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197:, with a plea by the poet to be forgotten. The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poet. Line five imagines that the young man, in this role, would have to lie. And line seven suggests that the young man as poet would have to “hang more praise” on the poet than the truth would allow. The couplet ends with shame and worthlessness, and the ironic suggestion of contempt for the process of writing fawning poetry to an unworthy subject.
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333:"That which cometh out of the man, that defileth the man. For from within, out of the heart of men, proceed evil thoughts, adulteries, fornications, murders, thefts, covetousness, wickedness, deceit, lasciviousness, an evil eye, blasphemy, foolishness: all these evil things come from within and defile the man."
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group together as a sequence due to their dark, brooding tone, and the poet's obsession with his own mortality and legacy. The sequence begins in Sonnet 71 with "No longer mourn for me when I am dead" and ends with "And that is this, and this with thee remains" in Sonnet 74. Sonnet 72 is one of 126
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Sonnet 72 is a continuation from Sonnet 71. Both sonnets are an anticipatory plea regarding death and the afterlife from the writer to the reader. The overarching subject of Sonnet 72 is The Poet's fixation with how he will be remembered after death. Subsequently the tone remains bleak and
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In Line 2, "What merit lived in me that you should love", the poet considers his own mortality and worth. Line 7, "And hang more praise upon deceased I", derives from the practice of hanging epitaphs and trophies on the gravestone or marker of the deceased.
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John
Cumming Walters states: "In the sonnets we may read the poet's intents, hopes, and fears regarding his fate, and we learn of his all consuming desire for immortality...Bodily death he does not fear: oblivion he dreads."
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based on five pairs of metrically weak/strong syllabic positions. The fifth line (accepting a 2-syllable pronunciation of "virtuous") exemplifies a regular iambic pentameter:
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Sonnets coined "The Fair Youth
Sequence". The identity of said "Fair Youth" remains a mystery. Several scholars point, in particular to
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which would create a variation in the meter of the line. Placing contrastive accent upon "true" preserves the regular iambic meter...
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Walters, John Cuming. The
Mystery of Shakespeare's Sonnets: An Attempted Elucidation. New York: Haskell House, 1972. Print.
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In line nine, the lexical stress of "true" would normally be subordinated to that of "love", fitting most naturally into
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Vendler, Helen. The Art of
Shakespeare's sonnets. Cambridge: Harvard University Press, 1997. Print. pg. 327
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Line 13 of the couplet,"For I am shamed by that which I bring forth," may refer to, or resonate with the
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Duncan-Jones, Katherine, ed. Shakespeare's
Sonnets. 1997. London, New York. (2013) Print. 255-257, 52
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at 21. Shakespeare's patron, and one candidate for the Fair Youth of the sonnets.
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Shakespeares
Sonnets: Being a reproduction in facsimile of the first edition
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Shakespeare's
Sonnets: With Three Hundred Years of Commentary
862:. The Pelican Shakespeare (Rev. ed.). New York:
45:
The first five lines of Sonnet 72 in the 1609 Quarto
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533:A New Variorum Edition of Shakespeare: The Sonnets
221:of the form, ABAB CDCD EFEF GG, and is composed in
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814:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
117:And so should you, to love things nothing worth.
350:Shakespeare, William. Duncan-Jones, Katherine.
104:O, lest your true love may seem false in this,
2093:
943:
902:The Belknap Press of Harvard University Press
455:Shake-speares Sonnets: Never Before Imprinted
240:, a metrically strong syllabic position. Ă— =
169:published by the English playwright and poet
8:
113:For I am shamed by that which I bring forth,
90:What merit liv’d in me, that you should love
779:The Sonnets ; and, A Lover's Complaint
92:After my death (dear love) forget me quite,
88:O, lest the world should task you to recite
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295:Henry Wriothesley, 3rd Earl of Southampton
279:Henry Wriothesley, 3rd Earl of Southampton
106:That you for love speak well of me untrue,
102:Than niggard truth would willingly impart;
96:Unless you would devise some virtuous lie,
39:
205:Sonnet 72 is an English or Shakespearean
110:And live no more to shame nor me nor you:
695:, third series (Rev. ed.). London:
343:
98:To do more for me than mine own desert,
94:For you in me can nothing worthy prove;
20:
1702:Complete Works of William Shakespeare
299:William Herbert, 3rd Earl of Pembroke
7:
582:Fairleigh Dickinson University Press
373:The Reader and the Young Man Sonnets
100:And hang more praise upon deceased I
2062:
375:. Barnes & Noble. 1981. p. 80.
