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in 1994). Jesperson signed the
Replacements to the label immediately after the band's debut at the Longhorn Bar in Minneapolis. By 1984, the label had released 41 records and grown large enough to support three paid staff members, with its biggest-selling records including the Suburbs' debut and the
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magazine. In 1998, Stark decided to stop releasing physical product in favor of digital media. The company is currently described as being "in mothballs", releasing only limited amounts of out-of-print material on
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By 1994, Twin/Tone had released more than 300 records by 100 bands and had begun to develop an umbrella relationship with several smaller, mostly
Minnesota-based indie labels, including:
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and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent
American labels such as
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Cost, J., Earles, A., Fritch, M., Hickey, M., Klinge, S., Miller, E., Olson, D., Rowland, H., Ryan, M., and
Valania, J.:
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that then dominated the
American underground scene to the more diverse styles of alternative rock that were emerging.
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A Tale of Twin Cities: Hüsker Dü, the
Replacements and the Rise and Fall of the ’80s Minneapolis Scene
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The label was headquartered at 2541 Nicollet Avenue in
Minneapolis, which had previously been home to
669:"I'm With the Bandwidth: Minneapolis label's proprietor, Paul Stark, is making a play for the future"
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171:, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the
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191:, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-
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398:. Hallman died in 2015. In 2017, the label was revived by Stark and Jesperson to release the
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206:, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group
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first two discs by the
Replacements. Other groups that signed with Twin/Tone include the
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730:"Minneapolis' legendary Twin/Tone Records comes back to life for Suicide Commandos"
440:"Give Them One Good Region: Local Labels Congregate In Cities Where Talent Gathers"
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History, artist roster, Billboard performance as an affiliate of A&M Records.
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Twin/Tone originated in the
Minneapolis punk rock scene. The label was begun by
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In 1995, Twin/Tone was recognized as a "significant regional label" by
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All Music Guide to Rock: The
Definitive Guide to Rock, Pop, and Soul
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Vladimir Bogdanov; Chris Woodstra; Stephen Thomas Erlewine (2002).
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CDs, though some of the more significant material was licensed to
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had an office space next door to Twin/Tone at 2539. Hüsker Dü's
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indie-rock scene. These labels presided over the shift from the
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The Replacements: All Over but the Shouting: An Oral History
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702:"RIP Charley Hallman, co-founder of Twin/Tone Records"
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588:"A Rock 'n' Roll Walking Tour of South Minneapolis"
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563:"Twin Cities' Twin Tone looks for esoteric talent"
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298:" had been recorded in the 1960s. For a time,
494:Rip It Up and Start Again: Postpunk 1978-1984
8:
796:Independent record labels based in Minnesota
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427:
806:Defunct companies based in Minneapolis
306:would later name his first solo work,
728:Riemenschneider, Chris (2017-04-27).
586:Sturdevant, Andy (October 17, 2019).
210:were both Twin/Tone's first release (
7:
786:Record labels disestablished in 1994
265:. British alternative-rock musician
791:American independent record labels
269:also released his 1990 solo album
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781:Record labels established in 1977
621:. Backbeat Books. pp. 510–.
282:, where garage-rock hits such as
438:Clark, Rick (25 February 1995),
38:
561:McCormick, Moira (1984-11-03).
801:Alternative rock record labels
667:Eisenbeis, Hans (1998-05-20).
540:. Voyageur Press. p. 65.
1:
338:Hakatak International Records
45:
466:"The Revival of Indie Rock"
464:Dolan, Jon (January 2005),
327:Amphetamine Reptile Records
827:
37:
811:Indie rock record labels
490:Reynolds, Simon (2006).
376:Guilt Ridden Pop Records
165:independent record label
44:Twin/Tone Records logo,
216:in 1978) and its last (
738:. Minneapolis-St. Paul
373:No Alternative Records
312:, after the location.
169:Minneapolis, Minnesota
140:Minneapolis, Minnesota
592:Mpls.St.Paul Magazine
416:List of record labels
334:Atomic Theory Records
596:Minneapolis-St. Paul
185:Touch and Go Records
536:Walsh, Jim (2009).
370:Red Decibel Records
366:UltraModern Records
362:Prospective Records
359:Spanish Fly Records
352:Medium Cool Records
348:Coyote/Lost Records
275:through the label.
231:Information Society
49: 1984–present
342:Boy's Life Records
331:Wide Angle Records
765:Twin/Tone Records
647:Twin/Tone Records
628:978-0-87930-653-3
505:978-1-1012-0105-3
498:. Penguin Books.
400:Suicide Commandos
161:Twin/Tone Records
158:
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129:Country of origin
33:Twin/Tone Records
16:(Redirected from
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280:Kay Bank Studios
227:Babes in Toyland
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115:Alternative rock
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740:. Retrieved
735:Star Tribune
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681:. Retrieved
677:the original
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650:. Retrieved
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570:. Retrieved
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474:, retrieved
472:, p. 53
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448:, retrieved
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296:Surfin' Bird
292:the Trashmen
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259:Pennsylvania
217:
211:
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173:Replacements
160:
159:
27:Record label
323:Hot Records
320:TRG Records
247:Soul Asylum
208:The Suburbs
181:SST Records
177:Soul Asylum
775:Categories
742:2018-08-11
714:2018-08-11
707:City Pages
683:2014-09-04
673:City Pages
601:2020-06-12
572:2014-09-04
422:References
394:, part of
304:Grant Hart
288:Liar, Liar
85:Paul Stark
643:"Artists"
567:Billboard
444:Billboard
404:Time Bomb
383:Billboard
300:Hüsker Dü
255:Curtiss A
223:Magnolias
167:based in
18:Twin/Tone
652:23 April
476:19 April
450:19 April
410:See also
396:Rykodisc
239:Jayhawks
189:Dischord
150:twintone
137:Location
386:custom-
261:-based
251:Wallets
235:Agitpop
193:Nirvana
163:was an
98: (
93:Defunct
71:Founder
61: (
56:Founded
625:
544:
524:Magnet
502:
388:burned
290:" and
257:, and
249:, the
237:, the
187:, and
108:Genre
654:2015
623:ISBN
542:ISBN
500:ISBN
478:2015
470:Spin
452:2015
309:2541
294:'s "
263:Ween
175:and
152:.com
132:U.S.
120:punk
100:1994
96:1994
63:1977
59:1977
286:' "
272:Eye
777::
732:.
704:.
671:.
645:.
594:.
590:.
565:.
522:,
468:,
442:,
430:^
406:.
253:,
245:,
241:,
233:,
229:,
225:,
183:,
46:c.
745:.
717:.
686:.
656:.
631:.
604:.
575:.
550:.
508:.
102:)
65:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
