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Spy vs. Spy (band)

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311:, was released in March 1986 on the Powderworks label and was produced by Leszek Karski. Singles included "Injustice", about the plight of Australia's Aboriginal communities (dedicated to the Aboriginal Arts Council) released in August 1985, "Give Us Something" dealing with the media, was released in February 1986 and "Harry's Reasons", about heroin addiction ('Harry' is a euphemism for heroin), which was released in May 1986. Neither album nor singles had any major chart success. 213:
v.Spy v.Spy had their first performance at Sydney's Sussex Hotel, filling in for The Fast Cars, whose singer had unexpectedly taken ill. From there the band developed a following for their distinctive brand of heavy rock. Dirty Pool management picked them up and they performed at many Sydney venues,
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By 1994 v.Spy v.Spy had split up again with members pursuing different projects. Bloxom and Cuffe formed the band Shock Poets, meanwhile Weiley worked on his side-project, The Honey Island Project, with producer Danny Bryan. v.Spy v.Spy reformed in 1996. Cuffe left to concentrate full-time on Shock
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scene, performing high energy songs dealing with issues such as racism of any kind (particularly that against Indigenous Australians), drug addiction, homelessness, homophobia, sexual assault, child abuse and domestic violence. Shortly after the release of their debut EP, in early 1983, the band
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year. The album released in March 1988 peaked at No. 15 in Australia, it was produced by Karski and Guy Gray and released by WEA in 14 countries. The album provided three singles, "Forget about the Working Week", "Clarity of Mind" and "Waiting". During this time the band played smaller shows to
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in November 1986. The name is an abbreviation meaning "Adults Only Modified Television Version", a very common censorship notation appearing along the bottom of Australian television screens at the time. It provided three singles – "Don't Tear It Down" inspired by the
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High School in 1976. Weiley, having just moved from England to Australia, was paired with Bloxom by the principal based on their common musical interests and plans on making a career in music. After high school, Bloxom and Weiley moved to
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for their pub audiences. The band broke up in early 1983 when craig bloxom and sound engineer simon vidale left the band to join the NUMBERS only to reform mid-year when the NUMBERS project failed . They were eventually signed to
44: 408:, produced by Karski and Peter Cobbin, provided the singles "Comes a Time" in March 1993 and "One Way Street" in June 1993 to moderate success and critical acclaim. During this time, due to the influence of Australian surfers in 412:, the band had built up a considerable Brazilian following, resulting in numerous Brazilian tours playing to the biggest audiences of the bands career. To this day, Brazil remains the band's strongest market. 253:
with the A & B sides of their first single. These recordings were released under the name Spy vs Spy, but the band was forced to change its name to v.Spy v.Spy to avoid legal action from the publishers of
274:, confined to a hospital bed for months his illness plagued him until his death. Second guitarist Mark Phelan left after the band's equipment was stolen while the band was at a social security meeting. 1628: 270:
broke up. Bloxom briefly joined The Numbers in March 1983 but re-formed v.Spy v.Spy in July 1983, with Marcus Phelan (ex-The Numbers) joining as a second guitarist. Weiley became sick with
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The band's initial line-up was the trio of Craig Bloxom on bass guitar/lead vocals, Cliff Grigg on drums/percussion and Michael Weiley on lead guitar/vocals. v.Spy v.Spy's early music was
1519: 420: 340:. "Credit Cards" was particularly pertinent as Australia was in the middle of a national debate about introducing a national identification card called the "Australia Card". 190:
in Sydney's north shore, playing in various Sydney bands. Looking for a drummer, one of Bloxom's ex-bandmates introduced them to Cliff Grigg, who happened to live in a
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band from Sydney formed in 1981. They became known for tackling political issues through their music, including racism, homelessness and contemporary drug culture.
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was released in March 1988 and peaked at No. 15 in Australia. It was produced by Karski and Guy Gray and released by WEA in 14 countries. Their 1989 album
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Bloxom played his final gig in Sydney in 2003 leaving Australia for the USA, settling in Mexico finding a new career path as a chef. Bloxom now lives in
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magazine. As a rent saving device Bloxom and Weiley also moved into Grigg's squat, which initially had no roof: it also became their rehearsal space.
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as guest percussionist, whilst Bloxom and Weiley took a year off, moving to Queensland and going through a period of auditioning new drummers.
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Craig Bloxom lead vocalist/bassist was born in Los Angeles and moved to Australia in 1965, he met guitarist/vocalist Michael Weiley at
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for broadcast on college radio stations in the USA and Canada - this gave the band a spike in interest across the United States.
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for their Australian pub audiences who thrived on a diet of AC/DC, The Angels, Lime Spiders, Rose Tattoo and Radio Birdman.
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In 1989 the band received a substantial advance from their record label and travelled to England to record the album
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NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988.
