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Two or Three Things I Know About Her

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452:: an attempt at description of a phenomenon known in mathematics and sociology as a 'complex'", and that "basically what I am doing is making the spectator share the arbitrary nature of my choices, and the quest for general rules which might justify a particular choice", adding: "I watch myself filming, and you hear me thinking aloud. In other words, it isn't a film, it's an attempt at a film and presented as such." He also said he "wanted to include everything: sports, politics, even groceries" in the film, and, indeed, the film's most famous shot is a lengthy 326:
apartment buildings on the outskirts of Paris, Juliette travels to the city proper, where she drops off her screaming daughter with a man who watches the children of several prostitutes in his brothel-like apartment. She shops for a dress at a fashionable store, goes to a cafe (where she sees several other housewife/prostitutes), has an appointment with a young client, and visits a beauty salon. Then, she and Marianne, her manicurist, visit her husband, Robert, at the garage/car wash at which he works, on their way to an appointment with John Bogus, a
339:-winning writer talks with a young female fan. When she gets home, Juliette reflects on a meaningful, but only partly-remembered, experience she had that day and does her typical evening routine. In bed, she tries, unsuccessfully, to talk with Robert about modern man and love before giving up and asking him for a cigarette. 602:
to debate with government official Jean St. Geours, who predicted that advertising would increase, as the basic impulse of the French society at the time was to increase its standard of living. Godard responded that he saw advertisers as pimps, who bring women to the point at which they give their
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for an American newspaper who Marianne has seen before. After having Juliette and Marianne parade back and forth naked (except for bags with airline logos on their heads), Bogus invites Juliette to join him and Marianne in bed, but Juliette refuses and, instead, thinks about her awareness of the
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The dramatic plot of the film presents just over 24 hours in the sophisticated, but empty, life of Juliette Jeanson, a bourgeois married mother of two young children who works as a prostitute during the day. The morning after an uneventful evening spent at her home in one of the new high-rise
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by looking into the camera and delivering monologues about their thoughts and lives, and a large percentage of the soundtrack is occupied by Godard's philosophical whispered narration about such topics as politics, reality, consciousness, and meaning.
494:, but Godard also had Vlady and some of the other actors wear earpieces while shooting, and he would sometimes feed them new lines or ask questions to which they were expected to give spontaneous answers that were appropriate to their characters. 595:, a term he equated with prostitution. Godard argued that a consumerist society demands a workforce living in regimented time and space and forced to work jobs they don't like, which he said was "a prostitution of the mind." 312:
Although there are actors reciting lines in many of the scenes, the film does not have the structure or style of a conventional narrative film (with an introduction, conflict, and resolution), and is, instead, more of an
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by Catherine Vimenet about prostitution among the housewives in the new high-rise suburbs of Paris. About his intentions, Godard stated that the film was "a continuation of the movement begun by
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about Godard's view of contemporary life. There are shots of the ongoing construction in Paris interspersed between and within the dramatized scenes, the cast often breaks the
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bodies without compunction by convincing them that what they can buy has more potential to bring happiness than does the loving enjoyment of sex.
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marks a turning point in Godard's filmography – one that may confound more narratively dependent audiences, but rewards repeated viewings."
1837: 31: 1872: 1311: 995: 712: 938: 1551: 1351: 1123: 502: 1431: 636:, it holds an approval rating of 94% based on 33 reviews, with an average score of 8.1/10; the site's "critics consensus" reads: " 1822: 1528: 1147: 1862: 1832: 1544: 1172: 1407: 1279: 1638: 1415: 475: 417: 336: 1670: 1455: 1140: 1088: 1005: 720: 1680: 661:
poll of the greatest films ever made, it received 19 top-10 votes (16 from critics and three from directors).
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Godard began production on the film in the summer of 1966. Shortly afterward, he was approached by producer
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A promotional poster for the film offered different meanings for the "her" of the title, each one a French
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demonstrates his growing disenchantment with the United States. This contrasts with his earlier
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was awarded the Prix Marilyn Monroe du Cinéma in 1967 from an all-woman jury that included
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The film was inspired by "Les Ă©toiles filantes" ("The Shooting Stars"), a 1966 article in
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Adrian Martin, commentary track on the Criterion Collection DVD edition of the film.
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Many critics regard the film as being among Godard's most significant works. On
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Jean-Luc Godard provides the whispered narration heard throughout the film.
