246:
Royal
Academy of Arts, and again in 1867 when its students won three out of ten of the gold medals for art awarded by the Government, along with four silver medals awarded annually by the Royal Academy of Arts, and a bronze medal at the International Exposition held that year in Paris. Certainly Sparkes and his colleagues at City and Guilds of London Art School ignored the general prohibition on life drawing being taught outside the Royal Academy of Arts, and the success of Sparkes's students at City and Guilds of London Art School in fine art competitions can be traced to this willingness by Sparkes to ignore regulations he believed were wrong.
550:
Sophie Barton ACR, Peter
Bennett, James Bloxam, Amanda Brannan, Dr Tracey Chaplin, Edward Cheese ACR, Sarah Davis, Jennifer Dinsmore ACR, Rosella Garavaglia, Graeme Gardiner ACR, Judith Gowland ACR, Christopher Harvey, Sarah Healey-Dilkes ACR, Hugi Hicyilmaz, Joel Hopkinson, Rian Kanduth, Katy Lithgow ACR, Dr Naomi Luxford ACR, Dana Melchar, Bridget Mitchell ACR, Richard Nichols ACR, Dr David Peggie, Cheryl Porter, Dr Joanna Russell ACR, Alex Schouvaloff, Alison Seed ACR, Vanessa Simeoni ACR, Victoria Stevens ACR, Shaun Thompson, and Piers Townshend ACR.
338:, the CGLI Central Technical College. The new backing secured the financial future of the art school without the strings attached to government funding. Under the new arrangement, the art school moved to new buildings in Kennington Park Road in Lambeth, which it still occupies, and was renamed the South London Technical School of Art. In 1932 it changed its name to the City and Guilds of London Institute Kennington and Lambeth Art School, reflecting the historical and continued support of the city of London
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for teachers' pay and this was then redistributed to other art schools across the country. As well as being widely considered an insufficient sum in the first place, the
Government School of Design was accused by people such as Sparkes of holding on to too much of the money leading to the payment of
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In the case of City and Guilds of London Art School it was suggested at the time that
Sparkes was ignoring the National Course on Instruction and teaching his students to be fine artists, particularly in 1865, when students from the art school won three medals at the annual awards handed out by the
538:
consists of DipHE/BA (Hons) Carving: Woodcarving & Gilding, DipHE/BA (Hons) Carving: Architectural Stone, Graduate
Diploma Arts: Carving and PgDip/MA Carving. The Department is led by Tom Young, who is supported by professional carvers in stone and wood including Tom Ball, Richard Barnes, Nina
263:
Recognising the limitations of government patronage of art schools, Sparkes cultivated a number of connections between the City and Guilds of London Art School and local manufacturing industries which would lead ultimately to City and Guilds of London Art School attaining the independent status it
236:
started teaching at the art school, soon becoming its
Headmaster. Under Sparkes City and Guilds of London Art School was at the forefront of opposition to the monopoly claimed by the Royal Academy of Arts on the teaching of fine art practices, particularly drawing from the human figure. An attempt
377:
After the Second World War, new restoration and carving courses were established at the Art School to train people for the restoration of London's war-damaged buildings. However, during the 1960s the art school also developed a fine art programme, although it still maintained and strengthened its
307:
In addition to
Doulton's, Sparkes also cultivated contacts with other local craft trade companies, one of the most notable of which was Mssrs Farmer and Brindley, a Lambeth-based architectural stone carving and terra-cotta company. As with Doulton's, a number of apprentices at Farmer and Brindley
295:
The close connection between the art school and
Doulton's meant that the ethos of City and Guilds of London School of Art was based, from very early days, on a belief in a strong connection between the fine arts, craft and design. Consequently, its students and teachers became associated with the
275:
In 1863 Doulton joined the school's board of management and the following year he gave the school its first commission, for a terracotta frieze for his factory's new extension. Following on from this
Doulton was a strong supporter and promoter of the art school's activities, including exhibiting
549:
led by Dr Marina Sokhan, comprises DipHE/BA (Hons) Conservation: Books & Paper, DipHE/BA Conservation: Stone, Wood & Decorative
Surfaces, GradDip Arts: Conservation and MA Conservation. The Department has a number of specialist tutors including Gerry Alabone ACR, Kim Amis, Louise Ashon,
255:
what were called starvation wages at other art schools. Sparkes, in particular, was instrumental in campaigning for an increase in these wages, through both direct appeals to parliament and the establishment of the first national union of art teachers, the Association of Art Masters, in 1863.
