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147:. A secondary public lab contains multiple audio workstations that can be used to edit and process audio and video. The workstations can be used to transfer audio between formats, or create and edit creative projects. Each workstation has a Yamaha DX7, a mixer and an M-Box. The workstations run ProTools, Max/MSP, Amadeus, Peak, and other programs.
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during the 1970s. The Alles
Machine, the world's first digital additive synthesizer, used 72 computer controlled oscillators whose output was mixed to produce a number of discrete "voices." Only one full-length composition was recorded for the machine, before being acquired by TIMARA in 1981. Several
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The major in
Technology in Music and Related Arts is intended for students who desire a career in which traditional musical skills and understanding are combined with the exploration of the very latest techniques for musical expression. The program prepares a student for specialized graduate study in
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The TIMARA department was officially founded in 1967 by composer Olly Wilson as a response to the number of composition students who pursued studies in electronics. The program became the first in a series of departments in
American universities to allow for experimentation in
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The TIMARA Laboratories consist of five studios, each containing a state of the art audio workstation. Additional labs contain the department's extensive collection of instruments including original models of the
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notable for its importance in the history of electronic music. Established in 1967, TIMARA is well known as the world's first conservatory program in electronic music. Department alumni have included
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TIMARA now boasts two ensembles, OINC (Oberlin
Improvisation and Newmusic Collective) and WAM (Women in Arts and Music). Its current faculty include professors
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in 1877. The instrument, although no recordings have survived, is considered one of the first electronic instruments to garner international attention.
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Oberlin's extensive history with electronic music dates back to the mid-19th century due to its relationship with inventor
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commercial synthesizers based on the Alles design were released during the 1980s, including the
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Electronic and experimental music: pioneers in technology and composition
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27:(Technology in Music and Related Arts) is a program at the
276:"What is a Synthesizer and how does it work? |"
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Bibbins Hall, home of
Oberlin's TIMARA Laboratories.
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55:computer music, digital media and new performance.
228:"TIMARA: Technology in Music and the Related Arts"
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67:. Gray, considered to be the father of the modern
1262:Music organizations based in the United States
781:Western Reserve College and Preparatory School
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150:The laboratory was the recording location of
78:paved the way for another Oberlin physicist,
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1153:Center for New Music and Audio Technologies
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158:, as well as the original recordings of
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317:Holmes, Thomas B.; Thom Holmes (2002).
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583:Lewis Center for Environmental Studies
252:. Oberlin Conservatory. Archived from
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1277:Classical music in the United States
321:. Psychology Press. pp. 42–49.
818:Gibson's Bakery v. Oberlin College
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1282:Organizations established in 1967
1128:Computer Music Center at Columbia
440:"Another Chapter for Josh Ritter"
177:The lab was also the space where
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812:Cooper International Competition
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399:Oberlin College and Conservatory
758:Student Cooperative Association
1267:Electronic music organizations
347:Electrical World (McGraw-Hill)
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548:Oberlin Conservatory of Music
191:Bell Labs Digital Synthesizer
29:Oberlin Conservatory of Music
628:Presidents (chronologically)
543:College of Arts and Sciences
76:electromechanical oscillator
753:Shansi Memorial Association
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1225:Mortuos Plango, Vivos Voco
1133:Experimental Music Studios
1017:Composers Desktop Project
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608:Weltzheimer/Johnson House
573:Allen Memorial Art Museum
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197:designed by Hal Alles at
915:Gottfried Michael Koenig
640:Charles Grandison Finney
1189:Artificial intelligence
1184:Algorithmic composition
649:William Gay Ballantine
438:WEINSTEIN, ELIZABETH.
230:. Oberlin Conservatory
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19:
701:Carmen Twillie Ambar
662:Ernest Hatch Wilkins
658:Henry Churchill King
195:additive synthesizer
1163:Oberlin TIMARA Labs
1158:Princeton Sound Lab
603:TIMARA Laboratories
256:on 14 February 2014
168:The Yeah Yeah Yeahs
130:TIMARA Laboratories
1252:Experimental music
945:Jean-Claude Risset
905:Giuseppe di Giugno
747:The Oberlin Review
686:S. Frederick Starr
653:John Henry Barrows
486:2011-07-20 at the
419:"Faculty – TIMARA"
343:"Electrical World"
82:, who created the
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1199:Digital synthesis
890:Richard Boulanger
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774:(chronologically)
681:Emil C. Danenberg
666:William Stevenson
469:978-0-13-303231-4
442:. Oberlin College
69:music synthesizer
41:Dary John Mizelle
37:Christopher Rouse
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328:0-415-93644-6
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299:. Oberlin.edu
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297:"Elisha Gray"
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49:Amy X Neuburg
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33:Cory Arcangel
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1218:Illiac Suite
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1210:Compositions
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998:Programs and
970:Barry Vercoe
950:Curtis Roads
885:Marc Battier
829:Oberlin Band
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772:Predecessors
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727:Student life
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461:Joel Chadabe
456:
444:. Retrieved
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402:. Retrieved
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377:. Retrieved
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357:26 September
355:. Retrieved
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301:. Retrieved
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258:. Retrieved
254:the original
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232:. Retrieved
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116:George Lewis
105:
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84:telharmonium
73:
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24:
23:
1092:TidalCycles
1057:Music Mouse
1000:instruments
930:Gérard Pape
925:Max Mathews
920:Paul Lansky
446:23 February
379:23 February
260:22 February
234:22 February
156:debut album
94:as well as
65:Elisha Gray
1241:Categories
1177:Techniques
895:David Cope
593:Tank House
424:2024-08-31
404:2024-08-31
303:2013-09-02
282:2013-09-02
213:References
207:sound chip
154:eponymous
141:Buchla 200
120:David Lang
45:Dan Forden
1113:Bell Labs
1077:Riffusion
1072:Radiodrum
1062:Pure Data
691:Nancy Dye
635:Asa Mahan
566:Locations
471:, pg. 178
204:Atari AMY
199:Bell Labs
172:Liz Phair
145:EMS VCS 3
108:Tom Lopez
1082:Sonic Pi
741:Football
484:Archived
395:"TIMARA"
143:and the
137:ARP 2600
1067:MUSIC-N
1047:Max/MSP
965:Trimpin
960:The Hub
800:Related
763:WOBC-FM
588:Library
536:Schools
74:Grey's
1123:CEMAMu
1106:Places
1022:Csound
878:People
707:Others
619:People
467:
325:
179:REAPER
139:, the
25:TIMARA
1148:IRCAM
1118:CCRMA
1027:FAUST
1007:ChucK
735:FIELD
1143:ICMA
1138:ICEM
1097:UPIC
1037:Kyma
1032:HMSL
1012:Cmix
465:ISBN
448:2014
381:2014
359:2011
323:ISBN
262:2014
236:2014
189:The
170:and
47:and
1168:IEM
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238:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
