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Sonny Kay

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Kay was born in London, England on March 13, 1972, and raised in various locations including the UK, Barcelona (Spain), and Johannesburg (South Africa). His family relocated first to Los Angeles in 1979, and then to Colorado in 1987. He is the son of
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After GSL ceased operations in October 2007, Kay began devoting his time to making art and graphic design. From 2008 until 2013 he was creative director of Rodriguez Lopez Productions, a record label dedicated to releasing the works of guitarist
401:. Kay founded the independent music distributor Bottlenekk Distribution in 1996, which resulted in a rapid acceleration in releases and notoriety for GSL. The label soon became synonymous with bands such as 484:
Kay was also a member of the bands Savalas (1991–1992), Subpoena the Past (1997–1999), and Optional Body (2008). He is credited with backing vocals on early releases by the San Diego grindcore band,
729: 91: 71: 773: 397:). In 1996, Kay (and GSL) relocated to Berkeley, California. By this time, he was vocalist with the influential "proto-futuristic" punk band, 207:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
753: 722: 497:, written and directed by Omar Rodriguez Lopez. Kay's IMDB page also credits him with production design and title design for the film. 763: 353: 335: 278: 164: 49: 413:. Kay moved to San Diego in 2001 and to Los Angeles in 2003. Between 2003 and 2006 he was vocalist for the punk band Year Future. 778: 313: 758: 715: 306: 493: 204: 193: 454: 389:, known also as GSL, while attending the University of Colorado at Boulder. During that time he was a member of the pre- 259: 145: 231: 117: 426: 418: 386: 200: 95: 87: 35: 425:. Kay's digital collage illustrations and/or graphic design have appeared on album sleeves for artists including 238: 216: 124: 76: 80: 245: 131: 748: 478: 574: 227: 113: 768: 485: 672: 212: 379: 208: 627:
edited by Tony Herrington and Andrew P. Jones, 68-75. Oakland, CA: Errant Bodies Press, 2008.
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and various other artists related to The Mars Volta, as well as its "parent" company,
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presented a joint show of their work in Los Angeles, entitled Parallel Universes.
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It may require cleanup to comply with Knowledge's content policies, particularly
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Screaming for Change: Articulating a Unifying Philosophy of Punk Rock.
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Please help to demonstrate the notability of the topic by citing
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from the article and its talk page, especially if potentially
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Headspaces: Surrealistic Album Art & Collage by Sonny Kay
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Interview with Sonny Kay from Conversations with Bianca blog
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In 1993, Sonny founded the cult independent record label
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This biographical article about a graphic designer is a
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A major contributor to this article appears to have a
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Interview with Sonny Kay from Sound Bites Dog E-Zine
