Knowledge (XXG)

Spanish Realist literature

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370: 1804:), in which he showcases the theater company of Shakespeare, which is to represent a drama that unintentionally mirrors the reality of the actors' lives. Yorick discovers through jealous fellow actor Walton that Alicia, who plays the role of unfaithful wife in the work, is unfaithful to him in reality as well. In his quest for revenge, Walton is determined to let Yorick know that Alicia loves Edmundo and, when he opportunely gets the evidence he needs, he substitutes Edmundo's letter to Alicia for the prop letter and presents it to Yorick during the performance. At this point Yorick is enmeshed in both the play he is presenting and the drama of his own discovery and kills Edmundo on stage before the audience. Finally Shakespeare explains to the audience what has happened: the play cannot go on because Yorick got so involved in his stage role that he killed his rival. Shakespeare also reveals, without implicating himself, that Walton is dead as well, having been found stabbed outside on the street. 1945: 344:(1880). In this essay on literary criticism, he maintains that the novelist is an observer and an experimenter. From the point of view of the observer, the writer offers the facts as he has seen them, and establishes the environment which the characters inhabit and where the facts are developed. From the point of view of the experimenter, the novelist "institutes the experience," moving the characters through a particular story to show that the succession of events will occur in conformity with the demands of determinism. 629:("Mountainous scenes"). Later, he would find his ideal formula for the novel, imbuing that costumbrism with a vision which conveyed his love for the landscape and the people of the mountains, with their passions and their characteristic language. In his first novels of this type ("idyllic novel"), he depicted the peacefulness and ignorance of rustic people confronting the political machinations of modern life ( 280: 733: 543: 2041:
In 1877 she published Penitentiary Studies. Arenal's achievements were extraordinary in a largely traditional Spain, focusing her work on those marginalised in society. She wrote not only extensively on the state of prisons for both men and women, but also on the role of women in society in works such as
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The Spanish Realist theater contains a wide spectrum of works, from the most conservative and non-critical positions to the most progressive and acid ones: from the high comedy of Adelardo LĂłpez de Ayala and Ventura de la Vega, to the ethically overwrought theater of Benito PĂ©rez GaldĂłs and the sharp
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Vicente Blasco Ibåñez was born in Valencia in 1867. He harbored radical republican ideas for which he was repeatedly arrested and finally exiled. He was a deputy during seven sessions of the national legislature. In 1909 he left for Argentina in search of fortune, but his attempt failed. He supported
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individuals find themselves in conflict with their own consciences (particularly its protagonist Ana Ozores, whose character is similar to Emma Bovary, except that she comes across as more sympathetic and less conniving). Characters find themselves conflicted by duty and desire. ClarĂ­n's portrayal of
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From his beginnings, Valera was opposed to Romanticism, because of its extremism, as much as he was to Realism, because they prevented him from totally realizing his vision. He only adopted a realist position when he chose real settings (like his native Andalusia) and lifelike characters, although he
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In 1872 she founded the Construction Beneficiary, a society dedicated to building cheap houses for workers. She also worked with the Red Cross helping the injured of the Carlist War, working in a hospital in Miranda de Ebro, later being named Secretary General of the Red Cross between 1871 and 1872.
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The work of Menéndez y Pelayo is very extensive and demonstrates a great capacity for synthesizing data. In his books his love for Spain and a passionate Catholicism are in evidence. He tried to reconstruct all the historical past of Spain, with a revisionist purpose that on several occasions placed
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Juan Valera y Alcalá-Galiano (Cabra, Córdoba, October 1824 – Madrid, April 1905) belonged to an aristocratic family. He carried out diplomatic missions in several countries and held important political positions. His career as a novelist began when he was around fifty years old. In his last years he
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are the contrast between traditional farming values and modern urban values, the exodus from the field to the city and inherent social and moral contrasts, the fight for social ascent and moral and economic success, women's dissatisfaction with restrictions against their working outside of the home,
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concept of people as not morally responsible for their actions and the situations in which they are found, because these are determined by the environment and heredity. While the realist writer is conscious of what occurs, the naturalist investigates its cause and effect. Alcoholics, the insane, and
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was used for the first time in 1850, referring to painting, but was later adopted by literature, in which it was applied mainly to the novel. One of the reasons for the popular success of novels was their publication in newspapers in installments, conceived as a tactic to encourage the public to buy
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Menéndez y Pelayo was perhaps the preeminent figure of Spanish culture in the 19th century, master of the history of ideas, history, and the contemporary criticism. He was born in Santander in 1856 and he studied in several countries. When he was twenty-two years old he was awarded an endowed chair
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Luis Coloma (Jerez de la Frontera, January 1851 - Madrid, 1914) was the son of a famous doctor. At twelve years old he entered the preparatory Naval academy of San Fernando (1863), but later left and received a master's degree in Law from the University of Seville, although he never got to practice
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until Fernando's death in 1859. Penniless she was forced to sell all her possessions in Armaño and moved into the house of violinist and composer JesĂșs de Monasterio in Potes, Cantabria, where in 1859 she founded the feminist group Conference of Saint Vincent de Paul in order to help the poor. Two
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Later, between 1881 and 1915, he published 24 novels, which represent a "human comedy" of the daily life of Madrid. They maintained progressive, but less provocative, themes. These books focus on the Spanish middle class, portrayed with precision and a certain melancholy. Significant works of this
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In later years she published poetry books and essays such as "Letters to delinquents" (1865), "Ode against slavery" (1866), "Convicts, the people and the executioner" and "The execution of the death sentence" (1867). In 1868 she was named Inspector of Women's Correctional Houses and in 1871 began
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Poetry is the rhythmic representation of a thought by means of an image, and expressed in a language that can be said in prose neither with more naturalness nor with fewer words... Only rhythm should separate the language of verse from the typical one of prose... Given my antipathy toward art for
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in 1851. Only child of the Count and Countess of Pardo BazĂĄn, she got married at age seventeen and she settled in Madrid. She was a woman of great culture, she took many trips abroad, and an endowed chair in the Department of Literature at the University of Madrid was created for her. She died in
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In his first epoch (1867–1878), Galdós vigorously wrote against intolerance and hypocrisy. His novels feature young male protagonists who confront the hostile atmosphere of provincial cities. Ironically, his writing at this time demonstrates the same narrow-mindedness that he condemns, from the
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Echegaray tried to combine two incompatible elements: an exaggerated romanticism with the latent positivism and realism of his time. This results in a theater of contemporary custom, using the Romantic method, in which, according to critics, he goes too far in his use of tragic and pathetic
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or "theater by the hour". It was fundamentally a theater of middle class evasion of social problems, avoiding the creation of crises of conscience for the bourgeoisie. Alongside this, it tried to revitalize the old fashioned conservative value of honor through initiatives to revive romantic
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because he shares with the French novelist a subversive attitude, a predilection for squalid environs, and a preoccupation with biological inheritance. He writes intensely and his style can be described as coarse, although it does not lack images of purity. Although a contemporary of the
391:, a consequence of the international blossoming of the genre as an expression of the middle class's rising political power, obtained through successive revolutions (1789, 1820, 1830, 1848). The values and inquietudes of the middle-class are reflected in the mirror of Realist literature: 1142:
ClarĂ­n had great prestige as a literary critic. His articles demonstrate his great knowledge and sound judgment (expressed on many occasions through scathing sarcasm). His articles, which made him a feared authority in the Spanish literary panorama, were compiled in volumes such as
1453:. With them he tried to break with Romanticism, creating a poetry in accordance with the moment: prosaic, simple, skeptical and in some cases ironic, with a moral that is usually trivial. Today it is considered to be simple by scholars. Campoamor explained his innovative ideas in 887:, one of his more prominent novels of the first epoch, is the story of a tragic relationship between a blind man and an ignorant, ugly girl. The girl flees when her loved one recovers his sight, afraid to show her face to him; she dies, heartbroken, when he marries another woman. 2033:
years later the Academy of Moral Sciences and Politics awarded her a prize for her work "Beneficence, philanthropy and charity". It was the first time the Academy gave the prize to a woman. She also attended political and literary debates, unheard of at the time for a woman.
