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the pile of scripts my agent had been sending me, I read this thing called The
Payback All-Star Revue, and I told her that it isn't all that bad—mostly out of desire to not have her thinking I'm some sort of nutcase who rejects everything. After my return to LA a couple of months later, my agent set up a meeting at Icon without telling me specifically what it's about so I assumed it to be another general exchange of ideas. So, after half an hour of pleasantries, they bring up this Payback script and at that moment I didn't have the slightest clue what they're talking about. This is what a deep and lasting impression that script had left on me. So, attempting to save face, I start bullshitting them with the most general crap ever told about how the script is hip and how it has broad appeal yet it's also smart. I mean, utter meaningless nonsense. So now the meeting is over and I'm going home completely red-faced and embarrassed, but then my agent calls and tells me I got the job because the Icon people are ecstatic with my 'vision of the material'. So I quickly dug up that script just to read it over again and see what I've gotten myself into. I froze in horror. It was an absolute pile of shit. I then spent the following six months fighting tooth and nail to improve the script, which from the creative standpoint was like being a cook who's been handed a bowl of excrement and asked to make a half-decent meal out of it. And from the business end it was just as hard because I had six executives standing over my head,
780:, which was another critical success for the young director. Loosely based on a true story, its plot follows the descent of two Belgrade youngsters from youthful exuberance into juvenile delinquency and hard criminality amid economic sanctions in FR Yugoslavia as their personal relationship transforms from close friendship to impulsively vicious rivalry. Released in May 1998 and, like most local productions, funded in large part by state institutions such as the state-run broadcaster RTS, the film elicited a stern response from the government elements that did not appreciate the director's brutal portrayal of Milošević's Serbia. Though they didn't ban the movie outright, they severely impacted its promotional cycle by refusing to run the film's ads in the state-run print and electronic media outlets. During the film's promotion on the festival circuit in North America, Dragojević expressed concern that he wouldn't be allowed to continue making films in Serbia under Milošević.
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back when you're dealing with the producers and the studio. When you're a young and unknown director from Europe, your degree of artistic autonomy is zero... I spent years fighting for certain projects I wanted to be part of, showing up to meetings all geeked up with ten pages of typed notes I prepared containing script improvements, visual notes, etc. while verbally offering them suggestions, solutions, criticism. And nothing, they always choose someone else. Until I finally had a moment of enlightenment and realization that all they really want from a director is enthusiasm. Not creativity, not knowledge, not intelligence, but only blind enthusiasm. They don't see the director as an author, not even as a craftsman - the craftspeople are those around you like the assistant director or the DOP. Director to them is a (sub)contractor who ensures the mood on the set is good. And that in a nutshell is why I eventually had enough and decided to leave
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And to communicate important ideas. And to speak to people that prior to that never had any experience with poetry. You know, after the success of my book, the
Serbian Writers' Association sent me out to different poetry readings in various Cultural Centers. But, all you'd see there were twenty grandmas who probably came inside just to warm up a bit. No young person in sight, completely depressing! I knew I had to change my medium, right then and there
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Porcupine, a dark political thriller about communism and transition into capitalism. Anđeli 2 started doing really well at the theaters in 2005, but a bootleg copy soon appeared and although the film still made a nice profit, we didn't quite manage to raise the projected amount that was to serve as the initial funds for The
Porcupine. I should also mention the veto slapped by the Bosnian representative at a
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1936:—whom Dragojević had been an outspoken critic of—many in the Serbian public found the established film director's decision to join the party surprising and peculiar. In his media appearances, Dragojević placed his motivation to become politically active in the context of improving Serbian cultural policies, bringing up the "sale of Beograd Film, sorry state of
1332:, voicing his displeasure with Dragojević's and Vojnov's version of the script and demanding a return to the original version co-written by Cusack himself. That spelled the end of Dragojević's involvement on the project as he decided to leave Bulgaria the next day. The movie ended up being shot with the original script and the new title
1214:". Still, some observers saw his involvement in the project as an attempt at delivering a quick commercial box-office hit that would financially enable the projects he was really interested in making. Dragojević initially shied away from putting it in those terms, but several years later admitted as much explicitly in some interviews.
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for making those two films wasn't just making money, but also enabling the creation of other serious movies. And since I ultimately failed to achieve that goal, any financial effect from Anđeli sequels is meaningless as far as I'm concerned. Those two films were my career detour that turned out to be a
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premiered. Covering the politically sensitive topic of gay rights in Serbia, the film generated some controversy leading up to the premiere. For his part, Dragojević boldly announced it as "the best film of my career", and soon expanded on the statement: "Saying that was the result of my satisfaction
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You know, I fully understand and accept the animosity that both the industry people as well as the fans of the original feel towards the sequels. Anđeli 2 was made solely out of my desperate desire to raise funds for the project I fought for over three years - the film adaption of Julian Barnes' The
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For me, Soviet art is the artistic pinnacle of the 20th century. The stories about thousands of people listening to poetry live both fascinated and inspired me. And it wasn't just any poetry, it was the most refined art, yet it managed to find its way to the ordinary populace - workers and peasants.
