231:
a young man who appreciates flattery. That idea is supported in the rival poets group, where the poet appears to resist the young man's insistence on being flattered. The poet feels that his position in the young man's favor has been overthrown by rival poets, who have succeeded only because they flatter, whereas the poet prefers to write "in true plain words" (Sonnet 82, line 12). The sorting out of the ambiguities, causes the reader to consider a possible interpretation of the fair youth as a flattery-craving tyrant.
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The high level of ambiguity in the third quatrain is thought to be deliberate and intended to derail a simple reading of a conventional sonnet with questions of who is being referred to. The confusion begins with the phrase "to please him", which at first glance may seem to refer to the fair youth —
249:
The final couplet (lines 13 & 14) makes it clear that the poet does not succeed in conjuring a vision of the young man, and the flattery, telling the day he is bright for example, does not satisfy the torturers, who appear to be stretching the poet on the rack — drawing his "sorrows longer", and
222:
The third quatrain begins (line 9) with the poet telling the young man that he (the poet) flatters the day by telling him he is bright, and that he graces the young man even when the clouds hide the sun. In a similar way, the poet flatters the dark (swart) complexioned night. The poet, motivated to
213:
In the second quatrain, Day and Night are personified as a pair of tyrants who were enemies to each other, but who have now shaken hands to join forces to torture the poet. Day tortures the poet with toil, Night tortures him by causing him to lament how far off the poet is from the young man. If
218:
is interpreted as the work of a poet, then the torture is a metaphor for the poet's anguish that his efforts to find poetic expressions and metaphors to describe the young man are not getting closer to the young man, but are moving away. This is not letting him sleep. The Day and the Night are
197:
Themes in Sonnet 28 begin in Sonnet 27, and continue into sonnets 43 and 61: All four sonnets find the poet alone in bed at night in the dark trying unsuccessfully to conjure with his mind's eye the image of the young man. All four describe the nightly disquiet that keeps him awake, and the
177:
group, and part of another group (sonnets 27, 28, 43 and 61) that focuses on the solitary poet reflecting on his friend. There is a theme of night and sleeplessness, which is a traditional motif that also occurs in
201:
Sonnet 28's first quatrain begins questioning how the poet can return to the young man in a happy plight. The concern is that at night he is prevented from resting, and by day he is oppressed by toil. The
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is the toil of travel, and the description of travel in the previous sonnet (Sonnet 27) is the journey that takes place in a poet's imagination. So, the word
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242:, which is defined as: adorns with a thin layer of gold). This substitution was first made in an 18th Century edition of Shakespeare's works, edited by
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246:. With this emendation the poet flatters the night by saying that even when "stars twire not, thou gildest the even" (evening).
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disturbed that the young man, or at least his image, will not appear to the poet, so they attempt to torture it out of him.
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The two lines of the couplet, and perhaps lines ten and twelve, each has a final extra syllable or feminine ending:
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appears to be referring to the poet's work: the search for words and metaphors to describe his fair young friend.
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Alliteration occurs in the sonnet, the b, d or p sounds for example, found in lines 1 through 3.
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based on five feet in each line, with each foot containing two syllables accented weak/strong:
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281:Ă— / Ă— / Ă— / Ă— / Ă— / But day by night and night by day oppressed, (28.4)
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287:Ă— / Ă— / Ă— / Ă— / Ă— / (Ă—) But day doth daily draw my sorrows longer, (28.13)
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Booth, Stephen, ed. (2000) . Shakespeare's
Sonnets (Rev. ed.). New Haven: Yale Nota Bene.
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stop the torture and conjure the image of the young man, beguiles (guil’st) the evening.
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Shakespeares
Sonnets: Being a reproduction in facsimile of the first edition
40:
30:
25:
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773:
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262:. It consists of 14 lines arranged by the rhyme scheme to form three
1386:
259:
621:
Beckwith, Elizabeth. "On the
Chronology of Shakespeare's Sonnets."
184:
2335:
1185:
806:
Shakespeare's
Sonnets: With Three Hundred Years of Commentary
467:. Oxford, UK: Blackwell Publishing Ltd. pp. 112–113.
117:
And night doth nightly make grief’s length seem stronger.