562:(1874), mostly written in epistolary form. In this work, the story of a widow is told. The widow agrees with a father that his son should be taken away from town to keep him away from her and to allow him to pursue his aspiration to the priesthood. Other important works are 1300:), a novel of great worldwide success. He led the life of a cosmopolitan millionaire and many of his stories were adapted for Hollywood. He died in 1928 in Menton, CĂŽte d'Azur, France. His remains were transferred to Valencia in 1933, where they were received triumphantly. 1743:
Manuel Tamayo y Baus (1829–1898) was born in Madrid. He was the son of actors and he married the daughter of the famous actor Isidoro Máiquez. He was in permanent contact with the theater and he covered a great variety of subjects in his works. He wrote classic tragedies
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While it is true that towards the second half of the 19th century the novel evolved quickly towards Realism, this did not happen to poetry and to drama, whose transformation was less violent and still continued to be infused with Romanticism until the end of the century.
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and many of his novels and plays was significant. Critics and writers of his time considered him to be a genius, although his outspoken views on religion, social policies and politics stimulated strong opposition from political and religious authority figures. The
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the newspaper daily. The attitude of the realistic writer is analytical and critical, and usually remains objective. The important novels of the 19th century focused on social character, leading the writers to consider themselves to be "historians of the present".
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JosĂ© Echegaray (1832–1916) was born in Madrid and occupied high political positions. He was a civil engineer, as well as a director of a civil engineering school. He alternated the study of mathematical and scientific problems (on which he published two books:
941:(The Grandfather), which was adapted into a 1998 film by José Luis Garci. Galdós's theater works are characterized by sincerity and non-conformism; although contemporary at the time they were written, some of his theater works sound dated by current standards. 360:
have been considered naturalistic, but that has been explicitly rejected by the majority of literary critics. The line between Spanish Naturalism and Realism is difficult to distinguish due to the infrequent adoption of explicit theories among Spanish artists.
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This late Romanticism is more apparent than real; sometimes it lacks depth and the lyric exaltation to which the true romantic abandoned himself. This is due to the social reality of the moment: the time in which the bourgeoisie would consolidate the
457:. Realism reached its maximum splendor in the second half of the 19th century with authors such as Juan Valera, José María de Pereda, and Benito Pérez Galdós, although it never established a canon as rigorous as that produced by the school of Balzac. 685:) in 1833. He was one of the authors principally responsible for the domination of realism over romantic prose at that time. He was a politician as well as a writer, and his ideology evolved from liberal positions to more traditional ones. 417:
through direct observation of customs or psychological characters, eliminating subjective aspects and fantastic events. According to GaldĂłs and ClarĂ­n respectively, "The novel is the image of life," as well as "an artistic copy of
2045:(1869), The education of women, The current state of women in Spain, The work of women, The woman of the house (1883) and domestic service. It is this work which made her known as the founder of the feminist movement in Spain. 1183:, it physically and morally depicts Vetusta (which was modeled on his hometown of Oviedo) as a prototypical Spanish city steeped in tradition. Alas employed naturalistic techniques, but he did not paint squalid environs as did 1391:
The most representative writers are Gaspar NĂșñez de Arce and RamĂłn de Campoamor, sometimes considered as opponents of Romanticism, because Romanticism was still in its final throes as is evidenced in the classic works of
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deputy, although later he dedicated himself to the cultivation of his lands and to literature. He maintained a friendship with GaldĂłs, despite their opposing political ideologies. He died in 1906 in his home town.
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ConcepciĂłn Arenal was a Spanish feminist writer and activist. She was also a pioneer and founder of the feminist movement in Spain. ConcepciĂłn Arenal and her husband collaborated closely on the liberal newspaper
1422:, in 1817, and died in 1901. He belonged to the Moderate Party, and was an employee of the Treasury, governor of three Spanish provinces and a deputy in Parliament. He wrote treatises on philosophical subjects ( 347:
In Spain, the contradictions between naturalistic theories and religious beliefs reduced Naturalism's manifestation. Some critics even wondered whether Naturalism in the strictest sense ever occurred in Spain.
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art's sake and the special language of Classicism, it has been my consistent effort to arrive at art by idea and to express this in the common language, revolutionizing the basis for and the look of poetry.
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ideas, but soon tired of politics. In 1892, a crisis of conscience renewed his faith in God, although he would not adhere to the extremes of Catholic orthodoxy. He died in Oviedo in 1901.
1673:) with his production of dramatic poetry, which, according to LĂĄzaro Carreter, "gives him a certain systematic bluntness that shows poetic effort more than poetic instinct". In 1904 the 1603:
Joaquín Bartrina (1850–1880): Born in Barcelona, he took the humor and the ordinariness of Ramón de Campoamor to the extreme, to which he added a materialistic pessimism, in his work
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and folletinesque and sentimental fantasy appear, as ways to escape the relentless Realism of the era. There are two main tendencies in Realism: the progressive and the conservative.
155:" and literary imagination grew tired of fanciful and colorful depictions, artists and authors began to focus more objectively on people, actions, and society. The main precursor was 577:
retained a deep respect for him. Today he is considered by many critics as the best Spanish prose writer of the 19th century, while recognizing the creative superiority of GaldĂłs.