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changed their mind so that instead of being shown as a TV movie on Pink, Anđeli 3 went into theatrical release in 2006. Its failure at the box office, pretty much melted all the money Anđeli 2 made. Now, several years after the fact, I can say there's even some poetic justice in that: my motivation
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People in Europe view
Miramax as this artsy and independent studio where directors have all the artistic freedom they want, but that's most definitely not the case. You can only have that if you're already well-known or famous... or if you've got a big name star attached to your film who's got your
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from
Belgrade. However, during all this bickering Ocean's Eleven was announced, which had a similar theme and they suddenly canceled the project. Still, the movie we were about to make wouldn't have been shit. It wouldn't have been all that good either, but it definitely would have been better than
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everything. In total, I fought them for a year over the screenplay and casting because I simply couldn't take this notion that they've got the final say. We eventually reached what looked to be a compromise: they accepted my version of the script and I accepted their shitty casting choices such as
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The whole thing is actually kind of hilarious. After turning down a bunch of scripts, and also having a lot of my own ideas turned down I really needed to clear my head. So I rented a car and spent the entire summer traveling all over the United States and Canada with my family. Before that, among
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where he had meetings with different studio heads. However, deeply dissatisfied with the scripts he was being offered, the director decided to come back home and do another film in Serbia. Therefore, the only tangible result of his brief flirtation with
Hollywood on this occasion was the deal with
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that ultimately denied it the main prize despite being an overwhelming hit with the festival's audience. In North
America, the film received more or less universal critical praise as Dragojević started getting courted by Hollywood almost immediately following the film's notable run on the festival
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the SPS is a logical choice, the only one for me. The fact that we used to be on the opposing sides is not something I see as a problem. On the contrary, it's proof that people can change—for the better. The fact that me and some of the people I supported back in the 1990s are now on the opposing
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walking off the project, the
Serbian press detailed many of the on-set problems. In the end, as the film was about to go into theater release in Serbia in mid-March 2009 even Dragojević himself admitted personal disappointment with some of the choices he made during the shooting of the film in a
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that obligated him to offer everything he's interested in developing (either his own work or someone else's work the rights for which could be bought) to
Miramax first and then if Miramax refuses it, he was free to shop it around elsewhere. The deal also functioned in the other direction whereby
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he "delivered a solid product that could hardly have been better than it is considering the circumstances it was made in". In order to market the movie easier and more effectively in
Yugoslavia, Dragojević even came up with a term " pink wave" as an anti-reference to the critically acclaimed and
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since 2003" as examples of things he'll try to change. He further opined that the SPS had changed since the days when Milošević headed it before stating "revival of closed cultural centers in small towns across Serbia" as his main goal in joining it while adding that the SPS was "the only party
1265:. The approach taken was along the lines of Hollywood cinema - the script was offered to seven directors each of whom had to make a pitch with Pašić chosen in the end. Still, the reviews were even worse than for the previous sequel and the movie was a failure at the box office. Summing up the
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film that grew into a hugely successful two-sequel money-generating franchise. Following the same pattern, Đokić again threw funds at prominent individuals from the local cinematography. Attracted by his money, numerous Serbian film and music industry people (including Dragojević,
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as part of its annual 28th New Director's/New Films series. The arrival to the country that's bombing his homeland put him in an odd and uncomfortable position and he acknowledged as much in interviews. He remained in the United States, travelling across the country with
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By 1999 Dragojević had enough of Serbia as the realization set in that he wouldn't be allowed to make films the way he wants to. He thus called on his Hollywood connections in order to once again explore his options across the pond and soon opened negotiations with
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that oversees all aspects of a film in production, including hiring of a director as a contractor—a practice usually looked down upon in Europe. In his numerous media appearances, Dragojević talked up his movie by expressing a personal opinion that with
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who decide to rob the place where they perform. Though they manage to pull off the heist successfully, they run into troubles during the getaway. Now trapped, they agree to give themselves up on the condition that they are granted an interview with a
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reportedly presenting it as "the best script we've got", but the director didn't particularly like it and refused, figuring something better would come along. In later interviews, Dragojević expressed regret over not taking the offer to direct
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whose clients included local top-selling young starlets of the folk music genre, the high-budget film was envisioned as twenty-five-year-old Dragana Mirković's cinematic platform meant to showcase her in a different light musically (more
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wanted the script re-written, a job that also went to Dragojević who in turn brought in Dimitrije Vojnov thus continuing their writing collaboration. The script that the duo came up with has been described by Dragojević as "a modern-day
591:(The Nineties) about loyalty, jealousy, infidelity, and intimacy, with the original plan to shoot three separate endings and distribute three versions of the film. However, the financial implosion of the state-owned production studio
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session, which pretty much killed any chance of The Porcupine being made. Furthermore, Anđeli 3 was part of the same package deal with Pink International Company that also included the 1999 project. However, after the film was shot,
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over accepting the parliamentary job: "I wish he hadn't done it. That ambiance doesn't go with him at all. He's greater than all of them. The MP post is not a degrading one per se, but when I think back to Dragojević the
1960:(JS). Dragojević took an active part in the electoral campaign, making TV debate show and public rally appearances. The SPS-PUPS-JS list ended up winning 44 parliamentary seats, which meant Dragojević didn't get the
1289:. And I've only got myself to blame for that. Was I a fool? Definitely. But, at least I put up a fight. In Serbia, most filmmakers prefer to do nothing and live off yesterday's glory. I, for one, like making movies
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comedy sub-genre that had no prior root in Yugoslavia. The upstart director further described his general approach to filmmaking as "trying to deliver professional cinematic offerings that resemble those from the
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sides —is what I see as a bigger problem. If we want to advance forward , and I don't think I'm alone in thinking this way, we have to leave behind both the 1990s as well as the decade that came after the
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reporter to tell their story. The planned plot featured a multitude of characters with many subplots. However, in the middle of pre-production the movie got canceled in 2001 due to an impending
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Four years after his debut, Dragojević finally returned to directing feature films - this time completely breaking out of the youth genre to tackle the gruesome issues related to the ongoing
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1338:. The only detail from Dragojević's script re-write that made it into the movie was the billboard for the fictional Democracy Light cigarette brand, which he previously used in his movie
1381:, the movie raised a lot of media interest in Serbia. It was by far the biggest movie project Dragojević had ever been a part of. The making of the movie, however, wasn't smooth. From
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surround them. However, in the end nothing came of it and years later Dragojević revealed in an interview that a row erupted with producers over his desire to remove two of the songs.
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and eventually in the rest of the former Yugoslav countries. During the film's promotional cycle in 1992 in FR Yugoslavia, young and telegenic Dragojević talked about not approaching
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with the fact I succeeded in controlling a very risky thing - to continuously balance between the concepts of 'high comedy' and 'high drama' and to purposely impact the viewer's
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deal announced, Dragojević would end up spending the following two years living and working in the United States, initially in New York City. He was under the so-called
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However, Dragojević experienced major problems persuading the studios to sign-off on his suggestions, and he also mostly didn't like the ideas being offered to him.
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Dragojević was married to costume designer and visual artist Tatjana Strugar from 1988 to 2005. They have three children: daughters Irina and Eva, and son Matija.
