668:. Within her bodies of work, Boyce works to convey the personal isolation that results from being black in a white society. In her work she explores notions of the Black Body as the "other". Commonly, she uses collage to convey a body of art that incites a complicated history. Boyce rose as a prominent artist in the 1980s when the Black Cultural Renaissance took place. The movement arose out of opposition to
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372:, Boyce was invited by the curators of the gallery to make new work in dialogue with the collection's 18th- and 19th-century galleries, for which Boyce invited performance artists to engage with these works in these galleries in "a non-binary way". As part of one of these events, the artists decided to temporarily remove
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drawings depicting friends, family and childhood experiences. Drawing from her background she often included depictions of wallpaper patterns and bright colours associated with the
Caribbean. Through this work, the artist examined her position as a Black woman in Britain and the historical events in
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In her early artistic years, Boyce used chalk and pastel to make drawings of her friends, family and herself. She graduated later to incorporate photography, graphic design, film, and caricature to convey very political messages within her work. The incorporation of collage allowed her to explore
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and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work
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depicting contemporary Black life. Although her focus is seen to have shifted away from specific ethnic experiences, her themes continue to be the experiences of a Black woman living in a white society, and how religion, politics and sexual politics made up that experience.
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Hayward
Gallery; Johnstone, Isobel; Sandhu, Sukhdev; Jones, Ann; Gallery, Leeds (England) City Art; Gallery, Tullie House Museum and Art; Centre, University College of Wales (Aberystwyth, Wales) Arts; Gallery, Usher Art; Museum, Nottingham Castle (1 January 2004).
244:, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
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within her work. The caricature is historically meant to showcase exaggerated features of individuals. They are often grotesque and can incite negative perceptions of their subjects. By using caricatures, Boyce allows herself to reclaim them in her own image.
433:, stated that Boyce's inclusive and powerful work would be a perfect selection for this significant time in UK history. Boyce first attended the Biennale in 2015, she was a part of curator Okwui Enwezor's "All the World's Features" exhibition. Her piece,
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Boyce's work is politically affiliated. She utilizes a variety of mediums within the same work to convey messages revolving around Black representation, perceptions of the black body and pervasive notions that arose from
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and her cabinet's policies. Using this societal backdrop, Boyce takes conventional narratives surrounding the black body and turns it upside down. Through her art she conveys a hope to overturn
288:, East London, from 1973 to 1979. From 1979 to 1980, she completed a Foundation Course in Art & Design at East Ham College of Art and Technology, going on to earn a BA degree in Fine Art at
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Boyce has taught widely and uses workshops as part of her creative process, and her works can be seen in many national collections. Boyce's works are held in the collections of
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from the gallery wall, prompting a wide discussion of issues of censorship and curatorial decision-making, interpretation and judgement, by gallery audiences and in the media.
418:, in which Brenda Emmanus followed Boyce as she travelled the UK, highlighting the history of Black artists and modernism. Boyce led a team in preparing an exhibition at
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2502:"Art review: Boyce, Büchler and Hiller, Glasgow CCA: Three stars of contemporary art return to the CCA where they exhibited in the 1980s"
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It was announced in
February 2020 that Boyce had been selected as the first Black woman to represent the United Kingdom at the
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429:; chosen by the British Council, she would produce a major solo exhibition. The British Council's director of visual arts,
312:. Roy Exley (2001) has written: "The effect of her work has been to re-orientate and re-negotiate the position of Black or
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2022, the first black woman to do so. In April 2022, Boyce won the Venice
Biennale's top Golden Lion prize with her work
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Boyce works with a range of media including photography, installation and text. She gained prominence as part of the
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that focused on artists of
African and Asian descent who have played a part in shaping the history of British art.
