300:, was released in March 1986 on the Powderworks label and was produced by Leszek Karski. Singles included "Injustice", about the plight of Australia's Aboriginal communities (dedicated to the Aboriginal Arts Council) released in August 1985, "Give Us Something" dealing with the media, was released in February 1986 and "Harry's Reasons", about heroin addiction ('Harry' is a euphemism for heroin), which was released in May 1986. Neither album nor singles had any major chart success.
202:
v.Spy v.Spy had their first performance at Sydney's Sussex Hotel, filling in for The Fast Cars, whose singer had unexpectedly taken ill. From there the band developed a following for their distinctive brand of heavy rock. Dirty Pool management picked them up and they performed at many Sydney venues,
415:
By 1994 v.Spy v.Spy had split up again with members pursuing different projects. Bloxom and Cuffe formed the band Shock Poets, meanwhile Weiley worked on his side-project, The Honey Island
Project, with producer Danny Bryan. v.Spy v.Spy reformed in 1996. Cuffe left to concentrate full-time on Shock
258:
scene, performing high energy songs dealing with issues such as racism of any kind (particularly that against
Indigenous Australians), drug addiction, homelessness, homophobia, sexual assault, child abuse and domestic violence. Shortly after the release of their debut EP, in early 1983, the band
357:
year. The album released in March 1988 peaked at No. 15 in
Australia, it was produced by Karski and Guy Gray and released by WEA in 14 countries. The album provided three singles, "Forget about the Working Week", "Clarity of Mind" and "Waiting". During this time the band played smaller shows to
313:
in
November 1986. The name is an abbreviation meaning "Adults Only Modified Television Version", a very common censorship notation appearing along the bottom of Australian television screens at the time. It provided three singles – "Don't Tear It Down" inspired by the
174:
High School in 1976. Weiley, having just moved from
England to Australia, was paired with Bloxom by the principal based on their common musical interests and plans on making a career in music. After high school, Bloxom and Weiley moved to
120:
for their pub audiences. The band broke up in early 1983 when craig bloxom and sound engineer simon vidale left the band to join the NUMBERS only to reform mid-year when the NUMBERS project failed . They were eventually signed to
33:
397:, produced by Karski and Peter Cobbin, provided the singles "Comes a Time" in March 1993 and "One Way Street" in June 1993 to moderate success and critical acclaim. During this time, due to the influence of Australian surfers in
401:, the band had built up a considerable Brazilian following, resulting in numerous Brazilian tours playing to the biggest audiences of the bands career. To this day, Brazil remains the band's strongest market.
242:
with the A & B sides of their first single. These recordings were released under the name Spy vs Spy, but the band was forced to change its name to v.Spy v.Spy to avoid legal action from the publishers of
263:, confined to a hospital bed for months his illness plagued him until his death. Second guitarist Mark Phelan left after the band's equipment was stolen while the band was at a social security meeting.
1617:
259:
broke up. Bloxom briefly joined The
Numbers in March 1983 but re-formed v.Spy v.Spy in July 1983, with Marcus Phelan (ex-The Numbers) joining as a second guitarist. Weiley became sick with
105:
The band's initial line-up was the trio of Craig Bloxom on bass guitar/lead vocals, Cliff Grigg on drums/percussion and
Michael Weiley on lead guitar/vocals. v.Spy v.Spy's early music was
1508:
409:
329:. "Credit Cards" was particularly pertinent as Australia was in the middle of a national debate about introducing a national identification card called the "Australia Card".
179:
in Sydney's north shore, playing in various Sydney bands. Looking for a drummer, one of Bloxom's ex-bandmates introduced them to Cliff Grigg, who happened to live in a
102:
band from Sydney formed in 1981. They became known for tackling political issues through their music, including racism, homelessness and contemporary drug culture.
1880:
2003:
1993:
152:
was released in March 1988 and peaked at No. 15 in
Australia. It was produced by Karski and Guy Gray and released by WEA in 14 countries. Their 1989 album
434:
Bloxom played his final gig in Sydney in 2003 leaving
Australia for the USA, settling in Mexico finding a new career path as a chef. Bloxom now lives in
315:
1795:
199:
magazine. As a rent saving device Bloxom and Weiley also moved into Grigg's squat, which initially had no roof: it also became their rehearsal space.
