The Merchant of Venice - Knowledge (XXG)

1033:: "But since she pricked thee out for women's pleasure,/ Mine be thy love, and my love's use their treasure." Antonio, says Auden, embodies the words on Portia's leaden casket: "Who chooseth me, must give and hazard all he hath." Antonio has taken this potentially fatal turn because he despairs, not only over the loss of Bassanio in marriage but also because Bassanio cannot requite what Antonio feels for him. Antonio's frustrated devotion is a form of idolatry: the right to live is yielded for the sake of the loved one. There is one other such idolator in the play: Shylock himself. "Shylock, however unintentionally, did, in fact, hazard all for the sake of destroying the enemy he hated, and Antonio, however unthinkingly he signed the bond, hazarded all to secure the happiness of the man he loved." Both Antonio and Shylock, agreeing to put Antonio's life at a forfeit, stand outside the normal bounds of society. There was, states Auden, a traditional "association of sodomy with usury", reaching back at least as far as 386:

what many men desire", as referring to Portia. The second suitor, the conceited Prince of Aragon, chooses the silver casket, which proclaims, "Who chooseth me shall get as much as he deserves", as he believes he is full of merit. Both suitors leave empty-handed, having rejected the lead casket because of the baseness of its material and the uninviting nature of its slogan, "Who chooseth me must give and hazard all he hath". The last suitor is Bassanio, whom Portia wishes to succeed, having met him before. As Bassanio ponders his choice, members of Portia's household sing a song that says that "fancy" (not true love) is "It is engendered in the eye, / With gazing fed"; Bassanio chooses the lead casket and wins Portia's hand.

1056:, however, who plays Bassanio, encouraged a homoerotic interpretation and, in fact, surprised Irons with the kiss on set, which was filmed in one take. Fiennes defended his choice, saying "I would never invent something before doing my detective work in the text. If you look at the choice of language ... you'll read very sensuous language. That's the key for me in the relationship. The great thing about Shakespeare and why he's so difficult to pin down is his ambiguity. He's not saying they're gay or they're straight, he's leaving it up to his actors. I feel there has to be a great love between the two characters ... there's great attraction. I don't think they have slept together but that's for the audience to decide." 948: 479: 1060: 849: 416:. Shylock refuses Bassanio's offer of 6,000 ducats, twice the amount of the loan. He demands his pound of flesh from Antonio. The Duke, wishing to save Antonio but unable to nullify a contract, refers the case to a visitor. He identifies himself as Balthazar, a young male "doctor of the law", bearing a letter of recommendation to the Duke from the learned lawyer Bellario. The doctor is Portia in disguise, and the law clerk who accompanies her is Nerissa, also disguised as a man. As Balthazar, Portia in a 643: 390: 5335: 935:

from the Christian characters. Detractors note that Shylock ends the speech with a tone of revenge: "if you wrong us, shall we not revenge?" Those who see the speech as sympathetic point out that Shylock says he learned the desire for revenge from the Christian characters: "If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me, I will execute, and it shall go hard but I will better the instruction."

49: 601: 1152: 5981: 796: 451:" until Shylock's death, when the principal would be given to Lorenzo and Jessica. Antonio also asks that "for this favour" Shylock convert to Christianity and bequeath his entire estate to Lorenzo and Jessica. The Duke then threatens to recant his pardon of Shylock's life unless he accepts these conditions. Shylock, re-threatened with death, accepts with the words, "I am content." 316: 4530: 5991: 468: 689:– the entirely unsubstantiated antisemitic lie that Jews ritually murdered Christians to drink their blood and achieve salvation. In Venice and in some other places, Jews were required to wear a yellow or red hat at all times in public to make sure that they were easily identified, and had to live in a ghetto. 1264:

are cruelly abused by bigoted Christians. One of the last shots of the film also brings attention to the fact that, as a convert, Shylock would have been cast out of the Jewish community in Venice, no longer allowed to live in the ghetto. Another interpretation of Shylock and a vision of how "must he

454:

Bassanio does not recognise his disguised wife, but offers to give a present to the supposed lawyer. First she declines, but after he insists, Portia requests his ring and Antonio's gloves. Antonio parts with his gloves without a second thought, but Bassanio gives the ring only after much persuasion

446:

and half to Antonio, leaving his life at the mercy of the Duke. The Duke spares Shylock's life and says he may remit the forfeiture. Portia says the Duke may waive the state's share, but not Antonio's. Antonio says he is content that the state waive its claim to half Shylock's wealth if he can have

400:

At Venice, Antonio's ships are reported lost at sea, so the merchant cannot repay the bond. Shylock has become more determined to exact revenge from Christians because his daughter Jessica eloped with the Christian Lorenzo and converted. She took a substantial amount of Shylock's wealth with her, as

441:

Defeated, Shylock consents to accept Bassanio's offer of money for the defaulted bond: first his offer to pay "the bond thrice", which Portia rebuffs, telling him to take his bond, and then merely the principal; but Portia also prevents him from doing this, on the ground that he has already refused

437:

Thus, if Shylock were to shed any drop of Antonio's blood, his "lands and goods" would be forfeited under Venetian laws. She tells him that he must cut precisely one pound of flesh, no more, no less; she advises him that "if the scale do turn / But in the estimation of a hair, / Thou diest, and all

385:

stipulating that each of her suitors must choose correctly from one of three caskets, made of gold, silver and lead respectively. Whoever picks the right casket wins Portia's hand. The first suitor, the Prince of Morocco, chooses the gold casket, interpreting its slogan, "Who chooseth me shall gain

377:

of Antonio's flesh. Bassanio does not want Antonio to accept such a risky condition; Antonio is surprised by what he sees as the moneylender's generosity (no "usance" – interest – is asked for), and he signs the contract. With money in hand, Bassanio leaves for Belmont with his friend Gratiano, who

1244:

magazine, Adler pointed out that Shylock is a wealthy man, "rich enough to forgo the interest on three thousand ducats" and that Antonio is "far from the chivalrous gentleman he is made to appear. He has insulted the Jew and spat on him, yet he comes with hypocritical politeness to borrow money of

938:

Even if Shakespeare did not intend the play to be read this way, the fact that it retains its power on stage for audiences who may perceive its central conflicts in radically different terms is an illustration of the subtlety of Shakespeare's characterisations. In the trial Shylock represents what

934:

One of the reasons for this interpretation is that Shylock's painful status in Venetian society is emphasised. To some critics, Shylock's celebrated "Hath not a Jew eyes?" speech redeems him and even makes him into something of a tragic figure; in the speech, Shylock argues that he is no different

862:

Many modern readers and theatregoers have read the play as a plea for tolerance, noting that Shylock is a sympathetic character. They cite as evidence that Shylock's "trial" at the end of the play is a mockery of justice, with Portia acting as a judge when she has no right to do so. The characters

494:

after standing surety for a friend's loan was a common tale in England in the late 16th century. In addition, the test of the suitors at Belmont, the merchant's rescue from the "pound of flesh" penalty by his friend's new wife disguised as a lawyer, and her demand for the betrothal ring in payment

458:

At Belmont, Portia and Nerissa taunt and pretend to accuse their husbands before revealing they were really the lawyer and his clerk in disguise (V). After all the other characters make amends, Antonio learns from Portia that three of his ships were not stranded and have returned safely after all.

404:

At Belmont, Bassanio receives a letter telling him that Antonio has been unable to repay the loan from Shylock. Portia and Bassanio marry, as do Gratiano and Portia's handmaid Nerissa. Bassanio and Gratiano leave for Venice, with money from Portia, to save Antonio's life by offering the money to

372:

and because Antonio's habit of lending money without interest forces Shylock to charge lower rates. Shylock is at first reluctant to grant the loan, citing abuse he has suffered at Antonio's hand. He finally agrees to lend the sum to Bassanio without interest upon one condition: if Antonio were

4533: 939:

Elizabethan Christians believed to be the Jewish desire for "justice", contrasted with their obviously superior Christian value of mercy. The Christians in the courtroom urge Shylock to love his enemies, although they themselves have failed in the past. Jewish critic

579:. (Later, Thomas Heyes' son and heir Laurence Heyes asked for and was granted a confirmation of his right to the play, on 8 July 1619.) The 1600 edition is generally regarded as being accurate and reliable. It is the basis of the text published in the 1623 930:

It is difficult to know whether the sympathetic reading of Shylock is entirely due to changing sensibilities among readers – or whether Shakespeare, a writer who created complex, multi-faceted characters, deliberately intended this reading.

1905:

was established in 1997, referring to 'Belmont' as "a place of destiny where Portia's intelligence is at home." The eligibility for the award is encapsulated by the inscription on the play's lead casket, "Who chooses me must give and hazard all he hath."

943:

suggests that, although the play gives merit to both cases, the portraits are not even-handed: "Shylock's shrewd indictment of Christian hypocrisy delights us, but ... Shakespeare's intimations do not alleviate the savagery of his portrait of the Jew..."

781:

throughout the centuries bears the close imprint of Shylock. With slight variations much of English literature up until the 20th century depicts the Jew as "a monied, cruel, lecherous, avaricious outsider tolerated only because of his golden hoard".

2006:

in 2016. The play continues the story of Shylock's daughter Jessica, who lives in an anti-semitic Venice and practices her Jewish faith in secret. Part of the BBC's Shakespeare Festival, the play also marked that 500 years had passed since the

1236:; Adler's Shylock evolved over the years he played the role, first as a stock Shakespearean villain, then as a man whose better nature was overcome by a desire for revenge, and finally as a man who operated not from revenge but from 420:

repeatedly asks Shylock to show mercy, advising him that mercy "is twice blest: / It blesseth him that gives and him that takes." However, Shylock adamantly refuses any compensations and insists on the pound of flesh.

455:

from Antonio, as earlier in the play he promised his wife never to lose, sell or give it. Nerissa, as the lawyer's clerk, succeeds in likewise retrieving her ring from Gratiano, who does not see through her disguise.

424:

As the court grants Shylock his bond and Antonio prepares for Shylock's knife, Portia deftly appropriates Shylock's argument for "specific performance". She says that the contract allows Shylock to remove only the

535:

in 1598, so it must have been familiar on the stage by that date. The title page of the first edition in 1600 states that it had been performed "divers times" by that date. Salerino's reference to his ship the

1028:

describes Antonio as "a man whose emotional life, though his conduct may be chaste, is concentrated upon a member of his own sex." Antonio's feelings for Bassanio are likened to a couplet from Shakespeare's

378:

has asked to accompany him. Gratiano is a likeable young man, but he is often flippant, overly talkative, and tactless. Bassanio warns his companion to exercise self-control, and the two leave for Belmont.

1048:, explained that, although the film contains a scene where Antonio and Bassanio actually kiss, the friendship between the two is platonic, in line with the prevailing view of male friendship at the time. 706:. One interpretation of the play's structure is that Shakespeare meant to contrast the mercy of the main Christian characters with the Old Testament vengefulness of a Jew, who lacks the religious 639:

argued in 1998 that "one would have to be blind, deaf and dumb not to recognise that Shakespeare's grand, equivocal comedy The Merchant of Venice is nevertheless a profoundly anti-semitic work".

1982:) sisters. All of the characters come from those two plays with the exception of Jeff (a monkey); the gigantic simpleton Drool; and Pocket, the Fool, who comes from Moore's earlier novel 756:

created a character named Abraham Abrahams, who is quoted as saying, "I verily believe the odious character of Shylock has brought little less persecution upon us, poor scattered sons of

6456: 4282: 1824:(1976) is a reimagining of Shakespeare's story. In this retelling, Shylock and Antonio are friends and share a disdain for the crass anti-Semitism of the Christian community's laws. 774:, is portrayed sympathetically, as both a kindhearted and generous man. This was the first known attempt by a dramatist to reverse the negative stereotype that Shylock personified. 442:

it "in the open court". She cites a law under which Shylock, as a Jew and therefore an "alien", having attempted to take the life of a citizen, has forfeited his property, half to

556: 5635: 972:

for Bassanio and is depressed because Bassanio is coming to an age where he will marry a woman. In his plays and poetry Shakespeare often depicted strong male bonds of varying

567:

on 22 July 1598 under the title "the Marchaunt of Venyce or otherwise called the Jewe of Venyce." On 28 October 1600 Roberts transferred his right to the play to the stationer

220:, with Shylock's insistence on his legal right to the pound of flesh being in opposition to his seemingly universal plea for the rights of all people suffering discrimination. 4711: 1044:

Other interpreters of the play regard Auden's conception of Antonio's sexual desire for Bassanio as questionable. Michael Radford, director of the 2004 film version starring

2243: 349:, a wealthy merchant of Venice, who has previously and repeatedly bailed him out. Antonio agrees, but since he is cash-poor – his ships and merchandise are busy at sea to 4576: 3130: 968:

Antonio's unexplained depression – "In sooth I know not why I am so sad" – and utter devotion to Bassanio has led some critics to theorise that he is suffering from

5738: 1804:

was based on the story of the play, with the scene changed to the Little Italy district of New York. It was performed in Edinburgh in 1974 and in a revised form at

1111:

expressed doubts about this interpretation as early as 1709; Doggett's success in the role meant that later productions would feature the troupe clown as Shylock.

6604: 5791: 3192: 1693:. Although described in the vocal score as "a Shakespearean Opera" the play was perhaps better defined as a "play with music", with 27 musical sections or arias. 4877: 1245:

him." Shylock's fatal flaw is to depend on the law, but "would he not walk out of that courtroom head erect, the very apotheosis of defiant hatred and scorn?"

