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Spirit Touches Ground

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234:); he died at the age of 32 less than a month later. Universal relinquished its claim on his unreleased music while Clayton-Felt was hospitalized in a coma, his family whispering the long-sought news into his ear. Led by Laura Baker, Clayton-Felt's sister, a network of friends and fans lobbied for the promotion and distribution of this long-delayed material, eventually organizing for the album completed shortly before his death to be released under the 415:. That may seem like an obvious comparison, but the parallels between the two musicians are eerie when viewed side by side. They were both respected guitarists who used their smooth voices and songwriting skills to make some of the best blue-eyed soul of the '90s. And both musicians were sadly taken from the world far too early in their careers, something that has halted any mainstream exposure Clayton-Felt could have received. 470:, and a slew of musical influences, yet always feels like a personal extension of Josh himself rather than imitation. And, as so many have noted in the past, there's his voice. Ever since his days in School of Fish, listeners and critics have noted that Clayton-Felt’s voice possessed a quality of clarity, emotion, and a beauty that helped drive his songs. Personal and intimate, his voice soars through the fourteen tracks of 443:
hand/As we disappear into the sand/While the rest of the world was drowning around us/Ah, we were building Atlantis/Of all the pieces I’ve lost/Only you fit/Cause we were building Atlantis”), to the last, "Dragon Fly'"(If you want to get through/To the other side/Let the dragonfly/Come and give you a ride/Every day you’re born/And every night you die), Spirit journeys on with a beatnik-folk, soulful feel.
358: 353: 348: 343: 338: 302: 297: 292: 287: 282: 204:; subsequently, over 200 artists were dropped during the post-acquisition "cleaning house" process, including Clayton-Felt. Further, the new owners refused to allow Clayton-Felt to use or buy back his previously recorded material, and he was contractually prevented from re-recording it for five years, though he continued working on the material. 29: 481:
writer Gary Glauber also gave the album a glowing review, writing "the record stands as an ultimate testament to how much his talents will be missed." He stated the most obvious musical comparison may be Jeff Buckley, though he agreed that Clayton-Felt sounded much lighter. Glauber goes on to write
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touch you with its hooks and friendly funky fare, its grooves and hushed ballads, its beauty and fanciful turns and rampant optimism and sweet melodies. Clayton-Felt’s vision, now finally delivered as he wanted it, is a rewarding journey I recommend to one and all. I’m sure Josh Clayton-Felt would
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After his early band, School Of Fish, began to drift apart and he made the decision to go solo, Josh Clayton-Felt was born. He released three discs, all of them increasingly better written, deeper, more touching. But in a rightful crescendo, it is in Josh's case, that the best has been saved for
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More than posthumous blabber, the raves being lauded upon Spirit are entirely warranted. Lyrically strong and fundamentally sound, the 14-track disc is at times sweet and spiritual; at others, it is rockin’ and loud. From the first cut, the catchy current single “Building Atlantis” (I hold your
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gave the album four and a half out of five stars and noted that Clayton-Felt had substantial talent and the potential for a successful career, writing:
431:, Clayton-Felt writes modest songs that take time to reveal their true depth. It's a real loss that the singer won't get the same chance himself." 1408: 962: 241:
Other unreleased material including the song "Center of Six" itself was released by the Talking Clouds Records label in 2003 on the album
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gave the album a B+ and also noted that his death was a loss to the music world, writing: "Like similarly minded L.A. smart-pop artists
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wrote the album "brims with grand metaphor and unrelenting hope, the crisp, tuneful work of a singer-songwriter in full bloom."
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Over the years following the change of ownership, Clayton-Felt developed new material, self-releasing two recordings –