342:. This was shortened in 1938 to the City and Guilds of London Art School. The formal link between the parent body, the City and Guilds Institute, and the City and Guilds of London Art School was ended in 1971, when the art school became and independent trust.
308:
augmented their training with study at the Art School. This included the sculptors Charles John Allen (1862–1956), Harry Bates (1850–1899) and Nathaniel Hitch (1846–1936), and others, who became prominent sculptors in the Victorian and Edwardian periods.
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programmes in restoration and carving. This resulted in the Art School evolving into both a school for fine art education, and a unique specialist training centre for the education of restorers and conservators of architectural stone and wood work.
497:
Foundation Course syllabus to prepare students to make applications to undergraduate art and design programmes at universities and art schools. Other tutors include Kim Amis, Andrea Barber, Niamh Clancy, Gary Colclough, Alex Hough, Lucy Le Feuvre,
448:
by Graham Crowley, former Professor of the Royal College of Art, the City & Guilds of London Art School's Fine Art Department was singled out for its "magnificent job" in "maintaining the transformative power and joy of education through art".
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with a supply of higher-quality artwork for its trade, and gave students at Lambeth School of Art employment opportunities, and many noted English modellers and sculptors of the late nineteenth century owe their careers to this partnership.
154:
located in central London, England. Originally founded as a government art school, it is now an independent, not-for-profit charity, and is one of the country's longest established art schools. It offers courses ranging from art and design
249:
This radicalism in Sparkes can also be seen in his concern for the art and design tutors working both at City and Guilds of London Art School and elsewhere in Britain. In the 1860s a block grant was given by the British Government to the
241:
for art training. This allowed for some elements of drawing to be taught, but within a broader curriculum that stressed the teaching of techniques to aid workers in artisan manufacturing industries rather than the training of artists.
208:, who supplied Gregory with teachers, the school flourished and became a leader in the provision of instruction in applied art and design to working artisans, many of whom were employed by local manufacturing firms, including
167:
courses in fine art, carving, conservation, and art histories. In addition, it offers the only undergraduate and postgraduate degrees in Britain in stone and wood carving: architectural stone and woodcarving and gilding.
556:
is led by Thomas Groves and provides art historical, contextual and theoretical instruction to students in all the practical departments at the Art School. In addition to Thomas Groves, tutors include Dr Oriana Fox,
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In 1997 and 1998 the Fine Art Painting, Sculpture and Conservation courses were validated at undergraduate BA (Hons) level. In 2000 the MA course in Fine Art was validated by the University of Central England (now
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471:
surveyed art world professionals to create a list of the top ten British art schools, resulting in the City and Guilds of London Art School coming third after the Royal College of Art and the Royal Academy.
287:
From about 1869, Doulton and his staff helped the art school to develop a curriculum that trained students for the pottery trade, and to carry out design work for Doulton. This collaboration provided
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is currently led by Acting Course Leader Andy Bannister, and consists of BA (Hons) Fine Art, GradDip Arts: Fine Art and MA Fine Art. A range of contemporary artists teach at the Art School including
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The City and Guilds of London Art School was founded in 1854 by the Reverend Robert Gregory under the name Lambeth School of Art. It began as a night school in rooms occupied during the day by a
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had been made to resolve this conflict in 1852, with the introduction by the British Government of the National Course on Instruction for art and design education, which was in effect a
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as part of a redevelopment that included St Peter's church. The buildings are still standing, although the road is now called St Oswald's Place.
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Graduates of the Art School were involved in some of the leading social and political movements of the early twentieth century, including
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543:, Tom Merrett, and Ghislain Puget, alongside Kim Amis who teaches modelling and Diane Magee who runs the Drawing Studio.
