. 2507:According to the liner notes and the biographer 1605:. He later reversed his stance in 1990, telling 1556:Bowie continued developing the funk and soul of 969:described the album as a cross between Bowie's " 515:; these shows were recorded and released on the 7384:David Bowie – Starman: The Definitive Biography 6708:: CS1 maint: others in cite AV media (notes) ( 6565:: CS1 maint: others in cite AV media (notes) ( 6517: 6515: 6504:: CS1 maint: others in cite AV media (notes) ( 5552: 5550: 5510: 5508: 4969:"David Bowie > Artists > Official Charts" 3148:Shipments figures based on certification alone. 2072:argued that, like Bowie's other 1970s records, 2008:: "It doesn't have the mad theatrical scope of 1685:Give Up the Funk (Tear the Roof off the Sucker) 725:Bowie performing on the Soul Tour in late 1974. 562:. One of Bowie's favourite records was Brown's 8794:We Were So Turned On: A Tribute to David Bowie 6686: 6684: 6682: 6360:"The 500 Greatest Albums Of All Time: 200–101" 5776:(CD booklet). David Bowie (reissue ed.). 3993: 3991: 2098:ranked the album at number 175 in its list of 1793: 1755: 669:on drums and bass, respectively. The producer 7463: 6162:Troussé, Stephen (April 2007). "David Bowie: 3713:"Aug. 11, 1974: David Bowie starts recording 3603:"David Bowie: The Story of 'Young Americans'" 2278:, as did the alternate mix of "Fascination". 1099:on your back" warning. Bowie's rendition of " 8: 7916:Look at the Moon! (Live Phoenix Festival 97) 6643:"David Bowie: Who Can I Be Now? (1974/1976)" 6441: 6439: 6330:"Readers' Poll: The Best David Bowie Albums" 5889:Staunton, Terry (4 May 1991). "David Bowie: 5192:. Hung Medien. Retrieved 28 September 2024. 5185: 5183: 5037:. Hung Medien. Retrieved 28 September 2024. 4231: 4229: 4227: 3657: 3596: 3594: 3592: 2255:. In 2016, the album was remastered for the 2195: 2157: 1962: 1900: 1838: 542:In early 1974, Bowie met the funk guitarist 448:, and was remastered in 2016 as part of the 350:; Bowie himself labelled the album's sound " 346:. Music critics have described the sound as 6430: 5884: 5882: 5880: 5790: 5200: 5198: 5112: 5110: 5045: 5043: 5035:"Charts.nz – David Bowie – Young Americans" 4898: 4896: 4819: 4817: 4747: 3956: 3954: 3952: 3950: 3655: 3653: 3651: 3649: 3647: 3645: 3643: 3641: 3639: 3637: 3443: 3249:box set. A faster, alternate take, dated 13 2751:Eric Stephen Jacobs – cover photograph 1154:production compared to other album tracks. 855:in New York City to record two new songs, " 625:For the backing band, Bowie wanted to hire 365:in August 1974, after the first leg of his 8646: 7929: 7732: 7470: 7456: 7448: 6109: 6107: 6105: 5744: 5625:"Bowie's Album Superb, Cooper's Masterful" 5242: 5240: 5150: 5148: 5030: 5028: 4963: 4961: 4679: 4677: 4128: 4126: 4124: 4122: 3468: 3466: 3464: 3462: 3460: 3458: 3456: 3454: 3452: 3061: 3018: 2967: 2939: 2780: 2613: – backing vocals, vocal arrangements 2125: 1725: 1366: 1318:The second single "Fame" was released on 2 507:and "Here Today and Gone Tomorrow" by the 433:. Bowie continued developing its sound on 54: 45: 7951:Live at La Cigale, Paris, 25th June, 1989 7860:Welcome to the Blackout (Live London '78) 7257:Sheffield, Rob (2004). "David Bowie". In 6404:. London: Guardian News & Media Ltd. 6149: 6092: 4945:Recording Industry Association of America 3754: 3752: 3750: 3748: 3746: 3744: 3253:August 1974, later leaked online in 2009. 1291:Recording Industry Association of America 738:going to make a very hip album." Bowie's 499:, he performed covers of the soul songs " 8948:Albums recorded at Electric Lady Studios 8374:Ziggy Stardust and the Spiders from Mars 7909:No Trendy Réchauffé (Live Birmingham 95) 7181:(Revised and Updated ed.). London: 7004:(Revised and Updated ed.). London: 7002:1001 Albums You Must Hear Before You Die 4171: 4169: 3941: 3897: 3895: 3871: 2389: 2293: 2115:1001 Albums You Must Hear Before You Die 1665:. Bowie was also referenced directly by 1137:. In 1980, Lennon stated: "We took some 7085:. St Ives, NSW: Australian Chart Book. 7000:Dimery, Robert; Lydon, Michael (2018). 6759:. Hung Medien. Retrieved 25 July 2020. 6747:. Hung Medien. Retrieved 25 July 2020. 6612:"Who Can I Be Now? (1974–1976) details" 5847: 5309: 5297: 4935: 4933: 4808: 4762: 4585: 4543: 4528: 4444: 4432: 4393: 4363: 4344: 4293: 4218: 3902:Bernstein, Jonathan (4 December 2021). 3827: 3698: 3583: 3559: 3475:"David Bowie: Blue-and-green-eyed soul" 3347: 3275: 3174: 3144: 3128: 2637: – vocals, guitar, backing vocals 2488: 1568:influences, for his next studio album, 1166:, Bowie initially wanted to commission 927:was completed at the Record Plant on 12 887:was working at the Record Plant on his 859:" and "Win". At this point, Bowie told 8953:Albums recorded at Sigma Sound Studios 8300:A New Career in a New Town (1977–1982) 6701: 6558: 6497: 6182: 6131:from the original on 11 September 2017 6080: 5829:from the original on 28 September 2019 5483:"NME's best albums and tracks of 1975" 5117:Pennanen, Timo (2021). "David Bowie". 4662:from the original on 14 September 2021 4281: 4206: 3243:This version was released on the 1989 3036:Australian Albums (Kent Music Report) 1697:Hot (I Need to Be Loved, Loved, Loved) 1201:RCA released "Young Americans" as the 6555:. Europe: EMI. 1999. 7243 521905 0 8. 5914:Charlesworth, Chris (13 March 1976). 5871: 5815:Gallucci, Michael (23 January 2016). 5805:, pp. 54–55: "Can You Hear Me?". 5535:from the original on 12 November 2022 5493:from the original on 24 November 2022 4621: 4558: 4516: 4471:"The Top 20 Greatest Funk Rock Songs" 4332: 4052:from the original on 20 February 2018 3886: 3856: 3542: 3129: 2712:Mike Hutchinson – tape operator 2489: 2136: 1736: 1377: 1238:was used as promotion, airing on the 571:While in Pennsylvania, Bowie visited 550:session musician who had played with 7: 7895:Something in the Air (Live Paris 99) 7853:Cracked Actor (Live Los Angeles '74) 7132:. New York City: Thomas Y. Crowell. 6780:from the original on 8 December 2012 6673: 6592:from the original on 25 October 2023 6306:from the original on 27 October 2023 5859: 5802: 5759: 5637:from the original on 25 October 2023 5459:from the original on 25 October 2023 5285: 5133:from the original on 22 January 2022 5101: 5013:from the original on 29 October 2021 4983:from the original on 3 November 2013 4847:from the original on 25 January 2022 4789: 4777: 4633: 4609: 4597: 4570: 4504: 4456: 4420: 4405: 4378: 4320: 4305: 4147:from the original on 25 October 2023 4107:from the original on 1 February 2020 3914:from the original on 17 January 2024 3844: 3815: 3803: 3791: 3686: 3571: 3517: 3505: 3487:from the original on 23 October 2023 3359: 3335: 3020:1975 year-end chart performance for 2694:Tony Visconti – producer, mixer 2667:Jean Fineberg – backing vocals 2616:Anthony Hinton – backing vocals 959:. Bowie himself labelled its sound " 471:in May 1974. His final album in the 409:", during a January 1975 session at 7902:I'm Only Dancing (The Soul Tour 74) 6849:Breteau, Pierre (11 January 2016). 6641:Gerard, Chris (28 September 2016). 6529:from the original on 26 August 2021 6372:from the original on 4 January 2017 6251:from the original on 30 August 2020 2736:David Thoener – tape operator 2724:David Whitman – tape operator 2100:the 500 Greatest Albums of All Time 1795: 1757: 1061:. In 1975, Bowie called the song a 764:It's Hard to Be a Saint in the City 689:Demo work began at Sigma Sound on 8 7790:Ziggy Stardust: The Motion Picture 7203:The Words and Music of David Bowie 6218:from the original on 30 March 2022 6008:from the original on 16 April 2016 5916:"David Bowie: Ringing the Changes" 5543:– via worldradiohistory.com. 5515:Fox-Cumming, Ray (15 March 1975). 5430:– via worldradiohistory.com. 5388:– via worldradiohistory.com. 5380:from the original on 5 August 2020 5342:from the original on 13 March 2016 4855:– via worldradiohistory.com. 4840:. 15 March 1975. pp. 22, 40. 4646:Barendregt, Erwin (7 March 2020). 4254:from the original on 30 April 2019 3976:from the original on 24 April 2019 3204:, filmed on the Diamond Dogs Tour. 2969:2016 weekly chart performance for 2941:1991 weekly chart performance for 2782:1975 weekly chart performance for 2730:Kevin Herron – tape operator 2700: – producer, mixer, engineer 2678:("Across the Universe" and "Fame") 2669:("Across the Universe" and "Fame") 2663:("Across the Universe" and "Fame") 2654:("Across the Universe" and "Fame") 2645:("Across the Universe" and "Fame") 2639:("Across the Universe" and "Fame") 2630:("Across the Universe" and "Fame") 2619:Diane Sumler – backing vocals 1732:Retrospective professional ratings 1494:Several critics were negative. In 593:Philadelphia International Records 513:Upper Darby Township, Pennsylvania 25: 8511:The Best of David Bowie 1980/1987 8226:The Best of David Bowie 1980/1987 8184:The Best of David Bowie 1974/1979 8177:The Best of David Bowie 1969/1974 7635:Scary Monsters (and Super Creeps) 7268:The New Rolling Stone Album Guide 7106:The Encyclopedia of Popular Music 6883:British Progressive Pop 1970-1980 6062:from the original on 3 March 2016 4918:from the original on 12 July 2020 4696:from the original on 3 April 2023 4686:"Top 10 David Bowie Album Covers" 4016:from the original on 8 April 2020 2754:Craig DeCamps – cover design 2197: 2159: 2076:was ahead of its time. The actor 1964: 1902: 1840: 1833:The Encyclopedia of Popular Music 465:released his eighth studio album 18:Somebody Up There Likes Me (song) 8943:Albums produced by Tony Visconti 8907: 8906: 8787:The Life Aquatic Studio Sessions 7888:Ouvrez le Chien (Live Dallas 95) 7109:(5th concise ed.). London: 6584:Young Americans [CD/DVD] 6523:"Young Americans (1991 version)" 6340:from the original on 29 May 2021 5972:from the original on 8 June 2023 5604:from the original on 29 May 2012 5422:from the original on 30 May 2022 4483:from the original on 28 May 2023 4040:"David Bowie's Essential Albums" 3998:Naftule, Ashley (6 March 2020). 