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1447:, thus manipulating and drawing emotions I deem necessary for every segment of the movie all of which results in the emotional and cognitive reaction I planned".
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where parts of the movie were to be shot. Then weeks before the movie was scheduled to begin shooting, Cusack chimed in from London where he had been shooting
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television's third channel (3K) as part of their New Year's Eve 1995 programming. During next year, 1995, he directed a couple of episodes of the RTS series
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1318:". Dragojević then spent three months in Bulgaria doing preparation work with his set designer and director of photography, even flying out to locations in
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By late 2001, Dragojević returned to his homeland without having made a film in America. With producer Biljana Prvanović, he founded a production company
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magazine. Among other things he said: "I invested so much energy into this film that I started to believe it would become a masterpiece, but it hasn't."
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for example. I figured I've directed first-time actors before, so I guess I should be able to work with their American imbeciles. I even flew in my
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s box-office appeal. Over the following years, by now known for his frank and colourful interviews, Dragojević talked openly about the experience:
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broke box office records in Serbia with 700,000 admission tickets sold despite receiving bad reviews and even accusations of plagiarizing
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Miramax would offer him scripts, books, stories or re-make ideas they thought fit his sensibility and he'd have the right of refusal.
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from the moment he first arrived in the United States, but the studio kept turning him down, eventually hiring veteran director
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or back to the 1990s when he'd quite brusquely, and often brazenly, say things straight to people's faces, now he looks like a
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In late March 2012, Dragojević's name was submitted in the 55th spot on the party's electoral 250-person list for the
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was a box-office flop, only managing to become a camp guilty pleasure in the years since for its over-the-top excess.
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came out to positive reviews and great commercial success. Simultaneously, Dragojević's political engagement in the
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that was conceptualized as the final installment of his 1990s trilogy, but it also couldn't raise enough funding.
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In March 2017, Dragojević got kicked out of the SPS after publicly voicing support for the opposition candidate
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project, an irreverent youth comedy set in Belgrade about a geeky teenage girl who gets impregnated by a local
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2007:—resigned their parliamentary posts due to being appointed to ministerial positions in the prime minister
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2015:'s reconstructed cabinet. Ružić's and Antić's vacated parliamentary positions were thus taken over by
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Those fears didn't turn out to be unfounded as his attempts to raise funds for the film adaptation of
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Srđan Dragojević: Reakcije na "Paradu" su istovjetne u Hrvatskoj i Srbiji, nismo mi toliko različiti
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translator mother Ljiljana, Dragojević once described himself as a "child of middle-level communist
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In early 2003 he was announced as having been hired to develop a script for and eventually direct
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during the 1970s about a group of Protestants and Catholics playing on the same football team as
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that eventually became 1994's widely panned, Vladimir Živković-directed, romantic musical comedy
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After Anticipated New Directors Debut, Yugoslavian Filmmaker Discusses U.S./Serbian "Propaganda"
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By spring 2000, Dragojević, along with his wife and kids, relocated to Los Angeles, settling in
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and Srđan Dragojević. In January 2014, Dragojević was criticized by his cinematic collaborator
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Around the same time, he also tried to get several projects off the ground such as the post-
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Around the same time Dragojević wrote one of the script drafts for Uroš Stojanović's film
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due to "realizing two and half years later that it really was the best script they had".
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artistically, i.e., consciously attempting to make a commercial movie via gambling on the
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whose screenplay he had previously written as well. What was essentially his FDU graduate
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In 1987, Dragojević passed the entrance exam for the film and TV direction program at the
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as he again started to get some interest from America including a January screening of
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INTERVJU NEDELJE, Srđan Dragojević (2. deo): Nisam snimao filmove s ratnim zločincima!
548:". Revealing a future career goal of continuing to direct but also to branch out into
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In February 2022, Dragojević became the cultural advisor to the opposition candidate
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With his cinematic profile raised, in 1993, Dragojević was set to begin shooting a
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in Serbia". His father worked as a staff writer at Belgrade-based daily newspapers
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with an all-star cast into pre-production, which Miramax thought would jeopardize
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while talking of his openness to commodification of film by wanting to work as a
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In parallel, Dragojević was active in poetry, publishing a book of poems called
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Right afterward, Dragojević started working on the third installment of the
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Dragojević made his directorial debut at the age of twenty-nine with 1992's
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for it. By his own admission, much of his poetry was inspired by the 1920s
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while in the case of the latter, the film's producers as well as its star
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He was, by his own admission, particularly interested in directing either
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BJELOGRLIĆ: Dragojević mi izgleda kao divlji vepar u skupštinskom kavezu!
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with producer friend Julia Rosenberg as well as a proposed film based on
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Born to a journalist father Anđelko Dragojević (1934-2017) hailing from
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The Dark Future of Film-making in Serbia: An Interview with Petar Pasic
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amid galloping inflation in FR Yugoslavia put an end to that project.
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INTERVJU NEDELJE, Srđan Dragojević: Spremam se da budem poslanik SPS!
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In summer 2007, Dragojević started shooting the historical melodrama
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The closest he got to making a Hollywood movie was the heist-comedy —
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Katkad valja pročitati poneku knjigu da ne ispadnete glupi u društvu
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Richard Taylor, Nancy Wood, Julian Graffy, Dina Iordanova (2019).
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In 1998 Dragojević gave a bleak and critical portrayal of life in
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3179:"Srđan Dragojević završio sa SPS: Dačić ga izbacuje iz stranke"
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3025:
717:
with a controversial drama containing elements of dark comedy,
2664:
Lloyd Webber's Phantom & Beautiful Game Have Screen Plans
2454:
1012:—that was agreed to be a co-production between Miramax and
991:
didn't like Dragojević's ironic take on the screenplay and
763:
Back home on the political front, Dragojević supported the
2399:
1999 New York's New Director's/New Films Series Lineup Set
2032:
that's been tamed and placed in the parliamentary cage".
1991:
However, year and a half later, Dragojević would get the
1932:. Considering the SPS was founded and formerly headed by
848:
that had several more festival screenings (including the
767:
by speaking at rallies and taking part in protest walks.