3357: 3464: 1300:. Weber played Portia and Smalley, her husband, played Shylock. With this film, Weber became the first woman to direct a full-length feature film in America. 365:– he promises to cover a bond if Bassanio can find a lender, so Bassanio turns to the Jewish moneylender Shylock and names Antonio as the loan's guarantor. 1076:

in the spring of 1605, followed by a second performance a few days later, but there is no record of any further performances in the 17th century. In 1701,

5293: 5288: 3790: 5356: 863:

who berated Shylock for dishonesty resort to trickery in order to win. In addition to this Shakespeare gives Shylock one of his most eloquent speeches:

6579: 5693: 6027: 2746: 1416: 417: 213: 3020: 2993: 2525: 4323: 2875: 813: 31: 5969: 5647: 1797:) the character "Greenberg", specified as a Jew in the later version, gives a recitation of the "Hath not a Jew eyes?" speech to Nazi soldiers. 947: 6589: 5809: 5708: 1861: 2966: 405:

Shylock. Unknown to Bassanio and Gratiano, Portia sent her servant, Balthazar, to seek the counsel of Portia's cousin, Bellario, a lawyer, at

6599: 6036: 5804: 5236: 4435: 4292: 4122: 4040: 3913: 3168: 2936: 2629: 2444: 2024: 6175: 3535: 1938: 6614: 4569: 5994: 5305: 3495: 2032:, with the characters gradually recognizing how conflicts over assimilation and anti-Semitism recur throughout past, present, and future. 6559: 6440: 5882: 5385: 5244: 3446: 2621: 2562: 2210: 631:

The play is frequently staged, but is potentially troubling to modern audiences because of its central themes, which can easily appear

6584: 6569: 4717: 4706: 4701: 4696: 4683: 4678: 4673: 4059: 3936: 3584: 3545: 3367: 3259: 3003: 2976: 2946: 2916: 2783: 2756: 2729: 2479: 1594: 1407: 1378: 1322: 1305: 1288: 1249: 3222: 1630: 5748: 4870: 4453: 4249: 4190: 4078: 3965: 3404: 3327: 3232: 3140: 3113: 3030: 2584: 835: 778: 5718: 1205:) has been called "the summit of his career". Jacob Adler was the most notable of the early 20th century: Adler played the role in 197:, the play is most remembered for its dramatic scenes, and it is best known for the character Shylock and his famous demand for a " 2463: 2158: 2142: 2126: 6609: 5786: 5781: 5713: 4625: 4610: 2386: 2110: 2094: 693: 346: 269: 230: 171: 99: 79: 2078: 2062: 6549: 6544: 6159: 5761: 5756: 5676: 4620: 4562: 338: 248: 209: 89: 6505: 5315: 4750: 4468: 3277: 1794: 1790: 817: 753: 662: 5728: 5500: 5275: 4378: 3623: 1749: 478: 5629: 4829: 4141: 1473: 3769: 2803: 1178:

and others report that the tradition of playing Shylock sympathetically began in the first half of the 19th century with

6564: 6346: 6020: 5984: 5851: 5667: 5320: 4968: 4912: 4863: 4810: 1689:

in London from 20 November to 16 December 1922. Augustus Milner sang Shylock, later replaced during the run by producer

1566: 401:

well as a turquoise ring which Shylock had been given by his late wife, Leah. Shylock has Antonio brought before court.

254:

Nerissa – Portia's waiting maid – in love with Gratiano; later the wife of Gratiano; disguises herself as Portia's clerk

1248:

Some modern productions take further pains to show the sources of Shylock's thirst for vengeance. For instance, in the

6594: 6303: 6096: 5657: 5605: 5479: 5011: 3491: 1059: 5618: 4092: 4009: 1898:, a lawyer, Eli Gould, is coerced to remove a pound of his own flesh and place it on a scale, alluding to the play. 1193:, who played Shylock as a simple villain, have chosen a sympathetic approach to the character; even Booth's father, 5825: 5543: 5371: 5310: 5270: 4961: 4940: 4512: 1957: 1770:, in 1924, in which the characters from Shakespeare's work reunite ten years after the events of the earlier play. 1504: 1218: 976:, which has led some critics to infer that Bassanio returns Antonio's affections despite his obligation to marry: 806: 6574: 6279: 5844: 5839: 5796: 5672: 4506: 1686: 1667: 1119: 1108: 5470: 3574: 2719: 5703: 5642: 5623: 5610: 4982: 4481: 4300: 3716: 2830: 1485: 1424:; the film was completed, but the soundtrack for all but the first reel was stolen before it could be released. 1387: 1214: 1103:; he added a jail scene between Shylock and Antonio, and a more extended scene of toasting at a banquet scene. 670: 5652: 5350: 1933:. In this film, Henryk Szpilman reads Shylock's "Hath not a Jew eyes?" speech to his brother Władysław in the 1930: 1805: 6255: 6151: 6013: 5426: 4990: 4284:"Scorned My Nation": A Comparison of Translations of The Merchant of Venice into German, Hebrew, and Yiddish 4267: 3919: 2244:"Four Hundred Years Later, Scholars Still Debate Whether Shakespeare's "Merchant of Venice" Is Anti-Semitic" 1921: 1659: 1186:

or, alternatively, as a monster of unrelieved evil." Kean's Shylock established his reputation as an actor.

564: 552: 4136: 6494: 6295: 5856: 5583: 5521: 5441: 5364: 4975: 4894: 4178: 2615: 2589: 1773: 1550: 1310: 1175: 682: 642: 302:

Magnificoes of Venice, officers of the Court of Justice, gaolers, servants to Portia, and other attendants

4200:

Ravid, Benjamin (1992). "From Yellow to Red: On the Distinguishing Head-Covering of the Jews of Venice".

2906: 6191: 5948: 5862: 5831: 5396: 5127: 5037: 5018: 4744: 4554: 4369: 3953: 3897: 3851: 2519: 1835: 1701: 1602:

and produced by Barry Navidi. This was the first "big-screen" adaptation of the play. The cast included

1465: 1201:'s portrayal of an aristocratic, proud Shylock (first seen at the Lyceum in 1879, with Portia played by 952: 432: 5733: 389: 1782:(1938) draws its text from the discussion about music and the music of the spheres in Act V, scene 1. 1052:, in an interview, concurs with the director's view and states that he did not "play Antonio as gay". 6554: 6400: 6352: 6231: 6058: 6052: 5771: 5558: 5536: 5116: 5067: 5046: 5026: 4926: 4903: 4843: 2019: 1950: 1926: 1713: 1690: 1634: 1579: 1450: 1353: 1189:

From Kean's time forward, all of the actors who have famously played the role, with the exception of

186: 142: 848: 737:

was broadcast for propagandistic ends over the German airwaves. Productions of the play followed in

718:" for the character, as, to a Christian audience, it saves his soul and allows him to enter Heaven. 6521: 6513: 6486: 6392: 5942: 5924: 5723: 5565: 5529: 5462: 5419: 5378: 4947: 4886: 4786: 4689: 4585: 4314: 3693: 3611: 1877: 1820: 1365: 1349: 1339: 1194: 510: 502: 167: 66: 3599: 1269:, a noted Jewish stage and film actor in Weimar Germany (and later in Hollywood and on Broadway). 6448: 6360: 6183: 5936: 5894: 5776: 5514: 5412: 5217: 4414: 4406: 4390: 4343: 4225: 4158: 4001: 3666: 3469: 3186: 3105: 3101: 2879: 1827: 1736:, French playwright and poet, was commissioned in the 1880s by the actor and theatrical director 1073: 666: 575:

before the end of the year. It was printed again in 1619, as part of William Jaggard's so-called

382: 334: 4735: 3249: 3072: 1757: 635:. Modern critics argue over the play's stance on the Jews and Judaism. American literary critic 4298:

Caldecott, Henry Stratford (1895). "Our English Homer; or, the Bacon-Shakespeare Controversy".

3576:

Riddles, Knights, and Cross-dressing Saints: Essays on Medieval English Language and Literature

3095: 1885:

quoting Shylock's "Hath not a Jew eyes?" speech when deciding whether to rape his Jewish maid.

725:

may have been, the play has been made use of by antisemites throughout the play's history. The

6464: 6319: 6271: 6263: 6207: 6135: 6085: 5906: 5224: 5151: 5143: 4836: 4778: 4759: 4500: 4464: 4449: 4431: 4398: 4335: 4288: 4245: 4217: 4186: 4166: 4132: 4118: 4074: 4055: 4036: 3961: 3932: 3909: 3893: 3803: 3721: 3580: 3541: 3400: 3396: 3363: 3323: 3293: 3255: 3228: 3174: 3164: 3136: 3109: 3026: 2999: 2972: 2942: 2912: 2779: 2773: 2752: 2725: 2625: 2440: 1917:(1999) is also told from Shylock's point of view. In this story, Antonio was a converted Jew. 1894: 1856: 1778: 1733: 1619: 1575: 1454: 1437: 1335: 1266: 711: 443: 2559: 242:

Gratiano – friend of Antonio and Bassanio; in love with Nerissa; later the husband of Nerissa

6424: 6384: 6376: 6368: 6239: 6121: 5930: 5918: 5912: 5507: 5434: 5334: 5208: 5201: 5193: 5170: 5163: 5136: 5109: 5095: 4656: 4382: 4327: 4237: 4209: 4150: 3993: 3901: 3388: 1872: 1753: 1721: 1674: 1578:, with English subtitles. This film was based on a 1945 translation of the play to Māori by 1481: 1344: 1297: 1222: 1133: 1085: 1077: 722: 702: 650: 245:

Lorenzo – friend of Antonio and Bassanio; in love with Jessica; later the husband of Jessica

112: 2476: 6247: 6129: 6076: 5686: 5298: 5186: 5102: 4642: 4523: 4486: 4426:

Short, Hugh (2002). "Shylock is content". In Mahon, John W.; Mahon, Ellen Macleod (eds.).

4097: 3384: 3281: 2566: 2515: 2488: 2483: 2008: 1763: 1599: 1516: 1253: 1206: 1137: 1129: 1115: 969: 692:

Shakespeare's play may be seen as a continuation of this tradition. The title page of the

674: 515: 194: 3420: 1395: 661:

English society in the Elizabethan and Jacobean era has been described as "judeophobic".

6005: 3688: 6167: 5179: 4919: 4794: 3661: 3161:

The London stage, 1920-1929 : a calendar of productions, performers, and personnel

3047: 1995: 1706: 1678: 1611: 1493: 1432: 1399: 1370: 1357: 1151: 1104: 1053: 956: 413: 350: 305:

Doctor Bellario, cousin of Portia, a character by reference who does not appear onstage

198: 600: 505:, which was published in Milan in 1558. Elements of the trial scene are also found in 6538: 6432: 6408: 6215: 6064: 5954: 5900: 5662: 5004: 4802: 4418: 4259: 4005: 3389: 1934: 1902: 1889: 1815: 1809: 1696: 1646: 1589:, a film directed by Paul Wagar, Antonio and Bassanio have a homosexual relationship. 1558: 1477: 1261: 1145: 1097: 973: 730: 700:

in its day, which suggests that it was seen as similar to Marlowe's early 1590s work

532: 1629:

on 22 April 2018 and transposing the plot from Venice to the City of London and the

6338: 6287: 6223: 6199: 6102: 5888: 5590: 5254: 4088: 4028: 3905: 3500: 2432: 1942: 1642: 1615: 1607: 1539: 1520: 1489: 1446: 1442: 1421: 1391: 1198: 1049: 940: 856: 715: 707: 636: 632: 568: 513:, published in translation in 1596. The story of the three caskets can be found in 448: 374: 369: 278:

Launcelot Gobbo – servant of Shylock; later a servant of Bassanio; son of Old Gobbo

217: 54: 3997: 3274: 2521:

The Fools of Shakespeare; an interpretation of their wit, wisdom and personalities

1882: 1092:) was popular, and was acted for the next forty years. Granville cut the clownish 170:, believed to have been written between 1596 and 1598. A merchant in Venice named 48: 2748:

The History of British Film (Volume 3): The History of the British Film 1914–1918

1072:

The earliest performance of which a record has survived was held at the court of

17: 6472: 5681: 5493: 5249: 4997: 4649: 4548: 4517: 3460: 2611: 2003: 1626: 1554: 1512: 1469: 1202: 1190: 1179: 1156: 1123: 1025: 795: 761: 710:

to comprehend mercy. Similarly, it is possible that Shakespeare meant Shylock's

686: 580: 576: 497: 491: 190: 122: 4154: 2369:

David Mirsky, "The Fictive Jew in the Literature of England 1890–1920", in the

471:

The title page from a 1565 printing of Giovanni Fiorentino's 14th-century tale

6416: 6311: 5766: 5053: 4544: 3251:

The Paris Opéra: an encyclopedia of operas, ballets, composers, and performers

2799: 1910: 1737: 1638: 1571: 1383: 1293: 678: 354: 315: 4402: 4394: 4339: 4221: 4170: 4162: 3178: 1182:, and that previously the role had been played "by a comedian as a repulsive 6143: 5698: 5550: 5486: 5074: 4933: 3984: 3743: 2808: 2647:

erroneously dates this from 1847 (at which time Kean was already dead); the

1988: 1847: 1603: 1531: 1508: 1314: 1257: 1210: 1045: 572: 560: 358: 2550:

Baltimore, Penguin, 1964; pp. 261, 311–312. In 2004, the film was released.

738: 548:

in 1596. A date of 1596–97 is considered consistent with the play's style.

4386: 3976: 2831:"Venice Film Festival: Lost Orson Welles Film to Get Pre-Opening Showcase" 685:

and a contemporary of Shakespeare, gave a sermon in 1624 perpetuating the

519:, a collection of tales probably compiled at the end of the 13th century. 345:

to subsidise his expenditures as a suitor. Bassanio approaches his friend

4615: 4539: 1682: 1535: 545: 299:

Salerio – a messenger from Venice; friend of Antonio, Bassanio and others

236: 175: 94: 4410: 4229: 1140:, which converged with the 400 year anniversary of Shakespeare's death, 467: 5455: 5448: 5280: 5088: 5081: 4605: 4213: 1966: 1866: 1681:, composed an operatic version which premiered at the Grand Theatre in 1233: 1226: 1169: 1100: 1037:, with which Shakespeare was likely familiar. (Auden sees the theme of 820: in this section. Unsourced material may be challenged and removed. 771: 766: 757: 381:

Meanwhile, in Belmont, Portia is awash with suitors. Her father left a

362: 321: 287:

Duke of Venice – authority who presides over the case of Shylock's bond

263: 239:– Antonio's close friend; suitor to Portia; later the husband of Portia 205: 179: 84: 4855: 4347: 1063:

The playbill from a 1741 production at the Theatre Royal of Drury Lane

1041:

in the play as a comment on human relations in a mercantile society.)