1998:
1408:
386:
as guest percussionist, whilst Bloxom and Weiley took a year off, moving to
Queensland and going through a period of auditioning new drummers.
1716:
379:. Four singles were issued – "Hardtimes", "Clear Skies" in February 1990, "Our House" in May and "Oceania" in October without any success.
353:, was written and recorded in just six weeks, the title inspired by disgusting racism surfacing in the lead-up to Australia's upcoming
170:
Craig Bloxom lead vocalist/bassist was born in Los Angeles and moved to Australia in 1965, he met guitarist/vocalist Michael Weiley at
1403:
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for broadcast on college radio stations in the USA and Canada - this gave the band a spike in interest across the United States.
226:, releasing it as their first single in April 1982 on Roger Greirson's independent Green label. This was followed by their first
251:
for their Australian pub audiences who thrived on a diet of AC/DC, The Angels, Lime Spiders, Rose Tattoo and Radio Birdman.
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1413:
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223:
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171:
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In 1989 the band received a substantial advance from their record label and travelled to England to record the album
109:, exemplified by their debut single "Do What You Say" on the independent Green label in April 1982. They released an
435:
290:
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176:
1679:
NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988.
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1558:
1834:
1654:
354:
184:
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322:
125:'s label Powderworks and managed by legendary Oils manager, Gary Morris. Their first full-length album
133:
and had their highest charting success in February 1987 with their single "Don't Tear It Down" on the
390:
255:
99:
66:
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309:
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of the Australian singles charts in February 1987, it stayed in the charts for 20 weeks attaining
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148:
130:
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seeking to demolish the band's Darling Street squat, "Sallie-Anne'" about murdered prostitute/
234:
in August 1982, the 1,000 pressings selling out in just five days. The New Zealand release of
134:
270:, also became the manager of v.Spy v.Spy. Midnight Oil's label, Powderworks, released the EP
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1987:
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332:"Don't Tear It Down" was the band's most successful single, peaking at No. 31 on the
319:
227:
110:
274:
in October 1984, which was followed by the single "One of a Kind" in November 1984.
267:
122:
1779:(PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 292.
129:
was released in March 1986 and produced by Leszek Karski. They switched labels to
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189:
159:
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1511:. Howlspace – The Living History of Our Music (Ed Nimmervoll). Archived from
431:
which included several classic tracks and five previously unreleased songs.
260:
248:
208:
180:
117:
742:
Note: Part of the Australian Road Crew Association (ARCA) Desk Tape Series
1970:
784:
693:
Note: Early live recordings from the early 80s from various Sydney venues
408:, a weekly radio program promoting Australian music, sponsored by the
375:. The album was released in November 1989 and peaked at No. 22 on the
32:
398:
278:
277:
The music video for "One of a Kind" was filmed outside the famous
222:
In February 1982 the band recorded "Do What You Say" at T.R.M. in
358:
dedicated fans in Sydney under the pseudonym The Drug Grannies.
204:
1862:
1858:
203:
particularly at the Sydney Trade Union Club, often supporting
212:
389:
With new drummer Mark Cuffe, the band signed a deal with
441:
Weiley died after battling cancer on 29 September 2018.
1722:. The Glebe Society Inc. September 2008. Archived from
624:
List of live albums with selected peak chart positions
325:
and "Credit Cards" a commentary on spiralling debt and
416:
Poets, replaced by Australian drummer Paul Wheeler of
977:
757:
622:
453:
347:
album, WEA demanded another album. The third album,
1962:
1919:
116:in August. Their music became more straightforward
72:
62:
54:
44:
39:
23:
1749:"THE BIG BACKYARD. PROGRAM No. 71 AND PROGRAM #72"
1808:Peaks of singles below the top 100 in Australia:
1790:"The ARIA Report: Week Commencing 4 March 2024".
404:In 1993 the band was featured in two episodes of
143:peaked at No. 12 on the Australian albums chart.