1122:, where he lost faith in God. From then on he would live in permanent spiritual conflict, which is evident in his work. At the age of twenty-three, he began to use the pseudonym 1384:. This society, which was laying the foundations of Capitalism and was taking the first steps of industrialization in the country, did not leave room for the people who admired 1257:), in which he narrates the adventures that precede the marriage of a Galician doctor with the protagonist, a nun without vocation who does not renew her vows. Also notable is 519:. The movement's most exalted and ardent defenders were Benito Perez GaldĂłs and Emilia Pardo BazĂĄn, who provoked one of the most furious conflicts with her 1883 publication of 637:). He defended a thesis that nowadays few would accept: like father, like son. The novel ends as Pereda decides to abandon the explicit defense of any argument. Stories like 700:). For a time he was a travel writer, relating several of his trips in his articles. His religious novels stood out among his other writings, the most popular of all being 962:, for example, nicknamed him "Don Benito el garbancero" or the chick-pea man. However, it can be argued that the only vulgarity was found in the lives that he described. 145:
movement waned and a new literary movement arose in Europe: Realism. This new approach grew out of the 1850 French reaction to selected aspects of Romanticism, mainly
1238:, a realistic picture of the customs and manners of seafaring folk. After the death of José María de Pereda in 1905, Palacio Valdés assumed Pereda's position in the 1249:, in which the two Biblical sisters are transported to a contemporary setting and fight against the false mysticism of the time. The most popular of his works is 756:, a strong influence on his later work. He declared himself to be progressive and anticlerical, but this did not prevent him from forging close friendships with 764:, of opposite ideologies. Although he defined himself as a republican, little by little his radicalism tempered, and he maintained a personal friendship with 1816:
Adelardo López de Ayala (1828–1865): He occupied high political positions (Minister and President of the Congress). He developed high comedy with works like
793:(National Episodes), a sprawling opus of 46 volumes in five distinct series. They depict a broad representation of contemporary Spanish history between the 708:), written in 1875; in this novel he defended the Jesuits, which was very controversial. His most popular work, and the one by which he is remembered, is 573:
Juan Valera was a liberal politician and a religious skeptic. He used a simple, although non-vulgar, literary language. When he died, the writers of the
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Gaspar NĂșñez de Arce (1834–1903) was born in Valladolid. He was governor of Logroño, parliamentary deputy, senator of the Cortes, and foreign minister.
1016:, the most naturalist of her novels, where she describes the hard proletarian life in a tobacco factory. Of greatest importance to her reputation are 165:, imposed a moral and social objective on the novel. This purpose, which became the almost exclusive concern of the writers of the time, soon led to 570:. This third novel recounts the idyll of Don Paco, a fiftyish man, with the protagonist, who wishes to redeem herself through an honest marriage. 1001:
in this work, she defends a realist point of view and confronts those who maintain that the only purpose of evil in literature is to defeat it.
768:. In 1910 he began to lose his eyesight, and the expenses of his numerous paramours brought him to near-ruin. The Spanish government sought the 655:
seem antiquated today. In spite of that, José María de Pereda is considered a great narrator, possessed of great descriptive and epic capacity.
860:. The last series depicted events experienced by GaldĂłs himself, but the work was unfinished and it is seldom a topic of study or discussion. 1642:
historical drama. These are exemplified by the works of Manuel Tamayo y Baus and by the Neo-Romanticism of the mathematician José Echegaray.
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the city was considered insulting by many. The novel was quickly condemned by the Church, although with the passage of time, ClarĂ­n and the
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He also wrote short stories and novellas; he published more than seventy short works. Among the first short stories that he composed,
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already existed. Furthermore, relevant themes were extant in that cornerstone of Spanish and world literature, Miguel de Cervantes'
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sought to imprint in his Realist works. They do share a spirit of subversiveness and struggle in the face of conservative ideology.
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psychopaths are prevalent in Zola's works, predicated on his belief that the environment was the source of many of society's ills.
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Blasco produced an enormous number of novels. Works set in Valencia, so intensely loved by the writer, stand out. Among these are
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Her style was energetic and she profoundly explored difficult social problems. Her most important works were novels such as
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reflected the most conservative mores of the bourgeois public. Costumbrismo had a new beginning, through genres like the
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s in Asturias. Benito Perez GaldĂłs's tendency to set his stories in Madrid, an urban environment, is a notable exception.
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rejected the less attractive aspects of reality, which ran contrary to the credo of the naturalists and some realists.
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Naturalism in Spain, as it did in France, also had its detractors, sometimes provoking great controversies. Naturalist
2187: 1381: 1069: 821: 798: 794: 238: 222: 190: 28: 1274: 664: 508: 476: 324:, looks for the cause of social problems in society, and of the individual's problems in biological heredity. Thus, 1926:, Marcos Zapata, Ricardo de la Vega, José López Silva and Miguel Ramos Carrión stand out; and among the authors of 1474: 958:
were strongly influenced by his writing, although they rebelled against his "chabacanerĂ­a" or perceived vulgarity;
761: 749: 608: 586: 512: 487: 250: 142: 68: 52: 1944: 1521:). He is also often accused of using rhetoric that is too facile. He also wrote stories or legends in verse, like 1954: 1393: 1239: 1213: 1050: 773: 727: 462: 357: 194: 1012:), which narrates the story of a marriage between a mature man and a young, uncultured, but wealthy woman; or 440:
which acquire great importance because they locate characters firmly in the environment reflected in the text.
1513:), where he endeavored to create a civic and patriotic poetry) in exalted speeches of philosophical musings ( 1888: 998: 820:. In almost all of them, the protagonist is Gabriel Araceli, a young man who lives during the climax of the 325: 274: 166: 234: 1678: 1226:
and finished his baccalaureate in Oviedo; he pursued a career as an attorney in Madrid. He was editor of
1409: 1385: 1158:(1879), which tells of the misfortunes of a picaresque figure from Oviedo, stands out. Also notable is 971: 472: 349: 160: 152: 1187:; instead, what predominates is a sense of pessimism, tempered by touches of tenderness and irony. In 352:, commonly considered to be naturalist, addresses Naturalism's reception in Spain in her 1883 article 2022: 1738: 1397: 1364: 1127: 1077: 955: 857: 789: 757: 600: 574: 246: 218: 110: 94: 752:
in 1843. He studied law in Madrid. He later lived in Paris, where he was intrigued by the novels of
479:, clear naturalistic influences exist, but without the scientific and experimental foundations that 925:
Late in life, PĂ©rez GaldĂłs began a career as a dramatic playwright. His most notable plays include
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situations. Crises of conscience and ideological problems predominate as themes in his work.
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JosĂ© Velarde (1849–1892): as Emilio Ferrari, also followed in the footsteps of NĂșñez de Arce.