1437:"Founder of Carving and Conservation at the Art School honoured with new plaque | City & Guilds | London Art School"
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Emma Hardy, 'Farmer and Brindley, Craftsmen and Sculptors, 1850–1930' in The Victorian Society Annual 1993, pp. 4–17
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1217:"City and Guilds of London Art School - Modern Painters Survey Ranks School as 3rd Best UK Graduate Arts Programme"
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later went on to found the radical bookshop, which still bears his name, located in Caledonian Road, near London's
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1293:"Books & Paper Conservation course launches in September | City & Guilds | London Art School"
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946:"South London Technical School of Art (also Lambeth School of Art and City and Guilds of London Art School)"
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www.worldcollectorsnet.com describes potter John Sparkes leading the college in 1856 (accessed 5 April 2009)
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In 1971 the Art School became an independent charitable trust, with the new Deed of Incorporation signed by
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district, as well as in an adjoining converted warehouse building close to the south bank of the river
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Individuals from other companies were also involved in teaching at the art school, most notably
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Birmingham Institute of Art and Design validation at www.biad.bcu.ac.uk (accessed 5 March 2009)
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Since 2018 art school's undergraduate and postgraduate degree courses have been validated by
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1243:"Art School welcomes new Principal: Dr Lois Rowe | City & Guilds | London Art School"
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1268:"The Art School appoints a new Head of Carving | City & Guilds | London Art School"
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is currently led by Acting Course Leader Joshua Uvieghara. The department teaches the
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laid the foundation stone for new premises in Millers Lane, built on the site of the
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The Art School works with a network of institutions and individuals, including the
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952:. Glasgow University, the Victoria and Albert Museum and the Henry Moore Institute
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216:. The rapid expansion of the school led to the need for new premises, and in 1860
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Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951
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College timeline at www.cityandguildsartschool.ac.uk (accessed 8 March 2009)
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College listed age in http://london.floodlight.co.uk (accessed 5 April 2009)
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Artist describes location at www.geraldlaing.com (accessed on 5 April 2009)
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Companies House, London, Articles of Association, reference no. 00992490
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Connection to Doulton's Pottery, Farmer and Brindley and other companies
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In 1878 Sparkes secured funding in the art school of the newly founded
772:
502:, Daniel Mifsud, Emma Montague, Jacky Oliver and Sage Townsend.
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in his south London parish of St Mary the Less. With the support of
358:, who co-founded, in 1909, a society for artists who supported the
431:
1410:
Lubell, Stephen (2010). "William Sharpington: a man of letters".
413:(artist), amongst others. Support also came from artists such as
272:, was located near to the City and Guilds of London Art School.
258:
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writing fellow at the City and Guilds of London Art School.
590:
Category:Alumni of the City and Guilds of London Art School
539:
Bilbey, Sarah Davis, Mark Frith, Paul Jakeman, Takako Jin,
1475:
Extract from "Every Woman's Encyclopaedia" published 1910.
1151:
The Women's Suffrage Movement: A Reference Guide 1866–1928
877:
Courses listed on school's website (accessed 25 March 2010
1138:
City and Guilds of London Institute Centenary 1878–1978
1125:
City and Guilds of London Institute Centenary 1878–1978
315:
in the 1880s, who was one of the chief designers for
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Nottingham Trent University, School of Art and Design
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has today. One of the most notable of these was with
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The current Principal, since 2022, is Dr Lois Rowe.
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which also ran one of the precursor institutions to
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1028:. Farnham, Surrey: Ashgate Publishing. p. 21.