3773:from the original on 23 May 2023 3711:Smith, Lauren (11 August 2011). 3615:from the original on 20 May 2023 3473:Easlea, Daryl (8 October 2007). 2628:Pablo Rosario – percussion 2216: 2211: 2206: 2201: 2196: 2178: 2173: 2168: 2163: 2158: 1983: 1978: 1973: 1968: 1963: 1921: 1916: 1911: 1906: 1901: 1859: 1854: 1849: 1844: 1839: 1809: 1804: 1799: 1794: 1776: 1771: 1766: 1761: 1756: 1699:" (1975). In 2016, Joe Lynch of 1675:P. Funk (Wants to Get Funked Up) 1458:the seventh best album of 1975. 1183:for the September 1974 cover of 475:genre, it contained two songs, " 32:Young Americans (disambiguation) 27:1975 studio album by David Bowie 8349:Brilliant Adventure (1992–2001) 8040:Live EP (Live at Fashion Rocks) 7271:(4th ed.). New York City: 7082:Australian Chart Book 1970–1992 6202:Sheffield, Rob (13 June 2007). 6119:"Return of the Thin White Duke" 5928:from the original on 6 May 2021 5722:from the original on 5 May 2021 5678:from the original on 5 May 2021 5660:Mendelsohn, John (April 1975). 5218:. 26 April 1975. Archived from 2643:Emir Ksasan – bass guitar 1593:Commentators have acknowledged 746:The sessions produced numerous 8938:Albums produced by David Bowie 8395:Tin Machine Live: Oy Vey, Baby 7944:Tin Machine Live: Oy Vey, Baby 5258:: Oricon Entertainment. 2006. 4176:Lynch, Joe (14 January 2016). 3904:"Greg Calbi's Invisible Touch" 3601:Black, Johnny (January 2004). 2396: 2300: 756:John, I'm Only Dancing (Again) 583:. Sigma Sound was the home of 1: 8293:Who Can I Be Now? (1974–1976) 8170:The Deram Anthology 1966–1968 7300:Spin Alternative Record Guide 7054:David Bowie: The Golden Years 6829:British Phonographic Industry 5936:– via Rock's Backpages 5730:– via Rock's Backpages 5686:– via Rock's Backpages 5623:Lloyd, Jack (30 March 1975). 5467:– via Rock's Backpages 5373:. 15 March 1975. p. 80. 5158:. infodisc.fr. Archived from 4469:Elliott, Paul (30 May 2016). 2718:Eddie Kramer – engineer 2706:Carl Parulow – engineer 2258:Who Can I Be Now? (1974–1976) 1945:Spin Alternative Record Guide 1895:The Rolling Stone Album Guide 865:magazine the album title was 617:features backing vocals from 451:Who Can I Be Now? (1974–1976) 444:reissued multiple times with 369:. The record was produced by 39:Who Can I Be Now? (1974–1976) 8476:Bowie – The Video Collection 8307:Loving the Alien (1983–1988) 7867:Serious Moonlight (Live '83) 6956:Bowie: An Illustrated Record 6694:(liner notes). David Bowie. 6616:David Bowie Official Website 6237:Giles, Jeff (7 March 2016). 5980:– via pauldunoyer.com. 5441:Gross, Michael (June 1975). 5415:. 15 March 1975. p. 1. 5330:"Christgau's Consumer Guide" 5214:. Vol. 23, no. 9. 5060:(in Swedish). Archived from 4875:David Bowie Official Website 4720:David Bowie Official Website 4133:Bill, Mann (12 April 1975). 3005: 2993: 2961: 2933: 2919: 2904: 2892: 2880: 2868: 2856: 2844: 2832: 2820: 2806: 2415:"Somebody Up There Likes Me" 2234:by RCA in 1984, and then by 1998:Bowie's other 1970s albums. 589:Kenneth Gamble and Leon Huff 483:", that exhibit elements of 397:yielded a cover of Lennon's 357:Recording sessions began at 6525:. Official Charts Company. 6127:. No. 11. p. 88. 5645:– via Newspapers.com 5216:Library and Archives Canada 2691:David Bowie – producer 2625: – string arrangements 2545:("Fascination" and "Right") 1274:was released in the UK on 7 8999: 7558:The Man Who Sold the World 7293:(1995). "David Bowie". In 7212:Greenwood Publishing Group 6580:Erlewine, Stephen Thomas. 6270:Wilde, Jon (11 May 1991). 3759:Kemp, Sam (7 March 2022). 2287:All tracks are written by 2012:or the formal audacity of 1718:genre of the early 1990s. 809:Somebody Up There Likes Me 458:Background and development 297:Released: 2 June 1975 (US) 284:Released: 21 February 1975 94:August 1974 – January 1975 36: 29: 8902: 8342:Brilliant Live Adventures 7485: 7388:Little, Brown and Company 7200:Perone, James E. (2007). 6983:Black Dog & Leventhal 5630:The Philadelphia Inquirer 4684:Kachejian, Brian (2020). 3145: 3134: 3114: 3099: 3084: 3076: 3073: 3070: 3043: 3035: 3030: 3027: 2998: 2986: 2979: 2976: 2958: 2951: 2948: 2924: 2909: 2897: 2885: 2873: 2861: 2849: 2837: 2825: 2811: 2799: 2792: 2789: 2767:Charts and certifications 2467: 2449: 2425: 2411: 2403: 2400: 2368: 2347: 2333: 2315: 2307: 2304: 2144: 2141: 2131: 2031:Some critics have viewed 1744: 1741: 1731: 1677:" (1976) and in the film 1484:The Philadelphia Inquirer 1385: 1382: 1372: 1293:(RIAA). It stayed on the 880:During this time, former 791:Bowie and Visconti added 591:; the two had co-founded 307: 271: 256: 219: 53: 8816:Angie Bowie (first wife) 8780:Symphony No. 12 "Lodger" 8490:Jump: Interactive CD-ROM 8314:Spying Through a Keyhole 8086:The World of David Bowie 7846:Live Nassau Coliseum '76 7178:The Complete David Bowie 7103:(2011). "Bowie, David". 7034:HarperCollins Publishers 6932:. London: Virgin Books. 6928:Buckley, David (2005) . 6770:"Top Pop Albums of 1975" 6676:, pp. 374, 502–503. 3962:Erlewine, Stephen Thomas 2543: – piano, clavinet 2528: – vocals, guitar, 1821:Christgau's Record Guide 1322:June in the US and on 25 1265:self-titled variety show 1209:February 1975, with the 651:Sly and the Family Stone 385:and then-unknown singer 322:by the English musician 8773:Symphony No. 4 "Heroes" 8272:The Platinum Collection 7405:Visconti, Tony (2007). 7322:Sounes, Howard (2015). 7297:; Marks, Craig (eds.). 7235:Bowie: Loving the Alien 7147:O'Leary, Chris (2015). 7051:Griffin, Roger (2016). 6905:Buckley, David (1999). 6431:Dimery & Lydon 2018 5938:(subscription required) 5732:(subscription required) 5688:(subscription required) 5647:(subscription required) 5469:(subscription required) 5007:Official Charts Company 4977:Official Charts Company 4160:(subscription required) 3628:(subscription required) 2840:Suomen virallinen lista 2676: – backing vocals 2018:Stephen Thomas Erlewine 1703:argued that "Fame" and 1586:. After completing the 1049:" is the only track on 776:and performed "1984", " 334:. A departure from the 8601:Serious Moonlight Tour 8321:Clareville Grove Demos 8286:Five Years (1969–1973) 8156:The Singles Collection 8026:BBC Sessions 1969–1972 7670:The Buddha of Suburbia 7500:Awards and nominations 7362:Crown Publishing Group 7128:Nite, Norm N. (1978). 6977:Clerc, Benoît (2021). 6880:Bennett, Andy (2020). 5745:Carr & Murray 1981 4750:, Partial Discography. 4236:Easlea, Daryl (2007). 3374:"'1984' – David Bowie" 2607: – backing vocals 2601: – backing vocals 2511:, except where noted. 2230:was first released on 2102:. In 2004, the critic 1268: 1088: 848: 752:John, I'm Only Dancing 726: 677:, then-unknown singer 622: 539: 79:7 March 1975 8978:Virgin Records albums 8871:Heteropoda davidbowie 8745:Statue of David Bowie 8700:The Spiders from Mars 8550:Black Tie White Noise 8483:Black Tie White Noise 8455:Jazzin' for Blue Jean 8441:Love You till Tuesday 8033:Earthling in the City 7980:Love You till Tuesday 7818:Live Santa Monica '72 7663:Black Tie White Noise 7230:Sandford, Christopher 6952:Murray, Charles Shaar 6888:Bloomsbury Publishing 6392:Murray, Charles Shaar 6244:Ultimate Classic Rock 5822:Ultimate Classic Rock 1722:Retrospective reviews 1258: 1227:and number 28 on the 1086: 902:Electric Lady Studios 842: 724: 685:Philadelphia sessions 649:, a former member of 613: 530: 477:Rock 'n' Roll with Me 411:Electric Lady Studios 8766:Symphony No. 1 "Low" 8149:Early On (1964–1966) 7273:Simon & Schuster 6272:"Thin White Spook — 5772:Cann, Kevin (2010). 4690:Classic Rock History 4009:Consequence of Sound 3729:on 10 September 2011 3574:, pp. 367, 374. 2874:New Zealand Albums ( 2828:Årets Singlehitliste 2584:Additional musicians 2561: – bass guitar 2291:, except where noted 2253:The Dick Cavett Show 2127:Professional ratings 2104:Charles Shaar Murray 2047:". Mark Beaumont of 1727:Professional ratings 1680:Saturday Night Fever 1487:, Jack Lloyd called 1368:Professional ratings 1236:The Dick Cavett Show 1112:contemporary R&B 979:Christopher Sandford 966:Consequence of Sound 773:The Dick Cavett Show 405:" and an original, " 8690:The Thin White Duke 8581:Ziggy Stardust Tour 8367:The 1980 Floor Show 8328:The 'Mercury' Demos 8240:Nothing Has Changed 6704:cite AV media notes 6622:on 11 February 2017 6561:cite AV media notes 6500:cite AV media notes 6458:Krause Publications 6368:. 25 October 2013. 6336:. 16 January 2013. 5900:New Musical Express 5862:, pp. 384–389. 5762:, pp. 381–382. 5489:. 10 October 2016. 5225:on 24 February 2014 4612:, pp. 143–144. 4600:, pp. 134–135. 4588:, pp. 262–266. 4561:, pp. 228–229. 4546:, pp. 275–278. 4531:, pp. 215–217. 4447:, pp. 249–250. 4396:, pp. 267–269. 4366:, pp. 220–221. 4347:, pp. 270–271. 4296:, pp. 259–261. 4089:(22 January 2016). 3874:, pp. 222–224. 3847:, pp. 322–324. 3818:, pp. 562–565. 