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2225:"UK New Year's Honours 2019: artists awarded include Sonia Boyce, Gillian Wearing, Tacita Dean and Alison Wilding"
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funded research project on the ephemeral nature of collaborative practice in art, concluding in the project
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2143:"Whoever Heard of a Black Artist? Britain's Hidden Art History review – a powerful picture of whitewashing"
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2822:(exhibition catalogue by S. Fillin-Yeh and M. Verhagen; Portland, OR, Reed Coll, Cooley A.G.; 2001)
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and Ian Baucom jointly received the
History of British Art Book Prize (USA) for the edited volume
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1966:"Artist Sonia Boyce Will Be the First Black Woman to Represent the UK at the Venice Biennale"
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In 1989, Boyce was a part of a group of four female artists who created an exhibition called
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2799:(exhibition catalogue by B. Ferguson, S. Nairne, S. Boyce and others, Winnipeg, A.G., 1988)
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Veronica Ryan : compartments/apart-ments : Camden Arts Centre, Angel Row
Gallery
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2855:, Institute of International Visual Arts in collaboration with Cornerhouse (London, 1998)
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M. Corris: "Sonia Boyce at
Vanessa Devereux Gallery", Artforum, xxx (1992), p. 124
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Venice
Biennale artist Sonia Boyce and Simon Lee Gallery part ways after just two years
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353:, which was the first display of British African, Caribbean, and Asian Modernism.
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2296:(Profile and Selected CV), Royal Academy, 9 March 2016. Retrieved 24 April 2016.
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1702:"Sonia Boyce becomes first Black woman to represent Britain at Venice Biennale"
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1996–2002: Co-Director, AAVAA (the
African and Asian Visual Artists Archive)
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which that experience was rooted. She also took part in the 1983 exhibition
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2164:"Sonia Boyce first black woman to represent Britain at Venice Biennale"
1479:(BAM) a research project on work by Black British artists and modernism
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2491:(6 September 2012—24 November 2012), The Museum of Fine Arts, Houston.
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2014:"Our removal of Waterhouse's naked nymphs painting was art in action"
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1985:"Me, Myself and Others | Sonia Boyce interviewed by Isobel Harbison"
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more complex pieces. It is important to note Boyce's utilization of
2346:"Interview | Artist Sonia Boyce: 'Paintings are not born on walls'"
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An early exhibition in which Boyce participated was in 1983 at the
2888:
2185:"Simone Leigh And Sonia Boyce Make History At The Venice Biennale"
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284:, London, in 1962, Boyce attended Eastlea Comprehensive School in
1312:, Berardo Collection Museum/P-28 Container Project, Lisbon (2011)
2924:"Whoever Heard of a Black Artist - Britain's Hidden Art History"
2479:(6 February–3 May 2010). Events at The University of Manchester.
1733:"British artist Sonia Boyce wins Golden Lion at Venice Biennale"
25:
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that pervaded throughout slavery and after the slaves had been
1426:
2022: awarded the Venice Biennale's Golden Lion for her piece
1348:, Göteborg International Biennial of Contemporary Art 7 (2013)
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from the article and its talk page, especially if potentially
542:
2128:
Whoever Heard of a Black Artist? Britain's Hidden Art History
416:
Whoever Heard of a Black Artist? Britain's Hidden Art History
368:
In 2018, as part of a retrospective exhibition of her art at
308:
cultural renaissance of the 1980s. Her work also references
2442:
Noel, Samantha (28 March 2014). "Putting on a Bold-Face".
1126:, Camden Arts Centre and St Pancras Station, London (1992)
1857:"Critical Decade: Black British Photography in the 80s",
1370:, 56th Venice Biennale of Contemporary Art, Venice (2015)
2420:"Sonia Boyce on using art to 'process' childhood trauma"
2367:"Sonia Boyce: The artist bringing everyone to the table"
1394:
Member of the Most Excellent Order of the British Empire
200:
2307:
Golden Lion Winner Sonia Boyce Joins Hauser & Wirth
809:, and tour (2009–2010); "Part 2 and Part 3" (2009–2010)
356:
In her later works, Boyce used diverse media including
1817:
Contemporary British Women Artists: In Their Own Words
1512:
Shades of Black: Assembling Black Art in 1980s Britain
1420:
2020: selected to represent the United Kingdom at the
1226:
Century City: Art and Culture in the Modern Metropolis
976:
The Image Employed – The Use Of Narrative In Black Art
472:
On 9 March 2016, Boyce was elected as a member of the
437:, was awarded the Golden Lion at the 2022 exhibition.