601:. Cambridge, GBR: Cambridge University Press. p. 7.
198:
imaginative journey that occurs in the mind of a poet.
339:
Shakespeare, William; Duncan-Jones, Katherine (2010).
1092:. The Pelican Shakespeare (Rev. ed.). New York:
628:
Callaghan, D. “Appendix: The Matter of the
Sonnets.”
250:
making "grief’s length seem stronger” (lines 13-14).
110:
When sparkling stars twire not thou guil'st the even;
399:. London: Gerald Duckworth & Co. pp. 98–99.
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1730:
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763:A New Variorum Edition of Shakespeare: The Sonnets
660:. Cambridge, GBR: Cambridge University Press, 2010.
651:
642:Hyland, Peter. "Reading Shakespeare's Sonnets: 1."
106:
And dost him grace, when clouds do blot the heaven;
23:
1123:
1085:
1006:
964:
876:
841:
803:
431:
1044:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
616:On the Literary Genetics of Shakspeare's Sonnets
413:, vol 2. Quaternary Imprint; 2nd Edition, 2018.
173:in 1609. It is a part of what is considered the
555:Shakespeare, William. Duncan-Jones, Katherine.
373:Shakespeare, William. Duncan-Jones, Katherine.
238:occurs. Some editors replace it with the word
658:Cambridge Introduction to Shakespeare's Poetry
639:. Princeton: Princeton University Press, 1952.
599:Cambridge Introduction to Shakespeare's Poetry
266:(lines 1–12) and a couplet (lines 13–14). The
104:I tell the day to please him, thou art bright,
2347:
1197:
1132:The Belknap Press of Harvard University Press
685:Shake-speares Sonnets: Never Before Imprinted
632:, Blackwell Publishing Ltd, Oxford, UK. 2007.
623:The Journal of English and Germanic Philology
618:. Urbana: University of Illinois Press, 1950.
295:, a metrically strong syllabic position. Ă— =
169:published by the English playwright and poet
8:
665:Shakespeare's Sonnets: With a New Commentary
397:Shakespeare's Sonnets: With a New Commentary
102:How far I toil, still farther off from thee.
94:But day by night and night by day oppressed?
92:When day’s oppression is not eased by night,
1009:The Sonnets ; and, A Lover's Complaint
96:And each, though enemies to either’s reign,
3215:
3041:
2779:
2373:
2354:
2340:
2332:
2141:
1727:
1225:
1204:
1190:
1182:
667:. London: Gerald Duckworth & Co, 2007.
113:But day doth daily draw my sorrows longer,
108:So flatter I the swart-complexioned night,
39:
258:Sonnet 28 is an English or Shakespearean
227:is used here to mean tricks or deceives.
925:, third series (Rev. ed.). London:
580:. Barnes & Noble. 1981. p. 112-113.
498:. Barnes & Noble. 1981. p. 112-113.
357:. Barnes & Noble. 1981. p. 112-113.
343:. London: AS. pp. 96–103 & 167.
98:Do in consent shake hands to torture me,
411:William Shakespeare's Sonnet Philosophy
311:
270:is ABAB CDCD EFEF GG. It is written in
663:Shakespeare, William, and David West.
644:An Introduction to Shakespeare's Poems
438:. Cambridge, MA: Harvard UP. pp.
100:The one by toil, the other to complain
20:
1956:Complete Works of William Shakespeare
646:. New York: Palgrave Macmillan, 2003.
90:That am debarred the benefit of rest?
88:How can I then return in happy plight
7:
812:Fairleigh Dickinson University Press
578:The Reader and the Young Man Sonnets
539:. Barnes & Noble. 1981. p. 113.
537:The Reader and the Young Man Sonnets
496:The Reader and the Young Man Sonnets
355:The Reader and the Young Man Sonnets
322:. Barnes & Noble. 1981. p. 112.
320:The Reader and the Young Man Sonnets
2316:
2131:Shakespeare's influence on Tolkien
637:The Sense of Shakespeare's Sonnets
234:In line 12 of the quarto the word
14:
1047:Shakespeare's Sonnets & Poems
653:. Jefferson, NC: McFarland, 2008.