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about each of the tracks and what he feels are their strong points before arriving at the following conclusion:
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This is gentle intimate pop with a life force and musical intelligence behind it that makes one smile. Let
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If this album is any indication, Clayton-Felt was on his way to becoming the lighthearted alternative to
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received largely positive reviews upon its release on February 12, 2002. Kevin Bronson of the
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in early December 1999, just one week before being hospitalized with what turned out to be
1228: 227: 167: 97: 1353: 709: 189: 1220: 219:; whilst also continuing to lobby Universal to release its claim on his earlier work. 1387: 1322: 715: 463: 451:
gave the album a glowing review, noting influence from some very successful artists:
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suspended all contracts and placed a freeze on recordings during their
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All the tracks on the album were written by Josh Clayton-Felt.
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Clayton-Felt finished the final mixing and production of
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The album's credits and personnel can be obtained from
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Josh Clayton-Felt - vocals, guitar, engineer, producer
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agree with my closing dictum: Listen often and enjoy!
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May 1, 2002 1117:"Spirit Touches Ground (2002)" 989:Verville, Kathleen M. (2009). 759:Flick, Larry (March 9, 2002). 521: 1: 1409:Albums published posthumously 162:, which was released through 200:, preventing the release of 724:- drums, percussion, mixing 706:Paul Bushnell - bass guitar 647:"Night of a Thousand Girls" 1425: 801:Glauber, Gary (May 2002). 506:episode "Time Will Tell". 387:, has an uplifting feel." 1404:DreamWorks Records albums 730:Billy Goodrum - keyboard 676: 665: 654: 643: 632: 621: 610: 599: 592:"Too Cool for This World" 588: 577: 566: 555: 544: 533: 525: 268: 265: 114: 26: 1399:Josh Clayton-Felt albums 625:"Deer in the Headlights" 174:Background and recording 1296:Inarticulate Nature Boy 636:"Spirit Touches Ground" 548:"Diamond in Your Heart" 181:Inarticulate Nature Boy 733:Martin Tillman - cello 493: 476: 445: 417: 401: 1315:Spirit Touches Ground 727:Brian McCloud - drums 488:Spirit Touches Ground 484: 472:Spirit Touches Ground 456:Spirit Touches Ground 453: 440: 409: 396: 385:Spirit Touches Ground 368:Spirit Touches Ground 251:Release and reception 224:Spirit Touches Ground 155:Spirit Touches Ground 130:Spirit Touches Ground 22:Spirit Touches Ground 1308:(under Josh Clayton) 1122:Entertainment Weekly 458:reveals elements of 421:Entertainment Weekly 403:Bradley Torreano of 311:Entertainment Weekly 256:Professional ratings 190:Record label A&M 1084:Torreano, Bradley. 997:Infobase Publishing 537:"Building Atlantis" 390:Vanessa Bormann of 257: 968:The New York Times 603:"Kid on the Train" 496:Use in other media 447:Patrick Schabe of 379:Randy Krbechek of 255: 164:Dreamworks Records 1381: 1380: 1309: 1304:Beautiful Nowhere 1281:Josh Clayton-Felt 1200:"Backwards World" 1155:The Wichita Eagle 1030:Los Angeles Times 992:Testicular Cancer 687: 686: 581:"Love Sweet Love" 559:"Backwards World" 373:Los Angeles Times 365: 364: 331:The Wichita Eagle 232:germ-cell cancers 216:Beautiful Nowhere 198:Universal Records 160:Josh Clayton-Felt 151: 150: 147: 146: 121:Beautiful Nowhere 108:Josh Clayton-Felt 102:Josh Clayton-Felt 52:February 12, 2002 42:Josh Clayton-Felt 1416: 1371:Human Cannonball 1307: 1274: 1267: 1260: 1251: 1245: 1244: 1242: 1240: 1217: 1211: 1210: 1208: 1207: 1196: 1190: 1189: 1187: 1185: 1173: 1167: 1166: 1164: 1162: 1145: 1139: 1138: 1136: 1134: 1125:. 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Index


Studio album
Josh Clayton-Felt
Genre
Pop rock
Label
Dreamworks
Producer
Josh Clayton-Felt
Beautiful Nowhere
Center of Six
Josh Clayton-Felt
Dreamworks Records
cancer
Inarticulate Nature Boy
Record label A&M
buyout
Universal Records
...Felt Like Making a Live Record
Beautiful Nowhere
choriocarcinoma
germ-cell cancers
Dreamworks
Center of Six
Allmusic
Entertainment Weekly
PopMatters
The Wichita Eagle
Los Angeles Times
Allmusic

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