3806:, pp. 135–136. 3794:, pp. 639–640. 3701:, pp. 208–217. 3562:, pp. 190–205. 3545:, pp. 216–221. 3372:Guarisco, David A. 3362:, pp. 198–199. 3350:, pp. 187–189. 3338:, pp. 373–379. 3067: 3063:Certifications for 3048:Top LPs & Tape 3024: 3001:Schweizer Hitparade 2973: 2945: 2800:Australian Albums ( 2786: 2661: – percussion 2431:Across the Universe 2392: 2296: 2128: 1871:New Musical Express 1728: 1695:riff verbatim for " 1369: 1359:a few weeks later. 1101:Across the Universe 908:" and a new song, " 906:Across the Universe 780:" and a version of 573:Sigma Sound Studios 538:(pictured in 1974). 403:Across the Universe 359:Sigma Sound Studios 330:March 1975 through 8968:RCA Records albums 8963:EMI Records albums 8958:David Bowie albums 8821:Duncan Jones (son) 8518:The Next Day Extra 8335:Conversation Piece 8054:The Next Day Extra 7607:Station to Station 7444:(list of releases) 7357:Bowie: A Biography 7307:. pp. 55–57. 6728:Danskehitlister.dk 6724:"Danske Hitlister" 6655:on 23 October 2020 6278:Station to Station 6046:Ticknor and Fields 5895:Station to Station 5774:Station to Station 5165:on 7 November 2011 5058:hitsallertijden.nl 4973:officialcharts.com 4871:Album is 40 Today" 4038:(18 August 2016). 3062: 3019: 2968: 2940: 2930:Top LPs & Tape 2886:Norwegian Albums ( 2781: 2747:mastering engineer 2390: 2294: 2249:5.1 surround sound 2126: 2045:Station to Station 2014:Station to Station 1726: 1643:the Rolling Stones 1584:Station to Station 1580:Station to Station 1571:Station to Station 1367: 1363:Critical reception 1283:Top LPs & Tape 1269: 1205:to the album on 21 1089: 1041:of Bowie's track " 849: 817:Shilling the Rubes 727: 659:the Isley Brothers 623: 565:Live at the Apollo 540: 436:Station to Station 244:Station to Station 8983:Parlophone albums 8920: 8919: 8878:342843 Davidbowie 8673: 8672: 8665:It's My Life Tour 8611:Sound+Vision Tour 8606:Glass Spider Tour 8586:Diamond Dogs Tour 8409:Reality: Tour Ed. 8381:Serious Moonlight 8191:Bowie at the Beeb 8107:The Best of Bowie 8068:Is It Any Wonder? 7960: 7959: 7832:Bowie at the Beeb 7763: 7762: 7656:Never Let Me Down 7420:978-0-007-22945-1 7409:. New York City: 7397:978-0-31603-225-4 7386:. New York City: 7371:978-0-307-71699-6 7360:. New York City: 7343:978-1-63576-641-7 7314:978-0-679-75574-6 7303:. New York City: 7282:978-0-7432-0169-8 7249:978-0-306-80854-8 7221:978-0-27599-245-3 7192:978-1-78565-365-0 7164:978-1-78099-244-0 7139:978-0-690-01196-8 7120:978-0-85712-595-8 7092:978-0-646-11917-5 7068:978-0-85712-875-1 7043:978-0-06-202466-4 7032:. New York City: 7015:978-1-78840-080-0 6992:978-0-7624-7471-4 6981:. New York City: 6969:978-0-380-77966-6 6958:. New York City: 6939:978-0-75351-002-5 6920:978-1-85227-784-0 6897:978-1-50133-664-5 6886:. New York City: 6734:on 11 April 2016. 6055:978-0-89919-026-6 6028:Christgau, Robert 5747:, pp. 78–80. 5704:(15 March 1975). 5671:Phonograph Record 5560:(15 March 1975). 5447:(RCA APL 1-0998)" 5362:"Top Album Picks" 5335:The Village Voice 5326:Christgau, Robert 5288:, pp. 87–88. 5265:978-4-87131-077-2 4881:on 15 August 2016 4726:on 15 August 2016 4636:, pp. 16–17. 4507:, pp. 86–88. 4459:, pp. 54–55. 4423:, pp. 14–15. 4284:, pp. 46–50. 3165: 3164: 3158: 3157: 3153: 3149: 3055: 3054: 3010: 3009: 2966: 2965: 2938: 2937: 2900:Sverigetopplistan 2862:Japanese Albums ( 2812:Canadian Albums ( 2802:Kent Music Report 2763: 2762: 2520:Primary musicians 2499: 2498: 2386: 2385: 2225: 2224: 1992: 1991: 1552:Subsequent events 1516:Phonograph Record 1497:The Village Voice 1414: 1413: 1405:The Village Voice 1135:chord progression 1055:call and response 1011:A Day in the Life 835:New York sessions 760:Bruce Springsteen 631:session musicians 606:Recording history 585:Philadelphia soul 497:Diamond Dogs Tour 367:Diamond Dogs Tour 311: 310: 299:25 July 1975 (UK) 252: 251: 16:(Redirected from 8990: 8910: 8909: 8739:Phillip Jeffries 8660:Tin Machine Tour 8647: 8564:Moonage Daydream 8557:Sound and Vision 8423:Glastonbury 2000 8402:VH1 Storytellers 8135:Fame and Fashion 8093:Images 1966–1967 8001:Moonage Daydream 7930: 7874:Glastonbury 2000 7825:VH1 Storytellers 7797:Santa Monica '72 7733: 7472: 7465: 7458: 7449: 7424: 7401: 7375: 7347: 7318: 7286: 7263:Hoard, Christian 7259:Brackett, Nathan 7253: 7225: 7196: 7168: 7143: 7124: 7096: 7072: 7047: 7019: 6996: 6973: 6943: 6924: 6901: 6866: 6865: 6863: 6861: 6846: 6840: 6839: 6837: 6835: 6821: 6815: 6814: 6812: 6810: 6796: 6790: 6789: 6787: 6785: 6766: 6760: 6754: 6748: 6742: 6736: 6735: 6730:. Archived from 6720: 6714: 6713: 6707: 6699: 6698:. 1975. RS 1006. 6688: 6677: 6671: 6665: 6664: 6662: 6660: 6651:. Archived from 6638: 6632: 6631: 6629: 6627: 6618:. Archived from 6608: 6602: 6601: 6599: 6597: 6577: 6571: 6570: 6564: 6556: 6545: 6539: 6538: 6536: 6534: 6519: 6510: 6509: 6503: 6495: 6484: 6478: 6477: 6443: 6434: 6428: 6422: 6421: 6388: 6382: 6381: 6379: 6377: 6356: 6350: 6349: 6347: 6345: 6326: 6320: 6319: 6313: 6311: 6267: 6261: 6260: 6258: 6256: 6234: 6228: 6227: 6225: 6223: 6199: 6186: 6180: 6174: 6173: 6159: 6153: 6147: 6141: 6140: 6138: 6136: 6111: 6100: 6090: 6084: 6083:, p. 2,002. 6078: 6072: 6071: 6069: 6067: 6024: 6018: 6017: 6015: 6013: 5994:(10 June 1990). 5988: 5982: 5981: 5979: 5977: 5948: 5942: 5941: 5939: 5935: 5933: 5911: 5905: 5904: 5886: 5875: 5869: 5863: 5857: 5851: 5845: 5839: 5838: 5836: 5834: 5812: 5806: 5800: 5794: 5788: 5782: 5781: 5769: 5763: 5757: 5748: 5742: 5736: 5735: 5733: 5729: 5727: 5698: 5692: 5691: 5689: 5685: 5683: 5657: 5651: 5650: 5648: 5644: 5642: 5620: 5614: 5613: 5611: 5609: 5582: 5576: 5575: 5554: 5545: 5544: 5542: 5540: 5534: 5521: 5512: 5503: 5502: 5500: 5498: 5479: 5473: 5472: 5470: 5466: 5464: 5438: 5432: 5431: 5429: 5427: 5421: 5408: 5396: 5390: 5389: 5387: 5385: 5379: 5366: 5358: 5352: 5351: 5349: 5347: 5322: 5313: 5307: 5301: 5295: 5289: 5283: 5270: 5269: 5244: 5235: 5234: 5232: 5230: 5224: 5206:"Top Albums/CDs" 5202: 5193: 5187: 5178: 5174: 5172: 5170: 5164: 5152: 5143: 5142: 5140: 5138: 5132: 5125: 5114: 5105: 5099: 5088: 5076: 5074: 5072: 5066: 5055: 5047: 5038: 5032: 5023: 5022: 5020: 5018: 4999: 4993: 4992: 4990: 4988: 4965: 4956: 4955: 4953: 4951: 4937: 4928: 4927: 4925: 4923: 4900: 4891: 4890: 4888: 4886: 4877:. Archived from 4863: 4857: 4856: 4854: 4852: 4846: 4833: 4821: 4812: 4806: 4793: 4787: 4781: 4775: 4766: 4760: 4751: 4745: 4736: 4735: 4733: 4731: 4722:. Archived from 4712: 4706: 4705: 4703: 4701: 4681: 4672: 4671: 4669: 4667: 4643: 4637: 4631: 4625: 4619: 4613: 4607: 4601: 4595: 4589: 4583: 4574: 4568: 4562: 4556: 4547: 4541: 4532: 4526: 4520: 4514: 4508: 4502: 4493: 4492: 4490: 4488: 4466: 4460: 4454: 4448: 4442: 4436: 4430: 4424: 4418: 4409: 4403: 4397: 4391: 4382: 4376: 4367: 4361: 4348: 4342: 4336: 4330: 4324: 4318: 4309: 4303: 4297: 4291: 4285: 4279: 4264: 4263: 4261: 4259: 4233: 4222: 4216: 4210: 4204: 4198: 4197: 4195: 4193: 4188:on 18 April 2021 4184:. Archived from 4173: 4164: 4163: 4161: 4154: 4152: 4130: 4117: 4116: 4114: 4112: 4083: 4062: 4061: 4059: 4057: 4032: 4026: 4025: 4023: 4021: 3995: 3986: 3985: 3983: 3981: 3958: 3945: 3939: 3924: 3923: 3921: 3919: 3899: 3890: 3884: 3875: 3869: 3860: 3854: 3848: 3842: 3831: 3825: 3819: 3813: 3807: 3801: 3795: 3789: 3783: 3782: 3780: 3778: 3756: 3739: 3738: 3736: 3734: 3725:. Archived from 3708: 3702: 3696: 3690: 3684: 3678: 3677: 3659: 3632: 3631: 3629: 3625:Rock's Backpages 3622: 3620: 3598: 3587: 3581: 3575: 3569: 3563: 3557: 3546: 3540: 3521: 3515: 3509: 3503: 3497: 3496: 3494: 3492: 3483:. No. 332. 3480:Record Collector 3470: 3447: 3441: 3394: 3393: 3391: 3389: 3380:. Archived from 3369: 3363: 3357: 3351: 3345: 3339: 3333: 3263: 3260: 3254: 3252: 3241: 3235: 3226: 3220: 3211: 3205: 3196: 3190: 3179: 3151: 3147: 3100:United Kingdom ( 3068: 3025: 2987:Italian Albums ( 2974: 2959:UK Albums (OCC) 2946: 2898:Swedish Albums ( 2838:Finnish Albums ( 2787: 2772: 2739: 2733: 2727: 2721: 2715: 2709: 2703: 2679: 2670: 2664: 2655: 2646: 2640: 2631: 2590:Larry Washington 2573: 2564: 2546: 2515: 2492: 2455:Can You Hear Me? 2398: 2393: 2302: 2297: 2221: 2220: 2219: 2215: 2214: 2210: 2209: 2205: 2204: 2200: 2199: 2183: 2182: 2181: 2177: 2176: 2172: 2171: 2167: 2166: 2162: 2161: 2129: 1988: 1987: 1986: 1982: 1981: 1977: 1976: 1972: 1971: 1967: 1966: 1926: 1925: 1924: 1920: 1919: 1915: 1914: 1910: 1909: 1905: 1904: 1864: 1863: 1862: 1858: 1857: 1853: 1852: 1848: 1847: 1843: 1842: 1814: 1813: 1812: 1808: 1807: 1803: 1802: 1798: 1797: 1781: 1780: 1779: 1775: 1774: 1770: 1769: 1765: 1764: 1760: 1759: 1729: 1711:artists and the 1694: 1687:" (1976), while 1626:Record Collector 1502:Robert Christgau 1469: 1439: 1370: 1334: 1325: 1321: 1304:20 Greatest Hits 1277: 1251: 1225:UK Singles Chart 1219:" (1972) as the 1217:Suffragette City 1208: 1178: 1132: 1108:Can You Hear Me? 1093:of the same name 1034:The Occult Reich 936:by the engineer 930: 805: 787: 696: 692: 329: 300: 295: 285: 282: 266:Young Americans 221: 220: 171: 170: 166: 86: 84: 58: 46: 21: 8998: 8997: 8993: 8992: 8991: 8989: 8988: 8987: 8973:Rykodisc albums 8923: 8922: 8921: 8916: 8898: 8884:Tao Jones Index 8799: 8712: 8706: 8669: 8645: 8569: 8523: 8428: 8354: 8252: 8114:Changestwobowie 8100:Changesonebowie 8073: 8006: 7956: 7928: 7881:ChangesNowBowie 7804:LiveAndWell.com 7759: 7731: 7600:Young Americans 7529: 7481: 7476: 7437:Young Americans 7432: 7427: 7421: 7404: 7398: 7378: 7372: 7350: 7344: 7321: 7315: 7289: 7283: 7256: 7250: 7228: 7222: 7199: 7193: 7171: 7165: 7146: 7140: 7127: 7121: 7099: 7093: 7075: 7069: 7050: 7044: 7022: 7016: 6999: 6993: 6976: 6970: 6946: 6940: 6927: 6921: 6904: 6898: 6879: 6875: 6870: 6869: 6859: 6857: 6848: 6847: 6843: 6833: 6831: 6823: 6822: 6818: 6808: 6806: 6798: 6797: 6793: 6783: 6781: 6768: 6767: 6763: 6755: 6751: 6743: 6739: 6722: 6721: 6717: 6700: 6692:Young Americans 6690: 6689: 6680: 6672: 6668: 6658: 6656: 6640: 6639: 6635: 6625: 6623: 6610: 6609: 6605: 6595: 6593: 6579: 6578: 6574: 6557: 6551:(liner notes). 