752:
Fox Lorber for the North American limited theatrical and
2081:
The BFI Companion to Eastern European and Russian Cinema
852:) while simultaneously negotiating terms with Miramax.
3412:
University of Belgrade Faculty of Dramatic Arts alumni
2514:. DnevniKulturni.info. 4 February 2005. Archived from
907:
trilogy, while they particularly wanted him to direct
695:("Two Hours of Quality TV Programming") that aired on
1269:
sequels several years later in 2009, Dragojević said:
1085:
Summing up his Hollywood experience, Dragojević said:
887:
Soon upon arriving, Dragojević met with Miramax boss
687:
The year 1994 also saw Dragojević write and direct a
496:. He subsequently published one more book of poetry,
401:
media company. In his early youth, Dragojević played
3056:
3054:
2166:"Kolege se u UNS-u oprostile od Anđelka Dragojevića"
995:
got the job instead. He was also in the running for
552:, he proudly stated his opposition to the "hideous"
3407:
University of Belgrade Faculty of Philosophy alumni
1972:. Following the election, the coalition around the
1908:, retired long-distance runner and former Olympian
1373:. Funded in significant part by the governments of
531:, turned out to be a huge cinema box-office hit in
300:
270:
238:
230:
184:
155:
135:
124:
94:
89:
62:
32:
3063:"Režiser Srđan Dragojević član Glavnog odbora SPS"
2198:Srđan Dragojević: Moji filmovi mogu da budu opasni
27:Serbian film director and screenwriter (born 1963)
2648:Največja Parada ponosa v srcu homofobnega Balkana
2506:
2504:
2502:
2500:
2498:
2496:
2494:
1675:Mi nismo anđeli 3: Rock & roll uzvraća udarac
919:. Dragojević, in turn, was interested in filming
353:From 2010 until 2017, he was affiliated with the
2383:Growing Up in Belgrade With Suitably Black Humor
2289:I u najskupljem srpskom filmu zvijezda Splićanka
1884:In December 2010, Dragojević's association with
634:. Produced by influential Serbian show business
2997:Srđan Dragojević: "Parada" je moj najbolji film
2466:
2464:
2462:
2359:1999 Sundance Film Festival World Cinema Lineup
1859:
1436:In late October 2011, Dragojević's latest film
1271:
1087:
1058:
471:
2918:"Bez uspona i padova život je manje zanimljiv"
738:in addition to splitting the jury at the 1996
3259:
3099:Na listi koalicije oko SPS i Srđan Dragojević
2696:(in Serbian). BalkanMedia.com. Archived from
1924:, closely aligned with and controlled by the
1179:Suddenly, in summer 2004, he decided to make
827:with his wife and their two kids and went to
743:circuit across the continent. He signed with
409:. He also dabbled in journalism, writing for
8:
3013:Otkazivanje Parade nije poraz ljudskih prava
2343:Dark Balkan Comedy and Black-Sheep Directors
2103:: CS1 maint: multiple names: authors list (
1365:, an ambitious and expensive movie based on
983:wanted a female director so the job went to
937:in 2004. The studio then offered Dragojević
357:(SPS). In late August 2013 he became an SPS
1976:(SNS) together with the SPS list, formed a
3266:
3252:
3244:
3034:"Srđan Dragojević: Da ostavimo devedesete"
2817:
2815:
1454:
1385:being fired as the lead and replaced with
1240:Mi nismo anđeli 3: Rokenrol uzvraća udarac
29:
3427:Members of the National Assembly (Serbia)
2537:Srđan Dragojević: Ne gledam svoje filmove
1128:that had already been staged in London's
850:San Francisco International Film Festival
2981:Srđan Dragojević: Politika, Bog te video
2965:Srđan Dragojević: Da ostavimo devedesete
2241:
2239:
2237:
2235:
2233:
1223:that he wrote as a "screwball comedy or
740:Thessaloniki International Film Festival
2746:Kostić, Aleksandar D. (February 2005).
2643:
2641:
2071:
3139:Srđan Dragojević at Otvoreni parlament
2887:"Intervju: Srđan Dragojević, reditelj"
2880:
2878:
2876:
2808:Mi nismo andjeli 2 / Film je PLAGIJAT!
2096:
831:where he had a scheduled screening of
765:1996-97 anti-government demonstrations
3422:Socialist Party of Serbia politicians
2851:"Ponekad žalim što nisam bio u JUL-u"
2723:(in Serbian). TV5 Niš. Podatak plus.
2719:Ivanković, Danijela (November 2011).
2694:"Srđan Dragojević: Izlet u Hollywood"
2139:"Preminuo novinar Anđelko Dragojević"
1607:São Paulo International Film Festival
1581:TV series, directed several episodes
747:in late summer 1996 and got flown to
345:
7:
2916:Ćuk, Aleksandra (11 February 2012).
2861:from the original on 21 January 2005
2849:Kostić, Slobodan (20 January 2005).
2371:One Filmmaker's View from Yugoslavia
1988:as the First Deputy Prime Minister.
1954:Party of United Pensioners of Serbia
1712:Best Artistic Contribution Award at
2471:Đurđić, Jelena (26 December 2011).
2118:Conversations with three filmmakers
3032:Mijatović, M. (14 December 2010).
2928:from the original on 30 March 2023
2758:from the original on 30 March 2023
2727:from the original on 30 March 2023
2475:. FAK-tvojfilm.net. Archived from
2254:from the original on 30 March 2023
2168:. Serbian Journalists' Association
2052:2022 Serbian presidential election
2041:2017 Serbian presidential election
1764:Berlin International Film Festival
397:, including a managerial stint at
25:
3150:Narodni poslanik Srđan Dragojević
2885:Ćirić, Slobodan (22 March 2009).
2822:Žmirić, Zoran (2 February 2010).
2553:Karanov, Igor (1 February 2008).
2473:"Kava i pljuge: Srđan Dragojević"
2721:"Podatak plus: Srđan Dragojević"
2423:Dragojevic, Miramax Sit 'pretty'
1904:activist Boris Milićević, actor
1536:Dva sata kvalitetnog TV programa
815:In late March 1999, a week into
693:Dva sata kvalitetnog TV programa
313:
290:
47:
2830:from the original on 7 May 2010
2248:"Srđan Dragojević u Novom Sadu"
1254:, but left directing duties to
665:several years earlier with her
286:
81:August 2013 – May 2016
3061:Spaić, T. (12 December 2010).