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experienced one of the most tumultuous periods of its history. The century opened with the
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NĂșñez de Arce was a careful poet, yet his poems are loaded with political artifice (as in
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Palacio Valdés was a good friend of Clarín. He wrote several important novels, among them
1085: 1068:. In the first he pens a critique of the high Madrid society in the years previous to the 1034:), with Galician characters and landscapes, with fast-moving and sometimes violent plots. 748:
GaldĂłs is considered to be the most representative writer of the movement. He was born in
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the narrators write their works focusing reality through their moral conception, using an
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for him, but was opposed by a significant portion of the Spanish populace, including the
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Although less important, there were also other poets who followed realism, among them:
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him at the center of major controversies (for example, the one originated by his book
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La novela española de la Restauración (1875-1885): sus formas y enunciados narrativos
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fourteen years of collaboration with the Madrid-based magazine The Voice of Charity.
1961:. When he died in 1912 he left as legacy to Santander his valuable personal library. 1757: 1415: 1359: 1184: 1175: 1131: 1111: 1097: 496: 480: 467: 392: 305: 301: 285: 1957:, and a little later, member of the Real Academia de Historia. He also directed the 1953:
in the University of Madrid. When he was twenty-five he was appointed member of the
1761: 1367:, his worldly spirit differs from the asceticism and the culture of those writers. 1114:
in 1852, although he always felt deeply Asturian. He completed his study of law in
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He promoted literature and had a popular following. He wrote two important novels:
765: 669: 621: 395:, materialism, desire for social ascent, and esteem of daily and immutable things. 262: 214: 147: 1600:
Manuel Reina (1856–1905): imbued his poems with the color of his native Andalusia.
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But his reputation as a novelist is exemplified by the only two novels he wrote,
1674: 1289: 1073: 1043: 977: 769: 454: 333: 329: 279: 242: 206: 202: 1973:). For many critics he defined the boundaries of Spanish thought in works like 449:
In Spain, Realism installed itself with extreme facility, since a precedent in
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Valencian works of Blasco are preferred by critics. He has been compared with
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belong to this second period. The one that is considered his masterpiece is
604: 321: 313: 1223: 428:. The defense of a thesis usually compromises the objectivity of the novel. 356:(The Burning Question). Additionally, passages of texts by authors such as 804:
The first series, written between 1873 and 1875, includes the episodes of
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is considered to be an exemplar of Spanish Realism, in the same class as
1180: 404: 387:, the best literary fruit of the second half of the 19th century was the 230: 1080:. Later in life he only published writings of a historical nature, like 542: 651: 612: 2005:) (which finishes at the end of the Middle Ages), and the prologue to 1502:. He excelled in the field of poetry, where he was a prolific writer. 1119: 1115: 678: 486:
The Realist novel generally reflects regional settings. For example,
312:(1813–1878), and many distinctive achievements of the modern spirit: 297: 258: 135: 1594:
Emilio Ferrari (1850–1907): from Valladolid, imitated NĂșñez de Arce.
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Vicente Wenceslao Querol (1836–1889): Native of Valencia, author of
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Nevertheless, his most personal creations are his small poems, like
1426:), dramatic plays, and poems of epic and philosophical pretensions ( 776:
and the leadership of the Catholic Church. He died, blind, in 1920.
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El naturalismo español: historia externa de un movimiento literario
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Ventura Ruiz Aguilera (1820–1881): Born in Salamanca and author of
316:, experimental methods (Claude Bernard), and theories of heredity ( 304:(1840–1902). This style descends from the positivist philosophy of 1943: 1697:) exemplifies these themes. Among his most outstanding works are: 1335:). He reflected his political, social and anti-religious ideas in 1278: 1101: 731: 668: 625:: inclined to realism with aspects of impressionism, he published 590: 541: 388: 384: 368: 278: 186: 127: 1812:
In addition to the mentioned ones, also the following stand out:
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as a volunteer and he left written testimony of his experience in
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La novela del siglo XIX: del parto a la crisis de una ideologĂ­a
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and middle-class independence and individualism. The themes of