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considers the film to be among the greatest achievements in filmmaking.
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Jean-Patrick Lebel as PĂ©cuchet, the man writing down what Bouvard says
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On 25 October 1966, Godard appeared on the French television program
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Marie Bourseiller as Solange Jeanson, Juliette and Robert's daughter
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Two or Three Things I Know About Her: Analysis of a Film by Godard
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as Bouvard, the man reading excerpts from random books in the cafe
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The small amount of music in the film includes an excerpt from
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Juliette lives in one of many high-rises being erected in the
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as the infrastructure for promoting a value system based on
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as Marianne, who works in a beauty salon and as a prostitute
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Joseph Gehrard as Mr. Gehrard, who runs the brothel/daycare
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As with many of Godard's films from the mid-1960s onward,
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Everything Is Cinema: The Working Life of Jean-Luc Godard
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The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette
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Trailer of the Film That Will Never Exist: "Phony Wars"
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2 or 3 Things I Know About Her: The Whole and Its Parts
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Roger Montsoret as Robert Jeanson, Juliette's husband
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Letter in Motion to Gilles Jacob and Thierry Frémaux
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HER, the bathroom that 70% of the French don't have
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(1988). 1894: 717:: The Whole and Its Parts" 1873:French comedy-drama films 1714:"The Bridge of Sighs" in 1705:"Les Trois DĂ©sastres" in 1639:A Letter to Freddy Buache 1416:Germany Year 90 Nine Zero 1186: 1170: 1114:Guzzetti, Alfred (1980). 559:HER, the modern call-girl 432:Background and production 56: 40: 35:Theatrical release poster 28: 1673:The French as Seen by... 1089:The H. W. 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Retrieved 850: 841: 833: 829: 810: 801: 789: 782:Wakeman 1988 760: 744: 714: 703: 686: 668: 656: 648: 647: 637: 627: 615: 607: 605: 599: 597: 588: 582: 580: 520: 496: 491: 489: 484: 480: 474: 468: 458: 447: 437: 435: 427: 402:Juliet Berto 396: 383:Anny Duperey 350:Marina Vlady 324: 311: 295: 289: 283: 274:) is a 1967 270: 260: 259: 258: 233:Running time 209:Release date 114:Marina Vlady 50: 18: 1783:Redoubtable 1563:Ro.Go.Pa.G. 1552:"Sloth" in 1296:La Chinoise 1173:Filmography 815:Monaco 1976 794:Monaco 1976 765:Monaco 1976 737:Monaco 1976 709:Taubin, Amy 671:CinemaScope 593:consumerism 418:Nobel Prize 337:Nobel Prize 333:Vietnam War 319:fourth wall 308:Description 285:La Chinoise 169:Argos Films 120:Narrated by 89:Produced by 61:Directed by 1818:1967 films 1812:Categories 1655:Meetin' WA 1344:Number Two 1256:Alphaville 1192:Breathless 1002:Amy Taubin 751:, p.  749:Brody 2008 695:References 675:Film Forum 617:Breathless 389:Raoul LĂ©vy 315:essay film 302:Amy Taubin 237:87 minutes 220:1967-03-17 156:Production 101:Raoul LĂ©vy 1751:Paparazzi 1503:Short and 1392:King Lear 1384:DĂ©tective 1376:Hail Mary 624:Reception 589:banlieues 584:banlieues 568:HER, the 553:HER, the 499:Beethoven 175:Parc Film 158:companies 138:Edited by 1775:One P.M. 1304:Week-end 1232:Contempt 1052:(1976). 1022:(2008). 991:AllMovie 681:See also 632:website 467:'s film 454:close-up 395:for the 250:Language 110:Starring 79:Based on 1743:Related 1505:segment 1360:Passion 1180:Feature 955:12 June 919:12 June 858:7 April 570:gestapo 507:F major 470:The Nun 444:Resnais 300:critic 291:Weekend 242:Country 218: ( 1735:(2023) 1727:(2014) 1719:(2014) 1710:(2013) 1701:(2010) 1693:(2002) 1684:(1998) 1676:(1988) 1667:(1987) 1658:(1986) 1650:(1985) 1642:(1982) 1627:(1976) 1619:(1972) 1611:(1969) 1602:(1967) 1593:(1965) 1584:(1964) 1575:(1963) 1566:(1962) 1557:(1962) 1548:(1958) 1540:(1958) 1532:(1957) 1524:(1955) 1516:(1955) 1491:(2018) 1483:(2014) 1475:(2010) 1467:(2004) 1459:(2001) 1451:(1996) 1443:(1995) 1435:(1993) 1427:(1993) 1419:(1991) 1411:(1990) 1403:(1987) 1395:(1987) 1387:(1985) 1379:(1985) 1371:(1983) 1363:(1982) 1355:(1980) 1347:(1975) 1339:(1972) 1331:(1969) 1323:(1969) 1315:(1968) 1307:(1967) 1299:(1967) 1291:(1967) 1283:(1966) 1275:(1966) 1267:(1965) 1259:(1965) 1251:(1964) 1243:(1964) 1235:(1963) 1227:(1963) 1219:(1963) 1211:(1962) 1203:(1961) 1195:(1960) 1122:  1095:  1068:  1038:  644:Awards 577:Themes 449:Muriel 266:French 253:French 245:France 200:Sirius 46:French 888:9 May 517:Title 513:135. 378:MĂ©tro 1707:3X3D 1664:Aria 1120:ISBN 1093:ISBN 1066:ISBN 1036:ISBN 980:IMDb 957:2022 921:2022 890:2019 860:2023 830:Zoom 600:Zoom 343:Cast 288:and 196:CFDC 1004:at 989:at 978:at 753:278 511:Op. 505:in 501:'s 446:in 191:UGC 1814:: 1091:. 1064:. 1034:. 941:. 910:. 876:. 849:. 822:^ 772:^ 729:^ 719:. 525:: 509:, 268:: 1156:e 1149:t 1142:v 1128:. 1101:. 1074:. 1044:. 959:. 923:. 892:. 862:. 755:. 723:. 713:" 264:( 222:)

Index


French
Jean-Luc Godard
Anatole Dauman
Raoul LĂ©vy
Marina Vlady
Raoul Coutard
UGC
French
French New Wave
Jean-Luc Godard
La Chinoise
Weekend
Village Voice
Amy Taubin
essay film
fourth wall
war correspondent
Vietnam War
Nobel Prize
Marina Vlady
Christophe Bourseiller
Yves Beneyton
MĂ©tro
Anny Duperey
Raoul LĂ©vy
war correspondent
Juliet Berto
Claude Miller
Nobel Prize

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