2213:, BBC News, 16 June 2007. Retrieved 6 September 2007.
1375:
No Colour Bar: Black British Art in Action 1960–1990
1142:
New England Purpose Built: Long Distance Information
1503:– the Institute of International Visual Arts, 1998)
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3005:Dames Commander of the Order of the British Empire
1907:
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1286:, Centro Cultural España/Cordoba, Argentina (2010)
2914:"Sonia Boyce: 'Gathering a history of black women
2162:Needham, Alex; Bakare, Lanre (12 February 2020).
984:, Nottingham Castle Museum and Art Gallery (1987)
463:Dame Commander of the Order of the British Empire
2747:. London: Camden Press. 1988. pp. 219–224.
2714:"Sonia Boyce: in conversation with John Roberts"
2489:"There is no archive in which nothing gets lost"
1838:Black British Culture and Society: A Text-Reader
1726:
1724:
1278:Griot Girlz: Feminist Art and the Black Atlantic
1262:Afro Modern: Journeys through the Black Atlantic
1098:, Palazzo della Crepadona, Belluna, Italy (1991)
231:. She is a Professor of Black Art and Design at
16:British Afro-Caribbean visual artist (born 1962)
2532:The Radical Lives of Eric & Jessica Huntley
2477:"Walls Are Talking: Wallpaper, Art and Culture"
1931:Companion to Contemporary Black British Culture
1521:Allison Thompson, "Sonia Boyce and Crop Over",
2970:Academics of the University of the Arts London
2838:MIRAGE: Enigmas of Race, Difference and Desire
2289:
2287:
2285:
1621:"UAL appoints nine new cross-university heads"
1336:There is no archive in which nothing gets lost
954:, Leicestershire Museum and Art Gallery (1986)
240:involves a variety of media, such as drawing,
235:. Boyce's research interests explore art as a
2742:Boyce, Sonia (1988), "Talking in Tongues" in
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1679:"A "female invasion" 250 years in the making"
1280:, Kunstlerhaus Büchenhausen, Innsbruck (2010)
1272:Walls Are Talking: Wallpaper, Art and Culture
1222:, World-Wide Video Festival, Amsterdam (2000)
743:, Royal Pavilion Art Gallery, Brighton (1995)
8:
2980:Artists from the London Borough of Islington
2571:: CS1 maint: multiple names: authors list (
1672:
1670:
1553:John Roberts, "Interview with Sonia Boyce",
1046:, Wifredo Lam Cultural Centre, Havana (1989)
258:In February 2020, Boyce was selected by the
2393:"Desert Island Discs | Sonia Boyce, artist"
2258:(Supplement). 30 December 2023. p. N9.
1911:Oxford Art Online, www.oxfordartonline.com.
1784:. Boyce, Sonia, 1962-. London: Kala Press.
934:Some Of Us Are Brave – All Of Us Are Strong
823:Paper Tiger Whisky Soap Theatre (Dada Nice)
251:in London, becoming the first black female
227:artist and educator, living and working in
101:Stourbridge College of Technology & Art
1872:Phelan, Peggy, and Helena Reckitt (2001),
1411:Officer of the Order of the British Empire
1346:Play! Re-capturing the Radical Imagination
1274:, Whitworth Art Gallery, Manchester (2010)
1150:, Small Mansions Art Centre, London (1994)
898:, St Matthews Meeting Place, London (1985)
580:about living persons that is unsourced or
455:Officer of the Order of the British Empire
20:
1960:
1958:
1956:
1954:
1540:Boyce co-edited the summer 2021 issue of
731:, Vanessa Devereux Gallery, London (1991)
651:Learn how and when to remove this message
447:Member of the Order of the British Empire
255:. The Royal Academy was founded in 1768.
