Knowledge (XXG)

Takashi Yoshimatsu

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320:. Often extended tertian harmonies are followed by whole tone harmonies (such as in the first movement of Symphony No. 5; or the first movement of his "Cyber Bird" Concerto for alto saxophone, which, in addition, makes use of free atonal jazz; or the final movement of his "Orion Machine" Concerto; or in his Saxophone Concerto "Albireo Mode"). His works for Japanese traditional instruments (such as 159:
fascinated him when he was 14. When he entered Keio High School, he had hoped to go to medical school, but eventually changed his aspirations to become a symphony writer. While studying at the Faculty of Engineering at
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at a private concert hosted by Harada (although he received no fee for the composition). In the meantime, he entered various composition competitions about 20 times and was unsuccessful, but in 1980,
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was selected for the Composition Prize of the Foundation for the Promotion of Symphony Music. Since then he composed a number of pieces before making his name with the
184:, but he gave up taking lessons after a few months and left the university in March 1974. At this time, while composing music as art music, he was also fascinated by 880: 865: 710: 900: 870: 855: 875: 860: 784: 203:
In 1975, through Matsumura's introduction, Yoshimatsu met Isao Harada, and on November 28, 1978, he made his debut as a composer by presenting
895: 742: 260:, underscoring his reputation with his 1985 guitar concerto. As of 2007, Yoshimatsu has presented six symphonies, 12 concertos: one each for 172:(Op. 1), shows a strong influence of contemporary music, including Matsumura's. He was introduced to Manabu Kawai, a professor at 905: 885: 890: 173: 121: 197: 156: 910: 249: 168:. Although he says that he was not influenced in any way by Matsumura's style, his 1974 solo piano piece, 792: 850: 152: 144: 296:, and various shorter pieces for ensembles of various sizes. His 'Atom Hearts Club Suites' for 738: 665: 281: 642: 297: 185: 830: 761: 596: 165: 161: 117: 317: 293: 277: 257: 143:. He did not receive formal musical training while growing up. Yoshimatsu was a fan of 844: 313: 253: 52: 221: 181: 148: 301: 234: 661: 193: 189: 216: 212: 312:
Takashi Yoshimatsu is a contemporary composer. The majority of his work is
233:'s New Library of Knowledge, 2004), there is a description that he won the 120:
classical music composer. He is well known for composing the score for the
273: 230: 64: 610: 285: 261: 177: 241:(p. 263), but Yoshimatsu himself has denied this on his website. 690: 269: 245: 136: 288:, chamber orchestra, traditional Japanese instruments, and two for 818: 289: 265: 140: 292:(one for the left hand only and one for both hands), a number of 331:
He has published some essays and primers about classical music.
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and contains simple, repeated progressions, or in some cases
328:) make use of traditional Japanese scales and tunings. 700:, for shakuhachi, 20-snare koto and orchestra, Op. 88 244:
Soon afterwards, Yoshimatsu became disenchanted with
200:, etc., and joined rock bands as a keyboard player. 78: 70: 60: 35: 21: 109: 466:, for piano (left hand) and orchestra, Op. 102 103: 711:Compositions for Guitar by Takashi Yoshimatsu 304:, Pink Floyd and Emerson, Lake & Palmer. 