45:
243:(桃符; peach wood charms) in ancient times. Peachwood charms are long pieces of wood hung from peach trees. They are about seven to eight inches long and slightly more than one inch wide. According to the legend, there was a peach tree in the East China Sea that was the gate where the ghosts passed through between the underworld and the world of the living. Two gods, Shentu and Yulei, were responsible for guarding this gate. The ghosts traveling the world at night time were required to return to the underworld before the early morning. It was believed that the two gods could dispel all the demons which did harm to human at night time. People, therefore, used the peach wood to make two puppets of the two gods and put them at the entrance of their home in order to protect their family. Then, as early as the
379:(春條) or is a vertical or horizontal rectangle that carries two or four Chinese characters. Auspicious phases are expressed based on various contexts. For example, “Gōngxǐ fācái” 恭喜發財 is an ubiquitous phrase that wishes people to become affluent so it can be seen in all occasions. Regarding workplace, “Cáiyuán gǔngǔn” (財源滾滾; Merchandise will turn like a wheel) is a term that suggest prosperity. At home, “niánnián yǒuyú” (年年有餘; Surplus year-after-year) are deemed to wish for excess family possessions in the end of the year. Children usually paste “Xuéyè jìnbù” (學業進步; Progress in studies) on their bedroom doors hoping for higher form position in the coming academic year while the elderly hang “Lóng mǎ jīngshén” (龍馬精神; Spirits of
33:
337:
365:
only displays one character such as “Chun” (春; Spring), “Man” (滿; Full) and “Fu” (福; Good fortune). “Man” is stuck on rice bins of refrigerators hoping for abundant food. “Fu” is always hung inverted on the center of the door on purpose. The reason behind this is the superstition that the homonymy
262:
One time, during a rampage, Nian was seen running away from a house which had a red shirt hanging outside and then later, from a light. Consequently, the villagers discovered that the monster was afraid of red color, loud noise and flaming light. Since then, before every New Year, people paste red
211:
in doorways to create an optimistic festive atmosphere, since the phrases written on them refer to good luck and prosperity. They are customarily written by hand, but for convenience, printed versions are now mass-produced. They may be either square or rectangular in shape. They are popularly used
247:, people found that it was hard and complicated to make puppets, so they simplified the puppets to two peach wood boards on which they drew portraits of the gods. Later on, people simply wrote down the names of the gods on pieces of peach wood and hung them on both sides of the door. Around the
258:
There is another story which is related to Fai Chun history. According to the legend, there was a monster who lived in the deep sea and had a lion-like head and an ox-like body, who was named ''Nian'' (年). Around New Year, it scared the villagers by eating their crops, livestock and even the
409:
is transformed from metrical poems. Sometimes, concurrently, a horizontal scroll with four to five characters is hung on the crosspiece of the door. Its content expresses the wishes of the homeowner for the upcoming year. Besides being hung on door frames,
366:
of the
Mandarin words “inverted” (倒) and “arrival” (到) suggests the arrival of happiness and good fortune. Combined words, a non-existent word that encompasses parts of Chinese characters, is also very common.
44:
282:
is in bright red color with black or gold characters inscribed on it with a brush. Similar to the color of fire, red color was chosen to scare the legendary fierce and barbarous beast “
266:
After Nian went back to the sea, people would come out and celebrate the New Year. This became a tradition every year, with people keep pasting red couplets every year, which is called
251:, commoners no longer wrote the names of the gods only but add some blessings to symbolize good fortune as well as express their hope and best wishes in the new year. Since
340:
Chunlian in an apartment. Normally the installation is at the both sides (and top) of one (normally main) door. Here depth impression is used as a stylistic choice.
305:. Its fine and soft texture enables vivid and dynamic artistic expression of Chinese calligraphy. In this age of technology, city dwellers seldom write their own
309:. Instead, they purchase them in stationery stores or shopping malls where a wide diversity of styles is offered. Thanks to the advancement in technology,
538:
317:
can be seen when animated characters are used to attract children while sparkling decorations are used to attract adults. Moreover, the material of
321:
is no more limited to mere paper. Fai chun made by cloth, plastic and layers of cardboard are quite common. Nevertheless, the practice of writing
493:
522:
463:
158:
64:
166:
78:
574:
479:
569:
263:
couplets in and outside their house, and let off firecrackers and fireworks, in order to scare the monster away.
542:
361:(斗方) is a square that its angles point to four cardinal points. Owing to the limited space, this type of
286:”, which ate up villagers’ crops, livestock and even villagers themselves on the eve of the new year.
435:
518:
497:
459:
401:, typically seven characters, on two sides of the door frame, whose content is related to the
512:
453:
402:
398:
204:
101:
563:
213:
415:
252:
248:
108:
32:
244:
302:
17:
122:
383:
and horse), which is conceived to be able to shelter them from diseases.
129:
225:
405:. Lexical and tonal rules are always adhered, though not strictly, as
380:
174:
336:
335:
221:
217:
43:
31:
325:
continues in traditional areas, particularly in walled villages.
283:
203:) is a traditional decoration that is frequently used during
255:, pieces of peach wood were replaced by square red papers.
134:
313:
can be printed in multiple colors. Commercialization of
414:
are necessary items that are unfurled at the end of a
113:
128:
121:
107:
100:
95:
77:
63:
54:
29:
Traditional decoration used during
Chinese New Year
40:which is made of cloth is being hung on the door.