1591:, a collection of elegies written about the death of his wife. 1355:, a work which deals with family dramas during the Great War. 1230:, where he published articles which he soon after compiled in 1173:; the former is more significant. With clear influences from 434:
such as marital conflicts, infidelity, and defense of ideals.
1989:). With respect to literary history, he wrote works such as 913:(Torquemada in the Inferno), a study of greed and avarice; 221:(1833–1868), was overthrown in the revolution of 1868, the 1902:
Leopoldo Cano (1844–1934): His most outstanding works are
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His importance is due to his novels; the first of them is
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during the second half of the 19th century, following the
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Religión y clero en la gran novela española del siglo XIX
566:(which deals with questions of religious vocation) and 1885:), which reflect the bourgeois atmosphere of his time. 917:(Compassion), with people of less-refined upbringing. 599:
José María de Pereda was born in Polanco (province of
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The Realist novel of this period is characterized by:
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Enrique Gaspar (1842–1902): Author of comedies like
909:, a dramatic vision of the bureaucracy of the time; 253:. After the death of Alfonso XII, his second wife, 1265:), a dramatic history of a town ruined by mining. 233:(1871–1873) followed. Later, the short era of the 1351:), although his fame is due to a great extent to 2083:. Berkeley: University of California Press, 2005 1292:(1914–1918); with the war as backdrop, he wrote 611:family, he traveled widely abroad, and he was a 15: 1459: 997:) stands out, and although she does not accept 117:• Literature subsequent to the Civil War 1858:, in which he showed the problems of marriage. 989:Among her studies on contemporary literature, 2088:El Naturalismo y España: Valera frente a Zola 838:The One Hundred Thousand Children of San Luis 801:, which serve as a backdrop for his stories. 718:to write his famous ballet of the same name. 308:(1798–1857), the methods of the physiologist 8: 1625:. Apart from these authors, the interest in 649:(1895), whose descriptive bucolic style and 515:who, impassioned, once described Realism as 261:until 1902, the year in which Alfonso's son 2174:. Buenos Aires: Tiempo ContemporĂĄneo, 1972. 1490:), that deals with the theme of the prince 787:Among the prolific works of GaldĂłs are the 694:Diario de un testigo de la Guerra de África 340:Zola introduced the naturalistic theory in 2160:. Pozuelo de AlarcĂłn: Espasa-Calpe, 1992. 1930:, TomĂĄs Luceño and Vital Aza stand out. 714:, published in 1874, that would inspire 1234:(1871). In 1885 he published the novel 1222:, 1853 – Madrid, 1938) was educated in 824:. Later series include volumes such as 213:(Bourbon) dynasty, after the reigns of 619:He began his literary production as a 197:and the "Disaster of '98"—the loss of 151:. As artistic style rebelled against " 2063:: realism in international literature 1975:Historia de los heterodoxos españoles 1848:), in which he explored moral themes. 1196:established a firm friendship. Today 698:Diary of a Witness to the African War 677:Pedro Antonio de AlarcĂłn was born in 551:was victim of progressive blindness. 7: 2156:Villanueva Prieto, Francisco DarĂ­o. 1118:. He then obtained his doctorate in 1891:(1845–1897): wrote the rural drama 1587:Federico Balart (1831–1905): wrote 1298:The Four Horsemen of the Apocalypse 1126:in his work. As a professor at the 937:(whose opening sparked a riot) and 869:opposite ideological perspective. ( 641:(epic of Cantabrian fishermen) and 490:'s novels take place in Cantabria, 237:(1873–1874) began, followed by the 229:(1869–1870) and the brief reign of 2090:. Madrid: Pearson Alhambra, 1977. 2057:: general overview of the movement 1979:History of the Heterodox Spaniards 1899:) and theater of regional customs. 1353:Los cuatro jinetes del apocalipsis 1294:Los cuatro jinetes del apocalipsis 1218:Armando Palacio ValdĂ©s (Entralgo, 193:against France and ended with the 159:(1799–1850), who, with works like 14: 2069:: evolution of Spanish literature 511:carried on a fierce rivalry with 1983:Historia de la estĂ©tica española 929:(The Crazy Woman of the House), 438:Colloquial and popular language, 296:This literary movement began in 1999:AntologĂ­a de los poetas lĂ­ricas 1677:was granted to him, along with 1498:, a subject already treated by 1414:RamĂłn de Campoamor was born in 1049:law. He became a member of the 976:Emilia Pardo BazĂĄn was born in 933:(The Daughter of San QuintĂ­n), 738:Portrait of Benito PĂ©rez GaldĂłs 445:Realism and Naturalism in Spain 134:movement which predominated in 2158:TeorĂ­as del realismo literario 2081:Spain: The Root and the Flower 1796:). His most important work is 1691:Un conflicto entre los deberes 834:Los cien mil hijos de San Luis 432:Themes relevant to the reader, 1: 1987:History of Spanish Aesthetics 1053:in 1908 and he died in 1914. 607:) in 1833. He belonged to an 141:In the mid-19th century, the 126:is the literature written in 2017:Feminist movement and Arenal 1934:Criticism: MenĂ©ndez y Pelayo 1162:, a classic dramatic idyll. 854:The One of the Sad Destinies 538:Juan Valera y AlcalĂĄ-Galiano 523:("The Throbbing Question"). 241:of the BorbĂłn dynasty under 2104:. Barcelona: Puvill, 1979. 