759:List of compilation albums with chart positions
266:Fortunes improved when Gary Morris, manager for
1101:List of singles, with selected chart positions
940:Format: 3xCD box set of three Demolition albums
393:. In May 1993 they released their fifth album,
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979:List of extended play with selected details
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675:Demolition Live - The Hottest Place in Town
455:List of studio albums with chart positions
247:. Their music became more straight forward
1881:
1867:
1859:
1594:. Australian Rock Database. Archived from
1099:
382:Grigg quit the band in late 1991, joining
31:
20:
1796:Australian Recording Industry Association
1404:"Encyclopedia entry for 'v. Spy v. Spy'"
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1409:Encyclopedia of Australian Rock and Pop
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410:Department of Foreign Affairs and Trade
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1128:"Do What You Say"/"Table Tea and Mix"
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7:
1011:Note: Limited edition of 1000 copies
371:'s Manor House studios, produced by
296:The band's first full-length album,
2004:Australian pub rock musical groups
1994:Musical groups established in 1981
1814:"Week commencing 12 February 1990"
1777:Australia's Music Charts 1988–2010
303:They switched labels signing with
187:. They named their band after the
14:
1751:. National Film and Sound Archive
1667:, N.S.W.: Australian Chart Book.
1562:. Magnus Holmgren. Archived from
254:The band became prominent on the
1224:"Forget About the Working Week"
914:Note: Early demos and recordings
885:Note: Early demos and recordings
727:Live at the Prince of Wales 1984
1660:Australian Chart Book 1970–1992
307:and released a follow-up album
146:v.Spy v.Spy's follow-up album,
1999:New South Wales musical groups
183:in the inner Sydney suburb of
1:
1835:"Week commencing 28 May 1990"
856:Format: CD, digital download
830:Format: CD, digital download
427:issued a compilation album,
16:Australian ska/pub rock band
1695:"V. Spy V. Spy discography"
896:Demolition II - Rough Heads
217:Sydney Entertainment Centre
211:at the Capitol Theatre and
2020:
1798:. 4 March 2024. p. 6.
1697:. Australian Charts Portal
436:Newcastle, New South Wales
1896:
1620:. Music Producer Database
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137:and the associated album
30:
1559:Australian Rock Database
581:Format: LP, CD, cassette
343:After having toured the
316:Department of Main Roads
158:peaked at No. 22 on the
135:Australian singles chart
1590:Magnus Holmgren (ed.).
1554:"Spy v Spy discography"
1072:Because Bootlegger e.p.
572:Released: November 1989
516:Released: December 1986
488:Released: February 1986
429:Mugshot: The Best of...
704:Live in Caringbah 1981
207:. They also supported
40:Background information
1192:"Don't Tear it Down"
1112:Peak chart positions
815:Mugshots: The Best Of
785:Spy File: The Best Of
770:Peak chart positions
635:Peak chart positions
466:Peak chart positions
323:Sallie-Anne Huckstepp
1775:Ryan, Gavin (2011).
1598:on 29 September 2013
867:Demolition I - Squat
607:Format: CD, cassette
553:Format: LP, cassette
544:Released: March 1988
391:Sony Music Australia
193:comics published in
1936:A.O. Mod. TV. Vers.
1199:A.O. Mod. TV. Vers.
1102:
1041:+ "Do What You Say"
980:
760:
690:Format: CD, Digital
664:Format: CD, digital
625:
509:A.O. Mod. TV. Vers.
491:Label: Powderworks
456:
345:A.O. Mod. TV. Vers.
310:A.O. Mod. TV. Vers.
140:A.O. Mod. TV. Vers.
1820:. 12 February 1990
1566:on 5 November 2013
1237:"Clarity of Mind"
1173:"Harry's Reasons"
1100:
978:
758:
754:Compilation albums
684:Label: Unofficial
623:
598:Released: May 1993
454:
423:In November 1999,
1981:
1980:
1944:Xenophobia (Why?)
1839:BubblingDownUnder
1818:BubblingDownUnder
1794:. No. 1774.
1729:on 6 January 2009
1418:Allen & Unwin
1322:
1321:
1315:"One Way Street"
1093:
1092:
1084:
1061:
1039:Four Fresh Lemons
1031:
1005:
993:Four Fresh Lemons
971:
970:
937:
908:
879:
853:
827:
801:
751:
750:
687:
661:
616:
615:
604:
578:
550:
537:Xenophobia (Why?)