108:My name be buried where my body is,
1877:Shakespeare's influence on Tolkien
262:love" is contrasted with seeming "
14:
817:Shakespeare's Sonnets & Poems
2810:
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2052:
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896:The Art of Shakespeare's Sonnets
354:. Bloomsbury Arden 2010. p. 255
51:
209:. The English sonnet has three
3002:Sonnets by William Shakespeare
1882:Works titled after Shakespeare
649:The Complete Sonnets and Poems
213:, followed by a final rhyming
1:
2042:Shakespeare and other authors
743:The New Cambridge Shakespeare
572:Atkins, Carl D., ed. (2007).
1924:Shakespeare Birthplace Trust
900:. Cambridge, Massachusetts:
618:(Rev. ed.). New Haven:
1730:English Renaissance theatre
1573:The Second Maiden's Tragedy
1552:The Merry Devil of Edmonton
1084:The Two Gentlemen of Verona
645:Burrow, Colin, ed. (2002).
442:First edition and facsimile
18:Poem by William Shakespeare
3018:
1898:Folger Shakespeare Library
1444:The Phoenix and the Turtle
1034:The Merry Wives of Windsor
822:Folger Shakespeare Library
747:Cambridge University Press
537:J. B. Lippincott & Co.
508:The Sonnets of Shakespeare
193:Sonnet 72 continues after
173:in 1609. It is one of the
2808:
2036:
1917:Royal Shakespeare Theatre
1912:Royal Shakespeare Company
1403:
1041:A Midsummer Night's Dream
985:All's Well That Ends Well
513:Houghton Mifflin Harcourt
217:. It follows the typical
177:Sequence, which includes
59:
50:
38:
1055:Pericles, Prince of Tyre
565:Modern critical editions
503:Alden, Raymond Macdonald
1063:The Taming of the Shrew
826:Washington Square Press
785:New Penguin Shakespeare
685:Duncan-Jones, Katherine
659:Oxford University Press
1745:Lord Chamberlain's Men
1656:The Passionate Pilgrim
1429:comparison to Petrarch
1048:Much Ado About Nothing
1027:The Merchant of Venice
655:The Oxford Shakespeare
282:
2109:Shakespeare's sonnets
1935:Shakespeare Institute
1904:Shakespeare Quarterly
1423:Shakespeare's sonnets
1091:The Two Noble Kinsmen
689:Shakespeare's Sonnets
614:Shakespeare's Sonnets
529:Rollins, Hyder Edward
352:Shakespeare’s Sonnets
277:
150:—William Shakespeare
2116:"Fair Youth" sonnets
1791:Spelling of his name
1631:Vortigern and Rowena
1609:Thomas Lord Cromwell
1189:Troilus and Cressida
1119:Antony and Cleopatra
1013:Love's Labour's Lost
999:The Comedy of Errors
450:Shakespeare, William
2124:Procreation sonnets
2015:Richard Shakespeare
1997:Gilbert Shakespeare
1929:Shakespeare's Globe
1834:Authorship question
1829:Attribution studies
1796:Stratford-upon-Avon
1638:A Yorkshire Tragedy
1616:Thomas of Woodstock
1602:The Spanish Tragedy
1543:Love's Labour's Won
1535:The London Prodigal
1492:The Birth of Merlin
1451:The Rape of Lucrece
1437:A Lover's Complaint
1317:Quarto publications
1020:Measure for Measure
959:William Shakespeare
731:Evans, G. Blakemore
391:Booth 2000, p. 258.
310:self-depreciating.
225:, a type of poetic
171:William Shakespeare
2009:Edmund Shakespeare
1967:Hamnet Shakespeare
1864:Screen adaptations
1587:Sir John Oldcastle
1485:Arden of Faversham
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1979:Elizabeth Barnard
1943:
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1401:
1400:
1099:The Winter's Tale
787:(Rev. ed.).
706:978-1-4080-1797-5
693:Arden Shakespeare
591:978-0-8386-4163-7
495:Variorum editions
381:978-1-349-05443-5
223:iambic pentameter
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2003:Joan Shakespeare
1985:John Shakespeare
1888:
1869:Shakespeare and
1580:Sejanus His Fall
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1507:Double Falsehood
1474:
1458:Venus and Adonis
1409:
1182:Titus Andronicus
1168:Romeo and Juliet
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1981:(granddaughter)
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1781:Religious views
1759:Curtain Theatre
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1594:Sir Thomas More
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1514:Edmund Ironside
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1371:Ghost character
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1175:Timon of Athens
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775:, ed. (1995) .