485:. OCLC 2968040. page 179-180
3064:
2315:
2306:
2305:
1659:
1164:
1126:The Art of Shakespeare's Sonnets
559:. Bloomsbury Arden 2010. p. 166
434:The Art of Shakespeare's Sonnets
377:. Bloomsbury Arden 2010. p. 166
51:
299:. (Ă—) = extrametrical syllable.
3256:Sonnets by William Shakespeare
2136:Works titled after Shakespeare
879:The Complete Sonnets and Poems
649:Matz, Robert. "Introduction."
1:
2296:Shakespeare and other authors
973:The New Cambridge Shakespeare
802:Atkins, Carl D., ed. (2007).
597:Schoenfeldt, Michael (2010).
2178:Shakespeare Birthplace Trust
1130:. Cambridge, Massachusetts:
848:(Rev. ed.). New Haven:
45:Sonnet 28 in the 1609 Quarto
1984:English Renaissance theatre
1827:The Second Maiden's Tragedy
1806:The Merry Devil of Edmonton
1338:The Two Gentlemen of Verona
875:Burrow, Colin, ed. (2002).
672:First edition and facsimile
18:Poem by William Shakespeare
3272:
2152:Folger Shakespeare Library
1698:The Phoenix and the Turtle
1288:The Merry Wives of Windsor
1052:Folger Shakespeare Library
977:Cambridge University Press
767:J. B. Lippincott & Co.
738:The Sonnets of Shakespeare
3062:
2290:
2171:Royal Shakespeare Theatre
2166:Royal Shakespeare Company
1657:
1295:A Midsummer Night's Dream
1239:All's Well That Ends Well
743:Houghton Mifflin Harcourt
59:
50:
38:
1309:Pericles, Prince of Tyre
795:Modern critical editions
733:Alden, Raymond Macdonald
518:. New Directions (1966)
516:Seven Types of Ambiguity
1317:The Taming of the Shrew
1056:Washington Square Press
1015:New Penguin Shakespeare
915:Duncan-Jones, Katherine
889:Oxford University Press
430:Vendler, Helen (1997).
1999:Lord Chamberlain's Men
1910:The Passionate Pilgrim
1683:comparison to Petrarch
1302:Much Ado About Nothing
1281:The Merchant of Venice
885:The Oxford Shakespeare
656:Schoenfeldt, Michael.
189:
2363:Shakespeare's sonnets
2189:Shakespeare Institute
2158:Shakespeare Quarterly
1677:Shakespeare's sonnets
1345:The Two Noble Kinsmen
919:Shakespeare's Sonnets
844:Shakespeare's Sonnets
759:Rollins, Hyder Edward
630:Shakespeare's Sonnets
557:Shakespeare’s Sonnets
465:Shakespeare's Sonnets
463:Callaghan, D (2007).
375:Shakespeare’s Sonnets
341:Shakespeare's Sonnets
188:
150:—William Shakespeare
2370:"Fair Youth" sonnets
2045:Spelling of his name
1885:Vortigern and Rowena
1863:Thomas Lord Cromwell
1443:Troilus and Cressida
1373:Antony and Cleopatra
1267:Love's Labour's Lost
1253:The Comedy of Errors
680:Shakespeare, William
395:West, David (2007).
2378:Procreation sonnets
2269:Richard Shakespeare
2251:Gilbert Shakespeare
2183:Shakespeare's Globe
2088:Authorship question
2083:Attribution studies
2050:Stratford-upon-Avon
1892:A Yorkshire Tragedy
1870:Thomas of Woodstock
1856:The Spanish Tragedy
1797:Love's Labour's Won
1789:The London Prodigal
1746:The Birth of Merlin
1705:The Rape of Lucrece
1691:A Lover's Complaint
1571:Quarto publications
1274:Measure for Measure
1213:William Shakespeare
961:Evans, G. Blakemore
171:William Shakespeare
2263:Edmund Shakespeare
2221:Hamnet Shakespeare
2118:Screen adaptations
1841:Sir John Oldcastle
1739:Arden of Faversham
514:Empson, William.