6549:Young Americans 6547: 6546: 6542: 6532: 6530: 6521: 6520: 6513: 6496: 6490:(liner notes). 6488:Young Americans 6486: 6485: 6481: 6445: 6444: 6437: 6429: 6425: 6390: 6389: 6385: 6375: 6373: 6358: 6357: 6353: 6343: 6341: 6328: 6327: 6323: 6309: 6307: 6280:by David Bowie" 6274:Young Americans 6269: 6268: 6264: 6254: 6252: 6236: 6235: 6231: 6221: 6219: 6206:Young Americans 6201: 6200: 6189: 6181: 6177: 6172:. No. 119. 6164:Young Americans 6161: 6160: 6156: 6148: 6144: 6134: 6132: 6115:Cavanagh, David 6113: 6112: 6103: 6091: 6087: 6079: 6075: 6065: 6063: 6056: 6034:Young Americans 6026: 6025: 6021: 6011: 6009: 6001:Chicago Tribune 5990: 5989: 5985: 5975: 5973: 5968:. No. 43. 5950: 5949: 5945: 5937: 5931: 5929: 5913: 5912: 5908: 5891:Young Americans 5888: 5887: 5878: 5870: 5866: 5858: 5854: 5846: 5842: 5832: 5830: 5814: 5813: 5809: 5801: 5797: 5789: 5785: 5771: 5770: 5766: 5758: 5751: 5743: 5739: 5731: 5725: 5723: 5708:Young Americans 5700: 5699: 5695: 5687: 5681: 5679: 5664:Young Americans 5659: 5658: 5654: 5646: 5640: 5638: 5622: 5621: 5617: 5607: 5605: 5592:Young Americans 5588:(22 May 1975). 5584: 5583: 5579: 5564:Young Americans 5556: 5555: 5548: 5538: 5536: 5532: 5519: 5517:"Album Reviews" 5514: 5513: 5506: 5496: 5494: 5481: 5480: 5476: 5468: 5462: 5460: 5445:Young Americans 5440: 5439: 5435: 5425: 5423: 5419: 5406: 5402:Young Americans 5398: 5397: 5393: 5383: 5381: 5377: 5364: 5360: 5359: 5355: 5345: 5343: 5328:(12 May 1975). 5324: 5323: 5316: 5308: 5304: 5296: 5292: 5284: 5273: 5266: 5246: 5245: 5238: 5228: 5226: 5222: 5204: 5203: 5196: 5188: 5181: 5168: 5166: 5162: 5154: 5153: 5146: 5136: 5134: 5130: 5123: 5116: 5115: 5108: 5100: 5091: 5084:Young Americans 5070: 5068: 5064: 5053: 5049: 5048: 5041: 5033: 5026: 5016: 5014: 5001: 5000: 4996: 4986: 4984: 4967: 4966: 4959: 4949: 4947: 4939: 4938: 4931: 4921: 4919: 4906:Young Americans 4902: 4901: 4894: 4884: 4882: 4869:Young Americans 4865: 4864: 4860: 4850: 4848: 4844: 4831: 4827:Young Americans 4823: 4822: 4815: 4807: 4796: 4788: 4784: 4776: 4769: 4761: 4754: 4746: 4739: 4729: 4727: 4714: 4713: 4709: 4699: 4697: 4683: 4682: 4675: 4665: 4663: 4650:Young Americans 4645: 4644: 4640: 4632: 4628: 4620: 4616: 4608: 4604: 4596: 4592: 4584: 4577: 4569: 4565: 4557: 4550: 4542: 4535: 4527: 4523: 4515: 4511: 4503: 4496: 4486: 4484: 4468: 4467: 4463: 4455: 4451: 4443: 4439: 4431: 4427: 4419: 4412: 4404: 4400: 4392: 4385: 4377: 4370: 4362: 4351: 4343: 4339: 4331: 4327: 4319: 4312: 4304: 4300: 4292: 4288: 4280: 4267: 4257: 4255: 4240:Young Americans 4235: 4234: 4225: 4217: 4213: 4205: 4201: 4191: 4189: 4175: 4174: 4167: 4159: 4150: 4148: 4132: 4131: 4120: 4110: 4108: 4093:Young Americans 4085: 4084: 4065: 4055: 4053: 4034: 4033: 4029: 4019: 4017: 4002:Young Americans 3997: 3996: 3989: 3979: 3977: 3968:Young Americans 3960: 3959: 3948: 3940: 3927: 3917: 3915: 3901: 3900: 3893: 3885: 3878: 3870: 3863: 3855: 3851: 3843: 3834: 3826: 3822: 3814: 3810: 3802: 3798: 3790: 3786: 3776: 3774: 3758: 3757: 3742: 3732: 3730: 3717:at Sigma Sound" 3715:Young Americans 3710: 3709: 3705: 3697: 3693: 3685: 3681: 3665:The Independent 3661: 3660: 3635: 3627: 3618: 3616: 3600: 3599: 3590: 3582: 3578: 3570: 3566: 3558: 3549: 3541: 3524: 3516: 3512: 3504: 3500: 3490: 3488: 3472: 3471: 3450: 3442: 3397: 3387: 3385: 3371: 3370: 3366: 3358: 3354: 3346: 3342: 3334: 3277: 3272: 3267: 3266: 3261: 3257: 3250: 3242: 3238: 3227: 3223: 3212: 3208: 3197: 3193: 3180: 3176: 3171: 3166: 3150: 3115:United States ( 3078:Certified units 3065:Young Americans 3060: 3022:Young Americans 3017: 3015:Year-end charts 2981: 2971:Young Americans 2953: 2943:Young Americans 2850:French Albums ( 2794: 2784:Young Americans 2779: 2769: 2764: 2737: 2731: 2726:(Electric Lady) 2725: 2720:(Electric Lady) 2719: 2713: 2707: 2701: 2677: 2674:Jean Millington 2668: 2662: 2659:Ralph MacDonald 2653: 2644: 2638: 2629: 2611:Luther Vandross 2579: – guitars 2571: 2562: 2544: 2537: – guitars 2505: 2500: 2490: 2387: 2360:Luther Vandross 2321:Young Americans 2284: 2228:Young Americans 2217: 2212: 2207: 2202: 2179: 2174: 2169: 2164: 2124: 2088:Young Americans 2082:Young Americans 2074:Young Americans 2066:Young Americans 2056:Young Americans 2050:The Independent 2037:Thin White Duke 2033:Young Americans 2026:Young Americans 1995:Young Americans 1984: 1979: 1974: 1969: 1922: 1917: 1912: 1907: 1860: 1855: 1850: 1845: 1810: 1805: 1800: 1788:Chicago Tribune 1777: 1772: 1767: 1762: 1724: 1705:Young Americans 1692: 1620:Young Americans 1617: 1595:Young Americans 1576:Young Americans 1558:Young Americans 1554: 1549: 1489:Young Americans 1467: 1456:Young Americans 1437: 1417:Young Americans 1373:Initial reviews 1365: 1332: 1323: 1319: 1309:Young Americans 1295:UK Albums Chart 1275: 1272:Young Americans 1252:February 1975. 1249: 1245:Top of the Pops 1206: 1199: 1176: 1168:Norman Rockwell 1160: 1147: 1130: 1081: 1051:Young Americans 995:Young Americans 991: 983:Aretha Franklin 949:Young Americans 946: 928: 925:Young Americans 918:Ralph MacDonald 837: 813:One Damned Song 803: 785: 778:Young Americans 703:Trident Studios 694: 690: 687: 679:Luther Vandross 619:Luther Vandross 615:Young Americans 608: 532:Young Americans 460: 441:Young Americans 421:Young Americans 387:Luther Vandross 327: 326:, released on 7 315:Young Americans 303: 298: 296: 289: 288: 283: 279:Young Americans 276: 275: 247: 238: 235:Young Americans 229: 168: 164: 163: 122:, New York City 82: 80: 71: 49:Young Americans 42: 35: 28: 23: 22: 15: 12: 11: 5: 8996: 8994: 8986: 8985: 8980: 8975: 8970: 8965: 8960: 8955: 8950: 8945: 8940: 8935: 8925: 8924: 8918: 8917: 8915: 8914: 8903: 8900: 8899: 8897: 8896: 8891: 8886: 8881: 8874: 8867: 8860: 8857:The Nomad Soul 8853: 8848: 8843: 8841:Berlin Trilogy 8838: 8833: 8828: 8823: 8818: 8813: 8807: 8805: 8801: 8800: 8798: 8797: 8790: 8783: 8776: 8769: 8762: 8755: 8748: 8741: 8736: 8731: 8728:David Bowie Is 8724: 8716: 8714: 8708: 8707: 8705: 8704: 8703: 8702: 8695:Ziggy Stardust 8692: 8687: 8681: 8679: 8675: 8674: 8671: 8670: 8668: 8667: 8662: 8656: 8654: 8644: 8643: 8641:A Reality Tour 8638: 8633: 8628: 8623: 8621:Earthling Tour 8618: 8613: 8608: 8603: 8598: 8593: 8588: 8583: 8577: 8575: 8571: 8570: 8568: 8567: 8560: 8553: 8546: 8539: 8531: 8529: 8525: 8524: 8522: 8521: 8514: 8507: 8500: 8493: 8486: 8479: 8472: 8465: 8462:Day-In Day-Out 8458: 8451: 8444: 8436: 8434: 8430: 8429: 8427: 8426: 8419: 8416:A Reality Tour 8412: 8405: 8398: 8391: 8384: 8377: 8370: 8362: 8360: 8359:Concert videos 8356: 8355: 8353: 8352: 8345: 8338: 8331: 8324: 8317: 8310: 8303: 8296: 8289: 8282: 8275: 8268: 8265:Sound + Vision 8260: 8258: 8254: 8253: 8251: 8250: 8243: 8236: 8229: 8222: 8219:The Collection 8215: 8208: 8201: 8194: 8187: 8180: 8173: 8166: 8163:Rarestonebowie 8159: 8152: 8145: 8138: 8131: 8124: 8117: 8110: 8103: 8096: 8089: 8081: 8079: 8075: 8074: 8072: 8071: 8064: 8057: 8050: 8043: 8036: 8029: 8022: 8014: 8012: 8008: 8007: 8005: 8004: 7997: 7990: 7983: 7976: 7968: 7966: 7962: 7961: 7958: 7957: 7955: 7954: 7947: 7939: 7937: 7927: 7926: 7919: 7912: 7905: 7898: 7891: 7884: 7877: 7870: 7863: 7856: 7849: 7842: 7839:A Reality Tour 7835: 7828: 7821: 7814: 7807: 7800: 7793: 7786: 7779: 7771: 7769: 7765: 7764: 7761: 7760: 7758: 7757: 7754:Tin Machine II 7750: 7742: 7740: 7730: 7729: 7722: 7715: 7708: 7701: 7694: 7687: 7680: 7673: 7666: 7659: 7652: 7645: 7638: 7631: 7624: 7617: 7610: 7603: 7596: 7589: 7582: 7575: 7568: 7561: 7554: 7546: 7537: 7535: 7531: 7530: 7528: 7527: 7525:Art collection 7522: 7517: 7512: 7507: 7502: 7497: 7492: 7486: 7483: 7482: 7477: 7475: 7474: 7467: 7460: 7452: 7446: 7445: 7431: 7430:External links 7428: 7426: 7425: 7419: 7402: 7396: 7376: 7370: 7348: 7342: 7319: 7313: 7295:Weisbard, Eric 7291:Sheffield, Rob 7287: 7281: 7254: 7248: 7226: 7220: 7197: 7191: 7173:Pegg, Nicholas 7169: 7163: 7153:. Winchester: 7144: 7138: 7125: 7119: 7097: 7091: 7073: 7067: 7048: 7042: 7024:Doggett, Peter 7020: 7014: 6997: 6991: 6974: 6968: 6944: 6938: 6925: 6919: 6902: 6896: 6876: 6874: 6871: 6868: 6867: 6841: 6816: 6791: 6761: 6749: 6737: 6715: 6678: 6666: 6633: 6603: 6586:– David Bowie" 6572: 6540: 6511: 6479: 6435: 6423: 6383: 6351: 6321: 6286:. p. 37. 6262: 6229: 6187: 6185:, p. 486. 6175: 6154: 6150:Sheffield 1995 6142: 6101: 6093:Sheffield 2004 6085: 6073: 6054: 6032:"David Bowie: 6019: 5983: 5954:(April 1990). 5952:Du Noyer, Paul 5943: 5906: 5876: 5874:, p. 253. 5864: 5852: 5850:, p. 257. 5840: 5807: 5795: 5783: 5764: 5749: 5737: 5706:"David Bowie: 5702:MacDonald, Ian 5693: 5662:"David Bowie: 5652: 5633:. p. 80. 5615: 5577: 5562:"David Bowie: 5558:Watts, Michael 5546: 5528:. p. 27. 5504: 5474: 5443:"David Bowie: 5433: 5400:"David Bowie: 5391: 5353: 5314: 5312:, p. 244. 5302: 5300:, p. 223. 