1940:Marcelino MenĂ©ndez y Pelayo 905:, his most important work; 895:(The Bringas Woman), about 631:Don Gonzalo de la Gonzalera 415:Objective vision of reality 376:(1864), by realist painter 2204: 2172:PolĂ©mica sobre el realismo 2100:Miralles GarcĂ­a, Enrique. 2020: 1937: 1736: 1727:Either Madness or Sanctity 1649: 1565:), patriotic legends, and 1472: 1407: 1272: 1211: 1110:Leopoldo Alas was born in 1095: 1041: 969: 750:Las Palmas de Gran Canaria 725: 662: 584: 535: 398:The fundamental themes of 365:Characteristics of Realism 272: 124:Spanish Realist literature 2132:. Valencia: Bello, 1976. 2114:Miranda GarcĂ­a, Soledad. 1991:Las orĂ­genes de la novela 1922:Among the librettists of 1482:He wrote dramas, such as 1255:The Nun from San Sulpicio 711:El sombrero de tres picos 185:During the 19th century, 2146:. Madrid: Gredos, 1969. 2118:. Madrid: Pegaso, 1982. 2003:Anthology of Lyric Poets 1671:Scientific Vulgarization 1667:VulgarizaciĂłn cientĂ­fico 1251:La monja de San Sulpicio 1076:, son of the overthrown 911:Torquemada en la Hoguera 830:The Luggage of King JosĂ© 673:Pedro Antonio de AlarcĂłn 665:Pedro Antonio de AlarcĂłn 659:Pedro Antonio de AlarcĂłn 509:Pedro Antonio de AlarcĂłn 249:, after the uprising of 881:La Familia de LeĂłn Roch 688:He participated in the 635:De tal palo tal astilla 527:The novel: main authors 465:, and later in that of 275:Naturalism (literature) 1955:Real Academia Española 1949: 1780:) and social theater ( 1488:The bundle of firewood 1464: 1436:El licenciado Torralba 1394:Gustavo Adolfo BĂ©cquer 1284: 1240:Real Academia Española 1214:Armando Palacio ValdĂ©s 1208:Armando Palacio ValdĂ©s 1107: 1106:Leopoldo Alas "ClarĂ­n" 1092:Leopoldo Alas (ClarĂ­n) 991:La cuestiĂłn palpitante 960:RamĂłn del Valle-InclĂĄn 745: 674: 596: 547: 521:La cuestiĂłn palpitante 380: 354:La cuestiĂłn palpitante 342:The Experimental Novel 300:and its initiator was 293: 2086:LĂłpez JimĂ©nez, Luis. 2043:La Mujer del Porvenir 2011:Works of Lope de Vega 2007:Obras de Lope de Vega 1947: 1871:Las personas decentes 1711:The Stain That Cleans 1283:Vicente Blasco Ibåñez 1282: 1275:Vicente Blasco Ibåñez 1269:Vicente Blasco Ibåñez 1232:Semblanzas literarias 1130:in 1883, he defended 1105: 826:Equipaje del Rey JosĂ© 735: 672: 594: 545: 494:'s in Andalusia, and 374:The Third-Class Wagon 372: 282: 2142:Pattison, Walter T. 1995:Origins of the Novel 1748:), romantic dramas ( 1739:Manuel Tamayo y Baus 1733:Manuel Tamayo y Baus 1723:O locura, o santidad 1707:La mancha que limpia 1695:Conflict of Interest 1475:Gaspar NĂșñez de Arce 1469:Gaspar NĂșñez de Arce 1128:University of Oviedo 995:The Burning Question 945:Importance of GaldĂłs 790:Episodios Nacionales 762:JosĂ© MarĂ­a de Pereda 690:Spanish–Moroccan War 595:JosĂ© MarĂ­a de Pereda 587:JosĂ© MarĂ­a de Pereda 581:JosĂ© MarĂ­a de Pereda 575:Generation of the 98 513:JosĂ© MarĂ­a de Pereda 422:Defense of a thesis: 245:(1874–1885), son of 195:Spanish–American War 1971:The Spanish Science 1967:La ciencia española 1959:Biblioteca Nacional 1889:JosĂ© FeliĂș y Codina 1854:(1844–1926): wrote 1830:The Glass Tile Roof 1826:El tejado de vidrio 1818:El tanto por ciento 1782:Incidentes de honor 1754:The Madness of Love 1382:Restoration of 1875 1202:Fortunata y Jacinta 1086:Don Juan de Austria 1072:) in the figure of 1070:Bourbon Restoration 1028:La madre naturaleza 931:Hija de San Quintin 902:Fortunata y Jacinta 822:War of Independence 795:War of Independence 728:Benito PĂ©rez GaldĂłs 722:Benito Perez GaldĂłs 426:omniscient narrator 358:Benito PĂ©rez GaldĂłs 223:Glorious Revolution 205:in America and the 191:War of Independence 45:Miguel de Cervantes 29:Medieval literature 20:Literature of Spain 2188:Spanish literature 2067:Spanish literature 1950: 1908:The Passion Flower 1879:Las circunstancias 1790:Los hombres buenos 1786:Incidents of Honor 1750:La locura del amor 1432:El drama universal 1410:RamĂłn de Campoamor 1404:RamĂłn de Campoamor 1386:art for art's sake 1325:Among Orange Trees 1288:the Allies during 1285: 1108: 1023:The House of Ulloa 1018:Los pazos de Ulloa 1006:Un viaje de novios 972:Emilia Pardo BazĂĄn 966:Emilia Pardo BazĂĄn 949:The impact of the 927:La Loca de la Casa 746: 675: 627:Escenas montañosas 597: 548: 381: 350:Emilia Pardo BazĂĄn 294: 181:Historical context 153:art for art's sake 2023:ConcepciĂłn Arenal 2013:), among others. 1948:MenĂ©ndez y Pelayo 1883:The Circumstances 1842:El nuevo Don Juan 1719:The Great Galeoto 1507:Gritos del cobate 1457:, where he says: 1398:RosalĂ­a de Castro 1365:Generation of '98 1309:Rice and Carriage 1259:El pueblo perdido 956:Generation of '98 951:National Episodes 846:First Carlist War 782:National Episodes 758:MenĂ©ndez y Pelayo 451:picaresque novels 121: 120: 111:Generation of '27 95:Generation of '98 2195: 2061:Literary realism 1856:The Gordian Knot 1846:The New Don Juan 1808:Other dramatists 1766:La bola de nieve 1679:FrĂ©dĂ©ric Mistral 1263:The Lost Village 1194:bishop of Oviedo 1026:) and its sequel 981:Madrid in 1921. 856:), a book about 754:HonorĂ© de Balzac 568:Juanita la Larga 502: 400:literary Realism 265:began to reign. 231:Amadeo de Saboya 217:(1814–1833) and 162:The Human Comedy 157:HonorĂ© de Balzac 16: 2203: 2202: 2198: 2197: 2196: 2194: 2193: 2192: 2178: 2177: 2076: 2051: 2025: 2019: 1942: 1936: 1810: 1741: 1735: 1715:El gran Galeoto 1663:Popular Science 1659:Ciencia popular 1654: 1648: 1618: 1563:National Echoes 1559:Ecos nacionales 1551: 1477: 1471: 1412: 1406: 1373: 1305:Arroz y tartana 1277: 1271: 1228:Revista Europea 1216: 1210: 1145:Solos de ClarĂ­n 1140: 1100: 1094: 1046: 1040: 987: 974: 968: 947: 923: 897:social climbing 866: 785: 743:JoaquĂ­n Sorolla 730: 724: 716:Manuel de Falla 667: 661: 589: 583: 540: 534: 529: 500: 461:In the work of 447: 367: 277: 271: 251:MartĂ­nez Campos 183: 22: 12: 11: 5: 2201: 2199: 2191: 2190: 2180: 2179: 2176: 2175: 2170:Many Authors. 