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Initially the partners face each other. During the first triple step they "fan out" away from each other, free arms fanning sidewise. During the second triple partners "fan in", back to facing each other, free hands back on the
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Ballroom dance manuals of Soviet times list quite a few other Soviet dances promoted to counter the influence of the "Western way of life", created basing on folk dances of the peoples of the Soviet Union and
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Skips: (12),(34),5,6,(78) (or slow-slow-quick-quick-slow): skip...skip...skip-skip-skip. A skip is from one foot to another, the freed foot pointing forward, toe on the floor.
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552:, culture-educational schools and heads of ballroom dance collectives, ed. V.M. Striganov (В.М. Стриганов) and V.I.Uralskaya (В.И.Уральская), Moscow,
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for all of them. The hold was either open or loose, without body contact. Polka had the tightest hold. Polka, Sudarushka and
Russian Lyrical were
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Most walks are based on "Russian triple step": step-step-step-hold. It can be performed forward, backward, with turn on any step.
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The dance is based on
Russian folk tunes. It has a soft and smooth character, danced at medium tempo in 2/4 or 4/4 time.
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The dance is based on simple steps and jumpy movements created in 1950s in Latvia. It may be danced with any in 4/4 time
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Partners start with the same foot and go in a small circle, first in one direction, then in the opposite one.
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All steps/taps are in place, with slight one-foot skipping action. Author - choreographer - Adomas
Gineitis
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The count cues could be any of 12345678, 12341234, 1&2&3&4& or 1&2&1&2&.
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Double hand hold in various positions, e.g., sidewise-forward on the shoulder level, elbows bent down.
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Nina
Kosheverova "My Life in Dance", Moscow, 2004 (Кошеверова, Нина Николаевна, "Моя жизнь в танце")
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Starts in shadow position, man's right hand on lady's waist, left arms linked pointing left diagonal.
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Today the category is obsolete, but the dances themselves survived, moved back to the category of
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The former three are "fast" or "rhythmic" dances, the latter two are "slow" or "lyrical" ones.
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these dances comprise the competition category of "Homeland Dances" (Отечественные танцы).
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dances. the dance is of vivid and light character, of medium to faster tempo in 2/4 time.
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Soviet ballroom dance was a category of ballroom dance competitions in the former
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origin, created by Skaistė Idzelevičienė, the leader of the
Lithuanian ballroom
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Modern
Ballroom Dance (Современный бальный танец), a textbook for students of
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With the exception of Polka, these dances were choreographed basing on some
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1-2-3-4, 5-6-7-8: side-together-side-heel, side-together-side-heel
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189:. At some dance events, such as "Neva Cup" (Невский кубок) in
91:Полька, Рилио (Рилё), Вару-Вару, Сударушка, Русский лирический
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All of them had distinctive basic techniques. The meter was
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Transcarpathian
Ballroom / Закарпатский бальный (Ukrainian)
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1-2, 3-4, 5-6-7-8: tap-step, tap-step, step-step-step-step.
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1-2-3-4, 5-6-7-8: step-step-step-tap, step-step-step-tap.
130:- Sudarushka (loosely translated as "sweetheart"), of
562:— the only book in ballroom dancing in the pre-
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Slavutyanochka / Славутянка (Ukrainian, "A Girl from
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Yatranochka / Ятраночка (Ukrainian, "A Girl from the
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Right-to-left handhold, Free hands are on the waist.
182:. Rylio and Varu-Varu were of "stationary" type.
35:in the USSR were held in three dance categories:
314:The recommended tunes are "Русский лирический" (
123:- Varu-Varu (translated as "I can, I can"), of
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526:Kiev National University of Culture and Arts
420:of the dance club Esta-MEPHI (ЭСТА-МИФИ) of
378:Kazakh Ballroom / Казахский бальный (Kazakh)
284:Steps are mirrored, along the line of dance.
522:"Classification of modern ballroom dances"
197:, or "Russian Formation Cup-2007" held in
384:Vesyalaya Hora / Веселая хора (Moldavian)
422:Moscow Engineering and Physics Institute
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460:, sponsored by the administration of
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290:Tap is toe beside the support foot.
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437:New Year Ball in MEPHI, 2002/2003
362:Gutsulka / Гуцулка (Ukrainian, "
224:Steps of partners are mirrored.
205:Some basic step-rhythm patterns
268:The dance is based on Russian
250:Double hand hold, waist level.
61:The Soviet category comprised
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381:Figure Waltz / Фигурный вальс
451:"Russian Formation Cup-2007"
318:) or "Подмосковные вечера" (
193:, balls of Esta-Mephi club,
587:Culture of the Soviet Union
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390:"Skaters" / "Конькобежцы"
372:/ Йоксу-полька (Estonian)
178:, i.e., moving along the
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53:("Советская программа").
278:Triple-Step Basic Walks:
387:"Разрешите пригласить"
18:Soviet Ballroom dances
550:Institutes of Culture
328:Other Soviet ballroom
524:, an article of the
456:2008-02-27 at the
176:progressive dances
137:- Russian Lyrical.
31:. Competitions in
16:(Redirected from
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109:- Rylio, of
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29:Soviet Union
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565:perestroika
370:Jooksupolka
335:Soviet Bloc
187:folk dances
134:origin, and
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576:Categories
492:Sudarushka
395:References
264:Sudarushka
111:Lithuanian
79:Sudarushka
477:Varu-Varu
464:, Russia
357:Slavutych
235:Varu-Varu
75:Varu-Varu
558:(1977)
454:Archived
271:khorovod
424:(МИФИ)
366:Woman")
345:origin)
243:music.
132:Russian
127:origin.
125:Latvian
118:Žuvėdra
87:Russian
364:Hutsul
343:Buryat
294:waist.
199:Tyumen
195:Moscow
47:, and
241:disco
213:Rylio
71:Rylio
67:Polka
159:or
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