2904:, "Sonia Boyce at The Agency" (review),
1290:8+8 Contemporary International Video Art
1174:, London Printworks Trust, London (1995)
1020:, University of Essex, Colchester (1988)
948:, Whitechapel Art Gallery, London (1986)
247:In March 2016, Boyce was elected to the
2437:
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1636:
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1587:
1533:, Spike Island, Bristol, and tour (ed.
1248:, Kunstverein Konstanz, Konstanz (2008)
1014:, Angela Flowers Gallery, London (1988)
1008:, Winnipeg Art Gallery, Winnipeg (1988)
775:Ruskin School of Drawing & Fine Art
488:since 2023. She previously worked with
2564:
2091:Government Art Collection. Sonia Boyce
2056:Institute of International Visual Arts
1782:Sonia Boyce : speaking in tongues
1775:
1570:Facsimile of letter by Sonia Boyce in
1560:Sonia Boyce, "Talking in Tongues", in
1518:in collaboration with Iniva and AAVAA.
1497:Annotations 2/Sonia Boyce: Performance
1214:Video Positive: the Other Side of Zero
1138:, Manchester City Art Galleries (1992)
1064:, Photographers Gallery, London (1990)
1032:, Mappin Art Gallery, Sheffield (1989)
886:, Nicola Jacobs Gallery, London (1985)
880:, The Black-Art Gallery, London (1984)
862:, Battersea Arts Centre, London (1983)
709:, The Black-Art Gallery, London (1986)
85:East Ham College of Art and Technology
2365:Ruiz, Cristina (Spring–Summer 2022).
2305:Alex Greenberger (5 September 2023),
1890:. a-n The Artists Information Company
1773:
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1700:Sanderson, David (12 February 2020).
1689:from the original on 9 February 2023.
1649:"Professor Sonia Boyce: TrAIN Member"
1326:Migrations: Journeys into British Art
1210:, Focalpoint Gallery, Southend (1996)
1144:, Real Art Ways, Hartford, USA (1993)
1026:, Cooper Art Gallery, Barnsley (1988)
904:, Chapter Arts Centre, Cardiff (1985)
316:art within the cultural mainstream."
7:
1811:
1809:
1216:, Bluecoat Gallery, Liverpool (2000)
1052:, McLellan Galleries, Glasgow (1990)
874:Mappin Art Gallery, Sheffield (1984)
799:& Historical Society (2007/2008)
410:In 2018, she was the subject of the
2635:"Black Artists and Modernism (BAM)"
2609:"BAM – Black Artists and Modernism"
2588:"Art and Design Research Institute"
2223:Harris, Gareth (29 December 2018).
1598:. Phaidon Press. 2019. p. 74.
1475:2015–2018: Principal Investigator,
1458:Wimbledon College of Art and Design
1252:Praxis: Art in Times of Uncertainty
1002:, Chisenhale Gallery, London (1988)
504:, with whom she has two daughters.
2960:21st-century English women artists
2955:20th-century English women artists
2866:2 artworks by or after Sonia Boyce
2418:Evans, Connie (26 February 2023).
2141:Ramaswamy, Chitra (30 July 2018).
1202:Picturing Blackness in British Art
1180:, Brighton Museum, Brighton (1995)
930:, Black Art Gallery, London (1985)
892:Bluecoat Gallery, Liverpool (1985)
14:
2965:Academics of Middlesex University
2732:– via Taylor & Francis.
1441:1996–2002: Post-Doctoral Fellow,
1236:Sharjah International Biennial: 7
1120:, IKON Gallery, Birmingham (1992)
936:, Black Art Gallery London (1986)
765:National Portrait Gallery, London
2985:People from Islington (district)
2807:Sonia Boyce: Speaking in Tongues
2012:Boyce, Sonia (6 February 2018).
1731:Connett, David (23 April 2022).
1677:Wickham, Annette (13 May 2018).
1546:on Black British Modernism with
1537:; Berlin: Green Box Press, 2010)
1491:Sonia Boyce: Speaking in Tongues
1070:, Cornerhouse, Manchester (1990)
1040:, Hayward Gallery, London (1989)
978:, Cornerhouse, Manchester (1987)
952:Caribbean Expressions In Britain
819:, Rivington Place, London (2013)
547:
2931:. Profile on Royal Academy site
2920:. Interview 27 July 2018, Tate.