673:

in 1290 and were not permitted to return until 1656 under the rule of

5060: 1842:. In this play Shylock gets his wealth back and becomes a Jew again. 1089: 742: 342: 152: 4495: 3826: 2908:

A History of Shakespeare on Screen: A Century of Film and Television

4331: 3022:

For the Gay Stage: A Guide to 456 Plays, Aristophanes to Peter Gill

2342:

Richard Cumberland: Critic and Friend of the Jews (Classic Reprint)

1420:, an unreleased 40-minute television film directed by and starring 1338:. Though based in part on Shakespeare's play, it was also based on 1277:

The play has inspired many adaptions and several works of fiction.

531:

is believed to be between 1596 and 1598. The play was mentioned by

1237: 1183: 1150: 1107:

was Shylock, playing the role comically, perhaps even farcically.

1058: 1038: 1034: 946: 847: 726: 641: 477: 406: 388: 314: 1136:

for the play in 1871. As part of the 500 year anniversary of the

1118:

returned to the original text in a very successful production at

174:

defaults on a large loan taken out on behalf of his dear friend,

3275:"The Merchant of Venice – World premiere", Bregenzer Festspiele. 1851:

franchise sometimes quote and paraphrase Shakespeare, including

583:, which adds a number of stage directions, mainly musical cues. 132: 6009: 4859: 4558: 337:

of noble rank, wishes to woo the beautiful and wealthy heiress

2028:, the play occurs in the gaps between scenes of the canonical 1752:

in December 1889, had incidental music by the French composer

789: 729:

used the usurious Shylock for their propaganda. Shortly after

595: 368:

Antonio has already antagonized Shylock through his outspoken

30:

This article is about Shakespeare's play. For other uses, see

2437:

Interpretations: William Shakespeare's The Merchant of Venice

1954:, a speech by the nazi Von Zimmel parodies Shylock's tirade. 1232:

Kean and Irving presented a Shylock justified in wanting his

373:

unable to repay it at the specified date, Shylock may take a

3208:

The Merchant of Venice – a Shakespearean Opera – Vocal score

1265:

be acted" appears at the conclusion of the autobiography of

540:(I, i, 27) is thought to be an allusion to the Spanish ship 1534:

television film directed by Alan Horrox. The cast included

1260:

as Shylock, the film begins with text and a montage of how

3465:"Arnold Wesker, 83, Writer of Working-Class Dramas, Dies" 2560:

Information about Sullivan's incidental music to the play

2524:. London: McBride, Nast & Company. pp. 103–120. 341:

of Belmont. Having squandered his estate, he needs 3,000

204:

The play contains two famous speeches, that of Shylock, "

1685:

on 18 September 1922 followed by 32 performances at the

917:

will execute, and it shall go hard but I will better the

3395:. Minneapolis: University of Minnesota Press. pp. 1144:

was performed in the ghetto main square in 2016 by the

907:

we not revenge? If we are like you in the rest, we will

612: 2775:

Shakespeare on Silent Film: A Strange Eventful History

296:

Salarino and Salanio – friends of Antonio and Bassanio

233:– a prominent merchant of Venice in a melancholic mood 2858: 2856: 2854: 2852: 2850: 2848: 2585:"The Centuries-Old History of Venice's Jewish Ghetto" 891:

a Jew eyes? Hath not a Jew hands, organs, dimensions,

193:

and sharing certain aspects with Shakespeare's other

4545:

Shakespeare in the Ghetto, the Ghetto in Shakespeare

3717:"'The Serpent of Venice': a Shakespeare-Poe mash-up" 3496:"Arnold Wesker: the radical bard of working Britain" 2876:"2 Shakespearean Classics to Be Televised by A.B.C." 2169: 2167: 1225:, where, to great acclaim, he performed the role in 905:

poison us, do we not die? And if you wrong us, shall

887:

my bargains, cooled my friends, heated mine enemies—

6330: 6113: 6043: 5875: 5818: 5747: 5604: 5575: 5404: 5395: 5342: 5263: 5235: 5126: 5036: 4902: 4893: 4821: 4770: 4726: 4666: 4634: 4598: 3960:. Translated by Rosenfeld, Lulla. New York: Knopf. 911:

what is his humility? Revenge. If a Christian wrong

764:itself." Cumberland later wrote a successful play, 148: 138: 128: 118: 108: 72: 62: 41: 1309:, an unsuccessful silent British film produced by 915:example? Why, revenge! The villainy you teach me I 879:To bait fish withal; if it will feed nothing else, 495:are all elements present in the 14th-century tale 412:The climax of the play is set in the court of the 6457:The Curious Incident of the Dog in the Night-Time 4446:Cambridge Student Guide to The Merchant of Venice 2649:Cambridge Student Guide to The Merchant of Venice 2617:The Merchant in Venice: Shakespeare in the Ghetto 2492:, 29 December 2004. Retrieved on 12 November 2010 1431:, BBC video-taped television version directed by 1021:In his essay "Brothers and Others", published in 913:a Jew, what should his sufferance be by Christian 909:resemble you in that. If a Jew wrong a Christian, 895:same food, hurt with the same weapons, subject to 883:hindered me half a million, laughed at my losses, 881:it will feed my revenge. He hath disgraced me and 745:(1940), and elsewhere within the Nazi territory. 3534:Lawler, Peter Augustine; McConkey, Dale (2001). 3322:. Cambridge University Press. pp. 143–146. 3132:The Bard and the Bible: A Shakespeare Devotional 3097:Symphonic Program Music and Its Literary Sources 3073:"How do you make Shakespeare work on the radio?" 903:bleed? If you tickle us, do we not laugh? If you 272:– daughter of Shylock, later the wife of Lorenzo 182:, with seemingly inevitable fatal consequences. 4071:Nazi Anti-Semitism: From Prejudice to Holocaust 3427:. British Universities Film & Video Council 3224:Edinburgh Companion to Shakespeare and the Arts 2651:dates Kean's performance to a more likely 1814. 2220:, Folger Shakespeare Library. February 8, 2020. 1159:as Shylock in an early 19th-century performance 978: 899:warmed and cooled by the same winter and summer 885:mocked at my gains, scorned my nation, thwarted 865: 696:indicates that the play was sometimes known as 266:– a miserly Jew; moneylender; father of Jessica 3931:. Ignatius Critical Editions. Ignatius Press. 752:, first published in 1785, British playwright 6021: 4871: 4570: 4183:Shakespeare's Sources: Comedies and Tragedies 4052:Filming Shakespeare in the Global Marketplace 3449:. William Samuel & Company Limited. 1977. 1229:in an otherwise English-language production. 901:as a Christian is? If you prick us, do we not 395:The Graphic Gallery of Shakespeare's Heroines 8: 4308:McKendy, Thomas (1988). "Gypsies, Jews, and 4093:"A Jewish reading of The Merchant of Venice" 3770:"The Merchant of Venice: what happened next" 3383:Sammond, Nicholas; Mukerji, Chandra (2001). 2935:Shakespeare, William; Farrell, Tony (2018). 2724:. Univ of California Press. pp. 46–47. 1855:. One example is the Shakespeare-aficionado 1088:as Bassanio. This version (which featured a 989:Say how I loved you, speak me fair in death, 897:the same diseases, healed by the same means, 251:– a rich heiress; later the wife of Bassanio 4428:The Merchant of Venice: New Critical Essays 4266:. Oxford Companions to Literature. Oxford: 3362:. Cambridge University Press. p. 127. 3359:The Cambridge Companion to Vaughan Williams 2968:Shakespeare and the Ethics of Appropriation 2911:. Cambridge University Press. p. 117. 2672: 2505:, New York, Roundtable Press, 1990, p. 420. 2229: 1649:as Portia, and Lauren Cornelius as Jessica. 1001:But life itself, my wife, and all the world 991:And when the tale is told, bid her be judge 889:and what’s his reason? I am a Jew. Hath not 871:Why, I am sure if he forfeit, thou wilt not 6028: 6014: 6006: 5815: 5401: 4899: 4878: 4864: 4856: 4577: 4563: 4555: 3662:"French Spy Spoof Set in Swinging '67 Rio" 3356:Frogley, Alain; Thomson, Aidan J. (2013). 3191:: CS1 maint: location missing publisher ( 2614:; Chillington Rutter, Carol, eds. (2021). 893:senses, affections, passions? Fed with the 208:" on the subject of humanity, and that of 47: 38: 2315: 1909:One of the four short stories comprising 836:Learn how and when to remove this message 216:". Debate exists on whether the play is 6264:Angels in America: Millennium Approaches 3447:"Jewish Observer and Middle East Review" 2965:Huang, Alexa; Rivlin, Elizabeth (2014). 2960: 2958: 2930: 2928: 2900: 2898: 2197: 2018:is a play first produced in 2017 at the 1756:, later incorporated into an orchestral 1005:I would lose all, ay, sacrifice them all 1003:Are not with me esteemed above thy life. 466: 178:, and provided by a Jewish moneylender, 4324:National Council of Teachers of English 4244:. New York: Columbia University Press. 3647: 3560: 3537:Faith, Reason, and Political Life Today 2327: 2051: 1080:staged a successful adaptation, titled 559:, the method at that time of obtaining 32:The Merchant of Venice (disambiguation) 3184: 2862: 2279: 2267: 1862:Star Trek VI: The Undiscovered Country 1472:. Broadcast in the United States over 1411:, an Australian television adaptation. 987:Tell her the process of Antonio’s end, 770:(1794), in which his title character, 6605:Race-related controversies in theatre 6037:Drama Desk Award for Outstanding Play 5630:Complete Works of William Shakespeare 3521: 3154: 3152: 2804:"Blast from the Past: Shylock (1941)" 2696: 2684: 2660: 2644: 2419: 2407: 2303: 2291: 2185: 2025:Rosencrantz and Guildenstern Are Dead 1740:to make a French-verse adaptation of 993:Whether Bassanio had not once a love. 873:take his flesh! What’s that good for? 486:, printed in the Second Folio of 1632 281:Old Gobbo – blind father of Launcelot 7: 4355:Perng, Ching-Hsi (2011). "A 'Bangzi 3391:Classic Hollywood, Classic Whiteness 2242:Ambrosino, Brandon (21 April 2016). 2173: 1007:Here to this devil, to deliver you. 818:adding citations to reliable sources 293:Prince of Arragon – suitor to Portia 290:Prince of Morocco – suitor to Portia 6441:Vanya and Sonia and Masha and Spike 5990: 4264:The Oxford Companion to Shakespeare 4015:from the original on 9 October 2022 3744:"The Wolf in the Water, Drama on 3" 2833:. Hollywood Reporter. 7 August 2015 2002:is a radio-play first broadcast on 1838:in 1989, and follows the events in 1785:In both versions of the comic film 1373:film directed by the duo Sama-Ramu. 1334:, a silent German film directed by 1273:Adaptations and cultural references 1197:, played the role sympathetically. 592:Shylock and the antisemitism debate 490:The forfeit of a merchant's deadly 5805:Shakespeare's influence on Tolkien 4430:. London: Routledge. p. 201. 2708:Granach (1945; 2010), pp. 275–279. 2583:Worrall, Simon (6 November 2015). 2548:A Shakespeare Companion 1564–1964, 2528:from the original on 29 April 2015 2439:. New York: Infobase. p. 27. 985:Commend me to your honorable wife, 786:Shylock as a sympathetic character 25: 2477:"Was the Merchant of Venice gay?" 1974:, in which he makes Portia (from 1126:seventy years later (see below). 721:Regardless of what Shakespeare's 6580:British plays adapted into films 5989: 5980: 5979: 5333: 4528: 4262:; Dobson, Michael, eds. (2001). 4115:Shylock: A Legend and its Legacy 2622:Ca' Foscari University of Venice 2571:The Gilbert and Sullivan Archive 2371:Samuel K. Mirsky Memorial Volume 1209:-language translation, first in 794: 599: 275:Tubal – a Jew; friend of Shylock 4461:Shylock and the Jewish Question 4050:Burnett, Mark Thornton (2007). 3779:– via www.thetimes.co.uk. 3540:. Lexington Books. p. 29. 3221:Burnett, Mark Thornton (2011). 3206:Beecham, Adrian Welles (1921). 2751:. Routledge. pp. 84, 295. 2211:Stationers' Register entry for 1093: 805:needs additional citations for 779:depiction of Jews in literature 748:In a series of articles called 6506:Prayer for the French Republic 6272:Angels in America: Perestroika 6176:"Master Harold"...and the Boys 5810:Works titled after Shakespeare 3906:10.5040/9781408160398.00000006 3854:Everything that Never Happened 3793:Everything that Never Happened 3768:Alderman, Naomi (7 May 2016). 3227:. Edinburgh University Press. 3075:. The Spectator. 28 April 2018 2772:Ball, Robert Hamilton (2013). 2016:Everything that Never Happened 284:Leonardo – servant to Bassanio 1: 6590:Plays set in the 16th century 5970:Shakespeare and other authors 4830:All that glitters is not gold 4142:The English Historical Review 3958:A Life on the Stage: A Memoir 3799:through a Jewish perspective" 3346:, New York: Macmillan, 1924. 3320:Gabriel Fauré: A musical life 3318:Nectoux, Jean-Michel (1991). 2941:. Nelson Thornes. p. 8. 2905:Rothwell, Kenneth S. (2004). 2721:Lois Weber in Early Hollywood 1881:(1993) depicts SS Lieutenant 1631:financial crisis of 2007–2008 1016:. Act 4, scene 1, ll. 285–298 393:A depiction of Jessica, from 6600:Cross-dressing in literature 5852:Shakespeare Birthplace Trust 4811:The Maori Merchant of Venice 4031:; Heims, Neil, eds. (2007). 3927:Pearce, Joseph, ed. (2009). 3888:Drakakis, John, ed. (2010). 3602:Forberg Schneider Foundation 3294:"Andre Tchaikowsky Composer" 2503:Encyclopaedia of Shakespeare 1834:, was first produced at the 1567:The Māori Merchant of Venice 1292:, a silent film directed by 571:; Heyes published the first 551:The play was entered in the 429:, not the blood, of Antonio. 257:Balthazar – Portia's servant 6615:Shakespearean problem plays 6347:The Goat, or Who Is Sylvia? 6304:The Beauty Queen of Leenane 5658:English Renaissance theatre 5501:The Second Maiden's Tragedy 5480:The Merry Devil of Edmonton 5012:The Two Gentlemen of Verona 4538:public domain audiobook at 4379:University of Hawaiʻi Press 3998:10.5840/humanitas2011241/23 3163:(Second ed.). Lanham. 3019:Gunn, Drewey Wayne (2017). 2995:Shakespeare and Immigration 2573:, accessed 31 December 2009 1705:was first performed at the 1666:was first performed at the 1281:Film, TV and radio versions 1240:. In a 1902 interview with 544:captured by the English at 527:The date of composition of 438:thy goods are confiscate." 430: 260:Stephano – Portia's servant 6631: 6560:Antisemitism in literature 5826:Folger Shakespeare Library 5372:The Phoenix and the Turtle 4962:The Merry Wives of Windsor 4513:Folger Shakespeare Library 4281:Abend-David, Dror (2003). 4137:"Shakespeare and the Jews" 3975:Beauchamp, Gorman (2011). 3210:. London: Schott & Co. 2778:. Routledge. p. 151. 1699:'s three-act French opera 1505:BBC Television Shakespeare 1167: 925:Act III, scene I, l. 50–72 29: 6585:Plays adapted into operas 6570:Cross-dressing in theatre 6280:Love! Valour! Compassion! 5964: 5845:Royal Shakespeare Theatre 5840:Royal Shakespeare Company 5331: 4969:A Midsummer Night's Dream 4913:All's Well That Ends Well 3660:Hale, Mike (6 May 2010). 3579:. Peter Lang. p. 5. 3573:Honegger, Thomas (2018). 3094:Casler, Lawrence (2001). 3025:. McFarland. p. 17. 2971:. Springer. p. 198. 2673:Wells & Dobson (2001) 2340:Newman, Louis I. (2012). 1748:, first performed at the 1662:'s three-act Czech opera 714:to Christianity to be a " 185:Although classified as a 46: 6160:Children of a Lesser God 4983:Pericles, Prince of Tyre 4287:, New York: Peter-Lang. 4242:Shakespeare and the Jews 4155:10.1093/ehr/IX.XXXVI.652 4069:Burrin, Philipe (2005). 3856:– Boston Court Pasadena" 2992:Espinosa, Ruben (2016). 2565:25 November 2009 at the 2359:. Moreclacke Publishing. 