522:
494:
334:Kent Music Report
240:Four Fresh Lemons
232:Four Fresh Lemons
149:Xenophobia (Why?)
114:Four Fresh Lemons
98:is an Australian
82:
81:
2011:
1952:Trash the Planet
1883:
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1444:
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1441:
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1434:on 3 August 2004
1430:. Archived from
1414:St Leonards, NSW
1396:
1266:Trash the Planet
1141:"One of a Kind"
1103:
1082:
1059:
1058:Label: Starcall
1029:
1019:Six Fresh Lemons
1003:
981:
935:
934:Label: Tronador
906:
905:Label: Tronador
877:
876:Label: Tronador
851:
850:Label: Tronador
825:
824:Label: Festival
799:
761:
685:
659:
658:Label: Tronador
626:
602:
576:
565:Trash the Planet
548:
520:
492:
457:
425:Festival Records
406:The Big Backyard
364:Trash the Planet
236:Six Fresh Lemons
155:Trash the Planet
90:, also known as
75:
58:Glebe, Australia
47:
35:
21:
2019:
2018:
2014:
2013:
2012:
2010:
2009:
2008:
1984:
1983:
1982:
1977:
1958:
1928:Harry's Reasons
1915:
1892:
1887:
1857:
1856:
1844:
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1833:
1823:
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1792:The ARIA Report
1789:
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1784:
1774:
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1764:
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1700:
1698:
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1633:
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1618:"Leszek Karski"
1616:
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1601:
1599:
1589:
1588:
1579:
1569:
1567:
1552:
1551:
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1516:
1515:on 26 July 2012
1503:
1502:
1447:
1437:
1435:
1428:
1398:
1397:
1332:
1327:
1299:"Comes a Time"
1216:"Credit Cards"
1167:Harrys Reasons?
1123:
1098:
976:
963:Format: Digital
841:The Early Cases
778:
756:
739:Format: Digital
716:Format: Digital
643:
621:
481:Harry's Reasons
474:
452:
447:
384:Mixed Relations
369:Richard Branson
340:certification.
298:Harry's Reasons
281:shipwreck near
168:
127:Harry's Reasons
85:
73:
45:
26:
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12:
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1911:Michael Weiley
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1811:"Clear Skies"
1801:
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1708:
1681:
1673:
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1609:
1577:
1526:
1505:Nimmervoll, Ed
1445:
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1400:McFarlane, Ian
1329:
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1300:
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1272:"Clear Skies"
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1234:
1233:
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1217:
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1212:
1209:
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1205:"Sallie-Anne"
1202:
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1181:
1180:
1177:
1174:
1170:
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1151:Meet Us Inside
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1097:
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1079:
1078:Released: 1993
1074:
1068:
1067:
1066:
1065:
1062:
1056:
1055:Released: 1984
1051:
1049:Meet Us Inside
1045:
1044:
1043:
1042:
1035:
1032:
1026:
1025:Released: 1982
1021:
1015:
1014:
1013:
1012:
1009:
1006:
1000:
999:Released: 1982
995:
989:
988:
985:
975:
972:
969:
968:
966:
965:
964:
961:
960:Label: Laneway
958:
957:Released: 2020
953:
951:The 1981 Demos
947:
946:
943:
942:
941:
938:
932:
931:Released: 2004
927:
921:
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917:
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912:
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903:
902:Released: 2004
898:
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874:
873:Released: 2004
869:
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847:Released: 2002
843:
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832:
831:
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822:
821:Released: 1999
817:
811:
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793:
792:Released: 1991
788:
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734:
733:Released: 2021
729:
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719:
718:
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714:
713:Label: Laneway
711:
710:Released: 2020
706:
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682:
681:Released: 2001
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655:Released: 2000
651:
649:Feito Na Praia
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272:Meet Us Inside
219:among others.