5290: 5271: 5264: 5236: 5194: 5179: 5144: 5106: 5089: 5067:on 29 May 2017 5039: 5024: 4994: 4957: 4929: 4908:Chart History" 4892: 4858: 4825:"David Bowie: 4813: 4811:, p. 219. 4794: 4792:, p. 780. 4782: 4780:, p. 323. 4767: 4752: 4737: 4707: 4673: 4638: 4626: 4624:, p. 231. 4614: 4602: 4590: 4575: 4573:, p. 312. 4563: 4548: 4533: 4521: 4519:, p. 249. 4509: 4494: 4461: 4449: 4437: 4435:, p. 274. 4425: 4410: 4408:, p. 250. 4398: 4383: 4381:, p. 226. 4368: 4349: 4337: 4335:, p. 224. 4325: 4310: 4308:, p. 315. 4298: 4286: 4265: 4223: 4221:, p. 135. 4211: 4209:, p. 179. 4199: 4165: 4157:Newspapers.com 4143:. p. 49. 4118: 4091:"David Bowie: 4063: 4036:Sheffield, Rob 4027: 3987: 3970:– David Bowie" 3946: 3944:, p. 138. 3925: 3891: 3889:, p. 230. 3876: 3861: 3859:, p. 227. 3849: 3832: 3830:, p. 212. 3820: 3808: 3796: 3784: 3740: 3703: 3691: 3689:, p. 320. 3679: 3633: 3588: 3586:, p. 178. 3576: 3564: 3547: 3522: 3520:, p. 147. 3510: 3508:, p. 109. 3498: 3448: 3395: 3384:on 31 May 2019 3364: 3352: 3340: 3274: 3273: 3271: 3268: 3265: 3264: 3255: 3246:Sound + Vision 3236: 3221: 3216:Sound + Vision 3206: 3191: 3173: 3172: 3170: 3167: 3163: 3162: 3156: 3155: 3143: 3142: 3139: 3136: 3132: 3131: 3127: 3126: 3123: 3120: 3112: 3111: 3108: 3105: 3097: 3096: 3093: 3090: 3082: 3081: 3075: 3072: 3059: 3058:Certifications 3056: 3053: 3052: 3049: 3041: 3040: 3037: 3033: 3032: 3029: 3016: 3013: 3011: 3008: 3007: 3004: 2999:Swiss Albums ( 2996: 2995: 2992: 2984: 2983: 2978: 2964: 2963: 2960: 2956: 2955: 2950: 2936: 2935: 2932: 2922: 2921: 2918: 2907: 2906: 2903: 2895: 2894: 2891: 2883: 2882: 2879: 2871: 2870: 2867: 2859: 2858: 2855: 2847: 2846: 2843: 2835: 2834: 2831: 2823: 2822: 2819: 2809: 2808: 2805: 2797: 2796: 2791: 2778: 2775: 2770: 2768: 2765: 2761: 2760: 2756: 2755: 2752: 2749: 2740: 2738:(Record Plant) 2734: 2732:(Record Plant) 2728: 2722: 2716: 2710: 2704: 2702:(Record Plant) 2695: 2692: 2682: 2681: 2680: 2671: 2665: 2656: 2652: – drums 2647: 2641: 2632: 2626: 2620: 2617: 2614: 2608: 2602: 2596: 2581: 2580: 2574: 2570: – drums 2565: 2556: 2547: 2538: 2532: 2513: 2504: 2501: 2497: 2496: 2493: 2487: 2486: 2483: 2476: 2469: 2465: 2464: 2461: 2458: 2451: 2447: 2446: 2443: 2441:Paul McCartney 2434: 2427: 2423: 2422: 2419: 2416: 2413: 2409: 2408: 2405: 2402: 2399: 2388: 2384: 2383: 2380: 2377: 2370: 2366: 2365: 2362: 2356: 2349: 2345: 2344: 2341: 2338: 2335: 2331: 2330: 2327: 2324: 2317: 2313: 2312: 2309: 2306: 2303: 2285: 2283: 2280: 2275:Sound + Vision 2223: 2222: 2193: 2185: 2184: 2155: 2147: 2146: 2143: 2139: 2138: 2134: 2133: 2123: 2120: 1990: 1989: 1960: 1952: 1951: 1948: 1940: 1939: 1936: 1928: 1927: 1898: 1890: 1889: 1886: 1878: 1877: 1874: 1866: 1865: 1836: 1828: 1827: 1824: 1816: 1815: 1791: 1783: 1782: 1753: 1747: 1746: 1743: 1739: 1738: 1734: 1733: 1723: 1720: 1667:George Clinton 1655:Spandau Ballet 1616: 1613: 1599:Ziggy Stardust 1553: 1550: 1548: 1545: 1442:Ziggy Stardust 1412: 1411: 1408: 1400: 1399: 1396: 1388: 1387: 1384: 1380: 1379: 1375: 1374: 1364: 1361: 1212:Ziggy Stardust 1198: 1195: 1162:For the album 1159: 1156: 1146: 1143: 1080: 1077: 990: 987: 953:blue-eyed soul 945: 942: 843:Former Beatle 836: 833: 784:' "Footstompin 686: 683: 667:Herbie Flowers 607: 604: 560:Wilson Pickett 548:Apollo Theater 459: 456: 413:, produced by 348:blue-eyed soul 309: 308: 305: 304: 302: 301: 286: 272: 269: 268: 258: 257: 254: 253: 250: 249: 240: 231: 217: 216: 209: 208: 207: 206: 201: 196: 191: 185: 184: 179: 173: 172: 161: 157: 156: 155: 154: 149: 144: 139: 137:Blue-eyed soul 132: 126: 125: 124: 123: 117: 108: 107:, Philadelphia 100: 96: 95: 92: 88: 87: 77: 73: 72: 67: 60: 59: 51: 50: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8995: 8984: 8981: 8979: 8976: 8974: 8971: 8969: 8966: 8964: 8961: 8959: 8956: 8954: 8951: 8949: 8946: 8944: 8941: 8939: 8936: 8934: 8931: 8930: 8928: 8913: 8905: 8904: 8901: 8895: 8892: 8890: 8887: 8885: 8882: 8880: 8879: 8875: 8873: 8872: 8868: 8866: 8865: 8861: 8859: 8858: 8854: 8852: 8849: 8847: 8844: 8842: 8839: 8837: 8834: 8832: 8831:Junior's Eyes 8829: 8827: 8824: 8822: 8819: 8817: 8814: 8812: 8809: 8808: 8806: 8802: 8796: 8795: 8791: 8789: 8788: 8784: 8782: 8781: 8777: 8775: 8774: 8770: 8768: 8767: 8763: 8761: 8760: 8756: 8754: 8753: 8749: 8747: 8746: 8742: 8740: 8737: 8735: 8732: 8730: 8729: 8725: 8722: 8718: 8717: 8715: 8709: 8701: 8698: 8697: 8696: 8693: 8691: 8688: 8686: 8683: 8682: 8680: 8676: 8666: 8663: 8661: 8658: 8657: 8655: 8653: 8648: 8642: 8639: 8637: 8634: 8632: 8629: 8627: 8624: 8622: 8619: 8617: 8614: 8612: 8609: 8607: 8604: 8602: 8599: 8597: 8594: 8592: 8589: 8587: 8584: 8582: 8579: 8578: 8576: 8572: 8566: 8565: 8561: 8559: 8558: 8554: 8552: 8551: 8547: 8545: 8544: 8540: 8538: 8537: 8536:Cracked Actor 8533: 8532: 8530: 8528:Documentaries 8526: 8520: 8519: 8515: 8513: 8512: 8508: 8506: 8505: 8501: 8499: 8498: 8497:Best of Bowie 8494: 8492: 8491: 8487: 8485: 8484: 8480: 8478: 8477: 8473: 8471: 8470: 8466: 8464: 8463: 8459: 8457: 8456: 8452: 8450: 8449: 8445: 8443: 8442: 8438: 8437: 8435: 8431: 8425: 8424: 8420: 8418: 8417: 8413: 8411: 8410: 8406: 8404: 8403: 8399: 8397: 8396: 8392: 8390: 8389: 8385: 8383: 8382: 8378: 8376: 8375: 8371: 8369: 8368: 8364: 8363: 8361: 8357: 8351: 8350: 8346: 8344: 8343: 8339: 8337: 8336: 8332: 8330: 8329: 8325: 8323: 8322: 8318: 8316: 8315: 8311: 8309: 8308: 8304: 8302: 8301: 8297: 8295: 8294: 8290: 8288: 8287: 8283: 8281: 8280: 8276: 8274: 8273: 8269: 8267: 8266: 8262: 8261: 8259: 8255: 8249: 8248: 8244: 8242: 8241: 8237: 8235: 8234: 8230: 8228: 8227: 8223: 8221: 8220: 8216: 8214: 8213: 8209: 8207: 8206: 8205:Best of Bowie 8202: 8200: 8199: 8195: 8193: 8192: 8188: 8186: 8185: 8181: 8179: 8178: 8174: 8172: 8171: 8167: 8165: 8164: 8160: 8158: 8157: 8153: 8151: 8150: 8146: 8144: 8143: 8139: 8137: 8136: 8132: 8130: 8129: 8125: 8123: 8122: 8118: 8116: 8115: 8111: 8109: 8108: 8104: 8102: 8101: 8097: 8095: 8094: 8090: 8088: 8087: 8083: 8082: 8080: 8076: 8070: 8069: 8065: 8063: 8062: 8058: 8056: 8055: 8051: 8049: 8048: 8044: 8042: 8041: 8037: 8035: 8034: 8030: 8028: 8027: 8023: 8021: 8020: 8016: 8015: 8013: 8009: 8003: 8002: 7998: 7996: 7995: 7991: 7989: 7988: 7984: 7982: 7981: 7977: 7975: 7974: 7973:Christiane F. 7970: 7969: 7967: 7963: 7953: 7952: 7948: 7946: 7945: 7941: 7940: 7938: 7936: 7931: 7925: 7924: 7920: 7918: 7917: 7913: 7911: 7910: 7906: 7904: 7903: 7899: 7897: 7896: 7892: 7890: 7889: 7885: 7883: 7882: 7878: 7876: 7875: 7871: 7869: 7868: 7864: 7862: 7861: 7857: 7855: 7854: 7850: 7848: 7847: 7843: 7841: 7840: 7836: 7834: 7833: 7829: 7827: 7826: 7822: 7820: 7819: 7815: 7813: 7812: 7808: 7806: 7805: 7801: 7799: 7798: 7794: 7792: 7791: 7787: 7785: 7784: 7780: 7778: 7777: 7773: 7772: 7770: 7766: 7756: 7755: 7751: 7749: 7748: 7744: 7743: 7741: 7739: 7734: 7728: 7727: 7723: 7721: 7720: 7716: 7714: 7713: 7709: 7707: 7706: 7702: 7700: 7699: 7695: 7693: 7692: 7688: 7686: 7685: 7681: 7679: 7678: 7674: 7672: 7671: 7667: 7665: 7664: 7660: 7658: 7657: 7653: 7651: 7650: 7646: 7644: 7643: 7639: 7637: 7636: 7632: 7630: 7629: 7625: 7623: 7622: 7618: 7616: 7615: 7611: 7609: 7608: 7604: 7602: 7601: 7597: 7595: 7594: 7590: 7588: 7587: 7583: 7581: 7580: 7576: 7574: 7573: 7569: 7567: 7566: 7562: 7560: 7559: 7555: 7553: 7551: 7547: 7545: 7543: 7539: 7538: 7536: 7534:Studio albums 7532: 7526: 7523: 7521: 7518: 7516: 7513: 7511: 7508: 7506: 7503: 7501: 7498: 7496: 7493: 7491: 7488: 7487: 7484: 7480: 7473: 7468: 7466: 7461: 7459: 7454: 7453: 7450: 7443: 7439: 7438: 7434: 7433: 7429: 7422: 7416: 7412: 7408: 7403: 7399: 7393: 7389: 7385: 7381: 7377: 7373: 7367: 7363: 7359: 7358: 7353: 7349: 7345: 7339: 7335: 7331: 7327: 7326: 7320: 7316: 7310: 7306: 7305:Vintage Books 7302: 7301: 7296: 7292: 7288: 7284: 7278: 7274: 7270: 7269: 7264: 7260: 7255: 7251: 7245: 7241: 7240:Da Capo Press 7237: 7236: 7231: 7227: 7223: 7217: 7213: 7209: 7208:Santa Barbara 7205: 7204: 7198: 7194: 7188: 7184: 7180: 7179: 7174: 7170: 7166: 7160: 7156: 7152: 7151: 7145: 7141: 7135: 7131: 7126: 7122: 7116: 7112: 7111:Omnibus Press 7108: 7107: 7102: 7101:Larkin, Colin 7098: 7094: 7088: 7084: 7083: 7078: 7074: 7070: 7064: 7060: 7059:Omnibus Press 7056: 7055: 7049: 7045: 7039: 7035: 7031: 7030: 7025: 7021: 7017: 7011: 7007: 7003: 6998: 6994: 6988: 6984: 6980: 6975: 6971: 6965: 6961: 6957: 6953: 6949: 6945: 6941: 6935: 6931: 6926: 6922: 6916: 6912: 6908: 6903: 6899: 6893: 6889: 6885: 6884: 6878: 6877: 6872: 6856: 6852: 6845: 6842: 6830: 6826: 6820: 6817: 6805: 6801: 6795: 6792: 6779: 6775: 6771: 6765: 6762: 6758: 6753: 6750: 6746: 6741: 6738: 6733: 6729: 6725: 6719: 6716: 6711: 6705: 6697: 6693: 6687: 6685: 6683: 6679: 6675: 6670: 6667: 6654: 6650: 6649: 6644: 6637: 6634: 6621: 6617: 6613: 6607: 6604: 6591: 6587: 6585: 6576: 6573: 6568: 6562: 6554: 6550: 6544: 6541: 6528: 6524: 6518: 6516: 6512: 6507: 6501: 6493: 6489: 6483: 6480: 6475: 6471: 6467: 6463: 6459: 6455: 6451: 6450: 6442: 6440: 6436: 6432: 6427: 6424: 6419: 6415: 6411: 6407: 6403: 6399: 6398: 6393: 6387: 6384: 6371: 6367: 6366: 6361: 6355: 6352: 6339: 6335: 6334:Rolling Stone 6331: 6325: 6322: 6317: 6305: 6301: 6297: 6293: 6289: 6285: 6281: 6279: 6275: 6266: 6263: 6250: 6246: 6245: 6240: 6233: 6230: 6217: 6213: 6212:Rolling Stone 6209: 6207: 6198: 6196: 6194: 6192: 6188: 6184: 6179: 6176: 6171: 6170: 6165: 6158: 6155: 6152:, p. 55. 