1970:in his 2014 comic novel 1925:is a 2002 film based on 1766:authored a sequel play, 1348:, as well as stories by 1328:Der Kaufmann von Venedig 1215:Yiddish Theater District 657:Shylock as an antagonist 6610:Antisemitism in England 4991:The Taming of the Shrew 4268:Oxford University Press 4185:. New York: Routledge. 3920:Bloomsbury Drama Online 3280:2 December 2013 at the 3159:Wearing, J. P. (2014). 3129:Hostetler, Bob (2016). 3046:Stone, Alan A. (2012). 2718:Stamp, Shelley (2015). 2230:Wells & Dobson 2001 1948:In the 2009 spy comedy 1892:'s 1995 crime thriller 1668:Prague National Theatre 1660:Josef Bohuslav Foerster 1553:production directed by 1146:Compagnia de' Colombari 955:as Shylock, painted by 6550:Shakespearean comedies 6545:The Merchant of Venice 6296:How I Learned to Drive 6071:The Merchant of Venice 5673:Lord Chamberlain's Men 5584:The Passionate Pilgrim 5357:comparison to Petrarch 4976:Much Ado About Nothing 4955:The Merchant of Venice 4751:The Merchant of Venice 4591:The Merchant of Venice 4535:The Merchant of Venice 4519:The Merchant of Venice 4508:The Merchant of Venice 4496:The Merchant of Venice 4482:The Merchant of Venice 4310:The Merchant of Venice 4035:. New York: Infobase. 4033:The Merchant of Venice 3977:"Shylock's Conversion" 3929:The Merchant of Venice 3890:The Merchant of Venice 3881:The Merchant of Venice 3797:The Merchant of Venice 2938:The Merchant of Venice 2482:1 January 2006 at the 2460:The Merchant of Venice 2383:The Merchant of Venice 2355:Armin, Robert (2012). 2218:Shakespeare Documented 2213:The Merchant of Venice 2155:The Merchant of Venice 2139:The Merchant of Venice 2123:The Merchant of Venice 2107:The Merchant of Venice 2091:The Merchant of Venice 2075:The Merchant of Venice 2059:The Merchant of Venice 2030:The Merchant of Venice 1978:) and Desdemona (from 1976:The Merchant of Venice 1962:The Merchant of Venice 1869:, who quotes Shylock. 1853:The Merchant of Venice 1840:The Merchant of Venice 1774:Ralph Vaughan Williams 1758:suite of the same name 1742:The Merchant of Venice 1718:The Merchant of Venice 1687:Duke of York's Theatre 1595:The Merchant of Venice 1587:Shakespeare's Merchant 1551:Royal National Theatre 1547:The Merchant of Venice 1528:The Merchant of Venice 1501:The Merchant of Venice 1462:The Merchant of Venice 1441:series. Cast includes 1429:The Merchant of Venice 1417:The Merchant of Venice 1408:The Merchant of Venice 1379:The Merchant of Venice 1323:The Merchant of Venice 1306:The Merchant of Venice 1289:The Merchant of Venice 1160: 1142:The Merchant of Venice 1064: 1019: 1014:The Merchant of Venice 960: 928: 859: 735:The Merchant of Venice 653: 529:The Merchant of Venice 487: 484:The Merchant of Venice 475: 397: 330: 328:The Merchant of Venice 163:The Merchant of Venice 42:The Merchant of Venice 5863:Shakespeare Institute 5832:Shakespeare Quarterly 5351:Shakespeare's sonnets 5019:The Two Noble Kinsmen 4745:Le marchand de Venise 4387:10.1353/atj.2011.0014 4370:Asian Theatre Journal 3248:Pitou, Spire (1990). 3135:. Worthy Publishing. 2745:Low, Rachael (2013). 2357:Sheva, the Benevolent 2000:The Wolf in the Water 1972:The Serpent of Venice 1836:University of Hamburg 1806:Her Majesty's Theatre 1716:'s (1935–1982) opera 1702:Le marchand de Venise 1677:, 15-year-old son of 1466:Associated Television 1154: 1122:, paving the way for 1062: 953:Herbert Beerbohm Tree 950: 851: 645: 481: 470: 392: 326:, an illustration to 318: 6401:August: Osage County 6232:The Heidi Chronicles 6097:Same Time, Next Year 6092:No Award (1957–1974) 6053:The Way of the World 5719:Spelling of his name 5559:Vortigern and Rowena 5537:Thomas Lord Cromwell 5117:Troilus and Cressida 5047:Antony and Cleopatra 4941:Love's Labour's Lost 4927:The Comedy of Errors 4844:The quality of mercy 4113:Gross, John (1994). 3298:andretchaikowsky.com 2248:Smithsonian Magazine 2036:Notes and references 2020:Yale School of Drama 1951:OSS 117: Lost in Rio 1633:. The cast included 1580:Pei Te Hurinui Jones 1511:. The cast includes 1503:, a version for the 1480:, the cast included 1468:version directed by 1354:Masuccio Salernitano 1250:2004 film adaptation 814:improve this article 447:his one-half share " 214:the quality of mercy 206:Hath not a Jew eyes? 143:Shakespearean comedy 6565:Plays set in Venice 6393:The Coast of Utopia 5943:Richard Shakespeare 5925:Gilbert Shakespeare 5857:Shakespeare's Globe 5762:Authorship question 5757:Attribution studies 5724:Stratford-upon-Avon 5566:A Yorkshire Tragedy 5544:Thomas of Woodstock 5530:The Spanish Tragedy 5471:Love's Labour's Won 5463:The London Prodigal 5420:The Birth of Merlin 5379:The Rape of Lucrece 5365:A Lover's Complaint 5245:Quarto publications 4948:Measure for Measure 4887:William Shakespeare 4586:William Shakespeare 4357:Merchant of Venice' 4315:The English Journal 3694:The Times of Israel 3628:archive.nytimes.com 3612:"The Belmont Prize" 3492:Billington, Michael 3344:The Lady of Belmont 3254:. Greenwood Press. 3048:"Redeeming Shylock" 2699:, pp. 344–350. 2687:, pp. 342–344. 2188:, pp. 112–113. 2014:Sarah B. Mantell's 1808:, London, in 1977. 1768:The Lady of Belmont 1729:Cultural references 1557:. Set around 1930, 1382:, a French-Italian 1350:Giovanni Fiorentino 1340:Christopher Marlowe 1195:Junius Brutus Booth 1068:Performance history 683:St Paul's Cathedral 647:Shylock and Jessica 563:for a new play, by 503:Giovanni Fiorentino 168:William Shakespeare 67:William Shakespeare 27:Play by Shakespeare 6595:Plays set in Italy 6184:Torch Song Trilogy 5937:Edmund Shakespeare 5895:Hamnet Shakespeare 5792:Screen adaptations 5515:Sir John Oldcastle 5413:Arden of Faversham 4733:Incidental music: 4547:, 2021 video with 4459:Yaffe, Martin D.: 4301:Johannesburg Times 4214:10.1007/BF01695218 4149:(XXXVI): 652–661. 3667:The New York Times 3624:"The Joy of Theft" 3470:The New York Times 3342:Ervine, St. John, 3106:Edwin Mellen Press 3102:Lewiston, New York 2883:. 10 February 1973 2880:The New York Times 2344:. Forgotten Books. 1931:Władysław Szpilman 1828:David Henry Wilson 1787:To Be or Not to Be 1750:Théâtre de l'Odéon 1679:Sir Thomas Beecham 1476:. Set in the late 1161: 1065: 961: 860: 853:Shylock and Portia 754:Richard Cumberland 681:, who was Dean of 654: 611:. You can help by 557:Stationers Company 488: 482:The first page of 476: 398: 333:Bassanio, a young 331: 53:Title page of the 6532: 6531: 6208:A Lie of the Mind 6136:Otherwise Engaged 6086:The Iceman Cometh 6059:Thieves' Carnival 6003: 6002: 5907:Elizabeth Barnard 5871: 5870: 5600: 5599: 5329: 5328: 5027:The Winter's Tale 4853: 4852: 4837:Between you and I 4779:Serenade to Music 4501:Project Gutenberg 4437:978-0-415-92999-8 4293:978-0-8204-5798-7 4238:Shapiro, James S. 4124:978-0-671-88386-7 4091:(15 March 2016). 4073:. The New Press. 4042:978-0-7910-9576-8 3947:Secondary sources 3915:978-1-903436-81-3 3894:Arden Shakespeare 3807:. 12 October 2018 3804:Los Angeles Times 3722:The Seattle Times 3689:"Blame It on Rio" 3563:, pp. 93–94. 3494:(13 April 2016). 3463:(13 April 2016). 3170:978-0-8108-9301-6 2802:(29 March 2014). 2631:978-88-6969-503-2 2446:978-1-60413-885-6 2200:, pp. 60–61. 2011:was instituted. 1958:Christopher Moore 1915:The Bacon Fancier 1832:Shylock's Revenge 1800:The rock musical 1779:Serenade to Music 1734:Edmond Haraucourt 1720:premiered at the 1714:André Tchaikowsky 1709:on 25 March 1935. 1620:Zuleikha Robinson 1492:as Bassanio, and 1455:Christopher Gable 1438:Play of the Month 1336:Peter Paul Felner 1332:The Jew of Mestri 1267:Alexander Granach 1082:The Jew of Venice 964:Antonio, Bassanio 846: 845: 838: 712:forced conversion 698:The Jew of Venice 629: 628: 511:Alexandre Sylvane 195:romantic comedies 159: 158: 109:Original language 18:Tubal (character) 16:(Redirected from 6622: 6575:Works about debt 6385:The History Boys 6377:Doubt: A Parable 6369:I Am My Own Wife 6240:The Piano Lesson 6152:The Elephant Man 6080: 6030: 6023: 6016: 6007: 5993: 5992: 5983: 5982: 5931:Joan Shakespeare 5913:John Shakespeare 5816: 5797:Shakespeare and 5508:Sejanus His Fall 5475: 5435:Double Falsehood 5402: 5386:Venus and Adonis 5337: 5110:Titus Andronicus 5096:Romeo and Juliet 4900: 4880: 4873: 4866: 4857: 4657:The Jew of Malta 4579: 4572: 4565: 4556: 4532: 4531: 4503: 4441: 4422: 4351: 4271: 4255: 4233: 4208:(1/2): 179–210. 4196: 4174: 4135:(October 1894). 4128: 4109: 4107: 4105: 4084: 4065: 4046: 4024: 4022: 4020: 4014: 3981: 3971: 3942: 3923: 3896:, third series. 3867: 3866: 3864: 3862: 3848: 3842: 3841: 3839: 3837: 3831:Sarah B. Mantell 3823: 3817: 3816: 3814: 3812: 3787: 3781: 3780: 3778: 3776: 3765: 3759: 3758: 3756: 3754: 3740: 3734: 3733: 3731: 3729: 3713: 3707: 3706: 3704: 3702: 3685: 3679: 3678: 3676: 3674: 3657: 3651: 3645: 3639: 3638: 3636: 3634: 3620: 3614: 3609: 3603: 3600:"The Foundation" 3597: 3591: 3590: 3570: 3564: 3558: 3552: 3551: 3531: 3525: 3519: 3513: 3512: 3510: 3508: 3488: 3482: 3481: 3479: 3477: 3457: 3451: 3450: 3443: 3437: 3436: 3434: 3432: 3417: 3411: 3410: 3394: 3385:Bernardi, Daniel 3380: 3374: 3373: 3353: 3347: 3340: 3334: 3333: 3315: 3309: 3308: 3306: 3304: 3290: 3284: 3272: 3266: 3265: 3245: 3239: 3238: 3218: 3212: 3211: 3203: 3197: 3196: 3190: 3182: 3156: 3147: 3146: 3126: 3120: 3119: 3091: 3085: 3084: 3082: 3080: 3069: 3063: 3062: 3060: 3058: 3043: 3037: 3036: 3016: 3010: 3009: 2989: 2983: 2982: 2962: 2953: 2952: 2932: 2923: 2922: 2902: 2893: 2892: 2890: 2888: 2872: 2866: 2860: 2843: 2842: 2840: 2838: 2827: 2821: 2820: 2818: 2816: 2796: 2790: 2789: 2769: 2763: 2762: 2742: 2736: 2735: 2715: 2709: 2706: 2700: 2694: 2688: 2682: 2676: 2670: 2664: 2658: 2652: 2642: 2636: 2635: 2608: 2602: 2601: 2599: 2597: 2580: 2574: 2557: 2551: 2546:F. E. Halliday, 2544: 2538: 2537: 2535: 2533: 2516:Warde, Frederick 2512: 2506: 2499: 2493: 2473: 2467: 2457: 2451: 2450: 2429: 2423: 2417: 2411: 2405: 2399: 2396: 2390: 2380: 2374: 2367: 2361: 2360: 2352: 2346: 2345: 2337: 2331: 2325: 2319: 2313: 2307: 2301: 2295: 2289: 2283: 2277: 2271: 2265: 2259: 2258: 2256: 2254: 2239: 2233: 2227: 2221: 2207: 2201: 2195: 2189: 2183: 2177: 2171: 2162: 2152: 2146: 2136: 2130: 2120: 2114: 2104: 2098: 2088: 2082: 2072: 2066: 2056: 1878:Schindler's List 1873:Steven Spielberg 1724:on 18 July 2013. 