43:
Schafer was particularly interested in the implications of the changes in soundscapes in industrial societies in children, and children's relationship to the world through sound. He was a proponent of
61:
introduced for the first time the term "soundride" as a direct derivation from a soundwalk but driven by bicycle, used to reach more far points, interesting from their sound point of view.
50:
Westerkamp used soundwalks to create multiple soundart pieces. "Cricket Voice", "A Walk
Through the City", and "Beneath the Forest Floor" are all soundwalk inspired works.
76:: typically ambient sounds which are not perceived, not because they are inaudible but because they are filtered out cognitively, such as a highway or air-condition hum
47:(cleaning one's ears cognitively), and he saw soundwalking as an important part of this process of re-engaging our aural senses in finding our place in the world.
38:... any excursion whose main purpose is listening to the environment. It is exposing our ears to every sound around us no matter where we are.
228:
179:
21:
88:: a foreground sound; e.g. a dog, an alarm clock; messages/meaning is usually carried through sound signals.
58:
53:
Soundwalking has also been used as artistic medium by visual artists and documentary makers, such as
29:
20:
is a walk with a focus on listening to the environment. The term was first used by members of the
255:
116:
224:
175:
25:
121:
103:
102:: a description for sounds whose sources are out of sight or unknown. This also relates to
96:: the smallest possible recognizable sonic entity (recognizable by its amplitude envelope)
195:
250:
244:
54:
131:
92:
174:. New York: Berandol Music; sole selling agents: Associated Music Publishers.
126:
69:
Other terms closely related to soundwalking and used by
Schafer include:
82:: a sonic landmark; a sound which is characteristic of a place
33:
223:. Michigan: Knopf; original: University of Michigan.
172:
Ear cleaning: notes for an experimental music course
32:, from the same group of artists and founder of the
151:Westerkamp, Hildegard (1974). "Soundwalking".
8:
143:
7:
14:
24:under the leadership of composer
34:World Forum of Acoustic Ecology
1:
219:Schafer, R. Murray (1977).
170:Schafer, R. Murray (1969).
57:. In 2018 the sound artist
36:, defines soundwalking as "
28:in Vancouver in the 1970s.
272:
200:www.hildegardwesterkamp.ca
22:World Soundscape Project
221:The Tuning of the World
30:Hildegard Westerkamp
117:Soundscape ecology
26:R. Murray Schafer
263:
235:
234:
216:
210:
209:
207:
206:
192:
186:
185:
167:
161:
160:
148:
122:Acousmatic music
104:acousmatic music
271:
270:
266:
265:
264:
262:
261:
260:
241:
240:
239:
238:
231:
218:
217:
213:
204:
202:
194:
193:
189:
182:
169:
168:
164:
150:
149:
145:
140:
113:
67:
59:Francesco Giomi
12:
11:
5:
269:
267:
259:
258:
253:
243:
242:
237:
236:
229:
211:
187:
180:
162:
153:Sound Heritage
142:
141:
139:
136:
135:
134:
129:
124:
119:
112:
109:
108:
107:
97:
89:
83:
77:
66:
63:
13:
10:
9:
6:
4:
3:
2:
268:
257:
254:
252:
249:
248:
246:
232:
226:
222:
215:
212:
201:
197:
191:
188:
183:
177:
173:
166:
163:
158:
154:
147:
144:
137:
133:
130:
128:
125:
123:
120:
118:
115:
114:
110:
105:
101:
98:
95:
94:
90:
87:
84:
81:
78:
75:
72:
71:
70:
64:
62:
60:
56:
55:Janet Cardiff
51:
48:
46:
41:
39:
35:
31:
27:
23:
19:
220:
214:
203:. Retrieved
199:
190:
171:
165:
156:
152:
146:
132:Shinrin-yoku
99:
93:Sound object
91:
86:Sound signal
85:
79:
73:
68:
52:
49:
45:ear-cleaning
44:
42:
37:
17:
15:
196:"Catalogue"
65:Other Terms
245:Categories
230:0394409663
205:2020-04-29
181:0911320903
138:References
100:Acousmatic
256:Acoustics
127:Sound art
80:Soundmark
18:soundwalk
111:See also
74:Keynote
227:
178:
251:Sound
225:ISBN
176:ISBN
159:(4).
157:III
40:"
247::
198:.
155:.
16:A
233:.
208:.
184:.
106:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.