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and had their highest charting success in February 1987 with their single "Don't Tear It Down" on the
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of the Australian singles charts in February 1987, it stayed in the charts for 20 weeks attaining
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seeking to demolish the band's Darling Street squat, "Sallie-Anne'" about murdered prostitute/
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in August 1982, the 1,000 pressings selling out in just five days. The New Zealand release of
145: 281:, also became the manager of v.Spy v.Spy. Midnight Oil's label, Powderworks, released the EP 1962: 1428: 807: 575: 374: 165: 17: 1442: 428: 394: 379: 348: 1606: 1574: 206: 1523: 1998: 1515: 1410: 343:"Don't Tear It Down" was the band's most successful single, peaking at No. 31 on the 330: 238: 121: 285:
in October 1984, which was followed by the single "One of a Kind" in November 1984.
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was released in March 1986 and produced by Leszek Karski. They switched labels to
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which included several classic tracks and five previously unreleased songs.
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Note: Part of the Australian Road Crew Association (ARCA) Desk Tape Series
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Note: Early live recordings from the early 80s from various Sydney venues
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The music video for "One of a Kind" was filmed outside the famous
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In February 1982 the band recorded "Do What You Say" at T.R.M. in
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dedicated fans in Sydney under the pseudonym The Drug Grannies.
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particularly at the Sydney Trade Union Club, often supporting
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With new drummer Mark Cuffe, the band signed a deal with
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Weiley died after battling cancer on 29 September 2018.
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List of live albums with selected peak chart positions
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and "Credit Cards" a commentary on spiralling debt and
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Poets, replaced by Australian drummer Paul Wheeler of
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album, WEA demanded another album. The third album,
1973: 1930: 127:in August. Their music became more straightforward 83: 73: 65: 55: 50: 34: 1760:"THE BIG BACKYARD. PROGRAM No. 71 AND PROGRAM #72" 1819:Peaks of singles below the top 100 in Australia: 1801:"The ARIA Report: Week Commencing 4 March 2024". 415:In 1993 the band was featured in two episodes of 154:peaked at No. 12 on the Australian albums chart. 770:List of compilation albums with chart positions 277:Fortunes improved when Gary Morris, manager for 1112:List of singles, with selected chart positions 951:Format: 3xCD box set of three Demolition albums 404:. In May 1993 they released their fifth album, 1885: 1781: 1779: 1777: 8: 1405: 1403: 1401: 1399: 1397: 1395: 1393: 1391: 1389: 1387: 1385: 1383: 1381: 1379: 1377: 1375: 1373: 1371: 1369: 1367: 1365: 990:List of extended play with selected details 1700: 1698: 1696: 1363: 1361: 1359: 1357: 1355: 1353: 1351: 1349: 1347: 1345: 686:Demolition Live - The Hottest Place in Town 466:List of studio albums with chart positions 258:. Their music became more straight forward 1892: 1878: 1870: 1605:. Australian Rock Database. Archived from 1110: 393:Grigg quit the band in late 1991, joining 42: 31: 1807:Australian Recording Industry Association 1415:"Encyclopedia entry for 'v. Spy v. Spy'" 1510: 1508: 1506: 1504: 1502: 1500: 1498: 1496: 1494: 1492: 1490: 1488: 1486: 1484: 1482: 