1722:Bregenz Festival 1486:Anthony Nicholls 1482:Laurence Olivier 1345:The Jew of Malta 1298:Phillips Smalley 1164:Shylock on stage 1134:incidental music 1086:Thomas Betterton 1078:George Granville 1023:The Dyer's Hand, 1017: 926: 841: 834: 830: 827: 821: 798: 790: 723:authorial intent 703:The Jew of Malta 651:Maurycy Gottlieb 624: 621: 603: 596: 436: 51: 39: 21: 6630: 6629: 6625: 6624: 6623: 6621: 6620: 6619: 6535: 6534: 6533: 6528: 6501:No Award (2021) 6495:The Inheritance 6326: 6248:Lost in Yonkers 6130:A Texas Trilogy 6109: 6077:The White Devil 6050: 6039: 6034: 6004: 5999: 5960: 5909:(granddaughter) 5867: 5814: 5743: 5709:Religious views 5687:Curtain Theatre 5608: 5596: 5571: 5522:Sir Thomas More 5468: 5442:Edmund Ironside 5391: 5338: 5325: 5299:Ghost character 5259: 5231: 5122: 5103:Timon of Athens 5032: 4889: 4884: 4854: 4849: 4817: 4766: 4722: 4662: 4643:Gesta Romanorum 4630: 4594: 4583: 4529: 4524:British Library 4493: 4487:Standard Ebooks 4477: 4438: 4425: 4354: 4307: 4278: 4276:Further reading 4258: 4252: 4236: 4199: 4193: 4177: 4131: 4125: 4112: 4103: 4101: 4098:British Library 4087: 4081: 4068: 4062: 4049: 4043: 4027: 4018: 4016: 4012: 3979: 3974: 3968: 3952: 3949: 3939: 3926: 3916: 3887: 3884: 3876: 3871: 3870: 3860: 3858: 3850: 3849: 3845: 3835: 3833: 3825: 3824: 3820: 3810: 3808: 3789: 3788: 3784: 3774: 3772: 3767: 3766: 3762: 3752: 3750: 3742: 3741: 3737: 3727: 3725: 3715: 3714: 3710: 3700: 3698: 3687: 3686: 3682: 3672: 3670: 3659: 3658: 3654: 3646: 3642: 3632: 3630: 3622: 3621: 3617: 3610: 3606: 3598: 3594: 3587: 3572: 3571: 3567: 3559: 3555: 3548: 3533: 3532: 3528: 3520: 3516: 3506: 3504: 3490: 3489: 3485: 3475: 3473: 3459: 3458: 3454: 3445: 3444: 3440: 3430: 3428: 3419: 3418: 3414: 3407: 3382: 3381: 3377: 3370: 3355: 3354: 3350: 3341: 3337: 3330: 3317: 3316: 3312: 3302: 3300: 3292: 3291: 3287: 3282:Wayback Machine 3273: 3269: 3262: 3247: 3246: 3242: 3235: 3220: 3219: 3215: 3205: 3204: 3200: 3183: 3171: 3158: 3157: 3150: 3143: 3128: 3127: 3123: 3116: 3093: 3092: 3088: 3078: 3076: 3071: 3070: 3066: 3056: 3054: 3045: 3044: 3040: 3033: 3018: 3017: 3013: 3006: 2991: 2990: 2986: 2979: 2964: 2963: 2956: 2949: 2934: 2933: 2926: 2919: 2904: 2903: 2896: 2886: 2884: 2874: 2873: 2869: 2861: 2846: 2836: 2834: 2829: 2828: 2824: 2814: 2812: 2798: 2797: 2793: 2786: 2771: 2770: 2766: 2759: 2744: 2743: 2739: 2732: 2717: 2716: 2712: 2707: 2703: 2695: 2691: 2683: 2679: 2671: 2667: 2659: 2655: 2643: 2639: 2632: 2610: 2609: 2605: 2595: 2593: 2582: 2581: 2577: 2567:Wayback Machine 2558: 2554: 2545: 2541: 2531: 2529: 2514: 2513: 2509: 2501:Charles Boyce, 2500: 2496: 2489:ABC News Online 2484:Wayback Machine 2474: 2470: 2458: 2454: 2447: 2431: 2430: 2426: 2418: 2414: 2406: 2402: 2397: 2393: 2381: 2377: 2368: 2364: 2354: 2353: 2349: 2339: 2338: 2334: 2326: 2322: 2314: 2310: 2302: 2298: 2290: 2286: 2278: 2274: 2266: 2262: 2252: 2250: 2241: 2240: 2236: 2228: 2224: 2208: 2204: 2198:Drakakis (2010) 2196: 2192: 2184: 2180: 2172: 2165: 2153: 2149: 2137: 2133: 2121: 2117: 2105: 2101: 2089: 2085: 2073: 2069: 2057: 2053: 2048: 2043: 2038: 2009:Venetian Ghetto 1939:Nazi occupation 1764:St. John Ervine 1731: 1656: 1618:as Portia, and 1600:Michael Radford 1561:played Shylock. 1538:as Shylock and 1519:as Shylock and 1517:Warren Mitchell 1283: 1275: 1254:Michael Radford 1221:, and later on 1219:Lower East Side 1172: 1166: 1138:Venetian Ghetto 1130:Arthur Sullivan 1116:Charles Macklin 1070: 1018: 1012: 1009: 1006: 1004: 1002: 1000: 996: 995: 994: 992: 990: 988: 986: 984: 970:unrequited love 966: 927: 924: 921: 918: 916: 914: 912: 910: 908: 906: 904: 902: 900: 898: 896: 894: 892: 890: 888: 886: 884: 882: 880: 875: 874: 872: 842: 831: 825: 822: 811: 799: 788: 675:Oliver Cromwell 659: 625: 619: 616: 609:needs expansion 594: 589: 525: 516:Gesta Romanorum 465: 463:Earlier sources 324:After the Trial 313: 308: 226: 104: 58: 35: 28: 23: 22: 15: 12: 11: 5: 6628: 6626: 6618: 6617: 6612: 6607: 6602: 6597: 6592: 6587: 6582: 6577: 6572: 6567: 6562: 6557: 6552: 6547: 6537: 6536: 6530: 6529: 6527: 6526: 6518: 6510: 6502: 6499: 6491: 6483: 6477: 6469: 6461: 6453: 6445: 6437: 6429: 6421: 6413: 6405: 6397: 6389: 6381: 6373: 6365: 6357: 6343: 6334: 6332: 6328: 6327: 6325: 6324: 6316: 6308: 6300: 6292: 6284: 6276: 6268: 6260: 6252: 6244: 6236: 6228: 6220: 6212: 6204: 6196: 6192:The Real Thing 6188: 6180: 6172: 6164: 6156: 6148: 6140: 6126: 6117: 6115: 6111: 6110: 6108: 6107: 6093: 6090: 6082: 6047: 6045: 6041: 6040: 6035: 6033: 6032: 6025: 6018: 6010: 6001: 6000: 5998: 5997: 5987: 5976: 5975: 5972: 5965: 5962: 5961: 5959: 5958: 5952: 5946: 5940: 5934: 5928: 5922: 5916: 5910: 5904: 5898: 5892: 5886: 5879: 5877: 5873: 5872: 5869: 5868: 5866: 5865: 5860: 5854: 5849: 5848: 5847: 5837: 5836: 5835: 5822: 5820: 5813: 5812: 5807: 5802: 5794: 5789: 5784: 5779: 5774: 5769: 5764: 5759: 5753: 5751: 5745: 5744: 5742: 5741: 5736: 5731: 5726: 5721: 5716: 5711: 5706: 5701: 5696: 5691: 5690: 5689: 5684: 5670: 5665: 5660: 5655: 5650: 5648:Collaborations 5645: 5640: 5639: 5638: 5633: 5621: 5615: 5613: 5602: 5601: 5598: 5597: 5595: 5594: 5587: 5579: 5577: 5573: 5572: 5570: 5569: 5562: 5555: 5547: 5540: 5533: 5526: 5518: 5511: 5504: 5497: 5490: 5483: 5476: 5466: 5459: 5452: 5445: 5438: 5431: 5423: 5416: 5408: 5406: 5399: 5393: 5392: 5390: 5389: 5382: 5375: 5368: 5361: 5360: 5359: 5346: 5344: 5340: 5339: 5332: 5330: 5327: 5326: 5324: 5323: 5318: 5313: 5308: 5303: 5302: 5301: 5296: 5291: 5283: 5278: 5273: 5267: 5265: 5261: 5260: 5258: 5257: 5252: 5247: 5241: 5239: 5237:Early editions 5233: 5232: 5230: 5229: 5221: 5214: 5213: 5212: 5205: 5198: 5183: 5176: 5175: 5174: 5167: 5155: 5148: 5140: 5132: 5130: 5124: 5123: 5121: 5120: 5113: 5106: 5099: 5092: 5085: 5078: 5071: 5064: 5057: 5050: 5042: 5040: 5034: 5033: 5031: 5030: 5023: 5015: 5008: 5001: 4994: 4987: 4979: 4972: 4965: 4958: 4951: 4944: 4937: 4930: 4923: 4920:As You Like It 4916: 4908: 4906: 4897: 4891: 4890: 4885: 4883: 4882: 4875: 4868: 4860: 4851: 4850: 4848: 4847: 4840: 4833: 4825: 4823: 4819: 4818: 4816: 4815: 4807: 4799: 4791: 4783: 4774: 4772: 4768: 4767: 4765: 4764: 4755: 4740: 4730: 4728: 4724: 4723: 4721: 4720: 4715: 4709: 4704: 4699: 4694: 4686: 4681: 4676: 4670: 4668: 4664: 4663: 4661: 4660: 4653: 4646: 4638: 4636: 4632: 4631: 4629: 4628: 4623: 4618: 4613: 4608: 4602: 4600: 4596: 4595: 4584: 4582: 4581: 4574: 4567: 4559: 4553: 4552: 4542: 4526: 4515: 4504: 4491: 4489: 4476: 4475:External links 4473: 4472: 4471: 4457: 4442: 4436: 4423: 4352: 4332:10.2307/818931 4305: 4296: 4277: 4274: 4273: 4272: 4260:Wells, Stanley 4256: 4250: 4234: 4202:Jewish History 4197: 4191: 4175: 4133:Hales, John W. 4129: 4123: 4117:. Touchstone. 4110: 4085: 4079: 4066: 4061:978-0230800809 4060: 4047: 4041: 4025: 3972: 3966: 3948: 3945: 3944: 3943: 3938:978-1681495200 3937: 3924: 3914: 3883: 3877: 3875: 3872: 3869: 3868: 3843: 3818: 3782: 3760: 3735: 3708: 3680: 3652: 3640: 3615: 3604: 3592: 3586:978-3039103928 3585: 3565: 3553: 3547:978-0739154960 3546: 3526: 3524:, p. 335. 3514: 3483: 3452: 3438: 3412: 3405: 3375: 3369:978-0521197687 3368: 3348: 3335: 3328: 3310: 3285: 3267: 3261:978-0313277825 3260: 3240: 3233: 3213: 3198: 3169: 3148: 3141: 3121: 3114: 3086: 3064: 3038: 3031: 3011: 3005:978-1317056614 3004: 2984: 2978:978-1137375773 2977: 2954: 2948:978-0748769575 2947: 2924: 2918:978-0521543118 2917: 2894: 2867: 2844: 2822: 2791: 2785:978-1134980987 2784: 2764: 2758:978-1136206061 2757: 2737: 2731:978-0520241527 2730: 2710: 2701: 2689: 2677: 2675:, p. 290. 2665: 2663:, p. 341. 2653: 2637: 2630: 2603: 2575: 2552: 2539: 2507: 2494: 2468: 2452: 2445: 2424: 2412: 2410:, p. 233. 2400: 2391: 2375: 2362: 2347: 2332: 2320: 2316:Beauchamp 2011 2308: 2296: 2284: 2272: 2260: 2234: 2232:, p. 288. 2222: 2202: 2190: 2178: 2163: 2147: 2131: 2115: 2099: 2083: 2067: 2050: 2049: 2047: 2044: 2042: 2039: 2037: 2034: 1996:Naomi Alderman 1776:' choral work 1730: 1727: 1726: 1725: 1710: 1694: 1673:Adrian Welles 1671: 1655: 1652: 1651: 1650: 1623: 1612:Joseph Fiennes 1598:, directed by 1590: 1583: 1570:, directed by 1562: 1543: 1524: 1497: 1494:Joan Plowright 1458: 1435:for the BBC's 1433:Cedric Messina 1425: 1412: 1403: 1400:Massimo Serato 1374: 1371:Tamil language 1361: 1358:Pietro Aretino 1318: 1301: 1282: 1279: 1274: 1271: 1165: 1162: 1105:Thomas Doggett 1069: 1066: 1054:Joseph Fiennes 1010: 979: 965: 962: 957:Charles Buchel 922: 866: 844: 843: 802: 800: 793: 787: 784: 658: 655: 627: 626: 606: 604: 593: 590: 588: 585: 524: 521: 464: 461: 444:the government 414:Duke of Venice 312: 309: 307: 306: 303: 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 267: 261: 258: 255: 252: 246: 243: 240: 234: 227: 225: 222: 199:pound of flesh 157: 156: 155:, 16th century 150: 146: 145: 140: 136: 135: 130: 126: 125: 120: 116: 115: 110: 106: 105: 103: 102: 97: 92: 87: 82: 76: 74: 70: 69: 64: 60: 59: 52: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6627: 6616: 6613: 6611: 6608: 6606: 6603: 6601: 6598: 6596: 6593: 6591: 6588: 6586: 6583: 6581: 6578: 6576: 6573: 6571: 6568: 6566: 6563: 6561: 6558: 6556: 6553: 6551: 6548: 6546: 6543: 6542: 6540: 6524: 6523: 6519: 6516: 6515: 6511: 6508: 6507: 6503: 6500: 6497: 6496: 6492: 6489: 6488: 6484: 6481: 6478: 6475: 6474: 6470: 6467: 6466: 6462: 6459: 6458: 6454: 6451: 6450: 6446: 6443: 6442: 6438: 6435: 6434: 6430: 6427: 6426: 6422: 6419: 6418: 6414: 6411: 6410: 6406: 6403: 6402: 6398: 6395: 6394: 6390: 6387: 6386: 6382: 6379: 6378: 6374: 6371: 6370: 6366: 6363: 6362: 6358: 6355: 6354: 6353:Metamorphoses 6349: 6348: 6344: 6341: 6340: 6336: 6335: 6333: 6329: 6322: 6321: 6317: 6314: 6313: 6309: 6306: 6305: 6301: 6298: 6297: 6293: 6290: 6289: 6285: 6282: 6281: 6277: 6274: 6273: 6269: 6266: 6265: 6261: 6258: 6257: 6256:Marvin's Room 6253: 6250: 6249: 6245: 6242: 6241: 6237: 6234: 6233: 6229: 6226: 6225: 6221: 6218: 6217: 6213: 6210: 6209: 6205: 6202: 6201: 6197: 6194: 6193: 6189: 6186: 6185: 6181: 6178: 6177: 6173: 6170: 6169: 6165: 6162: 6161: 6157: 6154: 6153: 6149: 6146: 6145: 6141: 6138: 6137: 6132: 6131: 6127: 6124: 6123: 6119: 6118: 6116: 6112: 6105: 6104: 6099: 6098: 6094: 6091: 6088: 6087: 6083: 6079: 6078: 6073: 6072: 6067: 6066: 6065:Twelfth Night 6061: 6060: 6055: 6054: 6049: 6048: 6046: 6042: 6038: 6031: 6026: 6024: 6019: 6017: 6012: 6011: 6008: 5996: 5988: 5986: 5978: 5977: 5973: 5971: 5967: 5966: 5963: 5956: 5955:Thomas Quiney 5953: 5950: 5947: 5945:(grandfather) 5944: 5941: 5938: 5935: 5932: 5929: 5926: 5923: 5920: 5917: 5914: 5911: 5908: 5905: 5902: 5901:Judith Quiney 5899: 5896: 5893: 5890: 5887: 5884: 5883:Anne Hathaway 5881: 5880: 5878: 5874: 5864: 5861: 5858: 5855: 5853: 5850: 5846: 5843: 5842: 5841: 5838: 5834: 5833: 5829: 5828: 5827: 5824: 5823: 5821: 5817: 5811: 5808: 5806: 5803: 5801: 5800: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5754: 5752: 5750: 5746: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5700: 5697: 5695: 5692: 5688: 5685: 5683: 5680: 5679: 5678: 5674: 5671: 5669: 5666: 5664: 5663:Globe Theatre 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5637: 5634: 5632: 5631: 5627: 5626: 5625: 5622: 5620: 5617: 5616: 5614: 5612: 5607: 5603: 5593: 5592: 5588: 5586: 5585: 5581: 5580: 5578: 5574: 5568: 5567: 5563: 5561: 5560: 5556: 5553: 5552: 5548: 5546: 5545: 5541: 5539: 5538: 5534: 5532: 5531: 5527: 5524: 5523: 5519: 5517: 5516: 5512: 5510: 5509: 5505: 5503: 5502: 5498: 5496: 5495: 5491: 5489: 5488: 5484: 5482: 5481: 5477: 5473: 5472: 5467: 5465: 5464: 5460: 5458: 5457: 5453: 5451: 5450: 5446: 5444: 5443: 5439: 5437: 5436: 5432: 5429: 5428: 5424: 5422: 5421: 5417: 5415: 5414: 5410: 5409: 5407: 5403: 5400: 5398: 5394: 5388: 5387: 5383: 5381: 5380: 5376: 5374: 5373: 5369: 5367: 5366: 5362: 5358: 5355: 5354: 5353: 5352: 5348: 5347: 5345: 5341: 5336: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5300: 5297: 5295: 5292: 5290: 5287: 5286: 5284: 5282: 5279: 5277: 5276:Late romances 5274: 5272: 5271:Problem plays 5269: 5268: 5266: 5262: 5256: 5253: 5251: 5248: 5246: 5243: 5242: 5240: 5238: 5234: 5227: 5226: 5222: 5220: 5219: 5215: 5211: 5210: 5206: 5204: 5203: 5199: 5196: 5195: 5191: 5190: 5189: 5188: 5184: 5182: 5181: 5177: 5173: 5172: 5168: 5166: 5165: 5161: 5160: 5159: 5156: 5154: 