2168: 2154: 2140: 2126: 2112: 2098: 2084: 2079:Crow, John A. 2075: 2072: 2071: 2070: 2064: 2058: 2055:Realism (arts) 2050: 2047: 2021:Main article: 2018: 2015: 1938:Main article: 1935: 1932: 1920: 1919: 1900: 1886: 1867:The Frock Coat 1859: 1852:Eugenio SellĂ©s 1849: 1822:The Percentage 1809: 1806: 1798:Un drama nuevo 1737:Main article: 1734: 1731: 1652:JosĂ© Echegaray 1650:Main article: 1647: 1646:JosĂ© Echegaray 1644: 1623:Enrique Gaspar 1617: 1614: 1613: 1612: 1601: 1598: 1595: 1592: 1585: 1574: 1550: 1547: 1484:El haz de leña 1473:Main article: 1470: 1467: 1408:Main article: 1405: 1402: 1372: 1369: 1333:Canes and Clay 1321:Entre naranjos 1273:Main article: 1270: 1267: 1212:Main article: 1209: 1206: 1160:AdiĂłs, Cordera 1139: 1136: 1096:Main article: 1093: 1090: 1042:Main article: 1039: 1036: 986: 983: 970:Main article: 967: 964: 946: 943: 922: 919: 891:group include 865: 862: 842:ZumalacĂĄrregui 784: 778: 726:Main article: 723: 720: 663:Main article: 660: 657: 603:, present-day 585:Main article: 582: 579: 560:Pepita JimĂ©nez 536:Main article: 533: 530: 528: 525: 505: 504: 484: 446: 443: 442: 441: 435: 429: 419: 378:HonorĂ© Daumier 366: 363: 318:Charles Darwin 310:Claude Bernard 273:Main article: 270: 267: 255:MarĂ­a Cristina 235:First Republic 225:. The rule of 182: 179: 119: 118: 114: 113: 106: 105: 98: 97: 90: 89: 80: 79: 72: 71: 64: 63: 56: 55: 48: 47: 40: 39: 32: 31: 24: 23: 13: 10: 9: 6: 4: 3: 2: 2200: 2189: 2186: 2185: 2183: 2173: 2169: 2167: 2166:84-239-1771-1 2163: 2159: 2155: 2153: 2152:84-249-0279-3 2149: 2145: 2141: 2139: 2138:84-212-0039-9 2135: 2131: 2128:Oleza, Joan. 2127: 2125: 2124:84-85244-09-5 2121: 2117: 2113: 2111: 2110:84-85202-12-0 2107: 2103: 2099: 2097: 2096:84-205-0355-X 2093: 2089: 2085: 2082: 2078: 2077: 2073: 2068: 2065: 2062: 2059: 2056: 2053: 2052: 2048: 2046: 2044: 2038: 2034: 2031: 2024: 2016: 2014: 2012: 2008: 2004: 2000: 1996: 1992: 1988: 1984: 1980: 1976: 1972: 1968: 1962: 1960: 1956: 1946: 1941: 1933: 1931: 1929: 1925: 1917: 1916:The Butterfly 1913: 1909: 1905: 1904:La Pasionaria 1901: 1898: 1894: 1890: 1887: 1884: 1880: 1876: 1875:Decent People 1872: 1868: 1864: 1860: 1857: 1853: 1850: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1819: 1815: 1814: 1813: 1807: 1805: 1803: 1799: 1795: 1792:, in English 1791: 1787: 1784:, in English 1783: 1779: 1776:, in English 1775: 1771: 1768:, in English 1767: 1763: 1759: 1758:Juana la Loca 1755: 1752:, in English 1751: 1747: 1740: 1732: 1730: 1728: 1724: 1720: 1716: 1712: 1708: 1704: 1703:The Crazy God 1700: 1696: 1692: 1686: 1684: 1680: 1676: 1672: 1668: 1664: 1660: 1653: 1645: 1643: 1640: 1636: 1632: 1628: 1624: 1615: 1610: 1606: 1602: 1599: 1596: 1593: 1590: 1586: 1583: 1579: 1575: 1572: 1568: 1564: 1560: 1556: 1555: 1554: 1548: 1546: 1544: 1540: 1536: 1532: 1528: 1524: 1520: 1516: 1512: 1508: 1503: 1501: 1497: 1493: 1489: 1485: 1480: 1476: 1468: 1466: 1463: 1458: 1456: 1452: 1448: 1444: 1439: 1437: 1433: 1429: 1425: 1421: 1417: 1411: 1403: 1401: 1399: 1395: 1389: 1387: 1383: 1377: 1370: 1368: 1366: 1361: 1356: 1354: 1350: 1349:The Warehouse 1346: 1342: 1341:The Cathedral 1338: 1334: 1330: 1329:Cañas y barro 1326: 1322: 1318: 1317:The Farmhouse 1314: 1310: 1306: 1301: 1299: 1295: 1291: 1281: 1276: 1268: 1266: 1264: 1260: 1256: 1252: 1248: 1247:Marta y MarĂ­a 1243: 1241: 1237: 1233: 1229: 1225: 1221: 1215: 1207: 1205: 1203: 1199: 1195: 1190: 1186: 1182: 1178: 1177: 1176:Madame Bovary 1172: 1171:Su Ășnico hijo 1168: 1163: 1161: 1157: 1152: 1150: 1146: 1137: 1135: 1133: 1129: 1125: 1121: 1117: 1113: 1104: 1099: 1098:Leopoldo Alas 1091: 1089: 1087: 1083: 1079: 1075: 1071: 1067: 1063: 1059: 1054: 1052: 1051:Real Academia 1045: 1037: 1035: 1033: 1032:Mother Nature 1029: 1025: 1024: 1019: 1015: 1011: 1007: 1002: 1000: 996: 992: 984: 982: 979: 973: 965: 963: 961: 957: 952: 944: 942: 940: 936: 932: 928: 920: 918: 916: 912: 908: 904: 903: 898: 894: 893:La de Bringas 888: 886: 882: 878: 874: 873: 872:Doña Perfecta 863: 861: 859: 855: 851: 847: 843: 839: 835: 831: 827: 823: 819: 815: 811: 807: 802: 800: 796: 792: 791: 783: 779: 777: 775: 774:Real Academia 771: 767: 763: 759: 755: 751: 744: 740: 739: 734: 729: 721: 719: 717: 713: 712: 707: 703: 699: 695: 691: 686: 684: 680: 671: 666: 658: 656: 654: 653: 648: 644: 640: 636: 632: 628: 624: 623: 617: 614: 610: 606: 602: 593: 588: 580: 578: 576: 571: 569: 565: 561: 556: 552: 544: 539: 531: 526: 524: 522: 518: 514: 510: 499: 498: 493: 489: 485: 482: 478: 477:Blasco Ibåñez 474: 470: 469: 464: 460: 459: 458: 456: 452: 444: 439: 436: 433: 430: 427: 423: 420: 416: 413: 412: 411: 408: 406: 401: 396: 394: 393:individualism 390: 386: 379: 375: 371: 364: 362: 359: 355: 351: 345: 343: 338: 335: 331: 327: 323: 319: 315: 311: 307: 306:Auguste Comte 303: 299: 292: 291:Édouard Manet 288: 287: 281: 276: 268: 266: 264: 260: 256: 252: 248: 244: 240: 236: 232: 228: 224: 220: 216: 212: 209:in Asia. The 208: 204: 200: 196: 192: 188: 180: 178: 175: 170: 168: 164: 163: 158: 154: 150: 149: 144: 139: 137: 133: 129: 125: 116: 115: 112: 108: 107: 104: 100: 99: 96: 92: 91: 88: 87: 82: 81: 78: 74: 73: 70: 66: 65: 62: 61:Enlightenment 58: 57: 54: 50: 49: 46: 42: 41: 38: 34: 33: 30: 26: 25: 21: 18: 17: 2171: 2157: 2143: 2129: 2115: 2101: 2087: 2080: 2042: 2039: 2035: 2029: 2026: 2010: 2006: 2002: 1998: 1994: 1990: 1986: 1982: 1978: 1974: 1970: 1966: 1963: 1951: 1921: 1915: 1911: 1907: 1903: 