1920:(DS)-dominated multiple-party
1418:that Dragojević co-wrote with
837:Film Society of Lincoln Center
823:, Dragojević boarded a bus to
338:
149:University of Arts in Belgrade
1:
2777:Vojnović, Vladislava (2005).
2246:Protić, Petar (August 1992).
1212:1980s American B-comedy genre
901:only be directed by Mančevski
598:He was next hired along with
347:[sř̩d͡ʑandrâɡojeʋitɕ]
3327:St. George Shoots the Dragon
3299:Pretty Village, Pretty Flame
2952:The Moving Arts Film Journal
2824:"Intervju: Srđan Dragojević"
2584:Miramax, Icon plan 'Payback'
2331:Pretty Village, Pretty Flame
2083:. Bloomsbury. p. 1936.
1995:. Following the August 2013
1950:2012 parliamentary elections
1714:Montréal World Film Festival
1698:St. George Shoots the Dragon
1605:International Jury Award at
1591:Pretty Village, Pretty Flame
1362:St. George Shoots the Dragon
1352:St. George Shoots the Dragon
1237:franchise. This resulted in
1196:and released in early 2005,
3117:;telegraf.rs, 31 March 2012
2692:Maksimović, Dijana (2005).
2361:;indieWIRE, 3 December 1998
2187:Virtuelna biblioteka Srbije
2164:Pešić, J. (29 March 2017).
1301:Brand Hauser: Stuff Happens
789:St. George Slays the Dragon
587:project tentatively titled
3443:
3402:Serbian male screenwriters
2826:(in Serbian). Popcorn.hr.
2682:;telegraf.rs, 1 April 2012
2615:The Payback All-Star Revue
2600:The Payback All-Star Revue
2143:Radio Television of Serbia
1295:Dragojević was brought by
1194:Pink International Company
1043:' announcement of putting
1010:The Payback All-Star Revue
405:in the punk/new wave band
3417:Politicians from Belgrade
3387:Film people from Belgrade
3282:
3152:;mondo.rs, 29 August 2013
2748:"Usiljena pučka komedija"
2373:;indieWIRE, 31 March 1999
2333::Gerald Peary, April 1998
1974:Serbian Progressive Party
1912:, and retired handballer
1890:Socialist Party of Serbia
1876:Socialist Party of Serbia
1431:Socialist Party of Serbia
1349:Dragojević on the set of
872:From July 1999, with his
864:Dragojević, 2021, in the
569:film-festival-celebrated
355:Socialist Party of Serbia
324:
312:
308:
180:
129:Socialist Party of Serbia
85:
74:
58:
46:
39:
3087:Dragojevic@Nedjeljom u 2
2413:;indieWire, 5 April 1999
2401:;indieWIRE, 4 March 1999
2122:World Socialist Web Site
1945:interested in my plan".
1725:Montevideo, Bog te video
1415:Montevideo, Bog te video
1398:Miljen "Kreka" Kljaković
1299:into the project titled
431:He obtained a degree in
40:
2250:(in Serbian). NS Plus.
1634:Stockholm Film Festival
1073:director of photography
905:Heaven, Hell, Purgatory
791:quickly got shot down.
498:Čika kovač potkiva bebu
3392:Serbian film directors
2427:The Hollywood Reporter
1898:Aleksandar Karakašević
1870:
1632:Bronze Horse Award at
1401:lengthy interview for
1356:
1293:
1243:that he co-wrote with
1095:
1083:
1039:strike threat and the
1001:, but the job went to
869:
810:Sundance Film Festival
513:Debut and early period
479:
448:Knjiga akcione poezije
437:University of Belgrade
140:University of Belgrade
3397:Serbian screenwriters
2779:"Lepa nada lepa beda"
2624:;Screenwriters Utopia
2555:"Aždaha ubiva anđela"
1940:, and closure of the
1348:
863:
787:'s 1984 theater play
745:William Morris Agency
676:, Nebojša Bakočević,
441:Faculty of Philosophy
369:Early life and career
163:Clinical psychologist
1220:Čarlston za Ognjenku
1207:She's Out of Control
933:who got to make the
841:Museum of Modern Art
736:Venice Film Festival
571:social problem films
289: 1988;
3346:Holidays in the Sun
3318:We Are Not Angels 2
3129:;Otvoreni parlament
3089:;HRT, 11 March 2012
2349:, 24 September 1998
1396:to cinematographer
1174:1999 Cum in the Rye
1160:Melvin Jules Bukiet
1122:Andrew Lloyd Webber
758:Lepa sela lepo gore
720:Lepa sela lepo gore
575:Yugoslav Black Wave
467:Vladimir Mayakovsky
433:clinical psychology
252:Lepa sela lepo gore
172:television director
3274:Films directed by
3207:. 21 February 2022
3019:, 16 December 2011
2987:, 25 December 2010
2971:, 14 December 2010
2789:on 25 October 2007
2700:on 6 November 2011
2620:2004-06-17 at the
2604:The New York Times
2590:, 19 November 2000
2565:on 9 February 2012
2543:, 13 February 2012
2512:"Srđan Dragojević"
2387:The New York Times
2347:The New York Times
2317:2012-01-16 at the
2294:2011-02-04 at the
2279:, 26 December 2011
2219:2012-01-31 at the
1970:Serbian parliament
1934:Slobodan Milošević
1357:
1145:sectarian tensions
870:
866:Mostra de València
772:Slobodan Milošević
668:Hajde da se volimo
600:Aleksandar Barišić
483:University of Arts
53:Dragojević in 2019
3364:
3363:
3289:We Are Not Angels
3003:, 29 October 2011
2955:, 24 October 2010
2670:, 21 January 2003
2321:;28 November 1996
2302:, August 20, 2007
2204:, 31 October 2011
2137:(20 March 2017).