2641:. University of the Arts London
2500:Jeffrey, Moira (1 March 2014),
2211:"Birthday honours: London list"
1964:Rea, Naomi (12 February 2020),
1655:. University of the Arts London
1387:Selected awards and recognition
2820:Recent Sonia Boyce: La, La, La
1886:Exley, Roy (1 November 2001).
1192:, Street Level, Glasgow (1995)
1168:, LA Galerie, Frankfurt (1995)
1018:Fashioning Feminine Identities
813:Scat – Sound and Collaboration
747:Recent Sonia Boyce: La, La, La
484:Boyce has been represented by
1:
2975:Alumni of Stourbridge College
2793:; London, Air Gallery, 1987)
2789:(exhibition catalogue, intro
1888:"Sonia Boyce Artists Talking"
1619:Banks, Tom (3 January 2014).
1462:University of the Arts London
1398:Queen's Birthday Honours List
1284:¡Afuera! Art in Public Spaces
1198:, Beaconsfield, London (1995)
1162:, INIVA Launch, London (1994)
1058:, University of London (1990)
1024:Along The Lines of Resistance
928:From Generation To Generation
329:. Her early works were large
233:University of the Arts London
3000:British installation artists
2995:British contemporary artists
2877:"Interview with Sonia Boyce"
2809:. London: Kala Press, 1997.
2456:10.1080/09528822.2014.890789
2344:Adams, Tim (17 April 2022).
2183:Hess, Liam (22 April 2022).
1557:, no. 1 (Autumn 1987), 55–64
1527:, Volume 13, Number 2, 2009.
1456:2008–2011: Research Fellow,
1340:Museum of Fine Arts, Houston
972:, Gimpel Fils, London (1986)
868:, Gimpel Fils, London (1984)
737:, 181 Gallery, London (1993)
558:biography of a living person
389:Victoria & Albert Museum
262:to represent Britain at the
73:Eastlea Comprehensive School
1493:, London: Kala Press, 1997.
1477:Black Artists and Modernism
1318:, Kunstquartier Bethanien,
1304:Moscow Museum of Modern Art
942:, Elbow Room, London (1986)
896:Celebrations/Demonstrations
585:must be removed immediately
500:Boyce's partner is curator
469:, all for services to art.
54:1962 (age 61–62)
3031:
1993:. No. 415. April 2018
1780:Tawadros, Gilane. (1997).
1683:Royal Academy of Arts (RA)
1450:2004–2005: Artist Fellow,
1254:, Thessaloniki Biennal 2,
1112:Delfina Annual Summer Show
1090:Delfina Annual Summer Show
715:Air Gallery, London (1986)
2897:National Portrait Gallery
2730:10.1080/09528828708576173
2688:"Art History | June 2021"
2324:Anny Shaw (5 June 2023),
2131:, BBC Four, 30 July 2018.
1815:Fortnum, Rebecca (2007),
1443:University of East London
902:No More Little White Lies
393:Government Art Collection
292:from 1980 to 1983 in the
223:(born 1962) is a British
191:
176:
2853:Sonia Boyce: Performance
2051:Sonia Boyce: Performance
1576:Compartments/Apart-ments
1300:The Impossible Community
1172:Portable Fabric Shelters
1136:Innocence And Experience
719:Sonia Boyce: recent work
276:Early life and education
2768:Ryan, Veronica (1995).
2229:www.theartnewspaper.com
1368:All the World's Futures
1000:The Essential Black Art
773:(ed. Paul Bonaventura,
723:Whitechapel Art Gallery
401:Arts Council Collection
2882:Times Higher Education
2712:Roberts, Jone (1987).
2615:. Research Councils UK
2520:"Female Art in Action"
2048:Crinson, Mark (1998).
1923:"Black Women Time Now"
1819:, I.B.Tauris, p. 113.