16:Japanese classical music composer (born 1953) 8: 728: 726: 698:Fugaku ...7 scenes of The Sacred Mount Fuji 620:Ainola Lyrical Ballads for Piano Left Hand, 675:, for shakuhachi and 20-snare koto, Op. 26 651:Works for traditional Japanese instruments 457:Soprano saxophone concerto, "Albireo mode" 18: 445:, for piano and string orchestra, Op. 73 403:, for piano and string orchestra, Op. 12 252:style with strong influences from jazz, 722: 352:Kamui-Chikap Symphony (Symphony No. 1) 248:music, and began to compose in a free 604:Piano Folio...to a Disappeared Pleiad 429:Alto saxophone concerto, "Cyber Bird" 7: 881:21st-century Japanese male musicians 866:20th-century Japanese male musicians 756: 754: 548:Prelude to the Celebration of Birds 443:While an Angel Falls into a Doze... 415:Bassoon Concerto, "Unicorn Circuit" 225:in 1981. In Hiroshi Aoshima's book 627:Gauche Dances for Piano Left Hand, 422:Trombone concerto, "Orion Machine" 151:when he was 13, but symphonies of 135:Yoshimatsu was born and raised in 14: 901:Japanese male classical composers 733:Takashi Yoshimatsu (2013-03-20). 408:Guitar Concerto, "Pegasus Effect" 871:21st-century classical composers 856:20th-century classical composers 578:, for eufonium and piano, Op. 80 450:Cello concerto, "Centaurus Unit" 876:21st-century Japanese composers 861:20th-century Japanese composers 536:, for string orchestra, Op. 79a 522:, for string orchestra, Op. 70b 170:To the companion star of Sirius 176:, who encouraged him to study 1: 562:Academic Festival Overture EX 326:Within Dreams, Without Dreams 164:, he became an apprentice of 896:Japanese classical composers 436:Piano concerto, "Memo Flora" 174:Tokyo University of the Arts 110: 927: 791:. 吉松隆公式サイト. Archived from 227:Composer's Way of Thinking 198:Emerson, Lake & Palmer 687:GAGAKU "Bird Dream Dance" 534:Atom Hearts Club Suite II 389:Birds and Angels, Op. 113 359:Symphony No. 2 "At Terra" 300:explicitly pay homage to 104: 28: 520:Atom Hearts Club Suite I 513:Ode to Birds and Rainbow 258:Japanese classical music 157:Pyotr Ilyich Tchaikovsky 29: 541:And Birds sing again... 506:Dream Colored Mobile II 906:Keio University alumni 634:6 Vignettes for Piano, 613:Visions for Left Hand, 527:And Birds Are Still... 471:Other orchestral works 464:Concert "Cepheus Note" 114:, born March 18, 1953) 886:Composers from Tokyo 762:"Takashi Yoshimatsu" 335:Notable compositions 153:Ludwig van Beethoven 891:Composers for piano 145:The Walker Brothers 831:Japan Arts profile 111:Yoshimatsu Takashi 99:Takashi Yoshimatsu 23:Takashi Yoshimatsu 744:978-4-39-393574-3 641:4 Romances from " 576:Metal Snail Suite 394:Concertante works 282:soprano saxophone 96: 95: 71:Years active 918: 837: 834: 833: 825: 822: 821: 804: 803: 801: 800: 785:"Q&A vol.04" 780: 774: 773: 771: 769: 758: 749: 748: 730: 705:Works for guitar 693:ensemble, Op. 69 499:White Landscapes 492:The Age of Birds 401:Threnody to Toki 340:Orchestral works 298:string orchestra 239:Threnody to Toki 186:progressive rock 115: 113: 107: 106: 92: 89: 87: 85: 49: 45: 43: 19: 926: 925: 921: 920: 919: 917: 916: 915: 841: 840: 835: 829: 828: 823: 817: 816: 813: 808: 807: 798: 796: 782: 781: 777: 767: 765: 760: 759: 752: 745: 732: 731: 724: 719: 707: 653: 597:Pleiades Dances 585: 571: 473: 396: 387:Symphony No. 6 347: 342: 337: 310: 205:Forgetful Angel 166:Teizo Matsumura 162:Keio University 133: 122:2003 remake of 101: 82: 56: 50: 47: 41: 39: 31: 24: 17: 12: 11: 5: 924: 922: 914: 913: 908: 903: 898: 893: 888: 883: 878: 873: 868: 863: 858: 853: 843: 842: 839: 838: 826: 812: 811:External links 809: 806: 805: 775: 750: 743: 721: 720: 718: 715: 714: 713: 706: 703: 702: 701: 694: 683: 676: 669: 652: 649: 648: 647: 637: 630: 623: 616: 606: 600: 592: 584: 581: 580: 579: 570: 567: 566: 565: 558: 551: 544: 537: 530: 523: 516: 509: 502: 495: 488: 481: 472: 469: 468: 467: 460: 453: 446: 439: 432: 425: 418: 411: 404: 395: 392: 391: 390: 383: 380:Symphony No. 5 376: 373:Symphony No. 4 369: 366:Symphony No. 3 362: 355: 346: 343: 341: 338: 336: 333: 318:pandiatonicism 309: 306: 278:alto saxophone 188:music such as 132: 129: 94: 93: 80: 76: 75: 72: 68: 67: 62: 58: 57: 51: 46:March 18, 1953 37: 33: 32: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 923: 912: 911:Living people 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 877: 874: 872: 869: 867: 864: 862: 859: 857: 854: 852: 849: 848: 846: 832: 827: 824:(in Japanese) 820: 819:Official blog 815: 814: 810: 795:on 2016-03-04 794: 790: 786: 779: 776: 763: 757: 755: 751: 746: 740: 737:. Shunjusha. 