190:
180:Petrarchan sonnets
3243:
3242:
3239:
3238:
3060:
3059:
2841:
2840:
2474:
2473:
2329:
2328:
2233:Elizabeth Barnard
2197:
2196:
1926:
1925:
1655:
1654:
1353:The Winter's Tale
1169:Works related to
1017:(Rev. ed.).
936:978-1-4080-1797-5
923:Arden Shakespeare
821:978-0-8386-4163-7
725:Variorum editions
586:978-1-349-05443-5
576:Hammond, Gerald.
545:978-1-349-05443-5
535:Hammond, Gerald.
504:978-1-349-05443-5
494:Hammond, Gerald.
363:978-1-349-05443-5
353:Hammond, Gerald.
328:978-1-349-05443-5
318:Hammond, Gerald.
272:iambic pentameter
160:
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2257:Joan Shakespeare
2239:John Shakespeare
2142:
2123:Shakespeare and
1834:Sejanus His Fall
1801:
1761:Double Falsehood
1728:
1712:Venus and Adonis
1663:
1436:Titus Andronicus
1422:Romeo and Juliet
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788:Internet Archive
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765:. Philadelphia:
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254:Sonnet Structure
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2235:(granddaughter)
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2035:Religious views
2013:Curtain Theatre
1934:
1922:
1897:
1848:Sir Thomas More
1794:
1768:Edmund Ironside
1717:
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1651:
1625:Ghost character
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1448:
1429:Timon of Athens
1358:
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1029:
1005:, ed. (1995) .
1001:
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937:
917:, ed. (2010) .
913:
899:
874:
860:
840:, ed. (2000) .
836:
822:
801:
792:
757:
731:
722:
708:Clarendon Press
696:
678:
635:Hubler, Edwin.
614:Baldwin, T. W.
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409:Peters, Roger.
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3219:"Anacreontics"
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2008:The Theatre
1994:Handwriting
1820:The Puritan
1611:Characters
1576:First Folio
1544:Richard III
1324:The Tempest
1088:The Sonnets
967:The Sonnets
951:1st edition
810:. Madison:
698:Lee, Sidney
625:25.2, 1926.
167:154 sonnets
2784:Rival Poet
2245:Mary Arden
2229:(daughter)
2217:(daughter)
2093:Bardolatry
2003:King's Men
1945:Birthplace
1632:Chronology
1551:Henry VIII
1478:Richard II
1470:Edward III
1380:Coriolanus
927:Bloomsbury
887:. Oxford:
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706:. Oxford:
688:. London:
609:References
526:p. 133-134
175:Fair Youth
165:is one of
3078:" sonnets
3076:Dark Lady
2275:John Hall
2265:(brother)
2253:(brother)
2185:(replica)
2125:Star Trek
2113:Memorials
2108:Influence
2098:Festivals
2040:Sexuality
2030:Portraits
2025:New Place
1877:Ur-Hamlet
1813:Mucedorus
1723:Apocrypha
1463:King John
1454:Histories
1401:King Lear
1364:Tragedies
1260:Cymbeline
1171:Sonnet 28
945:755065951
784:Volume II
716:458829162
264:quatrains
163:Sonnet 28
34:Sonnet 28
3250:Category
2311:Category
2259:(sister)
2247:(mother)
2241:(father)
1753:Cardenio
1642:Settings
1590:See also
1513:Henry VI
1484:Henry IV
1230:Comedies
1177:Analysis
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1112:46683809
1074:64594469
1037:15018446
995:32272082
907:48532938
830:86090499
780:Volume I
682:(1609).
297:nonictus
225:Beguiles
193:Exegesis
3045:"Envoy"
2786:sonnets
2103:Gardens
1979:Editors
1782:Locrine
1775:Fair Em
1607:Henriad
1506:Henry V
1415:Othello
1408:Macbeth
868:2968040
774:6028485
440:157–159
240:gildest
236:guil’st
2300:†Lost
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2202:Family
2075:Legacy
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2065:Grave
2055:Style
2020:Music
1937:works
1902:Poems
1731:Plays
1669:Poems
1221:Plays
307:Notes
293:ictus
276:metre
2060:Will
1935:and
1932:Life
1146:OCLC
1136:ISBN
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