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City and Guilds Institute and City Livery Companies
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1009:(Cambridge, James Clarke and Co Ltd, 2014). p. 216
996:(Cambridge, James Clarke and Co Ltd, 2014). p. 176
970:The Athenaeum, vol. 1991, 23 December 1965, p. 894
1784:Duncan of Jordanstone College of Art & Design
401:(artist), Gilbert Samuel (Lord Mayor of London),
1470:GSA's Mapping Sculpture Entry for the Art School
1465:Website of City and Guilds of London Art School
1140:(London: City and Guilds Institute, 1978) p.138
1127:(London: City and Guilds Institute, 1978) p. 94
1113:University of Glasgow Mapping Sculpture Project
835:University of Glasgow Mapping Sculpture Project
389:), Sir Colin Skelton Anderson (Provost of the
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8:
1859:Educational institutions established in 1854
924:Streatham, St Peter – Lambeth, South Deanery
594:Category:Alumni of the Lambeth School of Art
252:South Kensington Government School of Design
32:
1007:The History and Philosophy of Art Education
994:The History and Philosophy of Art Education
867:(Cambridge: Lutterworth Press, 2004) p. 383
865:The History and Philosophy of Art Education
1874:Education in the London Borough of Lambeth
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1412:Ultrabold: The Journal of St Bride Library
1340:: CS1 maint: location missing publisher (
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1390:Journal of the Edward Johnston Foundation
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1889:Arts organizations established in 1854
1682:Birmingham Institute of Art and Design
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405:(sculptor and Former President of the
276:experimental works by students at the
268:whose pottery factory, later known as
672:(Principal 1973–95, President of the
171:The Art School is housed in a row of
125:City & Guilds of London Institute
7:
1584:City and Guilds of London Art School
1185:"Low morale devastates art colleges"
1183:Thorpe, Vanessa (10 February 2008).
218:Albert, Prince of Wales (Edward VII)
148:City and Guilds of London Art School
33:City and Guilds of London Art School
18:South London School of Technical Art
1869:Higher education colleges in London
1707:John Lennon Art and Design Building
332:City and Guilds of London Institute
1820:Cardiff School of Art & Design
1355:"Elizabeth Fitzgerald; Obituary".
25:
1687:Coventry School of Art and Design
1542:Art schools in the United Kingdom
1062:. Osprey Publishing. p. 10.
561:, Viv Lawes, Dr Nigel Llewellyn,
1832:
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1757:University for the Creative Arts
1594:Goldsmiths, University of London
1441:www.cityandguildsartschool.ac.uk
1383:"In Defence of the Roman Letter"
1272:www.cityandguildsartschool.ac.uk
1247:www.cityandguildsartschool.ac.uk
1203:"Fellows Fellowships Categories"
1153:(London: Routledge, 1999) p. 662
700:Elizabeth Fitzgerald (Principal)
135:www.cityandguildsartschool.ac.uk
38:
1604:Putney School of Art and Design
1309:The inscriptions of Ralph Beyer
1879:1854 establishments in England
1732:Norwich University of the Arts
1609:Ravensbourne University London
599:Notable teachers and lecturers
228:Development under John Sparkes
192:Foundation in the 19th century
1:
1677:Bath School of Art and Design
1634:University of the Arts London
1599:Heatherley School of Fine Art
385:(chairman of the art gallery
120:University of the Arts London
27:Art school in London, England
1629:UCL Slade School of Fine Art
1022:Wardleworth, Dennis (2013).
570:Victoria & Albert Museum
554:The Art Histories Department
60:; 170 years ago
1672:Arts University Bournemouth
1025:William Reid Dick, Sculptor
979:'Lambeth School of Art' in
547:The Conservation Department
467:In April 2011 the magazine
1905:
1639:Camberwell College of Arts
1425:John Charles Lewis Sparkes
1312:. London, United Kingdom.
810:John Charles Lewis Sparkes
587:
427:Birmingham City University
234:John Charles Lewis Sparkes
116:Birmingham City University
1828:
1654:Wimbledon College of Arts
1547:
491:The Foundation Department
300:, and to some extent the
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1789:Edinburgh College of Art
1762:Winchester School of Art
1742:Open College of the Arts
1722:Manchester School of Art
1702:Hereford College of Arts
1088:28 February 2009 at the
929:27 December 2013 at the
516:, Jane Hayes Greenwood,
440:In a 2008 letter to the
298:Arts and Crafts movement
1747:Plymouth College of Art
1649:Chelsea College of Arts
1056:McKeown, Julie (1997).