511:Press, Beijing Foreign Language (2012-09-01).
83:
69:
8:
92:
539:"Chinese New Year 2016, Spring Festival"
436:"A lucky start to the Year of the Goat"
427:
51:
517:. Asiapac Books Pte Ltd. p. 27.
7:
25:
135:
199:
194:
190:
179:
170:
162:
114:
84:
70:
1:
36:An inverted sparkling “fu” 福
591:
514:Chinese Auspicious Culture
494:"Spring Festival Couplets"
455:Chinese Auspicious Culture
48:Examples of combined words
146:
91:
59:
440:South China Morning Post
65:Traditional Chinese
79:Simplified Chinese
341:
259:villagers themselves.
49:
41:
339:
47:
35:
575:Chinese calligraphy
442:. 11 February 2015.
159:traditional Chinese
458:. September 2012.
342:
167:simplified Chinese
50:
42:
390:(Spring couplets)
301:was presented in
150:
149:
142:
141:
102:Standard Mandarin
16:(Redirected from
582:
570:Chinese New Year
554:
553:
551:
550:
541:. Archived from
535:
529:
528:
508:
502:
501:
496:. Archived from
490:
484:
483:
476:
470:
469:
450:
444:
443:
432:
403:Chinese New Year
348:are as follows:
239:originated from
205:Chinese New Year
201:
196:
192:
181:
172:
164:
138:
137:
117:
116:
93:
87:
86:
73:
72:
52:
21:
590:
589:
585:
584:
583:
581:
580:
579:
560:
559:
558:
557:
548:
546:
537:
536:
532:
525:
510:
509:
505:
492:
491:
487:
478:
477:
473:
466:
452:
451:
447:
434:
433:
429:
424:
392:
374:
356:
334:
295:
276:
234:
30:
23:
22:
15:
12:
11:
5:
588:
586:
578:
577:
572:
562:
561:
556:
555:
530:
523:
503:
500:on 2015-11-12.
485:
471:
464:
445:
426:
425:
423:
420:
391:
385:
373:
368:
355:
350:
333:
327:
294:
288:
275:
272:
233:
230:
216:, but also in
148:
147:
144:
143:
140:
139:
132:
126:
125:
123:Yue: Cantonese
119:
118:
111:
105:
104:
98:
97:
96:Transcriptions
89:
88:
81:
75:
74:
67:
61:
60:
57:
56:
28:
24:
18:Spring couplet
14:
13:
10:
9:
6:
4:
3:
2:
587:
576:
573:
571:
568:
567:
565:
545:on 2015-03-17
544:
540:
534:
531:
526:
524:9789812296429
520:
516:
515:
507:
504:
499:
495:
489:
486:
481:
475:
472:
467:
465:9789812296429
461:
457:
456:
449:
446:
441:
437:
431:
428:
421:
419:
417:
413:
408:
404:
400:
396:
389:
386:
384:
382:
378:
372:
369:
367:
364:
360:
354:
351:
349:
347:
344:The types of
338:
332:
328:
326:
324:
320:
316:
312:
308:
304:
300:
297:In the past,
293:
289:
287:
285:
281:
273:
271:
269:
264:
260:
256:
254:
250:
246:
242:
238:
231:
229:
227:
223:
219:
215:
214:Greater China
210:
207:. People put
206:
202:
188:
187:
182:
176:
168:
160:
156:
155:
145:
133:
131:
127:
124:
120:
112:
110:
106:
103:
99:
94:
90:
82:
80:
76:
68:
66:
62:
58:
53:
46:
39:
34:
27:
19:
547:. Retrieved
543:the original
533:
513:
506:
498:the original
488:
474:
454:
448:
439:
430:
416:dragon dance
411:
406:
394:
393:
387:
376:
375:
370:
362:
358:
357:
352:
345:
343:
330:
322:
318:
314:
310:
306:
298:
296:
291:
279:
278:Traditional
277:
267:
265:
261:
257:
253:Ming dynasty
249:Tang dynasty
240:
236:
235:
212:not only in
208:
198:
185:
184:
178:
153:
152:
151:
109:Hanyu Pinyin
37:
26:
245:Han dynasty
564:Categories
549:2015-03-23
480:"Podcasts"
422:References
397:(春聯) is a
303:Xuan paper
136:fai1 ceon1
329:Types of
290:Forms of
412:chunlian
407:chunlian
395:Chunlian
388:Chunlian
377:Chuntiao
371:Chuntiao
363:fai chun
346:fai chun
331:fai chun
323:fai chun
319:fai chun
315:fai chun
311:fai chun
307:fai chun
299:fai chun
292:fai chun
280:fai chun
268:Fai Chun
237:Fai chun
209:fai chun
200:chūnlián
186:chunlian
154:Fai chun
130:Jyutping
55:Fai chun
399:duilian
359:Doufang
353:Doufang
232:History
226:Vietnam
180:huīchūn
115:Huīchūn
38:doufang
521:
462:
381:dragon
224:, and
177::
175:pinyin
169::
161::
274:Color
270:now.
241:taofu
222:Japan
218:Korea
183:) or
519:ISBN
460:ISBN
284:Nian
566::
438:.
418:.
228:.
220:,
197:;
195:春联
193:;
191:春聯
173:;
171:挥春
165:;
163:揮春
85:挥春
71:揮春
552:.
527:.
482:.
468:.
189:(
157:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