6151: 6146: 6143: 6130: 6126: 6125: 6120: 6116: 6110: 6108: 6106: 6102: 6098: 6094: 6089: 6086: 6082: 6077: 6074: 6061: 6057: 6051: 6047: 6043: 6042: 6037: 6035: 6029: 6023: 6020: 6007: 6003: 6002: 5997: 5993: 5987: 5984: 5971: 5967: 5966: 5961: 5959: 5953: 5947: 5944: 5927: 5923: 5922: 5917: 5910: 5907: 5903:. p. 37. 5902: 5901: 5896: 5892: 5885: 5883: 5881: 5877: 5873: 5868: 5865: 5861: 5856: 5853: 5849: 5844: 5841: 5828: 5824: 5823: 5818: 5811: 5808: 5804: 5799: 5796: 5792: 5787: 5784: 5779: 5775: 5768: 5765: 5761: 5756: 5754: 5750: 5746: 5741: 5738: 5721: 5717: 5716: 5711: 5709: 5703: 5697: 5694: 5677: 5673: 5672: 5667: 5665: 5656: 5653: 5636: 5632: 5631: 5626: 5619: 5616: 5603: 5599: 5598:Rolling Stone 5595: 5593: 5587: 5581: 5578: 5573: 5572: 5567: 5565: 5559: 5553: 5551: 5547: 5531: 5527: 5526: 5525:Record Mirror 5518: 5511: 5509: 5505: 5492: 5488: 5484: 5478: 5475: 5458: 5454: 5453: 5448: 5446: 5437: 5434: 5418: 5414: 5413: 5405: 5403: 5395: 5392: 5376: 5372: 5371: 5363: 5357: 5354: 5341: 5337: 5336: 5331: 5327: 5321: 5319: 5315: 5311: 5306: 5303: 5299: 5294: 5291: 5287: 5282: 5280: 5278: 5276: 5272: 5267: 5261: 5257: 5253: 5249: 5243: 5241: 5237: 5221: 5217: 5213: 5212: 5207: 5201: 5199: 5195: 5191: 5186: 5184: 5180: 5177: 5161: 5157: 5151: 5149: 5145: 5129: 5122: 5121: 5113: 5111: 5107: 5103: 5098: 5096: 5094: 5090: 5087: 5083: 5081: 5063: 5059: 5052: 5046: 5044: 5040: 5036: 5031: 5029: 5025: 5012: 5008: 5004: 4998: 4995: 4982: 4978: 4974: 4970: 4964: 4962: 4958: 4946: 4942: 4936: 4934: 4930: 4917: 4913: 4909: 4907: 4899: 4897: 4893: 4880: 4876: 4872: 4870: 4862: 4859: 4843: 4839: 4838: 4830: 4828: 4820: 4818: 4814: 4810: 4805: 4803: 4801: 4799: 4795: 4791: 4786: 4783: 4779: 4774: 4772: 4768: 4764: 4759: 4757: 4753: 4749: 4744: 4742: 4738: 4725: 4721: 4717: 4711: 4708: 4695: 4691: 4687: 4680: 4678: 4674: 4661: 4657: 4653: 4651: 4642: 4639: 4635: 4630: 4627: 4623: 4618: 4615: 4611: 4606: 4603: 4599: 4594: 4591: 4587: 4582: 4580: 4576: 4572: 4567: 4564: 4560: 4555: 4553: 4549: 4545: 4540: 4538: 4534: 4530: 4525: 4522: 4518: 4513: 4510: 4506: 4501: 4499: 4495: 4482: 4478: 4477: 4472: 4465: 4462: 4458: 4453: 4450: 4446: 4441: 4438: 4434: 4429: 4426: 4422: 4417: 4415: 4411: 4407: 4402: 4399: 4395: 4390: 4388: 4384: 4380: 4375: 4373: 4369: 4365: 4360: 4358: 4356: 4354: 4350: 4346: 4341: 4338: 4334: 4329: 4326: 4323:, p. 89. 4322: 4317: 4315: 4311: 4307: 4302: 4299: 4295: 4290: 4287: 4283: 4278: 4276: 4274: 4272: 4270: 4266: 4253: 4249: 4248: 4243: 4241: 4238:"David Bowie 4232: 4230: 4228: 4224: 4220: 4215: 4212: 4208: 4203: 4200: 4187: 4183: 4179: 4172: 4170: 4166: 4158: 4146: 4142: 4141: 4136: 4129: 4127: 4125: 4123: 4119: 4106: 4102: 4101: 4096: 4095:Album Review" 4094: 4088: 4087:Wolk, Douglas 4082: 4080: 4078: 4076: 4074: 4072: 4070: 4068: 4064: 4051: 4047: 4046: 4045:Rolling Stone 4041: 4037: 4031: 4028: 4015: 4011: 4010: 4005: 4003: 3994: 3992: 3988: 3975: 3971: 3969: 3963: 3957: 3955: 3953: 3951: 3947: 3943: 3942:Sandford 1997 3938: 3936: 3934: 3932: 3930: 3926: 3913: 3909: 3908:Rolling Stone 3905: 3898: 3896: 3892: 3888: 3883: 3881: 3877: 3873: 3872:Visconti 2007 3868: 3866: 3862: 3858: 3853: 3850: 3846: 3841: 3839: 3837: 3833: 3829: 3824: 3821: 3817: 3812: 3809: 3805: 3800: 3797: 3793: 3788: 3785: 3772: 3768: 3767: 3762: 3755: 3753: 3751: 3749: 3747: 3745: 3741: 3728: 3724: 3723: 3722:The A.V. Club 3718: 3716: 3707: 3704: 3700: 3695: 3692: 3688: 3683: 3680: 3675: 3671: 3667: 3666: 3658: 3656: 3654: 3652: 3650: 3648: 3646: 3644: 3642: 3640: 3638: 3634: 3626: 3614: 3610: 3609: 3604: 3597: 3595: 3593: 3589: 3585: 3580: 3577: 3573: 3568: 3565: 3561: 3556: 3554: 3552: 3548: 3544: 3539: 3537: 3535: 3533: 3531: 3529: 3527: 3523: 3519: 3514: 3511: 3507: 3502: 3499: 3486: 3482: 3481: 3476: 3469: 3467: 3465: 3463: 3461: 3459: 3457: 3455: 3453: 3449: 3445: 3440: 3438: 3436: 3434: 3432: 3430: 3428: 3426: 3424: 3422: 3420: 3418: 3416: 3414: 3412: 3410: 3408: 3406: 3404: 3402: 3400: 3396: 3383: 3379: 3375: 3368: 3365: 3361: 3356: 3353: 3349: 3344: 3341: 3337: 3332: 3330: 3328: 3326: 3324: 3322: 3320: 3318: 3316: 3314: 3312: 3310: 3308: 3306: 3304: 3302: 3300: 3298: 3296: 3294: 3292: 3290: 3288: 3286: 3284: 3282: 3280: 3276: 3269: 3259: 3256: 3248: 3247: 3240: 3237: 3233: 3232: 3225: 3222: 3218: 3217: 3210: 3207: 3203: 3202: 3201:Cracked Actor 3195: 3192: 3188: 3184: 3178: 3175: 3168: 3161: 3154: 3140: 3137: 3133: 3124: 3121: 3118: 3113: 3109: 3106: 3103: 3098: 3094: 3091: 3088: 3083: 3079: 3074:Certification 3069: 3066: 3057: 3050: 3047: 3042: 3038: 3034: 3028:Chart (1975) 3026: 3023: 3014: 3012: 3002: 2997: 2990: 2985: 2977:Chart (2016) 2975: 2972: 2957: 2949:Chart (1991) 2947: 2944: 2931: 2929: 2923: 2916: 2912: 2908: 2901: 2896: 2889: 2884: 2877: 2872: 2865: 2860: 2853: 2848: 2841: 2836: 2829: 2824: 2817: 2816: 2810: 2803: 2798: 2790:Chart (1975) 2788: 2785: 2777:Weekly charts 2776: 2774: 2773: 2766: 2759: 2753: 2750: 2748: 2744: 2741: 2735: 2729: 2723: 2717: 2714:(Sigma Sound) 2711: 2708:(Sigma Sound) 2705: 2699: 2696: 2693: 2690: 2689: 2688: 2687: 2683: 2675: 2672: 2666: 2660: 2657: 2651: 2648: 2642: 2636: 2633: 2627: 2624: 2623:Tony Visconti 2621: 2618: 2615: 2612: 2609: 2606: 2603: 2600: 2597: 2595: 2591: 2588: 2587: 2586: 2585: 2578: 2575: 2569: 2566: 2560: 2557: 2555: 2551: 2550:David Sanborn 2548: 2542: 2539: 2536: 2535:Carlos Alomar 2533: 2531: 2527: 2524: 2523: 2522: 2521: 2517: 2516: 2512: 2510: 2509:Nicholas Pegg 2502: 2494: 2491:Total length: 2484: 2481: 2480:Carlos Alomar 2477: 2474: 2470: 2466: 2462: 2459: 2456: 2452: 2448: 2444: 2442: 2438: 2435: 2432: 2428: 2424: 2420: 2417: 2414: 2410: 2394: 2381: 2378: 2375: 2371: 2367: 2363: 2361: 2357: 2354: 2350: 2346: 2342: 2339: 2336: 2332: 2328: 2325: 2322: 2318: 2314: 2298: 2292: 2290: 2282:Track listing 2281: 2279: 2277: 2276: 2269: 2267: 2263: 2260: 2259: 2254: 2250: 2246: 2241: 2237: 2233: 2229: 2194: 2192: 2191: 2190:Rolling Stone 2187: 2186: 2156: 2154: 2153: 2149: 2148: 2140: 2137:Review scores 2135: 2130: 2121: 2119: 2117: 2116: 2111: 2110: 2105: 2101: 2097: 2093: 2092:Rolling Stone 2089: 2085: 2083: 2079: 2075: 2071: 2067: 2063: 2062: 2057: 2052: 2051: 2046: 2042: 2041:Rob Sheffield 2038: 2034: 2029: 2027: 2023: 2019: 2015: 2011: 2007: 2006: 2001: 1996: 1961: 1959: 1958: 1954: 1953: 1949: 1947: 1946: 1942: 1941: 1937: 1935: 1934: 1930: 1929: 1899: 1897: 1896: 1892: 1891: 1887: 1885: 1884: 1880: 1879: 1875: 1873: 1872: 1868: 1867: 1837: 1835: 1834: 1830: 1829: 1825: 1823: 1822: 1818: 1817: 1792: 1790: 1789: 1785: 1784: 1754: 1752: 1749: 1748: 1740: 1737:Review scores 1735: 1730: 1721: 1719: 1717: 1714: 1710: 1706: 1702: 1698: 1690: 1686: 1682: 1681: 1676: 1672: 1668: 1664: 1660: 1656: 1652: 1651:Talking Heads 1648: 1644: 1640: 1636: 1632: 1628: 1627: 1621: 1614: 1612: 1610: 1609: 1604: 1600: 1596: 1591: 1589: 1585: 1581: 1577: 1573: 1572: 1567: 1563: 1559: 1551: 1546: 1544: 1542: 1541: 1536: 1535:Michael Watts 1532: 1531: 1526: 1525:Ian MacDonald 1522: 1518: 1517: 1512: 1508: 1503: 1499: 1498: 1492: 1490: 1486: 1485: 1480: 1479: 1478:Record Mirror 1473: 1466: 1465: 1464:Rolling Stone 1459: 1457: 1453: 1449: 1448: 1443: 1436: 1435: 1430: 1429: 1424: 1423: 1418: 1409: 1407: 1406: 1402: 1401: 1397: 1395: 1394: 1390: 1389: 1381: 1378:Review scores 1376: 1371: 1362: 1360: 1358: 1357: 1353:variety show 1352: 1348: 1344: 1343: 1338: 1330: 1316: 1314: 1310: 1307:. Elsewhere, 1306: 1305: 1300: 1296: 1292: 1288: 1284: 1282: 1273: 1266: 1262: 1257: 1253: 1247: 1246: 1241: 1237: 1233: 1231: 1226: 1222: 1218: 1214: 1213: 1204: 1196: 1194: 1192: 1188: 1187: 1182: 1174: 1169: 1165: 1164:cover artwork 1157: 1155: 1152: 1144: 1142: 1140: 1139:Stevie Wonder 1136: 1128: 1124: 1119: 1117: 1113: 1109: 1104: 1102: 1098: 1094: 1085: 1078: 1076: 1074: 1073: 1072:Cracked Actor 1068: 1064: 1060: 1059:Nicholas Pegg 1056: 1052: 1048: 1044: 1040: 1036: 1035: 1030: 1029: 1028:City of Night 1024: 1019: 1016: 1015:Peter Doggett 1012: 1008: 1007:Richard Nixon 1005:of president 1004: 1000: 996: 988: 986: 984: 980: 976: 972: 968: 967: 962: 958: 954: 950: 943: 941: 939: 935: 926: 921: 919: 915: 911: 907: 903: 899: 895: 894: 893:Rock 'n' Roll 890: 886: 883: 878: 876: 872: 868: 864: 863: 858: 854: 846: 841: 834: 832: 830: 826: 822: 818: 814: 810: 806: 799: 794: 789: 783: 779: 775: 774: 769: 768:Too Fat Polka 765: 761: 757: 753: 749: 744: 741: 735: 733: 723: 719: 716: 712: 708: 704: 700: 684: 682: 680: 676: 672: 671:Tony Visconti 668: 664: 660: 656: 652: 648: 644: 640: 639:David Sanborn 636: 632: 628: 620: 616: 612: 605: 603: 601: 598: 594: 590: 586: 582: 578: 574: 569: 567: 566: 561: 557: 553: 549: 545: 544:Carlos Alomar 537: 536:Carlos Alomar 533: 529: 525: 523: 522: 518: 514: 511:for shows in 510: 506: 502: 501:Knock on Wood 498: 494: 490: 486: 482: 478: 474: 470: 469: 464: 457: 455: 453: 452: 447: 442: 438: 437: 432: 428: 427: 422: 418: 416: 412: 408: 404: 400: 396: 392: 388: 384: 380: 376: 375:Carlos Alomar 372: 371:Tony Visconti 368: 364: 360: 355: 353: 349: 345: 341: 337: 333: 325: 321: 318:is the ninth 317: 316: 306: 293: 287: 280: 274: 273: 270: 267: 263: 259: 255: 246: 245: 241: 237: 236: 232: 228: 227: 223: 222: 218: 214: 210: 205: 204:Tony Visconti 202: 200: 197: 194: 193: 192: 190: 186: 183: 180: 178: 174: 162: 158: 153: 150: 148: 145: 143: 140: 138: 135: 134: 133: 131: 127: 121: 120:Electric Lady 118: 116: 115:New York City 112: 109: 106: 103: 102: 101: 97: 93: 89: 78: 74: 70: 65: 61: 57: 52: 47: 44: 40: 33: 19: 8876: 8869: 8862: 