5153: 5149: 5146: 5145: 5141: 5139: 5138: 5134: 5133: 5131: 5129: 5125: 5119: 5118: 5114: 5112: 5111: 5107: 5105: 5104: 5100: 5098: 5097: 5093: 5091: 5090: 5086: 5084: 5083: 5079: 5077: 5076: 5072: 5070: 5069: 5068:Julius Caesar 5065: 5063: 5062: 5058: 5056: 5055: 5051: 5049: 5048: 5044: 5043: 5041: 5039: 5035: 5029: 5028: 5024: 5021: 5020: 5016: 5014: 5013: 5009: 5007: 5006: 5005:Twelfth Night 5002: 5000: 4999: 4995: 4993: 4992: 4988: 4985: 4984: 4980: 4978: 4977: 4973: 4971: 4970: 4966: 4964: 4963: 4959: 4957: 4956: 4952: 4950: 4949: 4945: 4943: 4942: 4938: 4936: 4935: 4931: 4929: 4928: 4924: 4922: 4921: 4917: 4915: 4914: 4910: 4909: 4907: 4905: 4901: 4898: 4896: 4892: 4888: 4881: 4876: 4874: 4869: 4867: 4862: 4861: 4858: 4845: 4841: 4838: 4834: 4831: 4827: 4826: 4824: 4820: 4813: 4812: 4808: 4805: 4804: 4800: 4797: 4796: 4792: 4789: 4788: 4784: 4781: 4780: 4776: 4775: 4773: 4769: 4762: 4761: 4756: 4753: 4752: 4747: 4746: 4741: 4738: 4737: 4732: 4731: 4729: 4725: 4719: 4716: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4692: 4691: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4671: 4669: 4665: 4659: 4658: 4654: 4652: 4651: 4647: 4645: 4644: 4640: 4639: 4637: 4633: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4609: 4607: 4604: 4603: 4601: 4597: 4593: 4592: 4587: 4580: 4575: 4573: 4568: 4566: 4561: 4560: 4557: 4550: 4546: 4543: 4541: 4537: 4536: 4527: 4525: 4521: 4520: 4516: 4514: 4510: 4509: 4505: 4502: 4498: 4497: 4492: 4490: 4488: 4484: 4483: 4479: 4478: 4474: 4470: 4466: 4462: 4458: 4455: 4454:0-521-00816-6 4451: 4447: 4443: 4439: 4433: 4429: 4424: 4420: 4416: 4412: 4408: 4404: 4400: 4396: 4392: 4388: 4384: 4380: 4376: 4372: 4371: 4366: 4362: 4358: 4353: 4349: 4345: 4341: 4337: 4333: 4329: 4325: 4321: 4317: 4316: 4311: 4306: 4303: 4302: 4297: 4294: 4290: 4286: 4285: 4280: 4279: 4275: 4269: 4265: 4261: 4257: 4253: 4251:9780231178679 4247: 4243: 4239: 4235: 4231: 4227: 4223: 4219: 4215: 4211: 4207: 4203: 4198: 4194: 4192:0-415-35269-X 4188: 4184: 4180: 4179:Muir, Kenneth 4176: 4172: 4168: 4164: 4160: 4156: 4152: 4148: 4144: 4143: 4138: 4134: 4130: 4126: 4120: 4116: 4111: 4100: 4099: 4094: 4090: 4089:Dautch, Aviva 4086: 4082: 4080:1-56584-969-8 4076: 4072: 4067: 4063: 4057: 4053: 4048: 4044: 4038: 4034: 4030: 4029:Bloom, Harold 4026: 4011: 4007: 4003: 3999: 3995: 3991: 3987: 3986: 3978: 3973: 3969: 3967:0-679-41351-0 3963: 3959: 3955: 3951: 3950: 3946: 3940: 3934: 3930: 3925: 3921: 3917: 3911: 3907: 3903: 3899: 3895: 3891: 3886: 3885: 3882: 3878: 3873: 3857: 3855: 3847: 3844: 3832: 3828: 3822: 3819: 3806: 3805: 3800: 3798: 3794: 3786: 3783: 3771: 3764: 3761: 3749: 3745: 3739: 3736: 3724: 3723: 3718: 3712: 3709: 3696: 3695: 3690: 3684: 3681: 3669: 3668: 3663: 3656: 3653: 3650:, p. 93. 3649: 3644: 3641: 3629: 3625: 3619: 3616: 3613: 3608: 3605: 3601: 3596: 3593: 3588: 3582: 3578: 3577: 3569: 3566: 3562: 3557: 3554: 3549: 3543: 3539: 3538: 3530: 3527: 3523: 3518: 3515: 3503: 3502: 3497: 3493: 3487: 3484: 3472: 3471: 3466: 3462: 3456: 3453: 3448: 3442: 3439: 3426: 3422: 3416: 3413: 3408: 3406:0-8166-3239-1 3402: 3398: 3393: 3392: 3386: 3379: 3376: 3371: 3365: 3361: 3360: 3352: 3349: 3345: 3339: 3336: 3331: 3329:0-521-23524-3 3325: 3321: 3314: 3311: 3299: 3295: 3289: 3286: 3283: 3279: 3276: 3271: 3268: 3263: 3257: 3253: 3252: 3244: 3241: 3236: 3234:9780748649341 3230: 3226: 3225: 3217: 3214: 3209: 3202: 3199: 3194: 3188: 3180: 3176: 3172: 3166: 3162: 3155: 3153: 3149: 3144: 3142:9781617958427 3138: 3134: 3133: 3125: 3122: 3117: 3115:9780773474895 3111: 3107: 3103: 3099: 3098: 3090: 3087: 3074: 3068: 3065: 3053: 3052:Boston Review 3049: 3042: 3039: 3034: 3032:9781476670195 3028: 3024: 3023: 3015: 3012: 3007: 3001: 2998:. Routledge. 2997: 2996: 2988: 2985: 2980: 2974: 2970: 2969: 2961: 2959: 2955: 2950: 2944: 2940: 2939: 2931: 2929: 2925: 2920: 2914: 2910: 2909: 2901: 2899: 2895: 2882: 2881: 2877: 2871: 2868: 2864: 2859: 2857: 2855: 2853: 2851: 2849: 2845: 2832: 2826: 2823: 2811: 2810: 2805: 2801: 2795: 2792: 2787: 2781: 2777: 2776: 2768: 2765: 2760: 2754: 2750: 2749: 2741: 2738: 2733: 2727: 2723: 2722: 2714: 2711: 2705: 2702: 2698: 2693: 2690: 2686: 2681: 2678: 2674: 2669: 2666: 2662: 2657: 2654: 2650: 2646: 2641: 2638: 2633: 2627: 2623: 2619: 2618: 2613: 2607: 2604: 2592: 2591: 2586: 2579: 2576: 2572: 2568: 2564: 2561: 2556: 2553: 2549: 2543: 2540: 2527: 2523: 2522: 2517: 2511: 2508: 2504: 2498: 2495: 2491: 2490: 2485: 2481: 2478: 2472: 2469: 2465: 2461: 2456: 2453: 2448: 2442: 2438: 2434: 2433:Bloom, Harold 2428: 2425: 2422:, p. 24. 2421: 2416: 2413: 2409: 2404: 2401: 2398:Scott (2002). 2395: 2392: 2388: 2384: 2379: 2376: 2372: 2366: 2363: 2358: 2351: 2348: 2343: 2336: 2333: 2329: 2324: 2321: 2317: 2312: 2309: 2305: 2300: 2297: 2293: 2288: 2285: 2281: 2276: 2273: 2270:, p. 17. 2269: 2264: 2261: 2249: 2245: 2238: 2235: 2231: 2226: 2223: 2219: 2215: 2214: 2206: 2203: 2199: 2194: 2191: 2187: 2182: 2179: 2176:, p. 49. 2175: 2170: 2168: 2164: 2160: 2156: 2151: 2148: 2144: 2140: 2135: 2132: 2128: 2124: 2119: 2116: 2112: 2108: 2103: 2100: 2096: 2092: 2087: 2084: 2080: 2076: 2071: 2068: 2064: 2060: 2055: 2052: 2045: 2040: 2035: 2033: 2031: 2027: 2026: 2022:. Similar to 2021: 2017: 2012: 2010: 2005: 2001: 1997: 1993: 1991: 1990: 1985: 1981: 1977: 1973: 1969: 1968: 1963: 1959: 1955: 1953: 1952: 1946: 1944: 1940: 1936: 1935:Warsaw Ghetto 1932: 1928: 1924: 1923: 1918: 1916: 1912: 1907: 1904: 1903:Belmont Prize 1899: 1897: 1896: 1891: 1890:David Fincher 1886: 1884: 1880: 1879: 1874: 1870: 1868: 1864: 1863: 1858: 1854: 1850: 1849: 1843: 1841: 1837: 1833: 1829: 1825: 1823: 1822: 1817: 1816:Arnold Wesker 1813: 1811: 1810:Braham Murray 1807: 1803: 1798: 1796: 1792: 1788: 1783: 1781: 1780: 1775: 1771: 1769: 1765: 1761: 1759: 1755: 1754:Gabriel Fauré 1751: 1747: 1743: 1739: 1735: 1728: 1723: 1719: 1715: 1711: 1708: 1704: 1703: 1698: 1697:Reynaldo Hahn 1695: 1692: 1688: 1684: 1680: 1676: 1672: 1669: 1665: 1661: 1658: 1657: 1653: 1648: 1647:Hayley Atwell 1645:as Bassanio, 1644: 1640: 1636: 1632: 1628: 1625:Broadcast on 1624: 1621: 1617: 1614:as Bassanio, 1613: 1609: 1605: 1601: 1597: 1596: 1591: 1588: 1584: 1581: 1577: 1573: 1569: 1568: 1563: 1560: 1559:Henry Goodman 1556: 1552: 1548: 1544: 1541: 1537: 1533: 1529: 1525: 1522: 1518: 1514: 1510: 1506: 1502: 1498: 1495: 1491: 1487: 1483: 1479: 1478:Victorian era 1475: 1471: 1467: 1463: 1459: 1456: 1452: 1448: 1444: 1440: 1439: 1434: 1430: 1426: 1423: 1419: 1418: 1413: 1410: 1409: 1404: 1401: 1397: 1393: 1390:and starring 1389: 1388:Pierre Billon 1385: 1381: 1380: 1375: 1372: 1368: 1367: 1362: 1359: 1355: 1351: 1347: 1346: 1341: 1337: 1333: 1329: 1325: 1324: 1319: 1316: 1312: 1308: 1307: 1302: 1299: 1295: 1291: 1290: 1285: 1284: 1280: 1278: 1272: 1270: 1268: 1263: 1262:Venetian Jews 1259: 1256:and starring 1255: 1251: 1246: 1243: 1239: 1235: 1230: 1228: 1224: 1220: 1216: 1212: 1208: 1204: 1200: 1196: 1192: 1187: 1185: 1181: 1177: 1174:Jewish actor 1171: 1163: 1158: 1153: 1149: 1147: 1143: 1139: 1135: 1131: 1127: 1125: 1121: 1117: 1112: 1110: 1106: 1102: 1099: 1096:in line with 1095: 1091: 1087: 1083: 1079: 1075: 1067: 1061: 1057: 1055: 1051: 1047: 1042: 1040: 1036: 1032: 1027: 1024: 1015: 1008: 999: 983: 977: 975: 974:homosociality 971: 963: 958: 954: 949: 945: 942: 936: 932: 920: 919:instruction. 878: 870: 864: 858: 854: 850: 840: 837: 829: 819: 815: 809: 808: 803:This section 801: 797: 792: 791: 785: 783: 780: 775: 773: 769: 768: 763: 759: 755: 751: 746: 744: 740: 736: 732: 731:Kristallnacht 728: 724: 719: 717: 713: 709: 705: 704: 699: 695: 690: 688: 684: 680: 676: 672: 668: 664: 656: 652: 648: 644: 640: 638: 634: 623: 614: 610: 607:This section 605: 602: 598: 597: 591: 586: 584: 582: 578: 574: 570: 566: 565:James Roberts 562: 558: 554: 549: 547: 543: 539: 534: 533:Francis Meres 530: 523:Date and text 522: 520: 518: 517: 512: 508: 504: 500: 499: 493: 485: 480: 474: 469: 462: 460: 456: 452: 450: 445: 439: 434: 428: 422: 419: 418:famous speech 415: 410: 408: 402: 396: 391: 387: 384: 379: 376: 371: 366: 364: 360: 356: 352: 348: 344: 340: 336: 329: 325: 323: 317: 310: 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 268: 265: 262: 259: 256: 253: 250: 247: 244: 241: 238: 235: 232: 229: 228: 223: 221: 219: 215: 211: 207: 202: 200: 196: 192: 188: 183: 181: 177: 173: 169: 166:is a play by 165: 164: 154: 151: 147: 144: 141: 137: 134: 131: 127: 124: 121: 117: 114: 111: 107: 101: 98: 96: 93: 91: 88: 86: 83: 81: 78: 77: 75: 71: 68: 65: 61: 56: 50: 45: 40: 37: 33: 19: 6522:Stereophonic 6520: 6514:Leopoldstadt 6512: 6504: 6493: 6487:The Ferryman 6485: 6479: 6471: 6463: 6455: 6447: 6439: 6431: 6423: 6415: 6407: 6399: 6391: 6383: 6375: 6367: 6359: 6351: 6345: 6337: 6331:2001–present 6318: 6310: 6302: 6294: 6288:Master Class 6286: 6278: 6270: 6262: 6254: 6246: 6238: 6230: 6224:M. Butterfly 6222: 6214: 6206: 6198: 6190: 6182: 6174: 6166: 6158: 6150: 6142: 6134: 6128: 6120: 6101: 6095: 6084: 6075: 6070: 6069: 6063: 6057: 6051: 5957:(son-in-law) 5951:(son-in-law) 5889:Susanna Hall 5830: 5819:Institutions 5798: 5643:Coat of arms 5636:Translations 5628: 5624:Bibliography 5591:To the Queen 5589: 5582: 5564: 5557: 5549: 5542: 5535: 5528: 5520: 5513: 5506: 5499: 5492: 5485: 5478: 5469: 5461: 5454: 5447: 5440: 5433: 5425: 5418: 5411: 5384: 5377: 5370: 5363: 5349: 5311:Performances 5255:Second Folio 5223: 5216: 5207: 5200: 5192: 5185: 5178: 5169: 5162: 5157: 5150: 5142: 5135: 5115: 5108: 5101: 5094: 5087: 5080: 5073: 5066: 5059: 5052: 5045: 5025: 5017: 5010: 5003: 4996: 4989: 4981: 4974: 4967: 4960: 4954: 4953: 4946: 4939: 4932: 4925: 4918: 4911: 4809: 4801: 4793: 4787:The Merchant 4785: 4777: 4758: 4749: 4743: 4734: 4688: 4655: 4648: 4641: 4590: 4589: 4534: 4518: 4507: 4494: 4480: 4460: 4445: 4444:Smith, Rob: 4427: 4374: 4368: 4364: 4360: 4356: 4319: 4313: 4309: 4299: 4283: 4263: 4241: 4205: 4201: 4182: 4146: 4140: 4114: 4104:13 September 4102:. Retrieved 4096: 4070: 4054:. Springer. 4051: 4032: 4017:. Retrieved 3989: 3983: 3957: 3954:Adler, Jacob 3928: 3918:– via 3889: 3880: 3879:Editions of 3859:. Retrieved 3853: 3846: 3834:. Retrieved 3830: 3821: 3809:. Retrieved 3802: 3796: 3795:reconsiders 3792: 3785: 3773:. Retrieved 3763: 3753:16 September 3751:. Retrieved 3747: 3738: 3726:. Retrieved 3720: 3711: 3699:. Retrieved 3697:. 