2021:Dragan Bjelogrlić
2011:'s and deputy PM
1997:cabinet reshuffle
1926:Serbian President
1852:
1851:
1645:Mi nismo anđeli 2
1483:We Are Not Angels
1410:Dragan Bjelogrlić
1387:Milutin Milošević
1383:Sergej Trifunović
1198:Mi nismo anđeli 2
1182:Mi nismo anđeli 2
976:View from the Top
835:organized by the
821:bombing of Serbia
363:National Assembly
328:
327:
318:
231:Years active
131:(SPS) (2010–2017)
65:National Assembly
18:Srdjan Dragojevic
16:(Redirected from
3434:
3357:
3349:
3341:
3331:
3321:
3313:
3303:
3293:
3276:Srđan Dragojević
3268:
3261:
3254:
3245:
3230:Srđan Dragojević
3217:
3216:
3214:
3212:
3201:
3195:
3194:
3192:
3190:
3175:
3169:
3159:
3153:
3147:
3141:
3136:
3130:
3127:Srđan Dragojević
3124:
3118:
3112:
3106:
3096:
3090:
3084:
3078:
3077:
3075:
3073:
3058:
3049:
3048:
3046:
3044:
3029:
3020:
3010:
3004:
2994:
2988:
2985:Večernje novosti
2978:
2972:
2962:
2956:
2944:
2938:
2937:
2935:
2933:
2913:
2907:
2906:
2904:
2902:
2893:. Archived from
2882:
2871:
2870:
2868:
2866:
2846:
2840:
2839:
2837:
2835:
2819:
2810:
2805:
2799:
2798:
2796:
2794:
2785:. Archived from
2774:
2768:
2767:
2765:
2763:
2743:
2737:
2736:
2734:
2732:
2716:
2710:
2709:
2707:
2705:
2689:
2683:
2677:
2671:
2661:
2655:
2654:, 2 January 2012
2645:
2636:
2631:
2625:
2612:
2606:
2597:
2591:
2581:
2575:
2574:
2572:
2570:
2561:. Archived from
2550:
2544:
2534:
2528:
2527:
2525:
2523:
2518:on 13 March 2009
2508:
2489:
2488:
2486:
2484:
2468:
2457:
2452:
2446:
2445:, 1 January 2000
2439:Obračun sa sobom
2436:
2430:
2420:
2414:
2408:
2402:
2396:
2390:
2389:, 22 August 1999
2380:
2374:
2368:
2362:
2356:
2350:
2340:
2334:
2328:
2322:
2309:
2303:
2286:
2280:
2270:
2264:
2263:
2261:
2259:
2243:
2228:
2211:
2205:
2195:
2189:
2184:
2178:
2177:
2175:
2173:
2161:
2155:
2154:
2152:
2150:
2131:
2125:
2115:
2109:
2108:
2102:
2094:
2076:
2017:Milutin Mrkonjić
2013:Aleksandar Vučić
2005:Aleksandar Antić
1986:Aleksandar Vučić
1968:) status in the
1922:ruling coalition
1918:Democratic Party
1906:Bata Živojinović
1880:
1879:
1855:Political career
1836:
1783:
1762:Three awards at
1653:
1544:
1514:
1455:
1428:
1395:
1379:Republika Srpska
1264:
1253:
1245:Dimitrije Vojnov
1190:
1136:'s story set in
1120:, film based on
1112:
1098:Return to Serbia
1076:Dušan Joksimović
1018:Icon Productions
891:who offered him
889:Harvey Weinstein
756:distribution of
709:Critical acclaim
705:("Open Doors").
657:less commercial
651:
632:
619:Dragana Mirković
608:
508:Cinematic career
495:
460:
420:
394:Večernje novosti
349:
344:
340:
339:Срђан Драгојевић
335:Serbian Cyrillic
331:Srđan Dragojević
320:
319:
294:
292:
288:
241:
108:
104:
102:
90:Personal details
79:
51:
41:Срђан Драгојевић
34:Srđan Dragojević
30:
21:
3442:
3441:
3437:
3436:
3435:
3433:
3432:
3431:
3367:
3366:
3365:
3360:
3352:
3344:
3334:
3324:
3316:
3306:
3296:
3286:
3278:
3272:
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3210:
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3156:
3148:
3144:
3137:
3133:
3125:
3121:
3113:
3109:
3105:, 23 March 2012
3097:
3093:
3085:
3081:
3071:
3069:
3060:
3059:
3052:
3042:
3040:
3031:
3030:
3023:
3011:
3007:
2995:
2991:
2979:
2975:
2963:
2959:
2945:
2941:
2931:
2929:
2915:
2914:
2910:
2900:
2898:
2897:on 2 April 2009
2884:
2883:
2874:
2864:
2862:
2848:
2847:
2843:
2833:
2831:
2821:
2820:
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2790:
2776:
2775:
2771:
2761:
2759:
2745:
2744:
2740:
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2728:
2718:
2717:
2713:
2703:
2701:
2691:
2690:
2686:
2678:
2674:
2662:
2658:
2646:
2639:
2632:
2628:
2622:Wayback Machine
2613:
2609:
2598:
2594:
2582:
2578:
2568:
2566:
2552:
2551:
2547:
2535:
2531:
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2329:
2325:
2319:Wayback Machine
2310:
2306:
2296:Wayback Machine
2287:
2283:
2271:
2267:
2257:
2255:
2245:
2244:
2231:
2221:Wayback Machine
2212:
2208:
2196:
2192:
2185:
2181:
2171:
2169:
2163:
2162:
2158:
2148:
2146:
2133:
2132:
2128:
2116:
2112:
2095:
2091:
2078:
2077:
2073:
2068:
2060:
1942:National Museum
1882:
1873:
1872:
1857:
1830:
1777:
1647:
1538:
1508:
1506:Slatko od snova
1473:Awards / Notes
1453:
1422:
1389:
1367:Dušan Kovačević
1315:Dr. Strangelove
1282:Pink Television
1267:Mi nismo anđeli
1258:
1247:
1235:Mi nismo anđeli
1204:'s 1989 comedy
1184:
1106:
1100:
989:Gwyneth Paltrow
958:
893:Milčo Mančevski
878:first-look deal
858:
797:
795:Hollywood years
785:Dušan Kovačević
711:
691:musical comedy
682:Slatko od snova
645:
626:
624:Slatko od snova
602:
566:Mi nismo anđeli
550:film production
537:Mi nismo anđeli
520:Mi nismo anđeli
515:
510:
489:
465:and poets like
454:
414:
371:
361:in the Serbian
342:
314:
296:
293: 2005)
284:
280:
277:
276:Tatjana Strugar
246:Mi nismo anđeli
239:
226:
176:
147:
125:Political party
109:
106:
100:
98:
80:
75:
54:
42:
35:
28:
23:
22:
15:
12:
11:
5:
3440:
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3419:
3414:
3409:
3404:
3399:
3394:
3389:
3384:
3379:
3369:
3368:
3362:
3361:
3359:
3358:
3350:
3342:
3332:
3322:
3314:
3304:
3294:
3283:
3280:
3279:
3273:
3271:
3270:
3263:
3256:
3248:
3242:
3241:
3236:
3225:
3224:External links
3222:
3219:
3218:
3196:
3185:. 5 March 2017
3170:
3168:, January 2014
3154:
3142:
3131:
3119:
3107:
3091:
3079:
3050:
3021:
3005:
2989:
2973:
2957:
2939:
2920:(in Serbian).