8855: 8846:Arnold Corns 8836:BBC Sessions 8792: 8785: 8778: 8771: 8764: 8757: 8750: 8743: 8726: 8636:Heathen Tour 8616:Outside Tour 8562: 8555: 8548: 8541: 8534: 8516: 8509: 8502: 8495: 8488: 8481: 8474: 8467: 8460: 8453: 8446: 8439: 8433:Video albums 8421: 8414: 8407: 8400: 8393: 8388:Glass Spider 8386: 8379: 8372: 8365: 8347: 8340: 8333: 8326: 8319: 8312: 8305: 8298: 8291: 8284: 8277: 8270: 8263: 8245: 8238: 8231: 8224: 8217: 8210: 8203: 8196: 8189: 8182: 8175: 8168: 8161: 8154: 8147: 8142:Changesbowie 8140: 8133: 8128:Golden Years 8126: 8119: 8112: 8105: 8098: 8091: 8084: 8078:Compilations 8066: 8059: 8052: 8047:Space Oddity 8045: 8038: 8031: 8024: 8017: 7999: 7992: 7985: 7978: 7971: 7949: 7942: 7921: 7914: 7907: 7900: 7893: 7886: 7879: 7872: 7865: 7858: 7851: 7844: 7837: 7830: 7823: 7816: 7811:Glass Spider 7809: 7802: 7795: 7788: 7781: 7774: 7752: 7745: 7724: 7717: 7712:The Next Day 7710: 7703: 7696: 7689: 7682: 7675: 7668: 7661: 7654: 7647: 7640: 7633: 7626: 7619: 7612: 7605: 7599: 7598: 7593:Diamond Dogs 7591: 7584: 7579:Aladdin Sane 7577: 7570: 7563: 7556: 7549: 7541: 7515:Band members 7435: 7406: 7383: 7380:Trynka, Paul 7355: 7324: 7299: 7267: 7234: 7202: 7177: 7149: 7129: 7105: 7080: 7053: 7028: 7001: 6978: 6955: 6929: 6911:Virgin Books 6906: 6882: 6858:. Retrieved 6854: 6844: 6832:. Retrieved 6819: 6807:. Retrieved 6804:Music Canada 6794: 6782:. Retrieved 6773: 6764: 6752: 6740: 6732:the original 6727: 6718: 6691: 6669: 6657:. Retrieved 6653:the original 6646: 6636: 6626:12 September 6624:. Retrieved 6620:the original 6615: 6606: 6594:. Retrieved 6588:. AllMusic. 6583: 6575: 6548: 6543: 6531:. Retrieved 6487: 6482: 6456:(17). Iola: 6453: 6447: 6426: 6401: 6397:The Observer 6395: 6386: 6376:19 September 6374:. Retrieved 6363: 6354: 6342:. Retrieved 6333: 6324: 6314:– via 6308:. Retrieved 6284:Melody Maker 6283: 6277: 6273: 6265: 6255:11 September 6253:. Retrieved 6242: 6232: 6220:. Retrieved 6211: 6205: 6178: 6167: 6163: 6157: 6145: 6135:11 September 6133:. Retrieved 6122: 6117:(May 1991). 6088: 6076: 6064:. Retrieved 6040: 6033: 6022: 6010:. Retrieved 5999: 5986: 5974:. Retrieved 5963: 5957: 5946: 5932:19 September 5930:. Retrieved 5921:Melody Maker 5919: 5909: 5898: 5894: 5890: 5867: 5855: 5848:Buckley 2005 5843: 5831:. Retrieved 5820: 5810: 5798: 5791:O'Leary 2015 5786: 5773: 5767: 5740: 5724:. Retrieved 5713: 5707: 5696: 5680:. Retrieved 5669: 5663: 5655: 5639:. Retrieved 5628: 5618: 5606:. Retrieved 5597: 5591: 5580: 5571:Melody Maker 5569: 5563: 5537:. Retrieved 5523: 5495:. Retrieved 5486: 5477: 5461:. Retrieved 5450: 5444: 5436: 5424:. Retrieved 5412:Record World 5410: 5401: 5394: 5382:. Retrieved 5368: 5356: 5344:. Retrieved 5333: 5310:Buckley 2005 5305: 5298:Buckley 2005 5293: 5247: 5227:. Retrieved 5220:the original 5209: 5175: 5167:. Retrieved 5160:the original 5135:. Retrieved 5119: 5085: 5080:Kvällstoppen 5077: 5069:. Retrieved 5062:the original 5057: 5015:. Retrieved 4997: 4985:. Retrieved 4972: 4950:28 September 4948:. Retrieved 4920:. Retrieved 4911: 4905: 4883:. Retrieved 4879:the original 4874: 4868: 4861: 4849:. Retrieved 4835: 4826: 4809:Buckley 2005 4785: 4763:Griffin 2016 4748:O'Leary 2015 4728:. Retrieved 4724:the original 4719: 4710: 4698:. Retrieved 4689: 4666:13 September 4664:. Retrieved 4655: 4649: 4641: 4629: 4617: 4605: 4593: 4586:Doggett 2012 4566: 4544:Doggett 2012 4529:Buckley 2005 4524: 4512: 4485:. Retrieved 4476:Classic Rock 4474: 4464: 4452: 4445:Doggett 2012 4440: 4433:Doggett 2012 4428: 4401: 4394:Doggett 2012 4364:Buckley 2005 4345:Doggett 2012 4340: 4328: 4301: 4294:Doggett 2012 4289: 4256:. Retrieved 4245: 4239: 4219:Bennett 2020 4214: 4202: 4190:. Retrieved 4186:the original 4181: 4155:– via 4149:. Retrieved 4138: 4109:. Retrieved 4098: 4092: 4054:. Retrieved 4043: 4030: 4018:. Retrieved 4007: 4001: 3978:. Retrieved 3972:. AllMusic. 3967: 3916:. Retrieved 3907: 3852: 3828:Buckley 2005 3823: 3811: 3799: 3787: 3775:. Retrieved 3764: 3731:. Retrieved 3727:the original 3720: 3714: 3706: 3699:Buckley 1999 3694: 3682: 3663: 3623:– via 3617:. Retrieved 3606: 3584:Buckley 2005 3579: 3567: 3560:Buckley 2005 3513: 3501: 3489:. Retrieved 3478: 3444:O'Leary 2015 3386:. Retrieved 3382:the original 3367: 3355: 3348:Buckley 2005 3343: 3258: 3244: 3239: 3229: 3224: 3214: 3209: 3199: 3194: 3186: 3182: 3177: 3159: 3146: 3087:Music Canada 3064: 3045: 3021: 2970: 2942: 2927: 2813: 2783: 2757: 2698:Harry Maslin 2685: 2684: 2650:Dennis Davis 2583: 2582: 2568:Andy Newmark 2559:Willie Weeks 2519: 2518: 2506: 2286: 2273: 2270: 2265: 2256: 2252: 2227: 2226: 2188: 2150: 2132:2007 reissue 2113: 2109:The Observer 2107: 2095: 2091: 2087: 2086: 2081: 2073: 2070:Melody Maker 2069: 2065: 2059: 2055: 2048: 2044: 2032: 2030: 2025: 2013: 2010:Diamond Dogs 2009: 2003: 2000:Douglas Wolk 1994: 1993: 1955: 1943: 1931: 1893: 1881: 1869: 1831: 1819: 1786: 1704: 1700: 1678: 1624: 1619: 1618: 1606: 1603:Melody Maker 1602: 1594: 1592: 1583: 1579: 1575: 1569: 1557: 1555: 1538: 1530:Melody Maker 1528: 1520: 1514: 1510: 1507:Diamond Dogs 1506: 1495: 1493: 1488: 1482: 1476: 1462: 1460: 1455: 1451: 1445: 1441: 1432: 1428:Record World 1426: 1420: 1416: 1415: 1403: 1391: 1354: 1347:Golden Years 1340: 1317: 1313:Diamond Dogs 1312: 1308: 1302: 1280: 1271: 1270: 1243: 1235: 1229: 1210: 1200: 1184: 1161: 1148: 1120: 1105: 1090: 1070: 1069:documentary 1050: 1032: 1026: 1020: 992: 971:artsy rocker 964: 961:plastic soul 948: 947: 924: 922: 914:Dennis Davis 898:Lost weekend 891: 889:covers album 879: 875:Harry Maslin 866: 860: 853:Record Plant 850: 828: 820: 816: 812: 808: 801: 797: 790: 771: 745: 736: 732:jam sessions 728: 705:in Britain, 688: 655:Willie Weeks 647:Andy Newmark 624: 614: 599: 577:Philadelphia 570: 563: 541: 531: 519: 509:Ohio Players 468:Diamond Dogs 466: 461: 449: 440: 434: 425: 420: 419: 415:Harry Maslin 391:Record Plant 363:Philadelphia 356: 352:plastic soul 320:studio album 314: 313: 312: 265: 242: 234: 233: 224: 199:Harry Maslin 111:Record Plant 64:Studio album 43: 8933:1975 albums 8894:Bowie Bonds 8811:Iman (wife) 8711:In popular 8652:Tin Machine 8469:Tin Machine 8279:David Bowie 7965:Soundtracks 7935:Tin Machine 7768:Live albums 7747:Tin Machine 7738:Tin Machine 7642:Let's Dance 7550:David Bowie 7542:David Bowie 7510:Videography 7505:Filmography 7490:Discography 7479:David Bowie 7352:Spitz, Marc 7183:Titan Books 7077:Kent, David 6784:11 February 6696:RCA Records 6553:David Bowie 6492:David Bowie 6183:Trynka 2011 6095:, pp.  6081:Larkin 2011 6012:11 November 5793:, chap. 10. 5608:14 November 5586:Landau, Jon 5539:12 November 5384:12 December 4282:Perone 2007 4207:Sounes 2015 4192:3 September 4140:The Gazette 4111:5 September 4020:6 September 3733:14 November 2635:John Lennon 2605:Robin Clark 2541:Mike Garson 2526:David Bowie 2437:John Lennon 2353:Fascination 2289:David Bowie 2266:The Gouster 2247:containing 1691:used "Fame" 1689:James Brown 1639:Rod Stewart 1588:Isolar Tour 1564:and German 1540:The Gazette 1393:The Gazette 1329:Let's Dance 1259:Bowie with 1203:lead single 1191:RCA Records 1173:Los Angeles 1045:" (1971). " 1031:(1963) and 1023:Fascination 1003:resignation 999:McCarthyism 923:Mixing for 885:John Lennon 871:AIR Studios 867:Fascination 857:Fascination 845:John Lennon 829:The Gouster 823:. An early 821:Fascination 798:The Gouster 675:Robin Clark 663:Tony Newman 661:to replace 635:Mike Garson 556:Chuck Berry 552:James Brown 505:Eddie Floyd 463:David Bowie 395:John Lennon 383:Robin Clark 332:RCA Records 324:David Bowie 213:David Bowie 195:David Bowie 105:Sigma Sound 69:David Bowie 8927:Categories 8851:Ava Cherry 8678:Characters 8626:Hours Tour 8212:Club Bowie 8198:All Saints 7776:David Live 7565:Hunky Dory 7334:Transworld 7238:. London: 7155:Zero Books 7057:. London: 6909:. London: 6860:11 January 6834:31 January 6809:31 January 6659:6 December 6648:PopMatters 6596:23 October 6310:27 October 6222:22 October 6208:(Reissue)" 6044:. Boston: 5976:24 October 5872:Spitz 2009 5833:5 November 5641:20 October 5497:25 October 5463:21 October 5229:31 January 5169:31 January 5137:21 October 5071:31 January 5017:15 October 4987:31 January 4765:, chap. 6. 4730:8 December 4700:13 October 4656:A Pop Life 4622:Clerc 2021 4559:Clerc 2021 4517:Spitz 2009 4487:22 October 4333:Clerc 2021 4258:23 October 4151:20 October 3980:23 October 3918:24 January 3887:Clerc 2021 3857:Clerc 2021 3777:23 October 3674:2360500141 3619:21 October 3543:Clerc 2021 3491:23 October 3446:, chap. 9. 3270:References 3187:David Live 3183:David Live 3141:3,300,000 3135:Worldwide 3130:Summaries 2743:Greg Calbi 2599:Ava Cherry 2577:Earl Slick 2078:Bob Geldof 2024:said that 2002:stated in 1713:West Coast 1671:Parliament 1635:Roxy Music 1631:Elton John 1562:electronic 1511:David Live 1472:Jon Landau 1342:Soul Train 1186:After Dark 1181:Toni Basil 938:Greg Calbi 782:the Flairs 754:" titled " 711:equalisers 643:Earl Slick 600:David Live 581:Ava Cherry 521:David Live 517:live album 379:Ava Cherry 226:David Live 215:chronology 83:1975-03-07 8685:Major Tom 8631:Mini Tour 8596:Isolar II 7987:Labyrinth 7719:Blackstar 7684:Earthling 7232:(1997) . 