22:
179:
169:
However, the collection, which counted 450 paintings, was criticized for its inconsistency. Taylor sent "en masse" the paintings, without any preliminary selection, and nobody in the Louvre had the required expertise to operate this selection. Masters as
Murillo and Zurbaran were shown alongside much
310:
En el mismo año se abriĂł en ParĂs la GalerĂa Española de Luis Felipe, con unas cuatrocientas obras españolas. Hasta su venta final en 1853, aquella colecciĂłn ejerciĂł una influencia considerable sobre el gusto artĂstico de
Francia, aunque tambiĂ©n recibiĂł crĂticas acerbas en la prensa. Gran parte del
241:
146:) Wing. The opening was accompanied by a lot of Royal marketing and publicity. Louis Philippe stressed the point that the collection was acquired on his own founds. The collection counted for example 81
97:(the relationship with the Spanish branch had been degraded by the Napoleonic Wars), and therefore put himself in the context of the European Royal families to legitimize his new power,
362:
La collection de Louis-Philippe, acquise grâce au zèle du baron Taylor, rendue au roi déchu par une République trop vertueuse, a joué un rôle majeur dans l'histoire de l'art
401:
117:
and repression in Spain made it highly unstable. The secularization of religious orders facilitated the selling of their art pieces outside of the
Spanish territory.
21:
293:
124:, which was in charge of constituting quickly a vast collection of Spanish paintings. Taylor acquired a huge collection of hundreds of paintings from
280:
Louis
Philippe le charge en 1835 d'acquérir des tableaux en Espagne pour permettre l'ouverture de la Galerie espagnole du Musée du Louvre en 1838.
121:
423:
178:
488:
151:
193:
After the death of Louis
Philippe, the collection was dismantled in London, from 6 to 8 May 1853, during an auction in
311:
texto de Taylor sobre el Real Museo de Madrid constituye realmente una vindicaciĂłn de la GalerĂa Española de ParĂs.
205:). One of the painting came back later to the Louvre in 1908: "Le Christ en croix adoré par deux donateurs" from
375:
342:
132:. Many of the paintings he acquired were unknown from the public because they came from religious collections.
32:
213:
town for 25000 francs. Nowadays only these two paintings from the initial collection are shown in the Louvre.
147:
89:
Louis
Philippe decided in 1835 to found a Spanish painting gallery in the Louvre. He had several motivations:
48:
441:
A son ami
Baudelaire, Manet écrira : « C'est le plus grand peintre qu'il y ait jamais eu. »
224:, concerning Velazquez, in a letter from the 14 September 1865: "he is the greatest painter of all times.
100:
He also wanted to use the
Spanish paintings as a model to renovate French painting, away from the current
508:
474:
245:
266:
221:
129:
83:
26:
163:
135:
The
Spanish Gallery opened to the public on 1838/01/07, in five rooms on the first floor of the
484:
210:
67:
325:
471:
Notice des tableaux de la
Galerie Espagnole exposés dans les salles du Musée Royal au Louvre
217:
216:
This collection was seen by many artists and intellectuals of the time and influenced them.
155:
143:
94:
51:
503:
297:
125:
75:
139:
114:
497:
194:
101:
376:"Domenico Theotocopoulos, dit EL GRECO: Le Christ en croix adoré par deux donateurs"
202:
79:
458:
Bruno Foucart (April–May 2015). "L'éphémère musée espagnol du roi des Français".
427:
159:
197:. Only one painting was forgotten in the reserves and remained in the Louvre (
206:
186:
70:, Spanish art was seldom shown or known in France. it appeared at the
463:
379:
349:
136:
71:
55:
177:
20:
82:. However, stolen art pieces were given back by France after the
242:"Manet... Velázquez... The French Taste for Spanish Painting"
93:
He wanted to rebuild contacts with the Spanish branch of the
120:
In 1835, he founded an "artistic mission" directed by Baron
327:
La galerie espagnole de Louis-Philippe au Louvre: 1838–1848
473:, Imprimerie de Crapelet, Paris, 1838 ; p. 117
402:"Manet / Velázquez: The French Taste for Spanish Painting"
166:. Many paintings attracted the admiration of the public.
16:
Gallery of Spanish paintings in the Louvre from 1838–1853
481:
Manet – Velasquez : la Manière espagnole au XIXième
47:
was a gallery of Spanish painting created by French
343:"L'éphémère musée espagnol du roi des Français"
8:
324:Jeannine Baticle; Cristina Marinas (1981),
183:Le Christ en croix adoré par deux donateurs
424:"Manet – Velazquez: la leçon espagnole"
233:
483:, Réunion des Musées Nationaux, 2002
460:Grande Galerie – Le Journal du Louvre
330:, Paris: Réunion des musées nationaux
7:
267:"TAYLOR Isidore Justin dit le Baron"
14:
29:, roi des Français de 1830 à 1848
341:Bruno Foucart (April–May 2015).