2908:
2889:(in Serbian).
2872:
2853:(in Serbian).
2841:
2811:
2800:
2781:(in Serbian).
2769:
2750:(in Serbian).
2738:
2711:
2684:
2672:
2656:
2637:
2626:
2607:
2592:
2576:
2545:
2529:
2490:
2479:on 3 June 2013
2458:
2447:
2431:
2429:, 29 July 1999
2415:
2403:
2391:
2375:
2363:
2351:
2335:
2323:
2304:
2281:
2265:
2229:
2227:, October 2011
2206:
2190:
2179:
2156:
2126:
2110:
2090:978-1838718497
2089:
2070:
2069:
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1999:, two SPS MPs—
1982:Prime Minister
1980:with Dačić as
1928:and DS leader
1914:Svetlana Kitić
1910:Franjo Mihalić
1865:5th of October
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1408:In late 2010,
1118:Beautiful Game
1104:Delirium Films
1099:
1096:
1079:Ocean's Eleven
1069:Joshua Jackson
1003:Gore Verbinski
957:
954:
950:Reindeer Games
940:Reindeer Games
921:Patrick Marber
857:
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702:Otvorena vrata
609:to co-write a
585:Almodóvaresque
514:
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487:Bajo Šaranović
452:Branko's Award
422:newspaper and
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63:Member of the
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3382:Living people
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2300:Jutarnji list
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2058:Personal life
2057:
2055:
2053:
2049:
2048:Zdravko Ponoš
2044:
2042:
2038:
2037:Saša Janković
2033:
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2018:
2014:
2010:
2006:
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1998:
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1958:United Serbia
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1169:The Porcupine
1166:' 1992 novel
1165:
1164:Julian Barnes
1161:
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1080:
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1065:
1064:micromanaging
1057:
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1038:
1034:
1033:
1032:Rolling Stone
1027:
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1000:
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994:
993:Bruno Barreto
990:
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978:
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962:Laurel Canyon
955:
953:
951:
946:
945:Bob Weinstein
942:
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928:
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922:
918:
917:Danis Tanović
914:
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856:New York City
855:
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830:
829:New York City
826:
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790:
786:
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779:
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774:'s Serbia in
773:
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722:
721:
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715:Yugoslav Wars
708:
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678:Rambo Amadeus
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557:auteur cinema
555:
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533:FR Yugoslavia
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107:(age 61)
97:
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57:
50:
45:
38:
31:
19:
3353:
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3307:
3297:
3287:
3275:
3209:. Retrieved
3199:
3187:. Retrieved
3173:
3165:
3157:
3145:
3134:
3122:
3110:
3102:
3094:
3082:
3070:. Retrieved
3041:. Retrieved
3016:
3008:
3000:
2992:
2984:
2976:
2968:
2960:
2950:
2942:
2930:. Retrieved
2911:
2899:. Retrieved
2895:the original
2863:. Retrieved
2844:
2832:. Retrieved
2803:
2791:. Retrieved
2787:the original
2772:
2760:. Retrieved
2741:
2729:. Retrieved
2714:
2702:. Retrieved
2698:the original
2687:
2675:
2667:
2659:
2651:
2629:
2610:
2603:
2595:
2587:
2579:
2567:. Retrieved
2563:the original
2548:
2540:
2532:
2520:. Retrieved
2516:the original
2481:. Retrieved
2477:the original
2450:
2442:
2434:
2426:
2418:
2406:
2394:
2386:
2378:
2366:
2354:
2346:
2338:
2326:
2307:
2299:
2284:
2276:
2268:
2256:. Retrieved
2224:
2209:
2201:
2193:
2182:
2170:. Retrieved
2159:
2147:. Retrieved
2129:
2124:, 8 May 1999
2113:
2080:
2074:
2061:
2045:
2034:
2001:Branko Ružić
1990:
1947:
1894:table tennis
1883:
1871:
1861:
1860:
1826:
1803:
1773:
1746:
1723:
1696:
1673:
1643:
1616:
1589:
1565:
1534:
1504:
1481:
1437:
1435:
1413:
1407:
1402:
1360:
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1350:
1339:
1333:
1327:
1313:
1300:
1294:
1273:
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1266:
1238:
1234:
1232:
1218:
1216:
1205:
1202:Stan Dragoti
1197:
1180:
1178:
1173:
1167:
1155:
1149:
1117:
1115:
1101:
1089:
1088:
1084:
1060:
1059:
1053:
1044:
1041:Warner Bros.