1316:Black Sound White Cube
1106:Photographers' Gallery
833:Manchester Art Gallery
781:, and tour, 2007/2008)
572:Please help by adding
420:Manchester Art Gallery
370:Manchester Art Gallery
142:UK Black Arts Movement
2990:Black British artists
2772:. Camden Arts Centre.
2660:Boyce, Sonia (2010).
2548:Stranger than fiction
2526:1 August 2015 at the
1933:. Abingdon, England:
1921:Ratnam, Niru (2002).
1836:Owusu, Kwesi (1999),
1516:Duke University Press
1484:Selected publications
1417:, for services to art
1405:Royal Academy of Arts
1403:2016: elected to the
1400:, for services to art
1380:Guildhall Art Gallery
1364:, CCA, Glasgow (2014)
1204:, Tate, London (1996)
1156:, BANK, London (1994)
1130:Nosepaint Artist Club
994:Royal Overseas League
970:A Cabinet Of Drawings
852:Africa Centre, London
807:Spike Island, Bristol
735:Do You Want To Touch?
467:2024 New Year Honours
459:2019 New Year Honours
451:2007 Birthday Honours
321:Africa Centre, London
249:Royal Academy of Arts
212:Dame Sonia Dawn Boyce
185:Royal Academy of Arts
1863:vol. 2, no. 3, 1992.
1470:The Future is Social
1422:59th Venice Biennale
1220:New Woman Narratives
1186:, ICA, London (1995)
1080:Shocks To The System
1074:Delfina Open Studios
1056:Distinguishing Marks
1050:The British Art Show
990:, Switzerland (1987)
966:, ICA, London (1986)
960:, Switzerland (1986)
890:Blackskins/Bluecoat,
859:Black Woman Time Now
803:Like Love – Part One
578:Contentious material
511:, Boyce appeared on
492:from 2021 to 2023.
445:Boyce was appointed
378:Hylas and the Nymphs
341:Black Women Time Now
170:59th Venice Biennale
2885:, 17 December 2015.
2797:The Impossible Self
2745:Storms of the Heart
2551:. Hayward Gallery.
2054:. London, England:
1840:, Routledge, p. 4.
1596:Great Women Artists
1562:Storms of the Heart
1499:(ed. Mark Crinson,
1409:2019: appointed an
1362:Speaking in Tongues
1124:Northern Adventures
1006:The Impossible Self
918:The Thin Black Line
878:Heroes And Heroines
518:Desert Island Discs
358:digital photography
290:Stourbridge College
168:Golden Lion at the
3015:Royal Academicians
2910:, 6 December 2004.
2851:M. Crinson (ed.):
2399:. 26 February 2023
2255:The London Gazette
1876:. London: Phaidon.
1436:Research positions
1392:2007: appointed a
1382:, London (2015–16)
1154:Wish You Were Here
1062:The Invisible City
1044:The Cuban Biennale
1012:The Thatcher Years
556:This section of a
486:Hauser & Wirth
2805:Gilane Tawadros,
2666:. The Green Box.
2331:The Art Newspaper
2103:"Art UK | Venues"
2079:"Sonia Boyce OBE"
1944:978-1-134-70024-0
1489:Gilane Tawadros,
1246:Menschen und Orte
1096:An English Summer
940:Unrecorded Truths
912:Riverside Studios
779:Oxford University
771:For you, only you
741:Sonia Boyce: PEEP
670:Margaret Thatcher
666:scientific racism
661:
660:
653:
635:
561:needs additional
490:Simon Lee Gallery
414:documentary film
253:Royal Academician
209:
208:
3022:
3010:Feminist artists
2929:"Sonia Boyce RA"
2917:
2774:
2773:
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2425:Evening Standard
2415:
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2297:
2294:"Sonia Boyce RA"
2291:
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2009:
2003:
2002:
2000:
1998:
1981:
1975:
1962:
1949:
1948:
1918:
1912:
1909:
1900:
1899:
1897:
1895:
1883:
1877:
1874:Art and Feminism
1870:
1864:
1855:
1849:
1834:
1828:
1813:
1804:
1803:
1777:
1750:
1749:
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1664:
1662:
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1644:
1629:
1628:
1616:
1610:
1609:
1592:
1506:In 2007, Boyce,
1415:New Year Honours
1196:Cottage Industry
1084:Southbank Centre
982:Critical Realism
964:State Of The Art
847:Five Black Women
755:Portland, Oregon
656:
649:
645:
642:
636:
634:
593:
574:reliable sources
551:
550:
543:
405:Southbank Centre
374:J. W. Waterhouse
362:composite images
326:Five Black Women
222:
205:
202:
120:
51:Sonia Dawn Boyce
41:
21:
3030:
3029:
3025:
3024:
3023:
3021:
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3019:
2935:
2934:
2915:
2907:The Independent
2862:
2826:David A. Bailey
2783:
2781:Further reading
2778:
2777:
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2766:
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2755:
2743:
2741:
2737:
2711:
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2528:Wayback Machine
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2371:The Gentlewoman
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2125:
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2111:
2109:
2101:
2100:
2096:
2089:
2085:
2081:at Tate online.