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84:Musical artist
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2016:
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1963:Compilationss
1961:
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1920:Studio albums
1918:
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46:Also known as
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1905:
1901:Craig Bloxom
1900:
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1843:. Retrieved
1838:
1822:. Retrieved
1817:
1804:
1791:
1785:
1776:
1753:. Retrieved
1743:
1731:. Retrieved
1724:the original
1711:
1699:. Retrieved
1658:
1622:. Retrieved
1612:
1600:. Retrieved
1596:the original
1592:"Les Karski"
1568:. Retrieved
1564:the original
1557:
1517:. Retrieved
1513:the original
1436:. Retrieved
1432:the original
1407:
1308:
1283:"Our House"
1265:
1256:"Hardtimes"
1230:
1198:
1184:"Something"
1166:
1157:"Injustice"
1150:
1081:Label: Sony
1071:
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601:Label: Sony
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355:Bicentennial
348:
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268:Midnight Oil
265:
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147:
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138:
126:
123:Midnight Oil
113:
104:
95:
91:
87:
86:
74:Years active
18:
1906:Cliff Grigg
1890:Spy vs. Spy
1733:12 November
1717:"Spy v Spy"
1701:11 November
1655:Kent, David
1624:14 November
1602:14 November
1570:10 November
1509:"Spy v Spy"
1438:10 November
1231:Xenophobia
1060:(SMK1 0501)
907:(TMDEMO2-2)
878:(TMDEMO1-2)
736:Label: ARCA
686:(1905485-2)
619:Live albums
575:Label: WEA
547:Label: WEA
519:Label: WEA
445:Discography
377:ARIA Charts
327:consumerism
238:, combined
224:Surry Hills
190:Spy vs. Spy
160:ARIA Charts
88:v.Spy v.Spy
25:v.Spy v.Spy
1988:Categories
1755:9 November
1519:24 January
1325:References
1291:"Oceania"
1248:"Waiting"
1087:Format: CD
1064:Format: LP
1034:Format: LP
1030:(MIST 103)
1008:Format: LP
925:Demolition
911:Format: CD
882:Format: CD
804:Format: CD
603:(473606-2)
577:(256920-1)
549:(255349-1)
525:Format: LP
521:(254458-1)
497:Format: LP
373:Craig Leon
350:Xenophobia
172:Nelson Bay
107:indie rock
92:Spy vs Spy
1083:(6595351)
493:(POW6106)
261:hepatitis
249:hard rock
209:The Clash
118:hard rock
96:SPY v SPY
78:1981–2003
50:Spy v Spy
1971:Spy File
1657:(1993).
1402:(1999).
1004:(LRM111)
987:Details
936:(TMCL06)
852:(TMCL01)
826:(D26388)
797:EastWest
767:Details
660:(TMSS12)
632:Details
463:Details
418:Icehouse
338:platinum
256:pub rock
177:Cammeray
100:pub rock
67:Pub rock
1665:St Ives
1096:Singles
795:Label:
291:YouTube
215:at the
166:History
1974:(1991)
1955:(1989)
1947:(1988)
1939:(1986)
1931:(1986)
1845:28 May
1824:28 May
1671:
1424:
1309:Fossil
1115:Album
1106:Title
1037:Note:
984:Title
764:Title
629:Title
592:Fossil
460:Title
399:Brazil
395:Fossil
63:Genres
55:Origin
1727:(PDF)
1720:(PDF)
1302:1993
1275:1990
1259:1989
1240:1988
1208:1987
1176:1986
1160:1985
1144:1984
1131:1982
1109:Year
367:, at
287:Video
279:Sygna
185:Glebe
181:squat
1847:2021
1826:2021
1757:2008
1735:2008
1703:2008
1669:ISBN
1626:2008
1604:2008
1572:2008
1521:2014
1440:2008
1422:ISBN
1286:119
1278:103
285:. (
205:INXS
1262:59
1227:44
1211:64
1195:31
1187:65
1163:87
1147:66
1121:AUS
809:85
776:AUS
747:83
641:AUS
586:22
558:15
530:12
502:42
472:AUS
305:WEA
289:on
245:Mad
196:Mad
131:WEA
1990::
1837:.
1816:.
1765:^
1684:^
1663:.
1634:^
1580:^
1556:.
1529:^
1507:.
1448:^
1420:.
1416::
1412:.
1406:.
1333:^
1318:—
1305:—
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669:—
612:—
438:.
420:,
293:)
230:,
228:EP
213:U2
162:.
111:EP
94:,
1882:e
1875:t
1868:v
1849:.
1828:.
1759:.
1737:.
1705:.
1677:.
1628:.
1606:.
1574:.
1523:.
1442:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