1030:
1009:
1007:
996:
985:Julie Taymor
974:
968:
966:
959:
949:
938:
931:Mike Nichols
924:
908:
904:
896:
886:
883:
871:
845:
832:
814:
805:
798:
788:
782:
775:
769:
762:
757:
718:
712:
700:
692:
686:
681:
674:Branka Katić
666:
622:
611:star vehicle
597:
588:
579:
565:
536:
518:
516:
501:
497:
480:
473:
472:
447:
445:
430:
423:
410:
399:OOUR Novosti
392:
386:
383:nomenklatura
372:
352:
330:
329:
262:
256:
250:
244:
240:Notable work
234:1986–present
197:screenwriter
76:
3377:1963 births
2783:Popboks.com
2569:11 November
2483:11 November
2026:punk rocker
2009:Ivica Dačić
1956:(PUPS) and
1930:Boris Tadić
1886:Ivica Dačić
1831: [
1778: [
1648: [
1539: [
1509: [
1451:Filmography
1423: [
1420:Ranko Božić
1390: [
1371:World War I
1297:John Cusack
1259: [
1256:Petar Pašić
1248: [
1228:Frank Capra
1185: [
1107: [
998:The Mexican
981:Salma Hayek
956:Los Angeles
749:Los Angeles
689:made-for-TV
646: [
627: [
603: [
490: [
455: [
415: [
403:bass guitar
185:Occupations
3371:Categories
3337:The Parade
3309:The Wounds
2312:Vox Populi
2214:Moć klišea
2066:References
1978:government
1938:Avala Film
1618:The Wounds
1324:Kazakhstan
1309:Avi Lerner
1287:cul-de-sac
1225:postmodern
1046:Ocean's 11
1024:casino in
1014:Mel Gibson
895:'s script
754:home video
663:Lepa Brena
643:Raka Đokić
615:turbo-folk
593:Avala Film
589:Devedesete
577:movement.
463:Soviet art
428:magazine.
343:pronounced
217:journalist
207:legislator
202:politician
156:Profession
119:Yugoslavia
101:1963-01-01
3183:Nedeljnik
3166:Nedeljnik
2277:Novi list
2099:cite book
2030:wild boar
1993:MP status
1557:TV movie
1470:Producer
1464:Director
1335:War, Inc.
1277:Eurimages
1152:Holocaust
1134:Ben Elton
1113:in 2002.
1026:Las Vegas
723:, set in
655:dance-pop
435:from the
407:TV Moroni
136:Education
115:PR Serbia
77:In office
2932:30 March
2926:Archived
2901:30 March
2865:30 March
2859:Archived
2834:30 March
2828:Archived
2793:30 March
2762:30 March
2756:Archived
2731:30 March
2725:Archived
2704:30 March
2668:Playbill
2618:Archived
2522:22 April
2315:Archived
2292:Archived
2258:30 March
2252:Archived
2217:Archived
2172:22 March
2149:22 March
1412:'s film
1305:Nu Image
1130:West End
1054:Payback'
923:'s play
825:Budapest
561:producer
554:European
529:lothario
301:Children
111:Belgrade
3239:Twitter
3211:7 April
3017:Novosti
2588:Variety
2050:at the
2039:at the
1896:player
1467:Writer
1355:in 2007
1320:Morocco
1307:led by
1141:Belfast
1126:musical
1022:Riviera
943:, with
874:Miramax
839:at the
808:at the
802:Miramax
640:manager
573:of the
295:
283:
279:
222:bassist
3356:(2020)
3354:Nebesa
3348:(2014)
3340:(2011)
3330:(2009)
3320:(2005)
3312:(1998)
3302:(1996)
3292:(1992)
3189:1 June
3072:31 May
3043:1 June
2087:
1962:deputy
1878:(SPS).
1828:Nebesa
1805:Zastoj
1748:Parada
1439:Parada
1375:Serbia
1154:novel
1050:remake
926:Closer
913:filmed
729:Bosnia
727:-torn
525:thesis
379:French
377:and a
375:Srbica
271:Spouse
264:Parada
69:Serbia
2922:Danas
2891:Vreme
2855:Vreme
2752:Danas
2559:Press
2541:Story
2443:Vreme
2225:Vreme
1835:]
1823:2021
1800:2020
1782:]
1770:2014
1743:2011
1720:2010
1693:2009
1670:2006
1652:]
1640:2005
1613:1998
1586:1996
1562:1995
1543:]
1531:1994
1513:]
1501:1994
1478:1992
1461:Film
1458:Year
1427:]
1403:Vreme
1394:]
1263:]
1252:]
1189:]
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970:Frida
650:]
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617:star
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2764:2023
2733:2023
2706:2023
2652:Delo
2634:IMDb
2571:2017
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2202:Blic
2174:2021
2151:2021
2135:Beta
2105:link
2085:ISBN
2003:and
1984:and
1902:LGBT
1843:Yes
1840:Yes
1816:Yes
1793:Yes
1790:Yes
1787:Yes
1759:Yes
1756:Yes
1753:Yes
1733:Yes
1709:Yes
1703:Yes
1686:Yes
1683:Yes
1663:Yes
1657:Yes
1626:Yes
1623:Yes
1599:Yes
1596:Yes
1572:Yes
1554:Yes
1548:Yes
1521:Yes
1491:Yes
1488:Yes
1377:and
1340:Rane
1329:1408
1322:and
1138:West
935:film
909:Hell
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170:and
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151:(BA)
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3232:at
2145:.rs
1888:'s
1846:No
1813:No
1810:No
1736:No
1730:No
1706:No
1680:No
1660:No
1629:No
1602:No
1578:No
1575:No
1551:No
1524:No
1518:No
1494:No
1158:by
1124:'s
1037:SAG
1016:'s
973:or
915:by
819:'s
725:war
697:RTS
439:'s
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3373::
3181:.
3065:.
3053:^
3036:.
3024:^
2924:.
2875:^
2857:.
2814:^
2754:.
2640:^
2557:.
2493:^
2461:^
2298:;
2232:^
2141:.
2101:}}
2097:{{
2054:.
2043:.
1966:MP
1900:,
1833:sr
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1541:sr
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1342:.
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1250:sr
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1005:.
812:.
760:.
648:sr
629:sr
605:sr
504:.
492:sr
469::
457:sr
443:.
417:hr
365:.
359:MP
341:,
337::
287:m.
261:,
255:,
249:,
144:BA
117:,
113:,
103:)
3267:e
3260:t
3253:v
3215:.
3193:.
3164:;
3101:;
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3047:.
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2999:;
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2735:.
2708:.
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2455:1
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1964:(
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638:-
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333:(
304:5
146:)
142:(
99:(
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