736: 729: 727: 723: 716: 712: 709: 708: 704: 699: 695: 692: 688: 684: 681: 680:MIROKU effect 677: 674: 670: 667: 664:and 17-snare 663: 659: 655: 654: 650: 646: 644: 643:Villon's Wife 638: 635: 631: 628: 624: 621: 617: 614: 612: 607: 605: 601: 599: 598: 593: 591: 587: 586: 582: 577: 573: 572: 569:Chamber music 568: 563: 559: 556: 552: 549: 545: 542: 538: 535: 531: 528: 524: 521: 517: 514: 510: 507: 503: 500: 496: 493: 489: 486: 482: 479: 475: 474: 470: 465: 461: 458: 454: 451: 447: 444: 440: 437: 433: 430: 426: 423: 419: 416: 412: 409: 405: 402: 398: 397: 393: 388: 384: 381: 377: 374: 370: 367: 363: 360: 356: 353: 349: 348: 344: 339: 334: 332: 329: 327: 323: 319: 315: 308:Musical style 307: 305: 303: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 247: 242: 240: 236: 232: 228: 224: 223: 218: 214: 210: 206: 201: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 158: 154: 150: 146: 142: 138: 130: 128: 126: 125: 119: 112: 100: 91: 81: 77: 73: 69: 66: 63: 59: 54: 53:Yoyogi, Tokyo 48:(age 71) 38: 34: 27: 20: 836:(in English) 797:. Retrieved 793:the original 788: 778: 766:. Retrieved 734: 697: 686: 679: 672: 657: 640: 633: 626: 619: 609: 603: 595: 589: 575: 561: 555:Fanfare 2001 554: 547: 540: 533: 526: 519: 512: 505: 498: 491: 484: 477: 463: 456: 449: 442: 435: 428: 421: 414: 407: 400: 386: 379: 372: 365: 358: 351: 330: 325: 321: 311: 250:neo-romantic 243: 238: 226: 220:Threnody to 219: 208: 204: 202: 182:counterpoint 169: 149:The Ventures 134: 123: 98: 97: 74:1975–present 851:1953 births 764:. JapanArts 302:the Beatles 235:Otaka prize 845:Categories 799:2007-12-28 717:References 673:Soh-Gyo-Fu 662:shakuhachi 658:U-Getsu-Fu 594:1986-2001 583:Piano solo 504:1993/1998 497:1991/1997 345:Symphonies 190:Pink Floyd 61:Occupation 42:1953-03-18 789:吉松隆 交響曲工房 590:Blue Myth 564:, Op. 103 508:, Op. 58a 501:, Op. 47a 487:, Op. 14a 217:serialist 213:orchestra 131:Biography 124:Astro Boy 735:作曲は鳥のごとく 668:, Op. 11 557:, Op. 84 550:, Op. 83 543:, Op. 81 529:, Op. 72 515:, Op. 60 494:, Op. 25 459:, Op. 93 452:, Op. 91 438:, Op. 67 431:, Op. 59 424:, Op. 55 417:, Op. 36 410:, Op. 21 382:, Op. 87 375:, Op. 82 368:, Op. 75 361:, Op. 43 354:, Op. 40 274:trombone 231:Kodansha 118:Japanese 65:Composer 636:Op. 105 611:Tapiola 480:, Op. 9 314:triadic 294:sonatas 286:marimba 262:bassoon 178:harmony 88:.coocan 79:Website 55:, Japan 768:24 May 741:  691:gagaku 689:, for 660:, for 629:Op. 96 622:Op. 95 615:Op. 92 485:Chikap 478:Dorian 324:, and 322:Subaru 270:guitar 246:atonal 209:Dorian 137:Yoyogi 86:.music 84:yoshim 783:吉松隆. 696:2002 685:1997 678:1987 671:1986 656:1980 639:2008 632:2008 625:2006 618:2006 608:2004 602:1997 588:1970 574:1999 560:2008 553:2000 546:2000 539:2000 532:1999 525:1997 518:1997 511:1994 490:1986 483:1982 476:1979 462:2007 455:2005 448:2003 441:1998 434:1997 427:1993 420:1993 413:1988 406:1984 399:1980 385:2013 378:2001 371:2000 364:1998 357:1991 350:1990 290:piano 266:cello 141:Tokyo 116:is a 770:2020 739:ISBN 666:koto 256:and 254:rock 237:for 222:Toki 211:for 180:and 155:and 147:and 105:吉松 隆 36:Born 30:吉松 隆 194:Yes 90:.jp 847:: 787:. 753:^ 725:^ 284:, 280:, 276:, 272:, 268:, 264:, 196:, 192:, 139:, 127:. 108:, 44:) 802:. 772:. 747:. 645:" 229:( 102:( 40:(

Index

Yoyogi, Tokyo
Composer
yoshim.music.coocan.jp
Japanese
2003 remake of Astro Boy
Yoyogi
Tokyo
The Walker Brothers
The Ventures
Ludwig van Beethoven
Pyotr Ilyich Tchaikovsky
Keio University
Teizo Matsumura
Tokyo University of the Arts
harmony
counterpoint
progressive rock
Pink Floyd
Yes
Emerson, Lake & Palmer
orchestra
serialist
Toki
Kodansha
Otaka prize
atonal
neo-romantic
rock
Japanese classical music
bassoon

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