882:2 February 2009 at the
851:2 December 2009 at the
714:Charles Sargeant Jagger
697:RLF Writing Fellow 2009
506:The Fine Art Department
399:Adrian Maurice Daintrey
387:Thomas Agnew & Sons
346:20th and 21st centuries
336:Imperial College London
206:South Kensington Museum
159:, through to BA (Hons)
142:Founded in 1854 as the
1727:Northern School of Art
1717:Lincoln College of Art
1697:Hastings School of Art
1306:Neilson, John (2021).
536:The Carving Department
437:
282:1871 London Exhibition
175:buildings in London's
150:is a small specialist
1864:Art schools in London
1794:Glasgow School of Art
1712:Leeds Arts University
1644:Central Saint Martins
1614:Royal Academy Schools
775:(Principal 2014-2022)
744:(Principal 1995–1999)
588:Further information:
435:
278:1867 Paris Exhibition
161:undergraduate degrees
144:Lambeth School of Art
71:Lambeth School of Art
1799:Gray's School of Art
1752:Ruskin School of Art
1624:Royal Drawing School
1619:Royal College of Art
1498:51.48722°N 0.10722°W
1149:Elizabeth Crawford,
734:Reece Jones (artist)
704:William Silver Frith
436:Exterior at twilight
391:Royal College of Art
360:Suffragette Movement
1804:Leith School of Art
1692:Falmouth University
1557:List of art schools
1494: /
1381:Nash, John (2002).
1223:on 28 February 2014
983:February 1866, p.45
911:5 June 2009 at the
804:William Sharpington
690:Michael Fell Hon RE
563:Dr Michael Paraskos
483:Current departments
462:Royal Literary Fund
456:shortlisted writer
239:national curriculum
214:Farmer and Brindley
34:
1503:51.48722; -0.10722
1359:. 1 December 1997.
1005:Stuart Macdonald,
992:Stuart Macdonald,
863:Stuart Macdonald,
768:Alex Gene Morrison
729:Alfred Garth Jones
633:Rodney Joseph Burn
541:Richard Kindersley
530:Alex Gene Morrison
500:Nicholas Middleton
438:
1846:
1845:
1770:
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1589:Fine Arts College
1370:Guardian Obituary
1319:978-1-84822-475-9
667:Sir Roger de Grey
580:and Tate Modern.
419:Graham Sutherland
395:Sir John Betjeman
374:railway station.
313:John Henry Dearle
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1414:(8): 22–27.
1227:15 February
779:Dick Onians
763:Robin Mason
625:Sonia Boyce
615:Ralph Beyer
526:Hugh Mendes
522:Reece Jones
460:became the
446:Art Monthly
415:Henry Moore
302:Art Nouveau
280:and at the
152:art college
55:Established
1884:Kennington
1853:Categories
1552:Art school
1486:51°29′14″N
1446:1 February
1395:13 October
1328:1199327978
1252:23 January
1069:0747803382
1041:14 October
956:13 October
822:References
748:Ben Levene
620:Emma Biggs
304:movement.
202:Henry Cole
177:Kennington
157:Foundation
102:Kennington
1489:0°06′26″W
1357:The Times
1336:cite book
1277:6 October
1191:. London.
1102:Full Text
758:Hew Locke
647:sculptor)
289:Doulton's
210:Doulton's
77:Principal
1838:Category
1776:Scotland
1086:Archived
927:Archived
909:Archived
880:Archived
849:Archived
754:painter)
686:painter)
452:In 2009
442:Observer
397:(poet),
232:In 1857
173:Georgian
85:Location
1567:England
663:(1870s)
409:), and
187:History
163:and MA
131:Website
69:as the
63: (
50:Charity
1576:London
1326:
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572:, the
181:Thames
146:, the
99:Campus
89:London
1813:Wales
1665:Other
1386:(PDF)
1448:2022
1397:2016
1342:link
1324:OCLC
1314:ISBN
1279:2023
1254:2023
1229:2014
1064:ISBN
1043:2014
1030:ISBN
958:2014
752:R.A.
742:R.A.
684:R.A.
670:R.A.
645:R.A.
636:R.A.
592:and
417:and
354:and
319:and
212:and
65:1854
58:1854
47:Type
628:MBE
495:UAL
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