6948:Carr, Roy 6774:Billboard 6674:Pegg 2016 6533:26 August 6474:275138209 6466:1055-2685 6418:250458769 6410:0029-7712 6344:5 October 6300:223545951 6292:0025-9012 6066:13 August 5992:Kot, Greg 5960:Magazine" 5860:Pegg 2016 5803:Pegg 2016 5760:Pegg 2016 5452:Crawdaddy 5370:Billboard 5346:13 August 5286:Pegg 2016 5102:Kent 1993 4922:22 August 4912:Billboard 4790:Pegg 2016 4778:Pegg 2016 4634:Pegg 2016 4610:Pegg 2016 4598:Pegg 2016 4571:Pegg 2016 4505:Pegg 2016 4457:Pegg 2016 4421:Pegg 2016 4406:Pegg 2016 4379:Pegg 2016 4321:Pegg 2016 4306:Pegg 2016 4247:BBC Music 4182:Billboard 4100:Pitchfork 3845:Pegg 2016 3816:Pegg 2016 3804:Pegg 2016 3792:Pegg 2016 3687:Nite 1978 3572:Pegg 2016 3518:Pegg 2016 3506:Pegg 2016 3388:15 August 3360:Pegg 2016 3336:Pegg 2016 3046:Billboard 3031:Position 2982:Position 2954:Position 2928:Billboard 2911:UK Albums 2826:Denmark ( 2795:Position 2686:Technical 2554:saxophone 2530:keyboards 2503:Personnel 2404:Writer(s) 2308:Writer(s) 2039:periods. 2005:Pitchfork 1883:Pitchfork 1701:Billboard 1615:Influence 1566:krautrock 1434:Crawdaddy 1422:Billboard 1315:overall. 1299:Tom Jones 1281:Billboard 1230:Billboard 1127:funk rock 975:BBC Music 707:engineers 637:(piano), 473:glam rock 454:box set. 426:Billboard 336:glam rock 8912:Category 8889:BowieNet 8826:The Hype 8759:Stardust 8543:Ricochet 8448:Video EP 8257:Box sets 7621:"Heroes" 7382:(2011). 7354:(2009). 7265:(eds.). 7175:(2016). 7079:(1993). 7026:(2012). 6954:(1981). 6855:Le Monde 6778:Archived 6590:Archived 6527:Archived 6470:ProQuest 6449:Goldmine 6414:ProQuest 6370:Archived 6338:Archived 6304:Archived 6296:ProQuest 6249:Archived 6216:Archived 6129:Archived 6060:Archived 6030:(1981). 6006:Archived 5970:Archived 5926:Archived 5827:Archived 5720:Archived 5676:Archived 5635:Archived 5602:Archived 5530:Archived 5491:Archived 5457:Archived 5417:Archived 5375:Archived 5340:Archived 5252:Roppongi 5128:Archived 5011:Archived 4981:Archived 4916:Archived 4842:Archived 4694:Archived 4660:Archived 4481:Archived 4252:Archived 4145:Archived 4105:Archived 4056:27 March 4050:Archived 4014:Archived 3974:Archived 3912:Archived 3771:Archived 3670:ProQuest 3613:Archived 3485:Archived 3378:AllMusic 3125:500,000 3110:100,000 3085:Canada ( 2888:VG-lista 2745: – 2592: – 2552: – 2482:, Lennon 2391:Side two 2295:Side one 2236:Rykodisc 2152:Goldmine 2122:Reissues 2022:AllMusic 1751:AllMusic 1647:Bee Gees 1444:, while 1145:Outtakes 1116:Al Green 1097:Hitler's 1079:Side two 1075:(1975). 1001:and the 989:Side one 934:mastered 793:overdubs 748:outtakes 718:years". 709:applied 446:outtakes 439:(1976). 189:Producer 91:Recorded 76:Released 66: by 8804:Related 8752:Lazarus 8713:culture 8504:Reality 8233:iSelect 8061:No Plan 7994:Lazarus 7705:Reality 7698:Heathen 7677:Outside 7649:Tonight 7586:Pin Ups 7442:Discogs 7006:Cassell 6873:Sources 6316:Twitter 5726:2 March 5682:2 March 5566:Review" 4885:7 March 4837:Cashbox 4242:Review" 3766:Far Out 3608:Blender 3234:(1976). 3095:50,000 3080:/sales 3071:Region 2478:Bowie, 2358:Bowie, 2262:box set 2080:said: " 2061:Far Out 1709:hip hop 1669:in the 1560:, with 1454:ranked 1447:Cashbox 1289:by the 1263:on her 1232:Hot 100 1215:track " 1197:Release 1158:Artwork 1125:" is a 1043:Changes 957:R&B 825:acetate 766:" and " 740:cocaine 699:Olympic 479:" and " 399:Beatles 344:R&B 262:Singles 248:(1976) 239:(1975) 230:(1974) 142:R&B 81: ( 8734:Jareth 8591:Isolar 8247:Legacy 7628:Lodger 7552:(1969) 7544:(1967) 7417:  7411:Harper 7394:  7368:  7340:  7330:Ealing 7311:  7279:  7246:  7218:  7189:  7161:  7136:  7117:  7089:  7065:  7040:  7012:  6989:  6966:  6936:  6917:  6894:  6472:  6464:  6460:: 60. 6416:  6408:  6298:  6290:  6124:Select 6052:  5666:(RCA)" 5426:30 May 5262:  5078:Note: 4851:30 May 3672:  3251:  3231:Luther 3160: 2864:Oricon 2758: 2594:congas 2460:  2418:  2407:Length 2379:  2340:  2326:  2311:Length 2145:Rating 2142:Source 1933:Select 1888:8.7/10 1745:Rating 1742:Source 1716:G-funk 1693:'s 1673:song " 1547:Legacy 1438:'s 1386:Rating 1383:Source 1333:  1324:  1320:  1276:  1250:  1221:B-side 1207:  1177:  1063:mantra 929:  882:Beatle 802:Dancin 715:reverb 695:  691:  653:, and 431:single 401:song " 328:  160:Length 99:Studio 8721:Bowie 8650:With 8574:Tours 7933:With 7783:Stage 7736:With 7691:Hours 7520:Death 7495:Songs 6169:Uncut 6097:97–99 5533:(PDF) 5520:(PDF) 5420:(PDF) 5407:(PDF) 5378:(PDF) 5365:(PDF) 5256:Tokyo 5223:(PHP) 5163:(PHP) 5131:(PDF) 5124:(PDF) 5065:(PDF) 5054:(PDF) 4845:(PDF) 4832:(PDF) 3169:Notes 3122:Gold 3107:Gold 3092:Gold 2495:40:00 2401:Title 2374:Right 2337:"Win" 2305:Title 1957:Uncut 1659:Japan 1513:. In 1468:' 1339:TV's 1248:on 21 1175:on 30 1151:disco 1047:Right 1039:motif 944:Songs 804:' 546:, an 503:" by 264:from 177:Label 130:Genre 8121:Rare 8019:Baal 7415:ISBN 7392:ISBN 7366:ISBN 7338:ISBN 7309:ISBN 7277:ISBN 7244:ISBN 7216:ISBN 7187:ISBN 7159:ISBN 7134:ISBN 7115:ISBN 7087:ISBN 7063:ISBN 7038:ISBN 7010:ISBN 6987:ISBN 6964:ISBN 6960:Avon 6934:ISBN 6915:ISBN 6892:ISBN 6862:2016 6836:2014 6811:2014 6786:2011 6710:link 6661:2020 6628:2020 6598:2023 6567:link 6535:2021 6506:link 6462:ISSN 6406:ISSN 6378:2020 6346:2021 6312:2023 6288:ISSN 6257:2020 6224:2023 6137:2017 6068:2016 6050:ISBN 6014:2020 5978:2023 5934:2020 5835:2019 5728:2021 5684:2021 5643:2023 5610:2011 5541:2022 5499:2023 5465:2023 5428:2022 5386:2020 5348:2016 5260:ISBN 5231:2014 5171:2014 5139:2023 5073:2014 5019:2021 4989:2014 4952:2024 4924:2020 4887:2015 4853:2022 4732:2014 4702:2023 4668:2021 4489:2023 4260:2023 4194:2021 4153:2023 4113:2020 4058:2018 4022:2020 3982:2023 3920:2024 3779:2023 3735:2011 3621:2023 3493:2023 3390:2020 3117:RIAA 2989:FIMI 2980:Peak 2952:Peak 2876:RMNZ 2852:SNEP 2793:Peak 2485:4:12 2473:Fame 2463:5:04 2445:4:30 2421:6:30 2382:4:13 2364:5:43 2343:4:44 2329:5:10 1950:6/10 1876:7/10 1661:and 1509:and 1356:Cher 1287:gold 1261:Cher 1123:Fame 955:and 910:Fame 862:Disc 819:and 762:'s " 713:and 701:and 665:and 627:MFSB 558:and 489:soul 487:and 485:funk 481:1984 407:Fame 354:". 342:and 340:soul 292:Fame 152:rock 147:funk 8011:EPs 7726:Toy 7614:Low 7440:at 6365:NME 6166:". 5897:". 5778:EMI 5715:NME 5487:NME 5211:RPM 3102:BPI 3051:20 3044:US 3039:44 3006:92 2994:92 2962:54 2925:US 2915:OCC 2893:13 2869:82 2857:12 2821:17 2815:RPM 2397:No. 2301:No. 2245:DVD 2240:EMI 2096:NME 2020:of 1938:5/5 1663:ABC 1521:NME 1452:NME 1351:CBS 1337:ABC 1301:'s 1242:'s 1240:BBC 1067:BBC 827:of 657:of 597:mix 575:in 493:mod 361:in 182:RCA 8929:: 7413:. 7390:. 7364:. 7336:. 7332:: 7328:. 7275:. 7261:; 7242:. 7214:. 7210:: 7206:. 7185:. 7157:. 7113:. 7061:. 7036:. 7008:. 6985:. 6962:. 6950:; 6913:. 6890:. 6853:. 6827:. 6802:. 6776:. 6772:. 6726:. 6706:}} 6702:{{ 6681:^ 6645:. 6614:. 6563:}} 6559:{{ 6514:^ 6502:}} 6498:{{ 6468:. 6454:33 6452:. 6438:^ 6412:. 6402:49 6400:. 6362:. 6332:. 6302:. 6294:. 6282:. 6276:/ 6247:. 6241:. 6214:. 6210:. 6190:^ 6121:. 6104:^ 6058:. 6048:. 6038:. 6004:. 5998:. 5962:. 5924:. 5918:. 5893:/ 5879:^ 5825:. 5819:. 5752:^ 5718:. 5712:. 5674:. 5668:. 5627:. 5600:. 5596:. 5568:. 5549:^ 5522:. 5507:^ 5485:. 5455:. 5449:. 5409:. 5367:. 5338:. 5332:. 5317:^ 5274:^ 5254:, 5250:. 5239:^ 5208:. 5197:^ 5182:^ 5147:^ 5109:^ 5092:^ 5056:. 5042:^ 5027:^ 5009:. 5005:. 4979:. 4975:. 4971:. 4960:^ 4943:. 4932:^ 4914:. 4910:. 4895:^ 4873:. 4834:. 4816:^ 4797:^ 4770:^ 4755:^ 4740:^ 4718:. 4692:. 4688:. 4676:^ 4658:. 4654:. 4578:^ 4551:^ 4536:^ 4497:^ 4479:. 4473:. 4413:^ 4386:^ 4371:^ 4352:^ 4313:^ 4268:^ 4250:. 4244:. 4226:^ 4180:. 4168:^ 4137:. 4121:^ 4103:. 4097:. 4066:^ 4048:. 4042:. 4012:. 4006:. 3990:^ 3964:. 3949:^ 3928:^ 3910:. 3906:. 3894:^ 3879:^ 3864:^ 3835:^ 3769:. 3763:. 3743:^ 3719:. 3636:^ 3611:. 3605:. 3591:^ 3550:^ 3525:^ 3477:. 3451:^ 3398:^ 3376:. 3278:^ 3138:— 3119:) 3104:) 3089:) 3003:) 2991:) 2934:9 2920:2 2917:) 2905:5 2902:) 2890:) 2881:3 2878:) 2866:) 2854:) 2845:8 2842:) 2833:1 2830:) 2818:) 2807:9 2804:) 2468:4. 2450:3. 2439:, 2426:2. 2412:1. 2369:4. 2348:3. 2334:2. 2316:1. 2232:CD 2118:. 1826:B− 1657:, 1653:, 1649:, 1645:, 1641:, 1637:, 1633:, 1533:, 1523:, 1500:, 1470:s 1410:C+ 985:. 940:. 877:. 815:, 811:, 807:, 800:, 554:, 381:, 169:00 165:40 113:, 8723:" 8719:" 7471:e 7464:t 7457:v 7423:. 7400:. 7374:. 7346:. 7317:. 7285:. 7252:. 7224:. 7195:. 7167:. 7142:. 7123:. 7095:. 7071:. 7046:. 7018:. 6995:. 6972:. 6942:. 6923:. 6900:. 6864:. 6838:. 6813:. 6788:. 6712:) 6663:. 6630:. 6600:. 6582:" 6569:) 6537:. 6508:) 6476:. 6433:. 6420:. 6380:. 6348:. 6318:. 6259:. 6226:. 6204:" 6139:. 6099:. 6070:. 6036:" 6016:. 5965:Q 5958:Q 5940:. 5837:. 5780:. 5734:. 5710:" 5690:. 5649:. 5612:. 5594:" 5590:" 5501:. 5471:. 5404:" 5350:. 5268:. 5233:. 5173:. 5141:. 5104:. 5075:. 5021:. 4991:. 4954:. 4926:. 4904:" 4889:. 4867:" 4829:" 4734:. 4704:. 4670:. 4652:" 4491:. 4262:. 4196:. 4162:. 4115:. 4060:. 4024:. 4004:" 3984:. 3966:" 3922:. 3781:. 3737:. 3676:. 3630:. 3495:. 3392:. 3189:. 2913:( 2475:" 2471:" 2457:" 2453:" 2433:" 2429:" 2376:" 2372:" 2355:" 2351:" 2323:" 2319:" 2238:/ 1608:Q 1398:B 1327:' 1131:' 1121:" 1106:" 1021:" 993:" 786:' 294:" 290:" 281:" 277:" 167:: 85:) 41:. 34:. 20:)

Index

Somebody Up There Likes Me (song)
Young Americans (disambiguation)
Who Can I Be Now? (1974–1976)
A headshot of an orange-haired man holding a cigarette with a backdrop of light.
Studio album
David Bowie
Sigma Sound
Record Plant
New York City
Electric Lady
Genre
Blue-eyed soul
R&B
funk
rock
Label
RCA
Producer
Harry Maslin
Tony Visconti
David Bowie
David Live
Station to Station
Singles
Young Americans
Fame
studio album
David Bowie
RCA Records
glam rock

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.