1480: 1420:Encyclopedia of Australian Rock and Pop 1341: 421:Department of Foreign Affairs and Trade 1660: 1658: 1656: 1654: 1652: 1650: 1648: 1646: 1559: 1557: 1555: 1553: 1551: 1549: 1547: 1545: 1543: 1541: 1478: 1476: 1474: 1472: 1470: 1468: 1466: 1464: 1462: 1460: 1139:"Do What You Say"/"Table Tea and Mix" 1596: 1594: 1592: 1125: 1119: 1116: 780: 777: 774: 645: 642: 639: 476: 473: 470: 7: 1022:Note: Limited edition of 1000 copies 382:'s Manor House studios, produced by 307:The band's first full-length album, 2015:Australian pub rock musical groups 2005:Musical groups established in 1981 1825:"Week commencing 12 February 1990" 1788:Australia's Music Charts 1988–2010 314:They switched labels signing with 198:. They named their band after the 25: 1762:. National Film and Sound Archive 1678:, N.S.W.: Australian Chart Book. 1573:. Magnus Holmgren. Archived from 265:The band became prominent on the 1235:"Forget About the Working Week" 925:Note: Early demos and recordings 896:Note: Early demos and recordings 738:Live at the Prince of Wales 1984 1671:Australian Chart Book 1970–1992 318:and released a follow-up album 157:v.Spy v.Spy's follow-up album, 2010:New South Wales musical groups 194:in the inner Sydney suburb of 1: 1846:"Week commencing 28 May 1990" 867:Format: CD, digital download 841:Format: CD, digital download 438:issued a compilation album, 27:Australian ska/pub rock band 18:Spy vs Spy (Australian band) 1706:"V. Spy V. Spy discography" 907:Demolition II - Rough Heads 228:Sydney Entertainment Centre 222:at the Capitol Theatre and 2031: 1809:. 4 March 2024. p. 6. 1708:. Australian Charts Portal 447:Newcastle, New South Wales 1907: 1631:. Music Producer Database 1325: 1318: 1312: 1309: 1301: 1293: 1285: 1282: 1275: 1266: 1258: 1250: 1247: 1240: 1234: 1226: 1218: 1215: 1208: 1202: 1194: 1186: 1183: 1176: 1167: 1151: 1138: 1130: 1122: 1081: 1058: 1028: 1002: 997: 994: 960: 934: 905: 876: 850: 824: 793: 785: 736: 713: 684: 658: 650: 601: 573: 545: 517: 489: 481: 148:and the associated album 41: 1570:Australian Rock Database 592:Format: LP, CD, cassette 354:After having toured the 327:Department of Main Roads 169:peaked at No. 22 on the 146:Australian singles chart 1601:Magnus Holmgren (ed.). 1565:"Spy v Spy discography" 1083:Because Bootlegger e.p. 583:Released: November 1989 527:Released: December 1986 499:Released: February 1986 440:Mugshot: The Best of... 715:Live in Caringbah 1981 218:. They also supported 51:Background information 1203:"Don't Tear it Down" 1123:Peak chart positions 826:Mugshots: The Best Of 796:Spy File: The Best Of 781:Peak chart positions 646:Peak chart positions 477:Peak chart positions 334:Sallie-Anne Huckstepp 1786:Ryan, Gavin (2011). 1609:on 29 September 2013 878:Demolition I - Squat 618:Format: CD, cassette 564:Format: LP, cassette 555:Released: March 1988 402:Sony Music Australia 204:comics published in 1947:A.O. Mod. TV. Vers. 1210:A.O. Mod. TV. Vers. 1113: 1052:+ "Do What You Say" 991: 771: 701:Format: CD, Digital 675:Format: CD, digital 636: 520:A.O. Mod. TV. Vers. 502:Label: Powderworks 467: 356:A.O. Mod. TV. Vers. 321:A.O. Mod. TV. Vers. 151:A.O. Mod. TV. Vers. 1831:. 12 February 1990 1577:on 5 November 2013 1248:"Clarity of Mind" 1184:"Harry's Reasons" 1111: 989: 769: 765:Compilation albums 695:Label: Unofficial 634: 609:Released: May 1993 465: 434:In November 1999, 1992: 1991: 1955:Xenophobia (Why?) 1850:BubblingDownUnder 1829:BubblingDownUnder 1805:. 