1896: 1892: 1882: 1878: 1874: 1870: 1866: 1862: 1855: 1845: 1841: 1837: 1833: 1829: 1825: 1821: 1817: 1811: 1801: 1797: 1794:The Good Men 1793: 1789: 1785: 1781: 1778:The Positive 1777: 1773: 1770:The Snowball 1769: 1765: 1762:Costumbrista 1753: 1749: 1745: 1742: 1726: 1722: 1718: 1714: 1710: 1706: 1702: 1699:El loco dios 1698: 1694: 1690: 1687: 1670: 1666: 1662: 1658: 1655: 1635:gĂ©nero chico 1627:costumbrismo 1626: 1621:critique of 1619: 1608: 1604: 1588: 1581: 1577: 1570: 1566: 1562: 1558: 1552: 1542: 1538: 1534: 1530: 1526: 1522: 1518: 1514: 1511:Combat Cries 1510: 1506: 1504: 1487: 1483: 1481: 1478: 1465: 1460: 1454: 1450: 1446: 1442: 1440: 1435: 1431: 1427: 1423: 1413: 1390: 1378: 1374: 1357: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1324: 1320: 1316: 1312: 1308: 1304: 1302: 1297: 1293: 1286: 1262: 1258: 1254: 1250: 1246: 1244: 1235: 1231: 1227: 1217: 1201: 1197: 1188: 1174: 1170: 1166: 1164: 1159: 1155: 1153: 1148: 1144: 1141: 1123: 1109: 1081: 1065: 1062:Trivialities 1061: 1057: 1055: 1047: 1031: 1027: 1021: 1017: 1013: 1009: 1005: 1003: 994: 990: 988: 975: 950: 948: 938: 934: 930: 926: 924: 915:Misericordia 914: 910: 906: 900: 892: 889: 884: 880: 876: 870: 867: 853: 849: 844:, about the 841: 837: 833: 829: 825: 817: 813: 809: 805: 803: 788: 786: 781: 766:Alfonso XIII 747: 736: 709: 705: 702:El escĂĄndalo 701: 697: 693: 687: 676: 650: 647:Peñas arriba 646: 642: 638: 634: 630: 626: 622:costumbrista 620: 618: 598: 572: 567: 563: 559: 557: 553: 549: 520: 516: 506: 495: 466: 448: 437: 431: 421: 414: 409: 397: 382: 373: 353: 346: 341: 339: 295: 284:Portrait of 283: 263:Alfonso XIII 257:assumed the 215:Fernando VII 184: 173: 171: 161: 148:costumbrismo 146: 140: 123: 122: 103:Novecentismo 102: 85: 76: 1912:La mariposa 1838:Consolation 1834:ConsolaciĂłn 1802:A New Drama 1774:Lo positivo 1675:Nobel Prize 1616:The theater 1549:Other poets 1517:, English: 1451:Small poems 1424:El absoluto 1337:La catedral 1290:World War I 1204:by GaldĂłs. 1074:Alfonso XII 1044:Luis Coloma 1038:Luis Coloma 1014:The tribune 1010:A Honeymoon 799:Restoration 770:Nobel Prize 706:The Scandal 546:Juan Valera 532:Juan Valera 492:Juan Valera 473:Pardo BazĂĄn 455:Don Quixote 334:determinist 330:materialist 320:). Zola, a 289:(1868), by 243:Alfonso XII 239:Restoration 207:Philippines 203:Puerto Rico 69:Romanticism 37:Renaissance 2074:References 1981:) and the 1893:La Dolores 1539:El vĂ©rtigo 1492:Don Carlos 1360:Émile Zola 1313:La barraca 1198:La Regenta 1189:La Regenta 1167:La Regenta 1132:republican 1058:Pequeñeces 999:naturalism 652:casticismo 643:La puchera 481:Émile Zola 326:Naturalism 302:Émile Zola 286:Émile Zola 269:Naturalism 167:Naturalism 86:Modernismo 1924:zarzuelas 1863:La levita 1764:theater ( 1609:Something 1527:An iIdyll 1523:Un idilio 1496:Philip II 1494:, son of 1443:Humoradas 1345:La bodega 1078:Isabel II 939:El Abuelo 885:Marianela 858:Isabel II 806:Trafalgar 605:Cantabria 601:Santander 418:reality." 328:adopts a 322:socialist 314:democracy 247:Isabel II 219:Isabel II 172:The term 2182:Category 2049:See also 1928:sainetes 1756:, about 1746:Virginia 1683:Provence 1631:zarzuela 1589:Dolores 1531:La pesca 1500:Schiller 1420:Asturias 1220:Asturias 1181:Flaubert 1149:Paliques 978:A Coruña 814:Zaragoza 797:and the 639:Sotileza 564:Doña Luz 405:adultery 143:Romantic 109:• 101:• 93:• 83:• 75:• 67:• 59:• 51:• 43:• 35:• 27:• 1897:Dolores 1721:), and 1639:sainete 1571:Elegies 1567:ElegĂ­as 1543:Vertigo 1535:Fishing 1515:La duda 1455:PoĂ©tica 1447:Doloras 1082:JeromĂ­n 935:Electra 683:Granada 613:Carlist 609:Hidalgo 517:immoral 259:regency 227:Serrano 174:realist 132:Realist 77:Realism 53:Baroque 2164:  2150:  2136:  2122:  2108:  2094:  2030:Iberia 1910:) and 1877:) and 1840:) and 1665:) and 1637:, the 1582:Rhymes 1537:) and 1371:Poetry 1224:AvilĂ©s 1124:ClarĂ­n 1120:Madrid 1116:Oviedo 1112:Zamora 1064:) and 877:Gloria 864:Novels 848:; and 818:Gerona 810:BailĂ©n 679:Guadix 497:ClarĂ­n 488:Pereda 475:, and 468:ClarĂ­n 463:GaldĂłs 298:France 211:BorbĂłn 136:Europe 1578:Rimas 1519:Doubt 1428:ColĂłn 1416:Navia 1343:) or 1084:, on 921:Plays 741:, by 501:' 389:novel 385:Spain 187:Spain 128:Spain 2162:ISBN 2148:ISBN 2134:ISBN 2120:ISBN 2106:ISBN 2092:ISBN 1788:and 1772:and 1605:Algo 1449:and 1434:and 1396:and 1236:JosĂ© 1185:Zola 1169:and 1156:PipĂĄ 1147:and 1138:Work 985:Work 907:Miau 850:Prim 816:and 780:The 760:and 633:and 332:and 201:and 199:Cuba 1997:), 1914:, ( 1869:), 1832:), 1824:), 1760:), 1729:). 1713:), 1705:), 1681:of 1633:or 1545:). 1529:), 1438:). 1339:) ( 1327:), 1319:), 1311:), 1179:by 1066:Boy 883:). 840:); 832:); 383:In 2184:: 1918:). 1685:. 1611:). 1584:). 1573:). 1445:, 1430:, 1418:, 1400:. 1388:. 1242:. 1151:. 1088:. 899:; 879:, 875:, 812:, 808:, 471:, 169:. 138:. 2009:( 2001:( 1993:( 1985:( 1977:( 1969:( 1906:( 1895:( 1881:( 1873:( 1865:( 1844:( 1836:( 1828:( 1820:( 1800:( 1744:( 1725:( 1717:( 1709:( 1701:( 1693:( 1669:( 1661:( 1607:( 1580:( 1569:( 1561:( 1541:( 1533:( 1525:( 1509:( 1486:( 1347:( 1331:( 1323:( 1315:( 1307:( 1296:( 1261:( 1253:( 1060:( 1030:( 1020:( 1008:( 993:( 852:( 836:( 828:( 704:( 696:( 681:(

Index

Literature of Spain
Medieval literature
Renaissance
Miguel de Cervantes
Baroque
Enlightenment
Romanticism
Realism
Modernismo
Generation of '98
Generation of '27
Spain
Realist
Europe
Romantic
costumbrismo
art for art's sake
Honoré de Balzac
The Human Comedy
Naturalism
Spain
War of Independence
Spanish–American War
Cuba
Puerto Rico
Philippines
BorbĂłn
Fernando VII
Isabel II
Glorious Revolution

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