294:"Taylor, barĂłn Isidore-Justin"
1:
404:. www.19thc-artworldwide.org
78:and the looting politics of
58:, then dismantled in 1853.
525:
199:The deploration of Christ
174:Dispersion and influence
33:Franz Xaver Winterhalter
109:Creation of the Gallery
190:
54:in 1838, shown in the
36:
181:
24:
430:. 17 September 2002
269:. appl-lachaise.net
126:primitive paintings
113:Beginning in 1810,
222:Charles Baudelaire
209:, bought from the
191:
130:Spanish Golden Age
84:Congress of Vienna
62:Historical context
37:
170:smaller artists.
115:French occupation
68:French Revolution
516:
467:
445:
444:
437:
435:
420:
414:
413:
411:
409:
398:
392:
391:
389:
387:
372:
366:
365:
358:
356:
347:
338:
332:
331:
321:
315:
314:
306:
304:
290:
284:
283:
276:
274:
263:
257:
256:
254:
252:
238:
52:Louis Philippe I
524:
523:
519:
518:
517:
515:
514:
513:
494:
493:
457:
454:
449:
448:
433:
431:
422:
421:
417:
407:
405:
400:
399:
395:
385:
383:
374:
373:
369:
354:
352:
345:
340:
339:
335:
323:
322:
318:
302:
300:
298:Museo del Prado
292:
291:
287:
272:
270:
265:
264:
260:
250:
248:
240:
239:
235:
230:
176:
111:
95:Bourbon dynasty
76:Napoleonic Wars
64:
41:Spanish gallery
17:
12:
11:
5:
522:
520:
512:
511:
506:
496:
495:
492:
491:
477:
468:
453:
450:
447:
446:
415:
393:
367:
333:
316:
296:(in Spanish).
285:
258:
232:
231:
229:
226:
175:
172:
122:Isidore Taylor
110:
107:
106:
105:
98:
63:
60:
45:Spanish museum
43:, also called
27:Louis-Philippe
15:
13:
10:
9:
6:
4:
3:
2:
521:
510:
507:
505:
502:
501:
499:
490:
486:
482:
478:
476:
472:
469:
465:
461:
456:
455:
451:
443:
442:
429:
425:
419:
416:
403:
397:
394:
381:
377:
371:
368:
364:
363:
351:
344:
337:
334:
329:
328:
320:
317:
313:
312:
299:
295:
289:
286:
282:
281:
268:
262:
259:
247:
246:Musée d'Orsay
243:
237:
234:
227:
225:
223:
219:
218:Édouard Manet
214:
212:
208:
204:
200:
196:
188:
184:
180:
173:
171:
167:
165:
161:
157:
153:
149:
145:
141:
138:
133:
131:
127:
123:
118:
116:
108:
104:of the times.
103:
102:Neoclassicism
99:
96:
92:
91:
90:
87:
86:(1814–1815).
85:
81:
77:
73:
69:
61:
59:
57:
53:
50:
46:
42:
34:
30:
28:
23:
19:
480:
479:Collective,
470:
459:
452:Bibliography
440:
439:
432:. Retrieved
418:
406:. Retrieved
396:
384:. Retrieved
370:
361:
360:
353:. Retrieved
336:
326:
319:
309:
308:
301:. Retrieved
288:
279:
278:
271:. Retrieved
261:
249:. Retrieved
236:
215:
203:Jaume Huguet
198:
192:
182:
168:
134:
119:
112:
88:
80:Vivant Denon
65:
44:
40:
38:
31:, 1841, par
25:
18:
509:Spanish art
428:Le Parisien
140:Cour Carrée
498:Categories
489:2711844900
434:21 January
408:21 January
386:21 January
355:21 January
303:21 January
273:21 January
251:21 January
228:References
195:Christie's
66:Until the
220:wrote to
164:Velázquez
162:, and 19
144:Colonnade
142:'s East (
74:with the
207:El Greco
187:El Greco
148:Zurbaran
475:archive
185:, from
152:Murillo
128:to the
504:Louvre
487:
464:Louvre
382:. 1590
380:Louvre
350:Louvre
211:Prades
156:Ribera
137:Louvre
72:Louvre
56:Louvre
346:(PDF)
158:, 23
154:, 28
150:, 39
485:ISBN
436:2018
410:2018
388:2018
357:2018
305:2018
275:2018
253:2018
160:Cano
49:King
39:The
201:by
500::
462:.
438:.
426:.
378:.
359:.
348:.
307:.
277:.
244:.
466:.
412:.
390:.
255:.
189:.
35:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