4 May 2010 3692: 3683: 3671:. Retrieved 3665: 3655: 3648:Burnett 2007 3643: 3633:26 September 3631:. Retrieved 3627: 3618: 3607: 3595: 3575: 3568: 3561:Burnett 2007 3556: 3536: 3529: 3522:Gross (1994) 3517: 3507:16 September 3505:. Retrieved 3501:The Guardian 3499: 3486: 3476:16 September 3474:. Retrieved 3468: 3461:Chan, Sewell 3455: 3441: 3429:. Retrieved 3424: 3421:"Fire Angel" 3415: 3390: 3378: 3358: 3351: 3343: 3338: 3319: 3313: 3303:16 September 3301:. Retrieved 3297: 3288: 3270: 3250: 3243: 3223: 3216: 3207: 3201: 3160: 3131: 3124: 3096: 3089: 3077:. Retrieved 3067: 3055:. Retrieved 3051: 3041: 3021: 3014: 2994: 2987: 2967: 2937: 2907: 2885:. Retrieved 2878: 2870: 2835:. Retrieved 2825: 2815:22 September 2813:. Retrieved 2807: 2794: 2774: 2767: 2747: 2740: 2720: 2713: 2704: 2697:Adler (1999) 2692: 2685:Adler (1999) 2680: 2668: 2661:Adler (1999) 2656: 2648: 2645:Adler (1999) 2640: 2616: 2612:Bassi, Shaul 2606: 2594:. Retrieved 2588: 2578: 2570: 2555: 2547: 2542: 2530:. Retrieved 2520: 2510: 2502: 2497: 2487: 2471: 2459: 2455: 2436: 2427: 2420:Bloom (2007) 2415: 2408:Bloom (2007) 2403: 2394: 2382: 2378: 2370: 2365: 2356: 2350: 2341: 2335: 2328:Shapiro 2016 2323: 2311: 2299: 2287: 2275: 2263: 2251:. Retrieved 2247: 2237: 2225: 2217: 2212: 2205: 2193: 2186:Bloom (2007) 2181: 2154: 2150: 2138: 2134: 2122: 2118: 2106: 2102: 2090: 2086: 2074: 2070: 2058: 2054: 2029: 2023: 2015: 2013: 1999: 1994: 1987: 1983: 1979: 1975: 1971: 1965: 1961: 1956: 1949: 1947: 1943:World War II 1920: 1919: 1914: 1908: 1900: 1893: 1887: 1876: 1871: 1860: 1852: 1846: 1844: 1839: 1831: 1826: 1821:The Merchant 1819: 1814: 1801: 1799: 1786: 1784: 1777: 1772: 1767: 1762: 1745: 1741: 1732: 1717: 1700: 1691:F. R. Benson 1663: 1643:Colin Morgan 1641:as Antonio, 1637:as Shylock, 1635:Andrew Scott 1616:Lynn Collins 1610:as Antonio, 1608:Jeremy Irons 1606:as Shylock, 1593: 1586: 1565: 1546: 1540:Haydn Gwynne 1527: 1523:as Bassanio. 1521:John Nettles 1507:directed by 1500: 1490:Jeremy Brett 1488:as Antonio, 1484:as Shylock, 1461: 1451:Charles Gray 1447:Frank Finlay 1443:Maggie Smith 1436: 1428: 1422:Orson Welles 1415: 1406: 1396:Andrée Debar 1392:Michel Simon 1386:directed by 1377: 1369:, an Indian 1364: 1343: 1331: 1327: 1321: 1304: 1287: 1276: 1252:directed by 1247: 1241: 1231: 1199:Henry Irving 1188: 1173: 1141: 1128: 1113: 1098:neoclassical 1081: 1071: 1050:Jeremy Irons 1043: 1030: 1022: 1020: 1013: 997: 981: 980: 967: 941:Harold Bloom 937: 933: 929: 876: 868: 867: 861: 857:Thomas Sully 852: 832: 823: 812:Please help 807:verification 804: 776: 765: 749: 747: 734: 720: 716:happy ending 701: 697: 691: 663:English Jews 660: 646: 637:Harold Bloom 630: 617: 613:adding to it 608: 569:Thomas Heyes 550: 541: 537: 528: 526: 514: 506: 496: 489: 483: 472: 457: 453: 440: 426: 423: 411: 403: 399: 394: 380: 370:antisemitism 367: 332: 327: 320: 311:Plot summary 218:anti-Semitic 203: 184: 162: 161: 160: 55:first quarto 36: 6555:1590s plays 6449:All the Way 6361:Take Me Out 5995:WikiProject 5682:The Theatre 5668:Handwriting 5494:The Puritan 5285:Characters 5250:First Folio 5218:Richard III 4998:The Tempest 4771:Adaptations 4650:Il Pecorone 4549:Shaul Bassi 4381:: 222–233. 4359:in Taipei: 3861:17 December 3836:17 December 3811:17 December 3748:BBC Radio 3 3425:bufvc.ac.uk 2863:Pearce 2009 2800:Guy, Randor 2620:. Venezia: 2590:Smithsonian 2464:4.1.285–298 2280:Dautch 2016 2268:Burrin 2005 2143:4.1.344–346 2004:BBC Radio 3 1986:, based on 1937:during the 1922:The Pianist 1901:The German 1744:. His play 1707:Paris Opéra 1627:BBC Radio 3 1622:as Jessica. 1555:Trevor Nunn 1515:as Portia, 1513:Gemma Jones 1470:John Sichel 1311:Walter West 1203:Ellen Terry 1191:Edwin Booth 1180:Edmund Kean 1176:Jacob Adler 1157:Edmund Kean 1155:A print of 1124:Edmund Kean 1026:W. H. Auden 959:(1895–1935) 762:Inquisition 760:, than the 687:Blood Libel 633:antisemitic 581:First Folio 577:False Folio 542:St. Andrew, 498:Il Pecorone 473:Il Pecorone 191:First Folio 123:First Folio 6539:Categories 6480:Admissions 6465:The Humans 6320:Copenhagen 5919:Mary Arden 5903:(daughter) 5891:(daughter) 5767:Bardolatry 5677:King's Men 5619:Birthplace 5306:Chronology 5225:Henry VIII 5152:Richard II 5144:Edward III 5054:Coriolanus 4599:Characters 4469:0801856485 4019:26 October 3898:Bloomsbury 3079:11 October 3057:11 October 2887:20 October 2837:10 October 2304:Hales 1894 2292:Ravid 1992 2046:References 1911:Alan Isler 1865:(1991), a 1812:directed. 1802:Fire Angel 1738:Paul Porel 1639:Ray Fearon 1585:2003 – In 1572:Don Selwyn 1542:as Portia. 1496:as Portia. 1384:drama film 1294:Lois Weber 1168:See also: 1120:Drury Lane 1074:King James 855:(1835) by 826:April 2024 679:John Donne 649:(1876) by 620:April 2023 507:The Orator 355:the Indies 319:Gilbert's 224:Characters 73:Characters 63:Written by 6425:War Horse 6122:Streamers 6114:1976–2000 6044:1955–1975 5949:John Hall 5939:(brother) 5927:(brother) 5859:(replica) 5799:Star Trek 5787:Memorials 5782:Influence 5772:Festivals 5714:Sexuality 5704:Portraits 5699:New Place 5551:Ur-Hamlet 5487:Mucedorus 5397:Apocrypha 5137:King John 5128:Histories 5075:King Lear 5038:Tragedies 4934:Cymbeline 4757:Musical: 4667:On screen 4419:161349603 4403:0742-5457 4395:1527-2109 4340:0013-8274 4326:: 24–26. 4222:0334-701X 4171:0013-8266 4163:1477-4534 4006:169983679 3992:: 55–92. 3985:Humanitas 3791:"Review: 3775:9 October 3728:5 October 3701:5 October 3673:5 October 3431:5 October 3187:cite book 3179:863695327 2809:The Hindu 2475:Reuters. 2387:3.1.50–72 2174:Muir 2005 1989:King Lear 1960:combines 1883:Amon Göth 1848:Star Trek 1712:The late 1604:Al Pacino 1532:Channel 4 1509:Jack Gold 1315:Broadwest 1258:Al Pacino 1211:Manhattan 1114:In 1741, 1046:Al Pacino 733:in 1938, 665:had been 561:copyright 5985:Category 5933:(sister) 5921:(mother) 5915:(father) 5427:Cardenio 5316:Settings 5264:See also 5187:Henry VI 5158:Henry IV 4904:Comedies 4748:(1935); 4616:Bassanio 4540:LibriVox 4411:41306478 4240:(2016). 4230:20101128 4181:(2005). 4010:Archived 3956:(1999). 3278:Archived 2596:19 April 2563:Archived 2532:10 April 2526:Archived 2518:(1915). 2480:Archived 2435:(2010). 1927:a memoir 1830:'s play 1818:'s play 1683:Brighton 1670:in 1905. 1536:Bob Peck 1464:British 1330:), also 1223:Broadway 1011:— 998:BASSANIO 923:— 869:SALARINO 750:Observer 741:(1938), 671:Edward I 667:expelled 553:Register 351:Tripolis 335:Venetian 237:Bassanio 176:Bassanio 95:Bassanio 6168:Amadeus 5777:Gardens 5653:Editors 5456:Locrine 5449:Fair Em 5281:Henriad 5180:Henry V 5089:Othello 5082:Macbeth 4822:Related 4795:Shylock 4760:Shylock 4742:Opera: 4736:Shylock 4690:Shylock 4635:Sources 4626:Jessica 4611:Antonio 4606:Shylock 4522:at the 4361:Yue/Shu 3874:Sources 3827:"Plays" 3387:(ed.). 2159:4.1.410 2127:4.1.192 1980:Othello 1967:Othello 1867:Klingon 1746:Shylock 1675:Beecham 1664:Jessika 1592:2004 – 1564:2002 – 1545:2001 – 1526:1996 – 1499:1980 – 1460:1973 – 1427:1972 – 1414:1969 – 1405:1961 – 1376:1953 – 1366:Shylock 1363:1941 – 1320:1923 – 1303:1916 – 1286:1914 – 1242:Theater 1234:revenge 1227:Yiddish 1217:in the 1207:Yiddish 1170:Shylock 1101:decorum 1084:, with 1031:Sonnets 982:ANTONIO 877:SHYLOCK 767:The Jew 758:Abraham 677:. Poet 555:of the 433:quibble 363:England 347:Antonio 322:Shylock 270:Jessica 264:Shylock 231:Antonio 189:in the 180:Shylock 172:Antonio 149:Setting 129:Subject 113:English 100:Jessica 85:Shylock 80:Antonio 6525:(2024) 6517:(2023) 6509:(2022) 6498:(2020) 6490:(2019) 6482:(2018) 6476:(2017) 6468:(2016) 6460:(2015) 6452:(2014) 6444:(2013) 6436:(2012) 6433:Tribes 6428:(2011) 6420:(2010) 6412:(2009) 6409:Ruined 6404:(2008) 6396:(2007) 6388:(2006) 6380:(2005) 6372:(2004) 6364:(2003) 6356:(2002) 6342:(2001) 6323:(2000) 6315:(1999) 6307:(1998) 6299:(1997) 6291:(1996) 6283:(1995) 6275:(1994) 6267:(1993) 6259:(1992) 6251:(1991) 6243:(1990) 6235:(1989) 6227:(1988) 6219:(1987) 6216:Fences 6211:(1986) 6203:(1985) 6195:(1984) 6187:(1983) 6179:(1982) 6171:(1981) 6163:(1980) 6155:(1979) 6147:(1978) 6139:(1977) 6125:(1976) 6106:(1975) 6089:(1956) 6081:(1955) 5974:† Lost 5885:(wife) 5876:Family 5749:Legacy 5321:Scenes 5061:Hamlet 4814:(2002) 4806:(2001) 4803:Yasser 4798:(1996) 4790:(1976) 4782:(1938) 4763:(1987) 4754:(1982) 4739:(1889) 4693:(1940) 4621:Portia 4467: 4452: 4434: 4417: 4409: 4401: 4393: 4348:818931 4346: 4338: 4291: 4248: 4228: 4220: 4189: 4169: 4161: 4121: 4077: 4058: 4039: 4004: 3964: 3935: 3912: 3583: 3544: 3403: 3366: 3326: 3258: 3231: 3177: 3167: 3139: 3112: 3029: 3002: 2975: 2945: 2915: 2782: 2755: 2728: 2628: 2443: 2253:26 May 2111:3.2.69 2095:2.7.11 1654:Operas 1474:ABC-TV 1132:wrote 1094:Gobbos 1090:masque 743:Berlin 739:Lübeck 694:Quarto 669:under 587:Themes 573:quarto 538:Andrew 449:in use 359:Mexico 343:ducats 339:Portia 249:Portia 210:Portia 187:comedy 153:Venice 119:Series 90:Portia 57:(1600) 6339:Proof 6200:As Is 6103:Equus 5897:(son) 5739:Grave 5729:Style 5694:Music 5611:works 5576:Poems 5405:Plays 5343:Poems 4895:Plays 4727:Music 4415:S2CID 4407:JSTOR 4391:eISSN 4377:(1). 4344:JSTOR 4322:(7). 4226:JSTOR 4159:eISSN 4013:(PDF) 4002:S2CID 3980:(PDF) 3399:–27. 2079:2.7.8 2063:2.7.5 2041:Notes 1895:Seven 1857:Chang 1576:Māori 1574:. In 1238:pride 1184:clown 1039:usury 1035:Dante 772:Sheva 727:Nazis 708:grace 546:Cádiz 431:(see 427:flesh 407:Padua 375:pound 139:Genre 6473:Oslo 5734:Will 5609:and 5606:Life 4718:2004 4714:(TV) 4712:1980 4707:1969 4702:1961 4697:1953 4684:1923 4679:1916 4674:1914 4465:ISBN 4450:ISBN 4432:ISBN 4399:ISSN 4367:)". 4365:Bond 4336:ISSN 4289:ISBN 4246:ISBN 4218:ISSN 4187:ISBN 4167:ISSN 4119:ISBN 4106:2019 4075:ISBN 4056:ISBN 4037:ISBN 4021:2017 3962:ISBN 3933:ISBN 3910:ISBN 3863:2019 3838:2019 3813:2019 3777:2018 3755:2018 3730:2018 3703:2018 3675:2018 3635:2018 3581:ISBN 3542:ISBN 3509:2018 3478:2018 3433:2018 3401:ISBN 3364:ISBN 3324:ISBN 3305:2018 3256:ISBN 3229:ISBN 3193:link 3175:OCLC 3165:ISBN 3137:ISBN 3110:ISBN 3081:2018 3059:2018 3027:ISBN 3000:ISBN 2973:ISBN 2943:ISBN 2913:ISBN 2889:2018 2839:2018 2817:2016 2780:ISBN 2753:ISBN 2726:ISBN 2626:ISBN 2598:2024 2534:2023 2441:ISBN 2255:2024 1984:Fool 1964:and 1845:The 1795:1983 1793:and 1791:1942 1549:, a 1530:, a 1453:and 1398:and 1356:and 1313:for 1296:and 1109:Rowe 951:Sir 777:The 492:bond 383:will 361:and 212:on " 133:Debt 6417:Red 6312:Wit 5294:L–Z 5289:A–K 4588:'s 4499:at 4485:at 4383:doi 4328:doi 4312:". 4210:doi 4151:doi 3994:doi 3902:doi 2569:at 2216:", 1998:'s 1941:in 1929:by 1913:'s 1888:In 1875:'s 1859:in 1342:'s 1213:'s 816:by 615:. 509:by 501:by 201:". 6541:: 6350:/ 6144:Da 6133:/ 6100:/ 6074:/ 6068:/ 6062:/ 6056:/ 5968:✻ 5430:✻† 4511:, 4463:. 4448:. 4413:. 4405:. 4397:. 4389:. 4375:28 4373:. 4342:. 4334:. 4320:77 4318:. 4224:. 4216:. 4204:. 4165:. 4157:. 4147:IX 4145:. 4139:. 4095:. 4008:. 4000:. 3990:24 3988:. 3982:. 3908:. 3900:. 3892:. 3829:. 3801:. 3746:. 3719:. 3691:. 3664:. 3626:. 3498:. 3467:. 3423:. 3397:15 3296:. 3189:}} 3185:{{ 3173:. 3151:^ 3108:. 3104:: 3100:. 3050:. 2957:^ 2927:^ 2897:^ 2847:^ 2806:. 2624:. 2587:. 2486:, 2462:, 2385:, 2246:. 2166:^ 2157:, 2141:, 2125:, 2109:, 2093:, 2077:, 2061:, 1992:. 1945:. 1760:. 1449:, 1445:, 1394:, 1352:, 1148:. 409:. 357:, 353:, 6029:e 6022:t 6015:v 5675:/ 5554:† 5525:✻ 5474:† 5228:✻ 5209:3 5202:2 5197:✻ 5194:1 5171:2 5164:1 5147:✻ 5022:✻ 4986:✻ 4879:e 4872:t 4865:v 4846:" 4842:" 4839:" 4835:" 4832:" 4828:" 4578:e 4571:t 4564:v 4551:. 4456:. 4440:. 4421:. 4385:: 4363:( 4350:. 4330:: 4304:. 4295:. 4270:. 4254:. 4232:. 4212:: 4206:6 4195:. 4173:. 4153:: 4127:. 4108:. 4083:. 4064:. 4045:. 4023:. 3996:: 3970:. 3941:. 3922:. 3904:: 3865:. 3852:" 3840:. 3815:. 3757:. 3732:. 3705:. 3677:. 3637:. 3589:. 3550:. 3511:. 3480:. 3435:. 3409:. 3372:. 3332:. 3307:. 3264:. 3237:. 3195:) 3181:. 3145:. 3118:. 3083:. 3061:. 3035:. 3008:. 2981:. 2951:. 2921:. 2891:. 2865:. 2841:. 2819:. 2788:. 2761:. 2734:. 2634:. 2600:. 2536:. 2466:. 2449:. 2389:. 2373:. 2330:. 2318:. 2306:. 2294:. 2282:. 2257:. 2209:" 2161:. 2145:. 2129:. 2113:. 2097:. 2081:. 2065:. 1789:( 1582:. 1457:. 1402:. 1360:. 1326:( 1317:. 839:) 833:( 828:) 824:( 810:. 622:) 618:( 435:) 34:. 20:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index