382:" film director, Gilbert Lee Kay (aka José Briz). 623:Kay, Sonny. "Musical and Social Transports." In 530:. CMJ Network, Inc. September 1997. pp. 14– 477:and others. In November 2010, Kay and painter 723: 625:Sonic Transports: New Frontiers in Our Music, 8: 491:In 2007, Kay appeared in the feature film, 50:Learn how and when to remove these messages 730: 716: 94:about living persons that is unsourced or 354:Learn how and when to remove this message 336:Learn how and when to remove this message 279:Learn how and when to remove this message 165:Learn how and when to remove this message 517: 7: 688: 686: 194:notability guideline for biographies 14: 369:is a visual artist and musician. 31:This article has multiple issues. 690: 316:. Please discuss further on the 295: 181: 61: 20: 39:or discuss these issues on the 1: 774:21st-century American singers 508:'s Robot Enemy Publications. 494:The Sentimental Engine Slayer 702:. You can help Knowledge by 455:And So I Watch You From Afar 72:biography of a living person 500:In 2017, Kay's first book, 99:must be removed immediately 795: 754:American graphic designers 685: 387:Gold Standard Laboratories 201:reliable secondary sources 190:The topic of this article 764:American record producers 192:may not meet Knowledge's 640:PM Press, 2009, p. 102. 779:Graphic designer stubs 86:Please help by adding 759:American rock singers 575:"Sonny Kay Biography" 527:CMJ New Music Monthly 314:neutral point of view 427:Omar Rodríguez-López 419:Omar Rodríguez-López 92:Contentious material 486:Cattle Decapitation 604:Interview Magazine 196: 711: 710: 579:Juxtapoz Magazine 554:Manifold Editions 504:was published by 393:band Angel Hair ( 380:Spaghetti Western 364: 363: 356: 346: 345: 338: 309:with its subject. 289: 288: 281: 263: 191: 175: 174: 167: 149: 75:needs additional 54: 786: 732: 725: 718: 694: 687: 659: 658: 656:Official website 641: 634: 628: 621: 615: 614: 612: 610: 596: 590: 589: 587: 585: 571: 565: 564: 562: 560: 546: 540: 539: 537: 535: 522: 471:Bosnian Rainbows 463:The Drowning Men 439:Shooter Jennings 359: 352: 341: 334: 330: 327: 321: 307:close connection 299: 298: 291: 284: 277: 273: 270: 264: 262: 221: 185: 184: 177: 170: 163: 159: 156: 150: 148: 107: 88:reliable sources 65: 64: 57: 46: 24: 23: 16: 794: 793: 789: 788: 787: 785: 784: 783: 739: 738: 737: 736: 683: 654: 653: 650: 645: 644: 635: 631: 622: 618: 608: 606: 598: 597: 593: 583: 581: 573: 572: 568: 558: 556: 548: 547: 543: 533: 531: 524: 523: 519: 514: 443:Le Butcherettes 395:Gravity Records 375: 360: 349: 348: 347: 342: 331: 325: 322: 311: 300: 296: 285: 274: 268: 265: 222: 220: 198: 186: 182: 171: 160: 154: 151: 108: 106: 85: 66: 62: 25: 21: 12: 11: 5: 792: 790: 782: 781: 776: 771: 766: 761: 756: 751: 741: 740: 735: 734: 727: 720: 712: 709: 708: 695: 681: 680: 675: 670: 668:Artistaday.com 665: 660: 649: 648:External links 646: 643: 642: 629: 616: 591: 566: 541: 516: 515: 513: 510: 506:Bob Rob Medina 447:The Glitch Mob 433:, The Locust, 411:The Mars Volta 374: 371: 362: 361: 344: 343: 303: 301: 294: 287: 286: 189: 187: 180: 173: 172: 96:poorly sourced 69: 67: 60: 55: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 791: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 755: 752: 750: 749:Living people 747: 746: 744: 733: 728: 726: 721: 719: 714: 713: 707: 705: 701: 696: 693: 689: 684: 679: 676: 674: 671: 669: 666: 664: 661: 657: 652: 651: 647: 639: 636:Hahn, Lance. 633: 630: 626: 620: 617: 605: 601: 595: 592: 580: 576: 570: 567: 555: 551: 545: 542: 529: 528: 521: 518: 511: 509: 507: 503: 498: 496: 495: 489: 487: 482: 480: 476: 472: 468: 464: 460: 456: 452: 448: 444: 440: 436: 432: 428: 424: 423:Sargent House 420: 414: 412: 408: 404: 400: 396: 392: 388: 383: 381: 372: 370: 368: 358: 355: 340: 337: 329: 319: 315: 310: 308: 302: 293: 292: 283: 280: 272: 261: 258: 254: 251: 247: 244: 240: 237: 233: 230: –  229: 225: 224:Find sources: 218: 214: 210: 206: 202: 195: 188: 179: 178: 169: 166: 158: 147: 144: 140: 137: 133: 130: 126: 123: 119: 116: –  115: 111: 110:Find sources: 104: 100: 97: 93: 89: 83: 82: 78: 73: 68: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 704:expanding it 697: 682: 637: 632: 624: 619: 607:. 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