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Archived from 1425:St Leonards, NSW 1407: 1277:Trash the Planet 1152:"One of a Kind" 1114: 1093: 1070: 1069:Label: Starcall 1040: 1030:Six Fresh Lemons 1014: 992: 946: 945:Label: Tronador 917: 916:Label: Tronador 888: 887:Label: Tronador 862: 861:Label: Tronador 836: 835:Label: Festival 810: 772: 696: 670: 669:Label: Tronador 637: 613: 587: 576:Trash the Planet 559: 531: 503: 468: 436:Festival Records 417:The Big Backyard 375:Trash the Planet 247:Six Fresh Lemons 166:Trash the Planet 101:, also known as 86: 69:Glebe, Australia 58: 46: 32: 21: 2030: 2029: 2025: 2024: 2023: 2021: 2020: 2019: 1995: 1994: 1993: 1988: 1969: 1939:Harry's Reasons 1926: 1903: 1898: 1868: 1867: 1855: 1853: 1844: 1834: 1832: 1823: 1818: 1814: 1803:The ARIA Report 1800: 1799: 1795: 1785: 1784: 1775: 1765: 1763: 1758: 1757: 1753: 1743: 1741: 1737: 1730: 1726: 1725: 1721: 1711: 1709: 1704: 1703: 1694: 1686: 1664: 1663: 1644: 1634: 1632: 1629:"Leszek Karski" 1627: 1626: 1622: 1612: 1610: 1600: 1599: 1590: 1580: 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Retrieved 1443:the original 1418: 1319: 1294:"Our House" 1276: 1267:"Hardtimes" 1241: 1209: 1195:"Something" 1177: 1168:"Injustice" 1161: 1092:Label: Sony 1082: 1059: 1049: 1029: 1003: 961: 935: 906: 877: 851: 825: 794: 737: 714: 685: 659: 612:Label: Sony 602: 574: 546: 518: 490: 451: 444: 439: 433: 425: 416: 414: 405: 399: 392: 373: 371: 366:Bicentennial 359: 355: 353: 319: 313: 308: 306: 287: 282: 279:Midnight Oil 276: 264: 255: 250: 246: 242: 232: 212: 205: 199: 180: 164: 158: 156: 149: 137: 134:Midnight Oil 124: 115: 106: 102: 98: 97: 85:Years active 29: 1917:Cliff Grigg 1901:Spy vs. Spy 1744:12 November 1728:"Spy v Spy" 1712:11 November 1666:Kent, David 1635:14 November 1613:14 November 1581:10 November 1520:"Spy v Spy" 1449:10 November 1242:Xenophobia 1071:(SMK1 0501) 918:(TMDEMO2-2) 889:(TMDEMO1-2) 747:Label: ARCA 697:(1905485-2) 630:Live albums 586:Label: WEA 558:Label: WEA 530:Label: WEA 456:Discography 388:ARIA Charts 338:consumerism 249:, combined 235:Surry Hills 201:Spy vs. Spy 171:ARIA Charts 99:v.Spy v.Spy 36:v.Spy v.Spy 1999:Categories 1766:9 November 1530:24 January 1336:References 1302:"Oceania" 1259:"Waiting" 1098:Format: CD 1075:Format: LP 1045:Format: LP 1041:(MIST 103) 1019:Format: LP 936:Demolition 922:Format: CD 893:Format: CD 815:Format: CD 614:(473606-2) 588:(256920-1) 560:(255349-1) 536:Format: LP 532:(254458-1) 508:Format: LP 384:Craig Leon 361:Xenophobia 183:Nelson Bay 118:indie rock 103:Spy vs Spy 1094:(6595351) 504:(POW6106) 272:hepatitis 260:hard rock 220:The Clash 129:hard rock 107:SPY v SPY 89:1981–2003 61:Spy v Spy 1982:Spy File 1668:(1993). 1413:(1999). 1015:(LRM111) 998:Details 947:(TMCL06) 863:(TMCL01) 837:(D26388) 808:EastWest 778:Details 671:(TMSS12) 643:Details 474:Details 429:Icehouse 349:platinum 267:pub rock 188:Cammeray 111:pub rock 78:Pub rock 1676:St Ives 1107:Singles 806:Label: 302:YouTube 226:at the 177:History 1985:(1991) 1966:(1989) 1958:(1988) 1950:(1986) 1942:(1986) 1856:28 May 1835:28 May 1682:  1435:  1320:Fossil 1126:Album 1117:Title 1048:Note: 995:Title 775:Title 640:Title 603:Fossil 471:Title 410:Brazil 406:Fossil 74:Genres 66:Origin 1738:(PDF) 1731:(PDF) 1313:1993 1286:1990 1270:1989 1251:1988 1219:1987 1187:1986 1171:1985 1155:1984 1142:1982 1120:Year 378:, at 298:Video 290:Sygna 196:Glebe 192:squat 1858:2021 1837:2021 1768:2008 1746:2008 1714:2008 1680:ISBN 1637:2008 1615:2008 1583:2008 1532:2014 1451:2008 1433:ISBN 1297:119 1289:103 296:. ( 216:INXS 1273:59 1238:44 1222:64 1206:31 1198:65 1174:87 1158:66 1132:AUS 820:85 787:AUS 758:83 652:AUS 597:22 569:15 541:12 513:42 483:AUS 316:WEA 300:on 256:Mad 207:Mad 142:WEA 2001:: 1848:. 1827:. 1776:^ 1695:^ 1674:. 1645:^ 1591:^ 1567:. 1540:^ 1518:. 1459:^ 1431:. 1427:: 1423:. 1417:. 1344:^ 1329:— 1316:— 1305:— 1262:— 1254:— 1230:— 1190:— 1145:— 956:— 930:— 901:— 872:— 846:— 732:— 709:— 680:— 623:— 449:. 431:, 304:) 241:, 239:EP 224:U2 173:. 122:EP 105:, 1893:e 1886:t 1879:v 1860:. 1839:. 1770:. 1748:. 1716:. 1688:. 1639:. 1617:. 1585:. 1534:. 1453:. 20:)

Index

Spy vs Spy (Australian band)

Pub rock
pub rock
indie rock
EP
hard rock
Midnight Oil
WEA
Australian singles chart
A.O. Mod. TV. Vers.
Xenophobia (Why?)
Trash the Planet
ARIA Charts
Nelson Bay
Cammeray
squat
Glebe
Spy vs. Spy
Mad
INXS
The Clash
U2
Sydney Entertainment Centre
Surry Hills
EP
hard rock
pub rock
hepatitis
Midnight Oil

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