544:
519:
22:
507:
127:. It generally comprises a suite of several small pieces in the same mode or key that are suitable for dancing. A significant number of such works were produced during the mid- to late- 17th century by composers in Germany, including
243:, but such works were often performed with a cellist or other instrument doubling the bass. Recent scholarship has revealed that the instruments used for to play basso continuo in Corelli's milieu were quite diverse, including
251:, and organ. Ambiguities on the title pages of Corelli's works have led many to conclude that the continuo might have been either a harpsichord or a cello, rather than both, as was previously assumed.
585:
172:, which literally meant "church music", but generally comprised a suite of four movements with tempos following a largo–allegro–largo–allegro pattern.
166:
was originally used in its literal meaning of "chamber music", but later came to be used figuratively to contrast this genre of composition with the
191:
and three dances or connecting movements)". The movements either were given tempo indications or names that indicated the style of dance, e.g.,
578:
229:, and works comprising dance movements came to be called a variety of other names, such as partita, suite, ordre, ouverture, or air.
354:
105:
39:
86:
609:
58:
43:
571:
221:'s op. 3 of 1669, which are also single movements, rather than a dance suite. After 1700, composers tended to merge the
65:
128:
72:
32:
54:
470:
464:
442:
347:
459:
318:
486:
210:
148:
79:
555:
604:
522:
382:
340:
310:
176:
168:
136:
551:
510:
418:
289:
268:
132:
408:
236:
124:
123:
is a 17th-century genre of musical composition for one or more melody instruments and
598:
491:
438:
184:
543:
476:
433:
428:
423:
413:
481:
392:
314:
301:
Watkin, David (1996). "Corelli's Op.5 Sonatas: 'Violino e violone o cimbalo'?".
240:
214:
21:
205:. Nevertheless, there is great variation in the form of music that was called
279:
As in
Correlli's Sonata da Camera in A, Op. 4, no.7, mvts. II, III, & IV
218:
198:
387:
193:
322:
244:
363:
248:
309:(4). Oxford University Press: 645–646, 649–650, 653–654, 657–663.
202:
187:, which Corelli adapted to the prevailing four-movement format (a
147:
during the late 17th century, when the works of composers such as
144:
336:
15:
332:
559:
290:
https://doi.org/10.1093/gmo/9781561592630.article.26196
269:
https://doi.org/10.1093/gmo/9781561592630.article.26196
452:
401:
370:
46:. Unsourced material may be challenged and removed.
239:. This three-part combination was also known as a
213:'s op. 4 of 1656, which are single movements in
579:
348:
235:were frequently composed for two violins and
8:
586:
572:
506:
355:
341:
333:
151:contributed to the popularity of both the
106:Learn how and when to remove this message
175:In the Oxford History of Western Music,
260:
288:Grove Music Online: Sonata da camera,
267:Grove Music Online: Sonata da camera,
7:
540:
538:
44:adding citations to reliable sources
558:. You can help Knowledge (XXG) by
14:
542:
518:
517:
505:
20:
31:needs additional citations for
1:
626:
537:
209:, including works such as
500:
315:10.1093/earlyj/XXIV.4.645
550:This article related to
471:Sonatas and Interludes
183:as "... essentially a
610:Classical music stubs
40:improve this article
460:Fitzwilliam Sonatas
55:"Sonata da camera"
567:
566:
532:
531:
487:Sonata rondo form
149:Arcangelo Corelli
143:came into use in
116:
115:
108:
90:
617:
588:
581:
574:
546:
539:
521:
520:
509:
508:
383:Sonata da chiesa
378:Sonata da camera
357:
350:
343:
334:
327:
326:
298:
292:
286:
280:
277:
271:
265:
233:Sonata da camera
227:sonata da chiesa
223:sonata da camera
207:sonata da camera
181:sonata da camera
177:Richard Taruskin
169:sonata da chiesa
164:sonata da camera
157:sonata da chiesa
153:sonata da camera
141:sonata da camera
137:Johannes Schenck
120:Sonata da camera
111:
104:
100:
97:
91:
89:
48:
24:
16:
625:
624:
620:
619:
618:
616:
615:
614:
595:
594:
593:
592:
552:classical music
535:
533:
528:
511:List of sonatas
496:
448:
419:Clarinet sonata
397:
366:
361:
331:
330:
300:
299:
295:
287:
283:
278:
274:
266:
262:
257:
139:. But the term
133:Dietrich Becker
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
623:
621:
613:
612:
607:
597:
596:
591:
590:
583:
576:
568:
565:
564:
547:
530:
529:
527:
526:
514:
501:
498:
497:
495:
494:
489:
484:
479:
474:
467:
462:
456:
454:
450:
449:
447:
446:
436:
431:
426:
421:
416:
411:
409:Bassoon sonata
405:
403:
399:
398:
396:
395:
390:
385:
380:
374:
372:
368:
367:
362:
360:
359:
352:
345:
337:
329:
328:
293:
281:
272:
259:
258:
256:
253:
237:basso continuo
129:Heinrich Biber
125:basso continuo
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
622:
611:
608:
606:
603:
602:
600:
589:
584:
582:
577:
575:
570:
569:
563:
561:
557:
553:
548:
545:
541:
536:
525:
524:
515:
513:
512:
503:
502:
499:
493:
492:Sonata theory
490:
488:
485:
483:
480:
478:
475:
473:
472:
468:
466:
463:
461:
458:
457:
455:
453:Miscellaneous
451:
444:
440:
439:Violin sonata
437:
435:
432:
430:
427:
425:
422:
420:
417:
415:
412:
410:
407:
406:
404:
402:By instrument
400:
394:
391:
389:
386:
384:
381:
379:
376:
375:
373:
369:
365:
358:
353:
351:
346:
344:
339:
338:
335:
324:
320:
316:
312:
308:
304:
297:
294:
291:
285:
282:
276:
273:
270:
264:
261:
254:
252:
250:
246:
242:
238:
234:
230:
228:
224:
220:
216:
212:
208:
204:
200:
196:
195:
190:
186:
182:
178:
173:
171:
170:
165:
160:
158:
154:
150:
146:
142:
138:
134:
130:
126:
122:
121:
110:
107:
99:
96:November 2016
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
560:expanding it
549:
534:
516:
504:
477:Sonata cycle
469:
434:Viola sonata
429:Piano sonata
424:Flute sonata
414:Cello sonata
377:
306:
302:
296:
284:
275:
263:
232:
231:
226:
222:
206:
192:
188:
180:
179:describes a
174:
167:
163:
161:
156:
152:
140:
119:
118:
117:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
482:Sonata form
393:Trio sonata
303:Early Music
241:trio sonata
215:binary form
185:dance suite
599:Categories
255:References
66:newspapers
225:with the
219:Bononcini
199:sarabande
162:The term
523:Category
388:Sonatina
211:Legrenzi
194:corrente
189:preludio
605:Sonatas
465:History
364:Sonatas
323:3128061
245:theorbo
80:scholar
321:
249:guitar
217:, and
135:, and
82:
75:
68:
61:
53:
554:is a
371:Types
319:JSTOR
203:gigue
201:, or
145:Italy
87:JSTOR
73:books
556:stub
443:list
155:and
59:news
311:doi
42:by
601::
317:.
307:24
305:.
247:,
197:,
159:.
131:,
587:e
580:t
573:v
562:.
445:)
441:(
356:e
349:t
342:v
325:.
313::
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