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610:, ed. (2000) .
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478:Clarendon Press
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437:Further reading
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1309:Early editions
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911:0-674-63712-7
907:
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864:Penguin Books
860:
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794:
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789:Penguin Books
786:
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748:
745:. Cambridge:
744:
739:
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723: at the
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460:Thomas Thorpe
457:
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360:9781408017975
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85:
82:
63:
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58:
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49:
42:
37:
32:
27:
22:
16:
2494:
2029:(son-in-law)
2023:(son-in-law)
1961:Susanna Hall
1902:
1891:Institutions
1870:
1715:Coat of arms
1708:Translations
1700:
1696:Bibliography
1663:To the Queen
1661:
1654:
1636:
1629:
1621:
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1383:Performances
1327:Second Folio
1295:
1288:
1279:
1272:
1264:
1257:
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1229:
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824:. New York:
816:
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736:
688:
648:
613:
575:
532:
507:
472:
454:
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396:
387:
372:
367:
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284:
263:
259:
257:
247:
241:
237:
219:rhyme scheme
204:
192:
162:
161:
124:
87:
65:
15:
2067:WikiProject
1754:The Theatre
1740:Handwriting
1566:The Puritan
1357:Characters
1322:First Folio
1290:Richard III
1070:The Tempest
858:The Sonnets
737:The Sonnets
721:1st edition
580:. Madison:
468:Lee, Sidney
329:: 7.20-23:
167:154 sonnets
2530:Rival Poet
1991:Mary Arden
1975:(daughter)
1963:(daughter)
1839:Bardolatry
1749:King's Men
1691:Birthplace
1378:Chronology
1297:Henry VIII
1224:Richard II
1216:Edward III
1126:Coriolanus
697:Bloomsbury
657:. Oxford:
511:. Boston:
476:. Oxford:
458:. London:
338:References
325:verses in
183:Sonnet 126
175:Fair Youth
165:is one of
2824:" sonnets
2822:Dark Lady
2021:John Hall
2011:(brother)
1999:(brother)
1931:(replica)
1871:Star Trek
1859:Memorials
1854:Influence
1844:Festivals
1786:Sexuality
1776:Portraits
1771:New Place
1623:Ur-Hamlet
1559:Mucedorus
1469:Apocrypha
1209:King John
1200:Histories
1147:King Lear
1110:Tragedies
1006:Cymbeline
715:755065951
554:Volume II
486:458829162
371:Hammond.
290:Sonnet 74
286:Sonnet 71
211:quatrains
201:Structure
195:Sonnet 71
163:Sonnet 72
34:Sonnet 72
2996:Category
2057:Category
2005:(sister)
1993:(mother)
1987:(father)
1499:Cardenio
1388:Settings
1336:See also
1259:Henry VI
1230:Henry IV
976:Comedies
920:36806589
882:46683809
844:64594469
807:15018446
765:32272082
677:48532938
600:86090499
550:Volume I
452:(1609).
323:Biblical
305:Analysis
288:through
250:Ă— /
242:nonictus
189:Synopsis
181:through
179:Sonnet 1
2791:"Envoy"
2532:sonnets
1849:Gardens
1725:Editors
1528:Locrine
1521:Fair Em
1353:Henriad
1252:Henry V
1161:Othello
1154:Macbeth
638:2968040
544:6028485
270:Context
215:couplet
2046:†Lost
1957:(wife)
1948:Family
1821:Legacy
1393:Scenes
1133:Hamlet
918:
908:
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832:
805:
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703:
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665:
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626:
598:
588:
542:
521:234756
519:
484:
379:
358:
207:sonnet
1969:(son)
1811:Grave
1801:Style
1766:Music
1683:works
1648:Poems
1477:Plays
1415:Poems
967:Plays
264:false
238:ictus
227:metre
1806:Will
1681:and
1678:Life
916:OCLC
906:ISBN
878:OCLC
868:ISBN
840:OCLC
830:ISBN
803:OCLC
793:ISBN
761:OCLC
751:ISBN
711:OCLC
701:ISBN
673:OCLC
663:ISBN
634:OCLC
624:ISBN
596:OCLC
586:ISBN
552:and
540:OCLC
517:OCLC
482:OCLC
377:ISBN
356:ISBN
327:Mark
297:and
260:true
236:/ =
2977:154
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1366:L–Z
1361:A–K
141:14
2998::
2652:99
2647:98
2642:97
2637:96
2632:95
2627:94
2622:93
2617:92
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