2077:
2073:
2066:
2047:
2046:
2042:
2032:
2030:
2011:
2010:
2006:
1996:
1994:
1983:
1982:
1978:
1963:
1952:
1945:
1937:. p. 127.
1927:Donnell, Alison
1920:
1919:
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1594:
1593:
1589:
1584:
1514:, published by
1508:David A. Bailey
1486:
1438:
1429:Feeling Her Way
1389:
1358:, London (2013)
1356:Rivington Place
1268:and tour (2010)
1232:, London (2001)
1132:, London (1992)
1114:, London (1992)
1108:, London (1991)
1092:, London (1991)
1086:, London (1991)
1076:, London (1991)
1037:The Other Story
996:, London (1987)
946:From Two Worlds
924:, London (1985)
914:, London (1985)
884:Room At The Top
842:
797:Barbados Museum
725:, London (1988)
703:
698:
657:
646:
640:
637:
594:
592:
571:
552:
548:
541:
527:
502:David A. Bailey
498:
482:
443:
435:Feeling Her Way
427:Venice Biennale
397:British Council
350:The Other Story
302:
278:
269:Feeling Her Way
264:Venice Biennale
260:British Council
237:social practice
214:
199:
151:David A. Bailey
134:
128:Feeling Her Way
118:
113:
110:
94:
78:
58:
57:London, England
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2932:
2926:
2921:
2911:
2899:
2894:
2892:on Sonia Boyce
2886:
2873:
2861:
2860:External links
2858:
2857:
2856:
2849:
2834:Catherine Ugwu
2823:
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2626:
2613:www.rcuk.ac.uk
2600:
2586:Boyce, Sonia.
2578:
2557:
2536:
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2469:
2450:(2): 163–176.
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1647:Boyce, Sonia.
1630:
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1605:978-0714878775
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1148:Thinking Aloud
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887:
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872:Into The Open,
869:
866:Strip Language
863:
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837:
836:
830:
820:
810:
800:
789:Harewood House
782:
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758:
744:
738:
732:
729:Something Else
726:
716:
710:
702:
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694:
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658:
582:poorly sourced
555:
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314:Afro-Caribbean
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2950:Living people
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2843:
2840:, ICA, 1995.
2839:
2835:
2831:
2830:Kobena Mercer
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2754:9780948491351
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2673:9783941644168
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2639:Transnational
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2373:. No. 25
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2065:1-899846-15-8
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1572:Veronica Ryan
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1548:Dorothy Price
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1419:
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1413:(OBE) in the
1412:
1408:
1406:
1402:
1399:
1396:(MBE) in the
1395:
1391:
1390:
1386:
1381:
1377:
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1310:Coming Ashore
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1292:, 53 Museum,
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1160:Glass Vitrine
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1068:Black Markets
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601:
600:"Sonia Boyce"
597:
596:Find sources:
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509:February 2023
505:
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496:Personal life
495:
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474:Royal Academy
470:
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465:(DBE) in the
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456:
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448:
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